Alethea Luo Jiayi, Ashleender Kaur D/O Amarjeet Singh, Ho Yi Ning Eunice and Sim Lei Jie
Rachel
This study investigated the impact of music and movement activities on children’s
patterning skills in a Singapore preschool. Pre-test and post-test were conducted to
evaluate children’s patterning abilities, and on-site observations were carried out
during the interventions. Improvements to children’s patterning skills were evident
in the results collected. Researchers, participants, teachers and parents are
encouraged to take note of the findings from this study so as to recognise the
importance of incorporating music and movement activities in the early childhood
curriculum.
Review of Literature
Music and Movement
Children begin their early lives being deeply engaged in music and movement. According
to Oxford Dictionaries (2016), music is defined as vocal and/or instrumental sounds to create
“beauty of form, harmony, and expression of emotion” (Def. 1) while movement is described as
“an act of moving” (Def. 1). When combined, these two elements form music and movement, a
physical activity that engages children’s senses and fosters their holistic development (Izumi-
Taylor, Morris, Meredith & Hicks, 2012). Edelson and Johnson (2003) add that music and
movement creates a safe environment, “free of undue pressure and stress” (p. 65), conducive for
exploration and learning. This promotes physically, emotionally and cognitively engaged
experiences in which children can be active learners instead of “passive observers” and
constructors of their own knowledge (Edelson & Johnson, 2003, p. 65). This is in line with the
Moreover, children are easily distracted due to their short attention span (Shaffer & Kipp, 2013).
Geist, Geist and Kuznik (2012) affirm that music and movement not only aids in the engagement
of children which sustains their attention but also cultivates positive learning attitudes towards
Patterning
One method of using music and movement in the early childhood setting is through
teaching patterning (Warren & Cooper, 2006). Charlesworth and Lind (2012) state that
patterning is the act of “making or discovering auditory, visual and motor regularities” (p. 216),
and is usually presented in recurring distinct units of repeat (i.e. AB, ABB, ABC) (Liljedahl,
2004).
rhythmic patterns and patterns in meter. Tonal patterns refer to the repetition of a simple melody
(Geist, Geist & Kuznik, 2012); rhythmic patterns explore simple patterns of short or long sounds
that are created by movement (e.g. stomping feet, clapping) or vocalisation of familiar words
(Morehouse, 2013); and patterns in meter is the repetition of strong-weak beats (AB patterns) or
development. As Papic (2007) points out, patterning is an indispensable skill needed in early
mathematics learning and helps in the development of “spatial awareness, sequencing and
ordering, comparison and classification” (p. 8). The views expressed by Geist, Geist and Kuznik
(2012) are in line with Papic’s work, stating that patterning supports children’s ability to create,
repeat relationships and use rudimentary number concepts. As children work on their patterning,
they begin to identify relationships between data sets and represent patterns in diverse ways
which would develop their early algebraic thinking (Warren & Cooper, 2006). Claessens and
Engel (2013) reiterate that learning patterning is not only crucial for later mathematics results but
is also beneficial for later reading and science achievement. The Singaporean MOE recognises
the value of patterning in children’s lives and has since included it in the Kindergarten
Curriculum Framework (KCF). By the end of preschool education, children should be able to
recognise, extend, and create simple patterns (Ministry of Education, 2012). Therefore, there is a
The Link between Music and Movement and Patterning: Spatial-Temporal Reasoning
According to Rauscher et al. (1997), there is a direct link between music and spatial-
temporal reasoning skills. Spatial-temporal reasoning refers to the “mental arrangement of ideas
and/or images in a graphic pattern indicating their relationships over time” (Machado, 2015, p.
31). Gradin, Peterson and Shaw (1998) reveal that exposure to music “enhances the ‘hardware’
in the brain for spatial-temporal reasoning” (p. 1) which facilitates the mastery of challenging
math concepts such as patterning. However, in addition to music alone, Coulter believes that
music and movement, which is a “combination of auditory and kinesthetic stimuli”, makes
learning more effective for children (as cited in Sawyers & Hutson-Brandhagen, 2004, p. 46).
Despite the researches mentioned above which support the notion that music and
movement reinforces the learning of patterning (Rauscher et. al., 1997; Sawyers & Hutson-
Brandhagen, 2004), the use of music and movement in Singapore’s preschool education system
is not as evident. Through more than four years of work experience, the researchers involved in
this study have observed that three out of 18 centres in which they worked at, did not implement
music and movement activities in daily lessons. Additionally, it was noted that patterning
activities tend to be most frequently conducted through the use of whiteboards and getting
children to complete worksheets. The observations are in line with what Nirmala has reported in
regards to preschool settings in Singapore: many preschools in Singapore still use worksheets as
the primary teaching tool which diminishes children’s passion for learning, making them dull
and uninterested overtime (as cited in Loke, 2015). Based on the review of the literature and
combined with insights gathered from the Singaporean classrooms, researchers of this study have
decided to investigate how the teaching of patterning can be improved. Therefore, the research
question is: How can music and movement activities enhance children’s patterning skills?
Methodology
Setting and Duration
The pre-test, post-test and interventions were implemented in the Kindergarten One classroom in
the morning. The research project was carried out over a span of three weeks, from 15 August
Participants
The participants involved in the research were 10 Kindergarten One children aged five
years old – four boys and six girls. Consent forms were given to parents and guardians of 15
children and 11 forms were returned with consent to participate. No monetary rewards were
offered for their participation in the research. Out of the 11 participants, data could not be
collected for one child due to long term absence from school. With regards to ethnic background,
seven were Chinese, two were Filipino, and one was Burmese. Majority of the participants
enrolled in the centre at the age of three, with the exception of one child who enrolled at the
Research Method
The research was conducted in a natural environment using a multimethod of qualitative
and quantitative methods. Pre-test and post-test data were recorded in checklists and transferred
into bar graphs to serve as quantitative data. Qualitative data were collected through
photographs, work samples and field notes which served as evidence to support findings from
the checklists. The variety of research tools used to collect data for triangulation ensured the
Procedures
Consent forms were given out to the parents and guardians of selected participants two
weeks prior to the actual implementation of the research. Participants had two weeks to return
the forms stating their decision in participating in the research. Throughout the research study,
the roles of the researchers were appointed. Two researchers took on the roles of conductors
while the other two researchers were assigned to collect data through photographs and field
notes. During the pre-test and post-test, children were assessed on their patterning abilities
through the use of a checklist and manipulatives such as shapes felt cut-out and sticks.
Participants were split into two groups and were assigned to the same researchers for the pre-test
and post-test. The tests each lasted for an hour, with one participant taking approximately 10-15
minutes.
The interventions focused on creating repeated AB patterns. During intervention one, the
concept of tonal patterns – repetition of a simple melody, was introduced to children. Two
different coloured bibs were given out to children and along with a song played on the Ukulele,
children were first encouraged to extend a repeated AB pattern. Thereafter, they were given the
movements, was presented to the children. Using body percussion, children collectively created
repeated AB patterns. For easy facilitation, children were split into two groups – group A and B,
which consisted of five children each. Researchers facilitated the discussion with children,
getting them to come up with actions that produce sounds (e.g. clap and snap) for their repeated
patterns. After which, musical instruments (e.g. castanets and wooden drums) were introduced to
whereby strong-weak beats were represented in terms of dynamics - loud and soft. Children
created repeated AB patterns in response to the dynamics of the songs played on the Ukulele.
Children’s patterning knowledge was noted through two ways – how they moved and how they
Each intervention was carried out over a duration of one hour. After the implementation
of the interventions, the 1post-test was carried out to observe if children’s patterning skills had
improved. All data collected from the pre-test, interventions and post-test were collated and then
analysed.
Results
With the use of a checklist, children were assessed on their understanding and abilities on
patterning during the pre and post-test. The checklist was completed based on observations done
by the researchers. Findings from the checklist were then compiled into bar graphs for
comparison. With the exception of Figure 4, the vertical axis represents the number of children
1
Post-test was the same activity carried out for the pre-test.
who were able to complete the task and the horizontal axis represents the types of repeated
patterns. The blue and orange bars illustrate results from the pre-test and post-test respectively.
Figure 1
10
9
No. of children able to
8
7
complete task
6
5
4
3
2
1
0
AB ABC AAB ABB Others
Pre-test Post-test
which showed general improvement. The bar graph displays a consistent increment of three
children who could create the following repeated patterns–AB, ABC and ABB, while the number
of children remained constant for repeated pattern AAB. In addition, Kate unexpectedly created
a repeated ABCD pattern for pre-test and replicated it during the post-test.
Figure 2
10
9
8
No. of children able to
7
complete task
6
5
4
3
2
1
0
AB ABC AAB ABB
Pre-test Post-test
which showed overall improvement. The bar graph displays an increment of one child for
repeated patterns AB and ABC, three children for AAB and two children for ABB.
Figure 3
10
9
8
7
No. of children able to
6
completetask
5
4
3
2
1
0
AB ABC AAB ABB
Pre-test Post-test
repeated AB pattern - circle, square, circle, square, circle, triangle, circle, square, and children
had to identify that the mistake was the triangle and correct it to a square. The bar graph displays
an increment of five children for repeated patterns ABC and AAB while the number of children
Identifying the similarities and difference between a repeated AB and ABC pattern
Figure 4
10
9
8
No. of children able to
7
complete task
6
5
4
3
2
1
0
Similarity Difference
Pre-test Post-test
between repeated patterns AB and ABC. The vertical axis represents the number of children who
were able to complete the task while the horizontal axis represents the similarities and difference
of the repeated patterns. The bar graph displays an increment of four children who were able to
identify the similarities and one child who could identify the difference.
the exception of one child who displayed no signs of improvement throughout the course of
research, despite prompting and facilitation from researchers. Observation field notes revealed
that children who had the ability to create, extend, identify and correct a mistake as well as
identify the similarities and differences in the repeated patterns independently during the pre-test
were able to perform likewise for the post-test. Thus, this proves that children’s patterning skills
were maintained and improved through the interventions except for one child.
Intervention 1:
During the first round, children were given pink and blue bibs and were asked to create a
It can be gathered that these children were uncertain about creating the repeated pattern as
Natasha made a random guess, Kate focused on the colour she wanted instead of what came next
During the second round, all children were able to recreate the repeated AB pattern
without guidance when Sasha stopped moving which disrupted the pattern. However, it was noted
that only Andrew verbalized “No, then we must change our pattern!” to which the children
started rearranging themselves. Thus, this implies that majority of children needed prompting to
Intervention 2:
With reference to the field notes recorded, it was noted that the children in group A came
up with the two actions of rubbing their hands and arms and decided to do the actions
Children in group B thought of two separate actions – rubbing hands and tapping thighs
and took turns to do either one of the actions to create the pattern.
During the first round, seven out of 10 children were able to recreate their actions to form
the repeated AB pattern. However, it was observed that only three of them were able to correct
In group A, Andrew and Jack mixed up the movement sequence and did
Mary and Jill: No, you are rubbing hands! (They reminded Kate of her
assigned action)
Thus, it can be deduced that even though seven children displayed the correct action, only
three of them fully understood the concept of a repeated AB pattern as they were able to point out
During the second round, eight out of 10 children were able to follow through with the
repeated AB pattern that they created. Most children were clear of the actions that came before
and after, except for Jack and Kate. It was observed that Jack from group A constantly looked at
his friends and followed their actions while researchers had to model the action for Kate. It can be
inferred that Jack and Kate were unable to understand the concept of a repeated AB pattern.
Adding on, it was recorded that children had difficulties coordinating with one another
and knowing when to change their actions during the first round. However, after the inclusion of
musical instruments such as tambourine, castanets and wooden drums in the second round,
children were able to do so easily. The steady beats aided with coordination as well as the change
of rhythm and instrument signalled a change in actions for children in group A and B
respectively.
Intervention 3:
During the first round, children were encouraged to create a repeated AB pattern in
response to the dynamics of a song. All children were able to do so except for Jack who was
observed to be looking around and following his friends whenever they changed from tip-toeing
For the second round, the activity was conducted twice. Children were to create a repeated
AB pattern by colouring alternate boxes in a line, in response to the dynamics of the song.
Five out of 10 children were able to do so independently. Three children could do so with
guidance:
Sasha: “It is loud! It is soft!” (She was able to identify the dynamics, but
required constant reminders to indicate her answers on the box each time
Zack filled in the boxes correctly for the first line. He missed out on the
song dynamics for the second line as he went to change his colour pencil,
resulting in the wrong sequence for his colouring. After the researcher
guided him back to the activity, he was able to colour the rest of the boxes
Jill was unable to colour the boxes correctly for the first line, but after
repeating the instructions to her, she was able to do so for the second line.
One researcher guided Jack as he identified the dynamics in the first song. However,
when he was encouraged to colour the boxes independently for the second song, he was unable
to identify the dynamics accurately and randomly coloured the boxes. Natasha was not able to
recognise the patterns from the dynamics of the song played as she was observed to be referring
to Mary’s work and following her answers. Hence, this shows that the remaining two children
Figure 5
10
9
8
Number of children able to
7
complete the task
6
5
4
3
2
1
0
Intevention 1 Intervention 2 Intervention 3
1st Round 2nd Round
knowledge of repeated AB patterns during the three interventions as mentioned above. The
vertical axis represents the number of children who could complete the task and the horizontal
axis represents the interventions. The blue and orange bars illustrate results from the first and
In summary, there is an increase in the number of children who could complete the task
related to repeated AB patterns for intervention one and two (refer to Figure 5). From this, it can
be inferred that children were able to demonstrate their knowledge of patterning after they
became more familiar with the concept. For intervention three, it can be noted that the nature of
the activities for the first and second round moved from concrete (movement) to abstract
Discussion
Strengths
During the course of the study, children were assessed according to the same checklist
and used the same materials for the pre-test and post-test. For instance, five children used
coloured sticks whereas the other five used felt cut-outs. Researchers also maintained their roles
throughout the research as conductors or data collectors. Due to consistency, it ensured the
validity of the data collected for the tests, thus fortifying the reliability of the results.
Furthermore, even though the study was conducted within a short period of three weeks,
results have shown improvements in children’s patterning skills. Thus, this implies that the use
of music and movement to teach patterning is effective. In addition, the focus of the
interventions was only on repeated AB patterns. However, with reference to figures 1, 2 and 3,
there is also an increase in the numbers during the post-test for other repeated patterns. From
this, it can be inferred that by placing the focus on the fundamental AB pattern, children were
able to build on and apply what they had learnt to work on complex patterns.
Besides enhancing children’s patterning skills, this study also provided children
opportunities to participate in music and movement activities as they did not have such activities
in their lessons. Although the children were hesitant to participate initially, they gradually
opened up in the following interventions. The researchers of this study came to the conclusion
that although seeing improvements in their patterning skills was rewarding, knowing the children
Limitations
The limitations of this study firstly include children’s lack of knowledge of music and
movement due to the centre’s teaching practices. Although music and movement is included in
the curriculum, the English teacher does not implement it. As children are limited to learning
through worksheets and storybooks, they were initially resistant to learn through music and
movement. For instance, when music was played during the first intervention, children were
hesitant and needed guidance to create actions. Hence, it would have been more fruitful for the
children if they have had prior experiences with music and movement.
Through the responses from the children, researchers discovered that children lacked
patterning vocabulary such as ‘repeated patterns’, ‘create’ and ‘extend’. For example, when
children were tasked to identify the difference between the repeated AB and ABC pattern, all the
children that were able to identify the differences were unable to explain why.
Three out of four researchers were unfamiliar with the children thus this led to the
inability to build rapport within a short time frame. Children appeared to be shy and
apprehensive in participating during the initial stages of the research. Despite the implementation
of classroom management strategies, the children displayed challenging behaviours towards the
later stages of the research. This caused researchers to feel the lack of authority, making it
As researchers were only given an hour for each session which overlapped children’s
lesson time and routine care, they were often distracted and requested to be dismissed to join
their remaining classmates. This resulted in disruption of children’s focus thus not maximising
their learning.
Based on the limitations mentioned above, there are several improvements that can be
made. Firstly, there is a need for future researchers and children to build a positive relationship
prior to the implementation. This is to ensure that the effectiveness and efficiency of the research
is maximised. Alternatively, the action research can be conducted by the class teacher as part of
the curriculum as children would have already been familiar with the teaching practices. Adding
on, children should be exposed to music and movement as well as patterning activities which
allows them to gain prior knowledge about the elements of music and patterning language
respectively.
Rebuking the misconception that music and movement activities do not contribute to
children’s learning, researchers of this study have observed that the simplest music and
movement activity can enhance children’s holistic development - numeracy skills developed
when learning patterning; language and literacy skills enhance when exposed to music and
interactions with peers; aesthetic and creative expression through music and creation of actions
or movement.
In addition, the results from this research have concluded that music and movement does
help to enhance children’s patterning skills. Although Waldorf argues that children learn
through practice (as cited in Nicol, 2015), researchers of this study believe that music and
movement is key for children to learn patterning. This is due to the fact that children were
exposed to differing music and movement experiences during the interventions which avoided
the repetition of activities, and had demonstrated improvements in their patterning skills as seen
from the post-test results. Hence, researchers of this study hope that preschool educators in
Singapore will realise the importance of music and movement in the children’s lives, enabling
them to reflect upon their own teaching practices. Educators should work towards integrating
music and movement into day-to-day lessons and not only patterning activities. This will provide
effective learning opportunities for children, keeping them active, interested and engaged.
Notes on Contributors
Alethea Luo Jiayi, Ashleender Kaur D/O Amarjeet Singh, Ho Yi Ning Eunice and Sim Lei Jie
Rachel are undergraduates of the Bachelor of Science in Early Childhood Education programme
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