lown or Chou in Chinese opera has special makeup offerings. By the 12th century, the masks became part of
patterns called xiaohualian (the petty painted face). Sometimes a
elaborate dances and dramas.
Japanese Ukiyo-e small patch of chalk is painted around the nose to show a mean and
secretive character. At times xiaohualian is also painted on a young
Sample Masks
-the best known and most popular style of Japanese art is page or jester to enliven up the performance.
ukiyo-e, which is Japanese “pictures of the floating world” and it is
NOTE: Gold and silver colors are usually used for gods and spirits. Kabuki Makeup
related to the style of woodblock print making that shows scenes of
harmony and carefree everyday living. Ukiyo-e art was produced in
a diversity of different media, including painting and became an art KABUKI Makeup of Japan
domain of the upper classes and royalty but later was also produced
Kabuki makeup or kesho is already in itself an interpretation of
by the common people.
the actor’s own role through the medium of the facial features. On
Peking Opera stage, this interpretation becomes a temporalization of makeup in
collaboration with the audience. The results is a decoding of the
Peking opera face painting or jingju lianpu is done with drama traced out in the graphic designs of the painted face.
different colors in accordance with the performing characters
personality and historical assessment. The hero type characters are 2types of Kabuki Makeup/face painting
normally painted in relatively simple colors, whereas enemies,
1. Standard makeup-applied to most actors
bandits, rebels, and others have more complicated designs on their
2. Kumadori makeup-applied to villains and heroes.
faces.