‘Duffy’s poem ‘Salome’ from the collection of poetry ‘The World’s Wife’ uses the dramatic monologue form to reinvent the story of the notorious female character from the Bible who, at the request of her mother, infamously demanded the head of John the Baptist served on a platter as a gift from Herod who was enamoured
with her dancing. In many of her poems, Duffy challenges the presentation of females who have been marginalised in history or mythology, However, the original Salome could be seen as a feminist prototype - a powerful and independent woman who uses her desirability to manipulate one man in order to have another man
destroyed – and it is this interpretation that feeds Duffy’s invention of her poetic persona. In a humorous, modern reworking of the infamous figure, Duffy fantasises about how far a woman could go once she embraces her sexual power and starts to take advantage of men. She toys with our response, carefully balancing her
ambiguous presentation so that we are unsure whether to admire this liberated, young woman who lives a reckless life of pleasure or be afraid of her chilling lack of remorse for her cold-blooded violence.
Imagery:
“and a beautiful crimson mouth that
Symbolism: obviously knew” (10)
“crimson”
“it was time to turf out the
“very deep lines” blighter,” (29)
“I saw my eyes glitter” “cut out the booze and the fags and the
sex” (27)