6/3/18
Comp 201 World Literature
Dr. Victor Gomia
Module 3 Summary
In what ways are the Epic of Gilgamesh and the General Prologue to the Canterbury Tales
timeless and placeless? This question sparks in interest in any lover of film, literature, or entertainment.
The entertainment industry has been recycling ideas of the previous eras for years. Always recalling back
No matter the age of the stories both themes are still relevant to today’s life. You can easily break
down pop culture or modern literature and find the same themes. Themes of overcoming the fear of death,
friendship, battling against godlike objections and seemingly unforgiving odds. The themes in the Epic of
Gilgamesh are very common in film and literature of modern times. The ruthless leader is given a partner
to counter him and that leader under goes a transformation through the power of companionship and
rivalry. The Epic of Gilgamesh displays titan sized obstacles to be overcome. These obstacles can remind
the reader of any era of their own hardships. The reader can feel empowered by the text. Allowing them
to pursue feats they would not normally challenge. Strong themes as described by Robert William of
gradesaver.com in the Canterbury Tales, are themes of “feminism, anti-feminism, Christianity, words and
language, tellers as dramatic voices, fables, fiction, fabliaux, quitting, vengeance, and paying debts, sex
and adultery, justice and judgement, seriousness and silliness…” (William, “The Canterbury Tales
Themes”). The general prologue from the Canterbury Tales is an introduction in the very detailed
characters of the story. During this detailing you learn about small back stories of each character. This
makes the reader realize that people of even modern times although they may have different job titles
seek fulfillment in lives very similar to the characters of the Canterbury Tales. A reader may even realize
that a larger amount of various types of people exist outside of the stereotypes we see each day. We are
all in search of our own pilgrimage no matter when we were born or where we are from. The end goal of
life is always the same. We as humans have an internal instinct to seek fulfillment. In the Epic of
Gilgamesh, Gilgamesh sought out eternal life just to realize that although he had fought long and hard for
his chance to be immortal. He was to be remember for the walls and ziggurats he had built for his citizens.
Although the language of when these stories were written is different than the ones we see today. Both
stories have been translated into many languages. Geographic barriers barely exist to some extent in the
world today. Especially when it comes to printed or written word. Although not every country has
internet. Everyone in the world if shown how can enjoy a story of hundreds of years in age. Any place on
the globe at any time of day. I think the Canterbury tales do an especially great job at both showing the
oldest version of what I think a reality tv show experience would be like back then. With all these
different characters from all walks of life. Telling stories about who they are and what they plan to
accomplish. Just like tv today you have feuds for example like the Summoner and Friar. You have all
these similarities to how people still act and perform around strangers still today. Acting out of worry and
too invested in the opinion other have on them than how they truly are.
Overall, both The Epic of Gilgamesh and the General Prologue to the Canterbury Tales are
timeless and placeless because of the underlying themes inside the literature. The most important part of
each of these stories is how it connects and resonates with today’s audiences. The settings, characters, and
literary elements have stuck hold for hundreds of years. The themes hold no nationality biases and can
relate to any geographic location. Every person in the world has a personal story that reminds them of
William, Robert. Chainani, Soman ed. "The Canterbury Tales Themes". GradeSaver, 30
The Norton anthology of world literature / Martin Puncher, General Editor. – Shorter Third
edition, 2012.