RECORDA-ME As played on Joe Henderson's

PAGE ONE (1963, Blue Note)

(also known as NO ME ESQUECA) JOE HENDERSON

INTRO MED. BOSSA NOVA (q = 176)
piano (sample RH voicings)
       
       
    
 
              
          
        
bass & piano trumpet

tenor 8va b.
 
                 
          
                      BREAK
 
      
A
  A-%                      
          

C-% F7âÅ
         
            
         

B¨^ B¨-7 E¨7 A¨^ A¨-7 D¨7

                     
1. trumpet 2. D.S. for solos
E7#9
G¨^ G-7 C7 F^ trp.  (  ) FINE
ten. 8va b.
       
     
     
   
ten. loco For last 2 solo choruses,
horns, behind solo continue to letter B
B A-%
trumpet
 
 
tenor 8va b.
              

    
C-% F7b9
          
     

B¨^ B¨-7 E¨7 A¨^ A¨-7 D¨7

    

G¨^ G-7 C7 F^ E7#9 1. 2. D.S. al FINE


               
   



Transcribed by VILLE V. (2010)

 Midnight Voyage M. Brecker


   44           
 
  
C- G  ( ) C- A

   
3 3

   
         
A♭ G  ( ) C-

    

 
      
     

  
C- G  ( ) C- A


3 3

   
         
A♭ G  ( ) C- C  ( )

    

  
              
  
F- G- F- 3
A alt
3

  
        
 
A♭ A♭ G  ( ) C-

    

 
      
    
  
C- G  ( ) C- A

  
3 3

    
    
A♭ G  ( ) A♭ G  ( )

    
C Melo Song For Bilbao by Pat Metheny

\\ $
Intro C7

&
. .# . O . . . . .# . O . . .
% \\ $ . # . . .
.# " .
" " "
O #11
G maj7 C7
E ! O. $
& . .
! ! . .# . O . . .$
% . . P. .# . O . . . .# . .
Q.# " "
A C7
! E
& .# . - - O. . .# . - -# O. .
"
O #11
G maj7 C7
E !
& .# ! . O. .
. - -# . O. , -
E . - !
A' C7

& . - O. . .#
" . - -# . O. .
O #11
E
G maj7
!
C7
!
& . . - -# . O. .# . - -
B O O O O
F B E F D E F G

& . . O. . . . O. . . . Q. . . O. . . . . .
! E O. .
.# .. -- -- ..
A"
O ..
C7

& .# .. ## O .. -- -- ##
O . .
"
O #11
G maj7
! C7
D
& .. ## .. -- -- ## .. O O .. ,, -- ##
 African Skies
West African 12/8 groove Michael Brecker

  G¨^b5/F         
q. = 130 (q = 195)

 
1. 2.



       
 

                
dr. fill sample bass line (played with variation) bass line cont. sim. till letter B


         

  
[A] G¨^b5/F
                               
A¨‹7(4) B¨‹7(4) G¨^b5/F A¨‹7(4) B¨‹7(4)
    
 (     )  
(sample pn. voicing)

       
    
G¨^b5/F A¨‹7(4) B¨‹7(4) B“ A¨“ F“



    


           

                   

 [B] B¨‹7
        
A¨13#11
       
     
  
 

C7åÁ/E
     
                   
B¨‹7 A¨13#11
  
       
 
 

[A3] G¨^b5/F
                
A¨‹7(4) B¨‹7(4) G¨^b5/F A¨‹7(4) B¨‹7(4)


           
     

       
A¨‹7(4) B¨‹7(4) B“ A¨“ F“

                                        
G¨^b5/F  



Transcribed by Ville V. (2011)

2
[C] A¨/C
                      
A/C© A¨/C

      
 


                                  
D¨Ð A¨/C E^#11 B¨Ø C/E¨ A¨/A A¨/C

 
 

D¨Ð A¨/E¨ E^#11 F‹7 B¨Ø E¨6 AØ C7åÁ/E

        
                  

           

SOLOS

      
[D]
   
G¨^b5/F * C7åÁ G¨^b5/F
      
  
* F Phrygian

     

G¨^b5/F C7åÁ G¨^b5/F
   

                           
B¨‹7 A¨13#11 B¨‹7 A¨13#11 C7åÁ
 
after solos,

                                      
D.S. al Coda
G¨^b5/F C7åÁ G¨^b5/F

(play after solos)
 
( )

          
 vamp till cue on cue
G¨^b5/F
      

   
grad. decresc.