Introduction:
Admittedly the creation of things for use is the basic motivating force in the
practical operations of man. But amazingly his endeavors have never been merely
utilitarian. An unconscious desire to beautify all that he has or does has led him to
seek the elements of beauty and to integrate them with the purpose of his living.
The Philippine visual arts encompass a range of forms developed by Filipinos
in the Ethnic, Spanish, American, and featured thumb of contemporary traditions.
In ethnic communities, pottery, weaving, carving, and metalcraft are made for
ritual purposes or for everyday use. Spanish colonization introduced painting and
sculpture whose subject matter was for the most part religious, although secular
themes and forms emerged in the 19th century under the patronage of the new
mestizo elite. The American period witnessed the conflict between conservatism
and modernism, with the latter gaining ground in the end in painting and sculpture.
After World War II artists explored a variety of Western and Eastern styles, media,
and philosophies—some consciously going back to ethnic roots—to express
themselves as individuals and as Filipinos.
Learning Outcomes:
At the end of this chapter, the students will be able to:
Analyze how line is interpreted and utilized in traditional crafts;
Develop students’ ability in manipulating the elements of arts; and
Document changes and the shifting environment such as terrain, texture,
sound through fusion of various elements of art.
LESSON I
Motifs and Symbols
Introduction
Since the man began to give shape to the materials provided by nature for
meeting his rudimentary requirements, he has never been able to resists the
inward urge to adorn and beautify his possessions and surroundings. All these
efforts have led to the creation of motifs from different origins, organizing them in
suitable layouts. This gave the uniqueness to the motifs used in traditional Indian
textiles.
Motif
A motif is an image, spoken or written word, sound, act, or another visual or
structural device that has symbolic significance. It is used to develop and inform
the theme of the literary work. The concept of a motif is related to a theme, but
unlike a theme which is an idea or message, a motif is a detail that is repeated in a
pattern of meaning that can produce a theme while creating other aspects at the
same time.
It is closely related to a theme or a symbol and uses different narrative
elements. It is constantly repeated to represent a dominant or central idea or
theme in a work of art. It relates more thought which is used to support a theme.
Classification of Motif
The motifs or units of a textile design may be classified as: Geometric,
Realistic or Natural, Stylized, Abstract.
As symbols can be used to change the meaning of a word or phrase, they can
change the way we view things. To get the meaning of a word, it is necessary to use
symbols so that it can be understood well. The meaning of a symbol depends largely
on its usage, its history, and purpose.
A very fine example of a symbol is the cross. It is used to symbolize
Christianity, the religion which is based on the teachings of Jesus Christ who was
crucified. The cross is also use to remind Christians about how Christ suffered in
order to save them.
Types of Symbols
1. Iconograms are illustrative representations. They are iconic signs which, as
an illustrative representation, emphasize the points in common between the
signifier and the signified.
2. Pictograms are pictorial representations, such as ISOTYPE. Pictograms are
iconic signs which represents complex facts, not through words or sounds
but through visual carriers of meaning.
3. Cartograms are topographical representations with complex functions
(statics, etc.) and iconic facts, for example an atlas or the ground plan of a
house.
4. Diagrams are functional representations. They are visual signs which are
partly iconic representations, but are more functional carriers that illustrate,
for example, a sequence of facts of functions.
5. Ideograms represents a concept. Typically, ideograms correspond to the
sign as a symbol which relates to the object or concept referred to,
independently of any format identification with it. (Note that many symbols
can fall into multiple categories, but the context and intention will help us
understand how to “read” them.
6. Logograms are conceptual representations like writing. They are visual,
referential linguistic signs that do not take the phonetic dimension into
consideration.
7. Typograms are typographical representations. A typogram is a sign that is
also composed of a sign, derived from a written repertoire such us the
alphabet.
8. Phonograms are phonic representations. A phonogram is a sign that is used
to signify linguistic or other sounds.