Anda di halaman 1dari 4

Antonio Zencovich

Arranger, Composer

Italia, IMPERIA Frazione Torrazza

About the artist

He is an amateur (historian of art for job). When he was youg, he studied the piano for more than ten years
with Lady Adalgisa Mantovani, graduate at the Conservatory of Turin in the early decades of XX century.
After a period of inactivity, he started playing again for his wife Anabell (from what the pseudo “An&An),
adapting several pieces at an easier level of execution and listening.
Artist page : http://www.free-scores.com/Download-PDF-Sheet-Music-anan.htm

About the piece

Title: Adagio di Albinoni ("Albinoni's Adagio") [Version for


Piano solo after the original for String and Organ]
Composer: Albinoni, Tomaso
Arranger: Zencovich, Antonio
Copyright: Copyright © Antonio Zencovich
Publisher: Zencovich, Antonio
Instrumentation: Piano solo
Style: Modern classical
Comment: You can read, as a commentary, what we wrote on
December 6, 2016 about the "Canon" of Pachelbel: the
circumstances are the same.

Antonio Zencovich on free-scores.com

This work is not Public Domain. You must • listen to the audio
• share your interpretation
contact the artist for any use outside the • comment
private area. • contact the artist

First added the : 2017-08-12 Last update : 2017-08-14 15:44:37


Adagio di Albinoni
Version for Piano solo after the original for String and Organ

Remo Giazotto (1910-1998), Op. Mi 26, 1958 (Arr. An&An)


Adagio
 43                     
Piano
  43                     
8
                         3 3

                       

16
                              
                      
3

24
                          
1. 2.

                      
31
                         
       
     
      
                                   
35

        
39
            
                        
         
      
                                 
44

       

            
48
         
   
    
                
                       
55

                     

                         
62

3 3

                      
2
69
                               
                       5

77
                           
                        
85 
                                      

                   
92
                            
                     
                     
100

                    
                        
110
      
                       
2017 Antonio Zencovich (antonio.zencovich@libero.it)
3