Anda di halaman 1dari 46
Cony © 1964 by Ele Eateries I Conia © 1992 by Nei Simon ALL RUGHS RESERVED un Peo so ms ey waned a DARETOOT DY ee eres lly pte ter he capita TE Pak neta OY Ect cdg Se ae Se Til ly lig vi oS ct an palo Fede oe tn fy eed gr ae prtc igo DAREFOOT THE DAR en nous of escaion PLEASE NOTE tat sc a iar crc er Ped Se aie, a meg eet ih re pe ea te 0 Sea Hw Se oe ts Sar i yn ca 90 Fyn Tapani Hoo, Oso, ha a ‘Royalty of the required amount zoust be paid whether the play is presented for chavity o gain and whether or not ad sion inched se et eo ch be PEATME Seite nina ey Nin Nis Le cet ama pti carr sea Sd 0 can a wing on Sali an wi in wily fin yo ea en an Mer ot engi po omens aS cea Fes pom oo stent Tic an al omar aaionre ayaa of orion by wich Ue cop of re ight to api hs play may be ype Fiore sal mak ny change ipl ore ape op Palisa oF Bi ply des sok ply sash for pefomonee, Boh eaeicam al profesional coidening 4 peduton a sng) adel in rey eso apt to Semel Hea lee, forte ren. perison Pere tang esta, aversing of Doky ene iol in 3 Ya Osmo No part af Hur bok may Be sepodaced, rl i pan red in xf, y ay, bro a 1 be ni | oes hail clesenc, phtoiphiag, caning, “iSeping Sibi, waout her prin pesto fhe ublibr, TAN 0575 6OSE5 Danis USA BAREFOOT IN THE PARK, by Neil Simon, directed by Mike Nichols, was presented by Saint Subber at the Biltmore Theatre, N.Y.C,, Oct, 28, 1963. CAST OF CHARACTERS Conte Bearzen seseseeBlisabeth Ashley Herbert Edelman Joseph Keating seeseeressssRobert Redford Conte's Morten, Mrs. Bans s- Mildred Natwick ~Kurt Kasnar ‘Teureuowe Reparm Maw .. Deuivery Maw... Paut Bearrer ..... Victor Verasco SYNOPSIS OF SCENES ACT ONE The top floor of a brownstone on East 48th Street New York City, About 5:30 on a cold February afternoon, ACT TWO Scene 1: Four days tater, About 7:00 P.M. Scews 2: Later that night, About 2 A.M, ACT THREE ‘The following day. About 5.00 P.M. Barefoot in the Park ACT Scenr: A large one-roors apariment on the top floor of a old brownstone in the East Forties off Third Ave~ rue. The room is barren. A ladder, canvas drop cloth, ‘and @ couple of empty point cant stand forlornly in the center of the room. There is a huge skylight which pours the bright February SUNSHINE glar- ingly into the room. Through ihe skylight we can see the roofs and windows of Brownstones across the strect and the jramework of a large building under construction. Crests of clinging snow can be seen in the two windows under the skylight, At Stage Right, there is the entrance door, a step below the apartment itsel}. At Stoge Left, four steps lead to @ raised area from which two doors open, the Upstage ane leading to a bathroom, tke Left one to the bed: room. Although we can't see much of the latter, we will soon learn that it isn’t really @ bedroom. IV's a dressing room, about 5' = 4". The bathroom has no tub, Just a shower and a sink and what have you. On another raised section Up Right is the hitchem. It's not really a kitchen. IPs just an old stove, an older refrigerator and a chipped sink that stands nakedly Between them. Lipstage Lejt of this arca is another Platform on which stand a steomer trunk and a few suitcases. The room has just been freshly painted. Not carefully, maybe not pro} There is a small Fronkli below the platform, and an open lounstage Right. Completing ‘the fuonishines of the room ae 4 railing that runs Downstage of the entrance wall, and @ radiator that sits high on the Upstage Left ‘wall. For alt the room’s drabness and coldness, there 5 is gras promise here. Someo til ond personality can ok test we ol drenm about Ax Ruse: That person is now f cng Fe sand eyelet i coat, ‘She carries @ bougu lees. After putting the to the door, busses back, ‘dor and shouts down. Leh flowers down, and then opens Cone, Hello? {From the depths, possibly from the bottom of the earth, ‘we hear a VOICE shout up.) into the refrigerator.) ~ (From below, the VOICE ogain, this time @ little closer.) (Contz rushes to the door again and shouts down.) Conte, Up here! You have another floor to go. (Crossing back to the open suitcase she takes out three act BAREFOOT IN THE PARK , small logs and carries them to the stove. As she drops them in front of the stove, the voice oppears at the door. A tall, heovy-set Man in his mid-thir- ties, in a plaid wool jacket and baseball cop and Breathing very, very hard.) Man, Tel— (He tries to catch his breath.) Telephone Company. Conse. Oh, the phone. Good, Come on in, (He steps in, corrying a black leather repair kit.) Man. That Conn. Yes, front stoop. Max. I counted the front stoop. (Breath, breath, He looks at his notebook.) Paul Bravter, right? Come, Mrs. Paul Bi MAN. (Still checking back.) Princess Cont. The little one? That lights ‘Maw. The little one. ... (Breath, up... . (Breath, breath.) In beige. Swallows hard.) uite a— (Breath, breath.) quite a climb. five fights. If you don't count the hing yet. ‘MAN. A glass of water's fine. Conte. (Suddenly embarrassed.) . . . Expect I don't have a glass either. ‘MAN. Ob! ’s arrived yet . . . You could put your schlurp. ‘Max. No, V'm okay. Just a litle out of shape. (ds he stifly climbs up the step out of the well, he groans with pei er laking abou.) Where do. you want the e? Conte. (Looks around.) The phone. . . Let me see + Gee, I'don't know. Do you have any ideas?

Anda mungkin juga menyukai