2. Give a harmonic analysis of the last three phrases (from bar 44 onwards) of this chorale.
ale. Identify each chord by means of Roman numerals, using
brackets for applied chords, and circle each diminution and identify its type (ANT for anticipation, APP for appoggiatura, CS for consonant skip, N for neighbour note, P for passing note and SUS for suspension). The second phrase has been annotated to provide a model. (Note that those diminutions with an ambiguous role – seeming to act like embellishments but also in fact understandable as part of the local harmony – have been given in square brackets.) This question is worth 25 per cent of the total marks.