Owner’s Manual
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WARNING – To reduce the risk of fire or electric shock, do not expose this device to rain or moisture.
For EU Countries
This product complies with the requirements of European Directive EMC 89/336/EEC.
Dieses Produkt entspricht der europäischen Richtlinie EMC 89/336/EEC.
Ce produit est conforme aux exigences de la directive européenne EMC 89/336/EEC.
Questo prodotto è conforme alle esigenze della direttiva europea EMC 89/336/EEC.
Este producto cumple con la directrice EMC 89/336/EEC de la CE.
Dit product beantwoordt aan de richtlijn EMC 89/336/EEC van de Europese Unie.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
BLUE: NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
Thank you for purchasing the Roland FR-2/FR-2b V-Accordion. The FR-2/FR-2b is an amazingly versatile electronic
instrument that can emulate the sounds of a vast array of accordions. The major advantage of the FR-2/FR-2b is
that it allows you to change sounds without changing instruments. Apart from the financial benefit (the FR-2/
FR-2b costs only a fraction of all emulated originals), this also means that you can use your familiar playing style
and techniques while covering a host of different musical genres.
Before using this instrument, carefully read the “Important notes” (p. 5). They provide information concerning the proper
operation of the FR-2/FR-2b. Be sure to keep this manual in a safe place for future reference.
The technology used in the FR-2 and FR-2b is covered by U.S. Patent No. 6.946.594.
Copyright ©2007 ROLAND EUROPE. All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Europe S.p.a.
1. Features
PBM (Physical Behavior Modeling) • possibility to choose among a wide variety of sounds;
The FR-2/FR-2b V-Accordion is based on Roland’s sound gen- • tuning stability over time and wear resistance of all
eration technology called “PBM” (Physical Behavior Model- mechanical parts;
ing) whose sonic result is very close to the sound of tradi- • you can sound in a different key than the one you are
tional accordions. playing in (transpose function);
• you can play with headphones, i.e. without disturbing your
Super realistic accordion simulations neighbors or family.
The FR-2/FR-2b provides 8 memories called “Sets”, with 10
treble registers and 5 bass & chord registers. All sounds it Superb performance flexibility
produces were obtained by sampling popular traditional The V-Accordion allows you to control external MIDI-com-
acoustic accordions. Different tuning systems are also avail- patible instruments. The Treble keyboard and chord/bass but-
able. tons are velocity-sensitive, while the bellows controller pro-
vides more articulation possibilities than any other MIDI key-
Orchestral sounds board, MIDI wind instrument, etc., you may know.
6 orchestral sounds are available for use instead of the tradi-
tional accordion sounds. The FR-2/FR-2b also provides 5 Useful accessory
orchestral bass and chord sounds for the Bass and Chord sec- The FR-2/FR-2b has a compartment for optional AA-type
tions. batteries. Consider purchasing such batteries (you will need
8) when performing on stage.
The digital advantage
The V-Accordion includes all functions and sounds of a tradi-
tional accordion, thus conveying a truly natural feel and
sound. Yet it also provides the advantages only an electronic • All product names mentioned in this document are trademarks or reg-
musical instrument can give you: istered trademarks of their respective owners.
• reduced overall weight;
Contents
1. Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 8. Saving your settings (User Program) . . . . . . . . . . . . . . . . 22
2. Important notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 9. Changing your accordion’s behavior . . . . . . . . . . . . . . . . 23
3. Panel descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Treble Mode (only on the FR-2b) . . . . . . . . . . . . . . . . . . . . . . 23
Treble control panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Bass & Chord Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Bass control panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 10. Restoring the factory defaults . . . . . . . . . . . . . . . . . . . . 26
Connection panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
11. Using optional batteries . . . . . . . . . . . . . . . . . . . . . . . . . 27
Personalizing your FR-2/FR-2b . . . . . . . . . . . . . . . . . . . . . . . . .9
12. Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
4. Setting up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 13. Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Switching the power on and off. . . . . . . . . . . . . . . . . . . . . . 10 Demo Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Listening to the demo songs . . . . . . . . . . . . . . . . . . . . . . . . . 11 MIDI Program change messages . . . . . . . . . . . . . . . . . . . . . . 29
Touring the FR-2/FR-2b’s sections . . . . . . . . . . . . . . . . . . . . 11 MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Using the orchestral sounds . . . . . . . . . . . . . . . . . . . . . . . . . 12
5. Other practical functions . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Switching off sections you don’t need . . . . . . . . . . . . . . . . 14
Using the metronome. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Pitch-related functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Song function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
PAD function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
6. Editing FUNCTION settings . . . . . . . . . . . . . . . . . . . . . . . . 18
Selecting the desired function . . . . . . . . . . . . . . . . . . . . . . . 18
Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
7. MIDI parameters (FUNCTION group). . . . . . . . . . . . . . . . . 20
MIDI parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
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FR-2/FR-2b V-Accordion
Features
Used for instructions intended to alert The symbol alerts the user to important instructions
the user to the risk of death or severe or warnings.The specific meaning of the symbol is
injury should the unit be used determined by the design contained within the
improperly. triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
damage should the unit be used
must not be done is indicated by the design contained
improperly. within the circle. In the case of the symbol at left, it
* Material damage refers to damage or means that the unit must never be disassembled.
other adverse effects caused with The ● symbol alerts the user to things that must be
respect to the home and all its carried out. The specific thing that must be done is
furnishings, as well to domestic indicated by the design contained within the circle. In
animals or pets. the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
• Do not attempt to repair the FR-2/FR-2b or replace parts within • In households with small children, an adult should provide super-
it (except when this manual provides specific instructions direct- vision until the child is capable of following all rules essential for
ing you to do so). Refer all servicing to your retailer, the nearest the safe operation of the FR-2/FR-2b.
Roland Service Center or an authorized Roland distributor, as listed on • Protect the FR-2/FR-2b from strong impact.
the “Information” page. (Do not drop it!)
• Never use or store the FR-2/FR-2b in places that are:
• Subject to temperature extremes (e.g., direct sunlight in an • Immediately turn the power off, remove the adaptor from the
enclosed vehicle, near a heating duct, on top of heat-generat- outlet and request servicing by your retailer, the nearest Roland
ing equipment); or are Service Center or an authorized Roland distributor, as listed on
• Damp (e.g., baths, washrooms, on wet floors); or are the “Information” page when:
• Humid; or are • The adaptor’s cord or the plug has been damaged; or
• Exposed to rain; or are • Objects have fallen into or liquid has been spilled onto the FR-2/FR-2b;
• Dusty; or are or
• Subject to high levels of vibration. • The unit has been exposed to rain (or otherwise has become wet); or
• When not in use, do not place the FR-2b or FR-2 vertically due to • The unit does not appear to operate normally or exhibits a marked
instability. If placed in the vertical position on the floor/stage, change in performance.
ensure that it leans against a stable vertical surface e.g. a wall or • Do not force the adaptor to share an outlet with an unreasonable
a heavy musical instrument. number of other devices. Be especially careful when using exten-
• The FR-2/FR-2b’s adaptor should only be connected to a power sion cords—the total power used by all devices you have con-
supply of the type described in the operating instructions or as nected to the extension cord’s outlet must never exceed the power rating
marked on the adaptor’s label. (watts/amperes) for the extension cord. Excessive loads can cause the
insulation on the cord to heat up and eventually melt through.
• Be sure to use only the AC adaptor supplied with the unit. Also,
make sure the line voltage at the installation matches the input
voltage specified on the AC adaptor's body. Other AC adaptors
may use a different polarity, or be designed for a different voltage, so • Before using the FR-2/FR-2b in a foreign country, consult with
their use could result in damage, malfunction, or electric shock. your retailer, the nearest Roland Service Center or an authorized
Roland distributor, as listed on the “Information” page.
severed elements and short circuits. Damaged cords are fire and does not interfere with its proper ventilation.
shock hazards!
• Use only the attached power-supply cord. Also, the supplied ................................................................................................................................................
power cord must not be used with any other device. • Always grasp only the plug on the power-supply cord when plug-
ging into or unplugging from, an outlet or this unit.
• This instrument, either alone or in combination with an amplifier • At regular intervals, you should unplug the AC adaptor and clean
and headphones or speakers, may be capable of producing sound it by using a dry cloth to wipe all dust and other accumulations
levels that could cause permanent hearing loss. Do not operate away from its prongs. Also, disconnect the power plug from the
for a long period of time at a high volume level or at a level that is power outlet whenever the FR-2/FR-2b is to remain unused for an
uncomfortable. If you experience any hearing loss or ringing in the ears, extended period of time. Any accumulation of dust between the power
you should immediately stop using the FR-2/FR-2b and consult an audiol- plug and the power outlet can result in poor insulation and lead to fire.
ogist. ................................................................................................................................................
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V-Accordion r
Power supply
• If used improperly, batteries may explode or leak and cause dam- • Never handle the adaptor or its plugs with wet hands when plug-
age or injury. In the interest of safety, please read and observe ging into or unplugging from, an outlet or this unit.
the following precautions. • If you need to move the FR-2/FR-2b, take note of the precautions
• Carefully follow the installation instructions for batteries, and make listed below. Make sure to have a firm grip, to protect yourself
sure you observe the correct polarity. from injury and the instrument from damage.
• Avoid using new batteries together with used ones. In addition, avoid • Disconnect the adaptor.
mixing different types of batteries. • Disconnect all cords coming from external devices.
• Remove the batteries whenever the unit is to remain unused for an • Before cleaning the FR-2/FR-2b, turn off the power and unplug
extended period of time. the adaptor from the outlet.
• Used batteries must be disposed of in compliance with whatever
regulations for their safe disposal that may be observed in the • Whenever you suspect the possibility of lightning in your area,
region in which you live. disconnect the adaptor from the outlet.
• Try to prevent cords and cables from becoming entangled. Also,
all cords and cables should be placed out of the reach of chil- • Should you remove screws, make sure to put them in a safe place
dren. out of children’s reach, so there is no chance of them being swal-
• Never climb on top of, nor place heavy objects on the FR-2/ lowed accidentally.
FR-2b.
2. Important notes
In addition to the items listed under “Using the unit safely” on p. 4, please read and observe the following:
Power supply • To avoid possible breakdown, do not use the unit in a wet area, such as an
area exposed to rain or other moisture.
• Do not connect the FR-2/FR-2b to same electrical outlet that is being
used by an electrical appliance that is controlled by an inverter (such as a • Do not allow rubber, vinyl or similar materials to remain on the instru-
refrigerator, washing machine, microwave oven, or air conditioner), or ment for long periods of time. Such objects can discolor or otherwise
that contains a motor. Depending on the way in which the electrical harmfully affect the finish.
appliance is used, power supply noise may cause this unit to malfunction • Do not put anything that contains water (e.g., flower vases) on the instru-
or may produce audible noise. If it is not practical to use a separate elec- ment. Also, avoid the use of insecticides, perfumes, alcohol, nail polish,
trical outlet, connect a power supply noise filter between this unit and spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on
the electrical outlet. the unit using a dry, soft cloth.
• Do not use this instrument on the same power circuit with any device • Do not allow objects to remain on top of the keyboard or buttons. This
that will generate line noise (such as an electric motor or variable lighting can be the cause of malfunction, such as keys or buttons ceasing to pro-
system). duce sound.
• Before connecting the FR-2/FR-2b to other devices, turn off the power to • Do not paste stickers, decals or the like on this instrument. Peeling these
all units. This will help prevent malfunctions and/or damage to speakers off, particularly when strong adhesives have been used, can damage the
or other devices. instrument’s exterior finish (the stickers provided with this instrument
• The AC adaptor will begin to generate heat after long hours of consecu- feature a weak adhesive).
tive use. This is normal, and is not a cause for concern.
• Although the LEDs are dark when the POWER switch is off, this does not Maintenance
mean that the unit has been completely disconnected from the power • For everyday cleaning wipe the FR-2/FR-2b with a soft, dry cloth or one
source. To turn off the power completely, first turn off the power switch that has been slightly dampened with water. To remove stubborn dirt, use
(VOLUME knob), then unplug the power cord from the wall outlet. For this a mild, non-abrasive detergent. Afterwards, be sure to wipe the instru-
reason, the outlet to which you connect the power cord’s plug should be ment thoroughly with a soft, dry cloth.
one that is within easy reach. • Never use benzene, thinner, alcohol or solvents of any kind, to avoid the
possibility of discoloration and/or deformation.
Placement
• Using the FR-2/FR-2b near power amplifiers (or other equipment con- Repairs and data
taining large power transformers) may induce hum. To alleviate the prob- • Please be aware that all data contained in the instrument’s memory may
lem, change the orientation of this unit; or move it farther away from the be lost when it is sent for repairs. In certain cases (such as when circuitry
source of interference. related to memory itself is out of order), we regret that it may not be pos-
• This device may interfere with radio and television reception. Do not use sible to restore the data. Roland assumes no liability concerning such loss
the FR-2/FR-2b in the vicinity of such receivers. of data.
• Do not place the FR-2/FR-2b near devices that produce a strong magnetic
field (e.g., loudspeakers). Additional precautions
• Install the FR-2/FR-2b on a solid, level surface. • When moved from one location to another where the temperature and/
or humidity is very different, water droplets (condensation) may form
• Noise may be produced if wireless communications devices, such as cell
inside the FR-2/FR-2b. Damage or malfunction may result if you attempt
phones, are operated in the vicinity of this unit. Such noise could occur
to use the FR-2/FR-2b in this condition. Therefore, before using the FR-2/
when receiving or initiating a call or while conversing. Should you experi-
FR-2b, you must allow it to stand for several hours, until the condensa-
ence such problems, relocate such wireless devices so they are at a
tion has completely evaporated.
greater distance from this unit or switch them off.
• Please be aware that the memory contents can be irretrievably lost as a
• Do not expose the unit to direct sunlight, place it near devices that radi-
result of a malfunction or the improper operation of the instrument.
ate heat, leave it inside an enclosed vehicle or otherwise subject it to
temperature extremes. Also, do not allow lighting devices that are nor- • Use a reasonable amount of care when using the instrument’s buttons,
mally placed very close to the unit (such as a piano light), or powerful other controls and jacks/connectors. Rough handling can lead to mal-
spotlights to shine upon the same area of the unit for extended periods functions.
of time. Excessive heat can deform or discolor the unit.
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FR-2/FR-2b V-Accordion
Features
• When connecting/disconnecting cables, grasp the connector itself—never Precautions for optional batteries
pull on the cable. This way you will avoid causing shorts or damage to the
• The temperature range for use of the batteries depends on the battery
cable’s internal elements.
type being used. Please see the documentation that came with the bat-
• A small amount of heat will radiate from the instrument during normal teries.
operation. This is perfectly normal.
• Do not use or store batteries at high temperature, such as in strong direct
• To avoid disturbing your neighbors, try to keep the instrument’s volume sunlight, in cars during hot weather or directly in front of heaters. This
at reasonable levels. You may prefer to use headphones, so you do not may cause battery fluid leakage, impaired performance and shorten the
need to be concerned about those around you (especially late at night). batteries’ service life.
• When you need to transport the instrument, package it in the box • Do not splash fresh or saltwater on a battery or allow the terminals to
(including padding) that it came in. Otherwise, you will need to use become damp. This may cause heat generation and formation of rust on
equivalent packaging materials or a flightcase. the battery and its terminals.
• Use Roland cables to make audio connections. If using some other make • If newly purchased batteries exhibit rust, generate heat or seem abnormal
of connection cable, please note the following precautions. in any other way, do not use them. Take them back to your dealer.
Some connection cables contain resistors. Do not use cables that incorpo-
• Keep the batteries out of reach of babies or small children.
rate resistors for connecting to this unit. The use of such cables can cause
the sound level to be extremely low or impossible to hear. For information • Be sure to carefully instruct any person on the proper way of handling a
on cable specifications, contact the manufacturer of the cable. battery.
• Never dispose of the battery in a fire. Never heat it. Doing so may melt
the insulation, damage the gas release vents or protective devices, cause
combustion through chemical reaction with generated hydrogen, ejec-
tion of battery fluid, bursting or fire.
• Do not use batteries with the positive (+) and negative (–) terminals
reversed, as this may drain the batteries or cause abnormal chemical
reactions.
• Do no strike or drop the batteries. Strong impact can cause leakage of
battery fluid, heat generation, bursting or fire.
• Never try to connect several batteries in parallel as this may cause leak-
age of battery fluid, heat generation, bursting or fire.
• Do not alter or remove protective mechanisms or other parts. Never dis-
assemble the batteries.
• If any fluid from a battery comes in contact with the eyes, flush the eyes
immediately, washing them thoroughly with clean water from a tap or
other source and consult a doctor. Strong alkaline fluid can damage the
eyes and lead to permanent loss of eyesight.
• If skin or clothing comes in contact with any fluid from the battery, wash
the area immediately with clean water from a tap. Battery fluid can cause
skin damage.
• When a battery is no longer usable, dispose of it in accordance with all
applicable local laws and regulations.
• If a battery leaks fluid, changes color or shape or changes in any other
way, do not use it, otherwise it may cause heat generation, bursting or
fire.
Battery handling
• Incorrect handling of batteries, rechargeable batteries, or a battery
charger can cause leakage, overheating, fire, or explosion. Before use, you
must read and strictly observe all of the precautions that accompany the
batteries, rechargeable batteries, or battery charger. When using
rechargeable batteries and a charger, use only the combination of
rechargeable batteries and charger specified by the battery manufacturer.
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V-Accordion r
Panel descriptions
3. Panel descriptions
B C DE F G H I J
A VOLUME knob When you select Set 5, “F FOLK”, the footages change as
This knob allows you to set the V-Accordion’s overall vol- follows. This is not printed on the front panel, so please
ume. Turn it all the way to the left (“POWER OFF”) to switch refer to the table below:
the FR-2/FR-2b off. Turn it towards the right to switch it Treble registers (Set 5)
on.
B ORCH BASS button 1a Bassoon 4a Mr Gus
This button is used to switch the ORCHESTRAL BASS sec-
tion on and off. 1b Jazzy 4b Sw Valse
3b Harmon
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FR-2/FR-2b V-Accordion
Panel descriptions
Each register [6]~[8] allows you to select two sounds. When The [METRONOME] button is used to switch the FR-2/
you select an orchestral sound, the corresponding register FR-2b’s metronome on and off (see p. 14). In FUNCTION
lights yellow. mode, this button is used to increase the value of the
G PAD/DEFAULT button selected parameter.
This button is used to switch the PAD function (see p. 16) I REC/LOOP button
on and off. While FUNCTION mode is active (see p. 18), this This button is used to record a short drum/percussion
button allows you to recall the factory setting for the phrase and to play it back repeatedly (see p. 17).
selected parameter. J SONG/DEMO button
H USER PROG/DEC and METRONOME/INC buttons This button allows you to switch to SONG mode where you
The [USER¥PROG] button allows you to activate/switch off can practice your left- or right-hand playing using one of
the FR-2/FR-2b’s memory function (see p. 22). In FUNC- the 16 internal songs (the FR-2/FR-2b plays the part of the
TION mode, this button is used to decrease the value of the other hand). See page 15.
selected parameter. Press and hold this button to listen to the FR-2/FR-2b’s
demo songs.
K Bass registers (lower row) and pads (upper row) Note: Each register is assigned to only one registration or sound
The lower switches allow you to select the desired bass mix (unlike the treble registers).
(and chord). They include the following accordion foot- The FR-2/FR-2b allows you to play:
ages: • accordion chord and bass sounds (like on an acoustic
Bass registers accordion);
• accordion bass lines with orchestral chords (but no accor-
1 2’
dion chords);
• accordion chord parts with orchestral bass notes (but no
2 4’
accordion bass notes).
That explains why the bass registers’ assignments some-
3 16’/8’/8-4’/4’/2’
times depend on the status of the [LEFT¥REGISTER] button.
4 8’/4’/2’ See p. 12 for details.
The bass registers are also used to select orchestral sounds
5 16’/2’ for the Bass or Chord section.
The row closest to the bellows can be used to play drum
and percussion sounds (PAD function, see p. 16).
r
Pads (press)
Registers (press
and pull down)
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V-Accordion r
Bass control panel
Connection panel
M
N
L O
L DC IN socket mits the bass (and chord) signal. If you only use one
This is where you can connect the supplied power jack (connected to the “L” or “R” socket), the FR-2/
adaptor (PSB-1U). Note that you can also purchase 8 FR-2b’s output is mono.
optional batteries and use the FR-2/FR-2b without O PHONES socket
the adaptor. This is where you can connect stereo headphones
M MIDI OUT/IN socket (Roland RH-A30, RH-200s or RH-300). Doing so does
This socket can be used to receive or transmit MIDI not mute the OUTPUT sockets.
data. Its function depends on the setting of the “MIDI
Out/In” parameter (see p. 21). Important remark
Note: After selecting the “MIDI IN” setting, you will hear noth-
ing when you play on the FR-2/FR-2b’s keyboards: it will only
After connecting any cable to the FR-2/FR-2b, be sure
respond to MIDI messages received from an external device. to never place it on the side when not using it.
N OUTPUT L/MONO (TREBLE) & R/MONO (BASS) sockets • Always stand the V-Accordion on its rubber feet (and in
These sockets can be connected to an amplifier, a the corresponding direction) to avoid damaging the
mixing console or a wireless system. If you use both plugs.
connectors, the FR-2/FR-2b’s output is stereo. In that • Always handle and move the FR-2/FR-2b with care and
case the signal of the Treble section is transmitted to pay special attention to the cable slack to avoid damag-
the L/MONO socket, while the R/MONO socket trans- ing or bending the cables.
• If you place the FR-2/FR-2b on your lap, ensure that the
audio and adaptor cables run between your legs (not
sideways) to avoid damaging or bending the cables.
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FR-2/FR-2b V-Accordion
Setting up
4. Setting up
Connections
The FR-2/FR-2b has a compartment for 8 optional AA-type batteries. Consider purchasing such batteries when performing on stage.
OUTPUT INPUT
L/MONO + R/MONO L+R
To a wall outlet
Use either a long signal cable (10m or more) or an optional wireless system (recommended).
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V-Accordion r
Listening to the demo songs
Note: You can also connect headphones to the PHONES sound). Setting it allows you to choose a lighter or
socket, in which case you do not need to establish an audio stronger inertia. Choose the setting that feels most
connection. comfortable for you.
(4) Turn the FR-2/FR-2b’s [VOLUME] knob A from the
“POWER OFF” position towards the right. Bass strap
(5) Switch on the receiving audio device. The FR-2/FR-2b’s bass strap
(used to move the bellows in
(6) Start playing.
and out) is made of fabric
—To switch off your system—
and fitted with a Velcro strip
(7) Turn down the output volume of the receiving that allows you to adjust its
audio device, or switch it off. slack:
(8) Turn the FR-2/FR-2b’s [VOLUME] knob all the way
to the left (“POWER OFF”).
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FR-2/FR-2b V-Accordion
Setting up
■Using the FR-2/FR-2b’s digital effects When you only use the accordion sounds (i.e. while the
While playing on the Treble keyboard, you may have [ORCH¥BASS] B and [ORCH¥CHORD] C buttons are dark),
noticed that the accordion sounds are enhanced by effects the bass and chord buttons use the same register, because
(probably reverb). The FR-2/FR-2b contains 2 digital they belong to the same accordion section.
effects: (3) If you think the sound is too loud or too soft, you can
Reverb: This effect creates the impression that you are change the setting of the [VOLUME] knob A.
playing in a concert hall, a church or a room. It adds
“depth” to the sound.
Chorus: This effect creates the impression that several
instruments of the same type are playing at the same time. Using the orchestral sounds
You can change the type and the level settings of these Your FR-2/FR-2b contains PCM sounds (samples) of various
two effects (see p. 19). Those settings apply to all sections instruments that are not related to accordion sounds. Those
and all Sets. sounds allow you to expand your musical endeavours.
The FR-2/FR-2b’s Orchestra functionality comprises three
sections: one for the Treble keyboard (called “Orchestra”),
Bass section another for the Bass buttons (first two rows, called “ORCH
BASS”), and a third for the chord buttons (remaining rows,
called “ORCH CHORD”).
You can specify for each section whether or not the orches-
tral sounds should be used instead of the accordion sounds.
F#3 C#3 Ab3 Eb3 Bb3 F3 C3 G3 D3 A3 E3 B3 F#3 C#3 Ab3 Eb3 ■Switching off the Orchestra part
F#M C#M AbM EbM BbM FM CM GM DM AM EM BM F#M C#M AbM EbM To return to a state where only the Treble accordion sec-
F#m C#m Abm Ebm Bbm Fm Cm Gm Dm Am Em Bm F#m C#m Abm Ebm tion sounds:
F#7 C#7 Ab7 Eb7 Bb7 F7 C7 G7 D7 A7 E7 B7 F#7 C#7 Ab7 Eb7
(3) Press one of the registers [1]~[5] F once or twice (it
F#dim C#dim Abdim Ebdim Bbdim Fdim Cdim Gdim Ddim Adim Edim Bdim F#dim C#dim Abdim Abdim
lights green).
Bass buttons Chord buttons*
(*) This can be changed to 3 bass and 3 chord rows. See “Bass & Chord Mode” on p. 23.
Orchestral sounds for the Bass section
The orchestral bass part can be used instead of the Bass sec-
Here is what the caps look like:
tion (thus replacing the accordion sound assigned to the bass
Slide up to remove
rows). It only applies to the bass rows (the ones closest to
the bellows) and has no effect on the chord buttons.
Reference cap (1) Press the [ORCH¥BASS] B button (it must light).
(2) Check whether the [LEFT¥REGISTER] D button is dark. If
it is not, press it.
r
Slide over button (3) Use the Bass registers to select the desired sound (the
register you press lights green).
The overall sound the Bass section produces is determined by
ORCH BASS sounds
the register you activated last. This section can be used as
“accordion”, to play orchestral sounds, or both. 1 Acoustic 4 Fretless
(1) Connect the FR-2/FR-2b and switch it on. 2 Bowed* 5 Tuba Mix
See page 10. 3 Fingered
(2) Grab the FR-2/FR-2b, press and pull down a register and
start playing on the Bass (button) keyboard.
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V-Accordion r
Orchestral sounds for the Chord section
Note: The dynamics of sounds marked with an asterisk (*) can only be
controlled by bellows movements. Those sounds are not velocity sen-
sitive.
Note: The dynamics of sounds marked with an asterisk (*) can only be
controlled by bellows movements. Those sounds are not velocity sen-
sitive.
While ORCH CHORD mode is active, you can assign a dif-
ferent accordion register to the bass rows by pressing
[LEFT¥REGISTER] (it must be dark) and the desired Bass reg-
ister.
■Switching off the ORCH CHORD part
(4) Press the [ORCH¥CHORD] button again to return to nor-
mal Chord mode.
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FR-2/FR-2b V-Accordion
Other practical functions
2 2/4 6 6/4
Metronome level
3 3/4 7 6/8
1 Off 3• Medium
4• 4/4 8 9/8
2 Low 4 High
Note: Press the [PAD/DEFAULT] G button or register [4] to return to
the factory setting of the currently selected parameter. Note: Press the [PAD/DEFAULT] G button to return to the factory
setting.
(5) Press the [SET] E register once (so that it flashes slowly)
(3) Press the [SET] E register twice to leave the FR-2/
and proceed with the next parameter.
FR-2b’s FUNCTION mode.
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V-Accordion r
Using the metronome
Using the metronome The setting range is –6~0~5 (where “0” means that no
After setting the metronome parameters to your liking, you transposition is used). The value refers to the interval. This
can start using the metronome: can be calculated as follows:
(4) Press the [METRONOME÷INC] H button (it lights) to start • In what key do you want to play? (This is your “0” value.)
the metronome. Example→ C major
(5) Press it again to switch the metronome back off. • What key does the song use?
Example→ E major
• How many semitones do you need to “shift” the notes?
Pitch-related functions Example→ [C#, D, Eb, E]= 4 up, so register [7].
(4) Press the [SET] register twice to leave the FR-2/FR-2b’s
Transpose function FUNCTION mode.
The FR-2/FR-2b contains a Transpose function that allows Note: This parameter is reset when you switch off the FR-2/FR-2b.
you to change the key of the music you are playing. The
advantage of this system is that you can play a song in E
major (for example), while using the fingering of the C major Transposing the Treble keyboard in octave steps
scale (for example). This may come in handy when you are The parameter discussed here allows you to transpose the
used to playing a given song in one key and suddenly need to Treble accordion or Orchestra section one octave up or down.
play it in a different key. Let’s look at an example: (5) Simultanesouly press the [SET] E and [1] (+, one octave
down) or [2] (–, one octave up) register.
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FR-2/FR-2b V-Accordion
Other practical functions
(3) It flashes, and the register assigned to the last song you (3) Use Treble registers [1]~[8] Fto select the desired PAD
selected lights. set (i.e. a collection of 5 sounds).
(4) Use registers [1]~[8] to select the desired song (see the PAD Set [1] (Folk) PAD Set [5] (Pop)
table above).
1 Snare Ghost 1 Pop Stick
(5) Move the bellows.
2 Snare Tambourine 2 Snare
The first movement of the bellows starts the song after a
short while, subsequent moves allow you to control the 3 Bass Drum/HiHat 3 Bass Drum
song’s volume (expression). 4 Conga Op 4 HiHat Closed
Playback stops at the end of the song. To stop it before the 5 Conga Slap 5 HiHat Open
end of the song… PAD Set [2] (Jazz) PAD Set [6] (Orchestra)
(6) Press the [SONG÷DEMO] button again to leave the Song
1 Bass Drum 1 Snare Roll
function.
Concert Snare/
(7) Select a different song or proceed with the following: 2 Jazz Snare/Pedal HiHat 2
OpenTriangl
Note: The metronome is not available while the Song function is
used. 3 Ride Cymbal 3 Concert BD
4 Tom Hi 4 Concert Cym.
Muting a part
The real purpose of the FR-2/FR-2b’s Song function is to 5 Tom Lo 5 Timpani
encourage you to play along with the FR-2/FR-2b. To do so, PAD Set [3] (Tarantel) PAD Set [7] (TR-909)
you need to mute (switch off) the song part you want to play 1 Tamorra 3 1 Techno Kick
yourself.
2 Tamorra 1 2 TR-909 Snare/909 Clap
(1) Select the song you want to play (see above).
TR-909 Kick/
(2) Mute either the Treble or the Bass keyboard. 3 Tamorra 2 3
Tambourine
Muting the right-hand part: Press and hold any treble register 4 Conga Op 4 909 Tom Op
([1]~[8])
5 Conga Slap 5 909 Tom Lo
Muting the left-hand part: Press and hold any bass register
([1]~[5]). PAD Set [4] (Latin) PAD Set [8] (Ethnic)
1 Pandeiro 4 1 Big Gong
Note: You can only mute one part at a time.
2 Pandeiro 5 2 Udo Long/Tabla Na
(3) Move the bellows.
The first movement of the bellows starts the song, subse- 3 Pandeiro 3/Bass Drum 3 Req Dum/Timl Paila
quent moves allow you to control the song’s volume 4 Hi Bongo 4 Conga Slide
(expression). 5 Lo Bongo 5 Mut Pandeiro
This time, the FR-2/FR-2b only plays the part you didn’t
switch off. You can change registers (or sounds) for the The numbers refer to the pads you need to press. The cor-
section you are playing. It is also possible to use an orches- respondence is a follows.
tral sound instead of an accordion register.
[6] [5] [4] [3] [2] [1]
Note: The PAD function is also available during Song playback.
(4) To switch the muted part back on, press and hold any
Treble or Bass register. Note: The numbers shown in the illustration above do not appear on
the pads themselves. They have been added for your reference.
(5) Press the [SONG÷DEMO] button again to leave the Song
function. (4) Press the pads to play a drum part.
You’ll notice that the pad you press briefly lights.
(5) Press the [PAD] button again to leave PAD mode.
PAD function
Your FR-2/FR-2b contains a drum part that can be played in Playing drum sounds with the bass and chord buttons
real-time and/or controlled by the PAD recorder. There are 8 Though restricted to sounds 2 and 3 of each PAD set, the
sets of 5 drum and percussion sounds. Those sounds can be following is even more professional. You can assign sound “3”
played in real-time using the 5 pads above the bass registers, (see above) of the selected PAD set to the bass rows, and the
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using the bass and chord buttons (only 2 sounds of each PAD “2” sound to the chord rows. That way, each bass note will be
set), by the PAD recorder function or via MIDI (channel 10). accompanied by a bass drum sound (usually), and each chord
by a snare drum hit.
Playing drum sounds
Feel free to use your other hand to play the remaining PAD
■Playing drum sounds with the bass registers sounds (by pressing the Bass registers).
(1) Briefly press the [PAD] G button.
(2) Press and hold the [PAD] G button until it starts flash-
ing.
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V-Accordion r
Recording short drum patterns
■Adding drum sounds to your bass notes and chords Recording short drum patterns
(1) Briefly press the [PAD] G button. The FR-2/FR-2b allows you to record a drum pattern by play-
(2) Press and hold the [PAD] button until it starts flashing. ing it in one of the ways described above. The recorded pat-
tern is repeated over an over (“Loop” function).
(3) Use Treble registers [1]~[8] to select the desired PAD set
(i.e. a collection of 5 sounds). (1) Briefly press the [PAD] G button (it lights green).
See the table above. The recording function is only available in PAD mode. See
p. 16 for how to select a different PAD set, if necessary.
(4) Press and hold Treble register [1] F until it starts flash-
Note: The metronome is not available while the PAD function is used.
ing.
(5) Start playing bass notes and chords. (2) Press and hold the [REC÷LOOP] I button until it starts
Each button press also triggers the “3” sound (bass rows) or flashing.
the “2” sound (chord rows) of the selected PAD set. (3) Press a Bass register or button in the bass or chord but-
(6) Press and hold Treble register [1] again to “remove” the ton row (if the Bass buttons are set to play two drum
drum sounds from the bass and chord buttons without sounds).
leaving PAD mode. Recording starts automatically.
The PAD sounds can still be played using the Bass registers. (4) Press [REC÷LOOP] when it’s finished.
(7) Press the [PAD] button again to leave PAD mode. The [REC/LOOP] I button lights steadily and your pattern
is played back automatically in a loop.
(5) Use the Treble and Bass keyboards to play a song to the
■Playing only drum sounds via the bass and chord but- drum pattern.
tons
(6) Press [REC÷LOOP] again to stop the drum pattern.
(1) Briefly press the [PAD] G button. Press it yet again to restart the drum pattern.
(2) Press and hold the [PAD] button until it starts flashing. (7) Switch off the [PAD] button to leave the FR-2/FR-2b’s
(3) Use Treble registers [1]~[8] to select the desired PAD set PAD mode.
(i.e. a collection of 5 sounds). Note: The pattern is preserved until you replace it with another pat-
See the table on p. 16. tern. It is lost when you switch off the FR-2/FR-2b.
(4) Press and hold Treble register [2] F until it starts flash-
ing.
(5) Start playing bass notes and chords.
Each button now only triggers the “3” sound (bass rows) or
the “2” sound (chord rows) of the selected PAD set.
(6) Press and hold Treble register [2] again to “remove” the
drum sounds from the bass and chord buttons without
leaving PAD mode.
The buttons can now again be used to play the bass and
chord sections. The PAD sounds can still be played using
the Bass registers.
(7) Press the [PAD] button again to leave PAD mode.
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FR-2/FR-2b V-Accordion
Editing FUNCTION settings
You can also press and hold these buttons to quickly select
Selecting the desired function a significantly higher or lower value. Each time you select a
(1) Press and hold the [SET] E register until it starts flash- setting that is also assigned to a register, the register in
ing. question lights.
The Treble keyboard can now be used to select the desired Note: Press the [PAD/DEFAULT] G button or the register flagged
function. If you own an FR-2b, please refer to the follow- with a “•” in the discussion below to return to the factory setting of
the currently selected parameter.
ing illustration for the Treble buttons you need to press
(depending on the selected Treble mode, the buttons may (4) Press the [SET] register twice to leave the FR-2/FR-2b’s
be assigned to different notes). For the sake of conve- FUNCTION mode.
nience, the note names of the keyboard version are also If you want to set another FUNCTION parameter, press [SET]
shown. once (it flashes slowly), followed by the desired key, then
proceed with step (3) above.
17 G1
1 G#1 → In the following, the messages at the right edge of the
A1
18 gray bars have the following meaning:
2 B1 Bb1
19 “OK”: Can be saved in the Global area (common to all Sets).
3 C2
20 C#2 “POW”: Reset when you switch off the FR-2/FR-2b.
4 D2
21 Eb2
E2
5
22 F2
6 F#2
23
7
G2
G#2
Parameters
24 A2
8 B2
Bb2 Master Tune [G1]/[1] OK
25
9 C3 415~440~466 (Hz) Default setting: 440
26 C#3
10 D3 This parameter allows you to change the FR-2/FR-2b’s overall
27 Eb3 tuning. The factory default, “440”, represents the reference pitch
E3
11 used by all electronic musical instruments. The settings you can
F3 F#3
12 select with the registers are:
G3
13 G#3 1 415 5 448
A3
14 Bb3 2 424 6 457
B3
15 C4
3 432 7 466
C#4
D4 4• 440
16
Eb4
E4
Musette Detune [G#1]/[2] OK
Dry, Classic, F-Folk, American L, Default setting: Dry
(2) Press the indicated key or Treble American H, Nord Eur, German L,
button. D-Folk L, Italian L, German H,
(Key names with a “#” symbol refer Alpine, Italian H, D-Folk H, French,
to black keys.) Scottish
The [SET] register now flashes rapidly, This parameter allows you to choose the system used for detun-
and the Treble keyboard can once ing the 8’ reeds of the selected register. The settings you can
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V-Accordion r
Parameters
Metronome Tempo [E2]/[9] OK [6] Plate • This effect type simulates a plate reverb (a
studio device using a metal plate to simulate
20~250 Default setting: 120
natural Reverb).
This parameter allows you to set the metronome tempo. The set-
tings you can select with the registers are: [7] Delay This is a conventional delay that produces
echo effects.
1 Largo (40 BPM)) 5 Moderato (120 BPM)
[8] PanningDly This is a special delay in which the delayed
2 Larghetto (40 BPM) 6 Allegro (144 BPM) sounds move left and right. It is effective
3 Adagio (72 BPM) 7 Presto (192 BPM) when you are listening in stereo.
4• Andante (96 BPM) 8 Prestissimo (208 BPM)
(The numbers between [ ] refer to the Treble registers.)
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FR-2/FR-2b V-Accordion
Editing FUNCTION settings
Then, set the “MIDI OUT/IN” parameter (see p. 21) to “Out”. Set the “MIDI OUT/IN” parameter (page 21) to “In”.
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V-Accordion r
MIDI parameters
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FR-2/FR-2b V-Accordion
Editing FUNCTION settings
Note: See p. 21 for the MIDI channels the FR-2/FR-2b’s parts use.
Arranger Control [E4]/[27] OK
Program Change TX [D4]/[26] OK Off, On Default setting: Off
Off, On Default setting: Off This parameter specifies which MIDI note numbers are sent by the
Chord row buttons. You may have noticed that the chords gener-
This is a MIDI filter, i.e. a parameter that allows you to specify
ated by the FR-2/FR-2b (and indeed any accordion) are incom-
whether or not the given MIDI type should be transmitted. “TX”,
plete, because players are expected to supply the bass notes via
as you know, is short for “transmission”. This means two things:
the bass rows.
(1) the filter only applies to program changes sent by the FR-2/
FR-2b, and (2) it is only meaningful when the “MIDI Out/In” That information is fine if the resulting MIDI events you record
parameter is set to “Out”. with a sequencer are sent back to the FR-2/FR-2b. But if you
want to control an arranger keyboard (like Roland’s E-series), the
Program change messages are used to select sounds or memories
“patchy” chord information may cause the music style patterns to
on the receiving instrument simply by recalling another sound (or
play in the wrong key.
memory) on the transmitting instrument. The FR-2/FR-2b trans-
mits program changes when you select Sets (on the Basic Chan- If you experience such problems, switch this parameter on (regis-
nel) and registers (on the MIDI channel assigned to the section ter [2]). To record chord information that will be sent back to the
for which you are selecting a different register). Select “Off” if FR-2/FR-2b at a later stage (with the bass notes sent on channel
you don’t need that. 2), however, switch this parameter off (register [1]).
All of the FR-2/FR-2b’s registers transmit program change/bank Note: The chord notes are transmitted on MIDI channel 3.
select clusters when pressed. And when you set the “MIDI Out/In”
parameter to “IN”, the FR-2/FR-2b also receives those messages.
Set Number (1~8) (1) Select the Set whose number should be memorized.
Register (2) Set everything the way you want it to be when you
recall the User Program you want to save.
Treble section Balance (with Bass section)
(3) Press and hold the
Octave setting [USER¥PROG] button until
Orchestra Register it starts flashing.
section Octave setting The Treble register corre-
sponding to the last User
Register USER
Bass section Program you selected PROG.
On or off yellow.
(2) Press the Treble register ([1]~[8]) that is assigned to the
PAD Selected set
User Program you want to use.
Volume
(3) Press the [USER¥PROG] button again to leave this mode.
[*] Mutually exclusive with corresponding accordion (or orches-
tral) setting.
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V-Accordion r
Changing your accordion’s behavior
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FR-2/FR-2b V-Accordion
Changing your accordion’s behavior
“7th”= 1-3-7 Eb7 Ab7 C#7 F#7 B7 E7 A7 D7 G7 C7 F7 Bb7 Eb7 Ab7 C#7 F#7
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V-Accordion r
Bass & Chord Mode
E3 Eb3 F3 F#3 E3 F3
F#3 F3 E3 F#3 G3 G#3 F3 F#3 G3
G3 F#3 G#3 A3 G3 G#3
A3 G#3 G3 A3 Bb3 B3 G#3 A3 Bb3
Bb3 A3 B3 C4 Bb3 B3
C4 B3 Bb3 C4 C#4 D4 B3 C4 C#4
C#4 C4 D4 Eb4 C#4 D4
Eb4 D4 C#4 Eb4 E4 F4 D4 Eb4 E4
E4 Eb4 F4 F#4 E4 F4
F#4 F4 E4 F#4 G4 G#4 F4 F#4 G4
G4 F#4 G#4 A4 G4 G#4
A4 G#4 G4 A4 Bb4 B4 G#4 A4 Bb4
Bb4 A4 B4 C5 Bb4 B4
C5 B4 Bb4 C5 C#5 D5 B4 C5 C#5
C#5 C5 D5 Eb5 C#5 D5
Eb5 D5 C#5 Eb5 E5 F5 D5 Eb5 E5
E5 Eb5 F5 F#5 E5 F5
F#5 F5 E5 F#5 G5 G#5 F5 F#5 G5
G5 F#5 G#5 A5 G5 G#5
A5 G#5 G5 A5 Bb5 B5 G#5 A5 Bb5
Bb5 A5 B5 C6 Bb5 B5
C6 B5 Bb5 C6 C#6 D6 B5 C6 C#6
C#6 C6 D6 Eb6 C#6 D6
Eb6 D6 C#6 Eb6 E6 F6 D6 Eb6 E6
E6 Eb6 F6 F#6 E6 F6
F#6 F6 E6 F#6 G6 G#6 F6 F#6 G6
G6 F#6 G#6 A6 G6 G#6
A6 G#6 G6 A6 Bb6 B6 G#6 A6 Bb6
Bb6 A6 B6 C7 Bb6 B6
C7 B6 Bb6 C7 C#7 D7 B6 C7 C#7
C#7 C7 D7 Eb7 C#7 D7
Eb7 D7 C#7 Eb7 E7 F7 D7 Eb7 E7
E7 Eb7 F7 F#7 E7 F7
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FR-2/FR-2b V-Accordion
Changing your accordion’s behavior
F3 E3 Eb3 D3 Eb3 E3
G3 F#3 F3 F3 E3 Eb3 E3 F3 F#3
G#3 G3 F#3 F3 F#3 G3
Bb3 A3 G#3 G#3 G3 F#3 G3 G#3 A3
B3 Bb3 A3 G#3 A3 Bb3
C#4 C4 B3 B3 Bb3 A3 Bb3 B3 C4
D4 C#4 C4 B3 C4 C#4
E4 Eb4 D4 D4 C#4 C4 C#4 D4 Eb4
F4 E4 Eb4 D4 Eb4 E4
G4 F#4 F4 F4 E4 Eb4 E4 F4 F#4
G#4 G4 F#4 F4 F#4 G4
Bb4 A4 G#4 G#4 G4 F#4 G4 G#4 A4
B4 Bb4 A4 G#4 A4 Bb4
C#5 C5 B4 B4 Bb4 A4 Bb4 B4 C5
D5 C#5 C5 B4 C5 C#5
E5 Eb5 D5 D5 C#5 C5 C#5 D5 Eb5
F5 E5 Eb5 D5 Eb5 E5
G5 F#5 F5 F5 E5 Eb5 E5 F5 F#5
G#5 G5 F#5 F5 F#5 G5
Bb5 A5 G#5 G#5 G5 F#5 G5 G#5 A5
B5 Bb5 A5 G#5 A5 Bb5
C#6 C6 B5 B5 Bb5 A5 Bb5 B5 C6
D6 C#6 C6 B5 C6 C#6
E6 Eb6 D6 D6 C#6 C6 C#6 D6 Eb6
F6 E6 Eb6 D6 Eb6 E6
G6 F#6 F6 F6 E6 Eb6 E6 F6 F#6
G#6 G6 F#6 F6 F#6 G6
Bb6 A6 G#6 G#6 G6 F#6 G6 G#6 A6
B6 Bb6 A6 G#6 A6 Bb6
C#7 C7 B6 B6 Bb6 A6 Bb6 B6 C7
D7 C#7 C7 B6 C7 C#7
E7 Eb7 D7 D7 C#7 C7 C#7 D7 Eb7
F7 E7 Eb7 D7 Eb7 E7
you first got it. We recommend using this function as FR-2b back on.
POWER
sparsely as possible: your own settings cannot be archived When all settings have OFF
externally, and there is no way to restore them after initializ- been initialized, all Tre-
ing the FR-2/FR-2b. ble registers briefly
(1) Switch off the FR-2/FR-2b by turning the [VOLUME] A flash in red.
knob all the way to the left (“POWER OFF”). The FR-2/FR-2b now
again sounds and
behaves like when you
first bought it.
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V-Accordion r
Using optional batteries
You should now see a tab that allows you to remove the
battery case:
(5) Insert the case with the 8 batteries into the compart-
ment.
(6) Close the FR-2/FR-2b’s battery compartment.
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FR-2/FR-2b V-Accordion
Specifications
12. Specifications
■ Keyboards ■ Others
Right hand: FR-2 34 piano-type keys, velocity sensi- Connectors: HEADPHONE socket (stereo), OUTPUT sockets (ste-
tive (starting at a G key) reo), MIDI socket (Out/In function adjustable via FUNCTION
parameter)
FR-2b 82 buttons, velocity sensitive
Power supply: external AC adaptor (100~240V, universal)
Left hand: FR-2/FR-2b 96 velocity-sensitive bass buttons Dimensions (mm):
■ Bellows FR-2: 425.5 (H) x 471.5 (W) x 244.3 (D) mm
Real pneumatic detection of bellows pressure (high-resolution FR-2b: 388.4 (H) x 471.5 (W) x 247.2 (D) mm
pressure sensor)
Bellows resistance regulator Weight (without straps or optional batteries):
FR-2: 7.5kg
■ Sound source
Max polyphony: 64 voices FR-2b: 7.5kg
Wave ROM: 16MB of waveforms
■ Supplied accessories
Tones: 8 accordion Sets, each including: External AC adaptor
10 Treble registers, 5 Bass registers, 5 Orchestra Bass registers, 5
Owner’s Manual
Orchestra Chord registers, 6 Orchestra sounds
Reference caps for the treble buttons (FR-2b)
Treble reed footages: 4
Straps
Bass reed footages: 5
Chord reed footages: 3 Battery holder (pre-installed in compartment)
Replaceable “traforo” covers: 6
■ PBM (Physical Behavior Modeling)
Noises: stopping-reed growl, closing valve noise, left button noise ■ Options
Individual reed simulation: hysteresis threshold, Expression curve, Accordion soft bag
pressure-variant filter, pressure-variant pitch deviation AA-type batteries (8) from third-party suppliers
Reed sound wave switching: by bellows acceleration, by note
repetition speed Note: In the interest of product improvement, the specifications and/
or appearance of this unit are subject to change without prior notice.
■ Musette tuning
Micro tuning presets: 15 (Dry, Classic, F-Folk, American L/H, North
Europe, German L/H, D-Folk L/H, Alpine, Italian L/H, French, Scot-
tish)
■ Effects
Reverb: 8 types, Chorus: 8 types
■ Panel controls
Knob: VOLUME/POWER
Registers: 5x Treble + 3x Orchestra, Set, 5x Bass
Buttons: ORCH BASS, ORCH CHORD, LEFT REGISTER, PAD/
DEFAULT, REC/LOOP, SONG/DEMO, USER PROG/DEC, METRO-
NOME/INC
■ Operation modes
Bass & Chord modes: 2 Bs Rows, 3 Bs Rows A-7th, 3 Bs Rows A-
5dim, 3 Bs Rows B-7th, 3 Bs Rows B-5dim, 3 Bs Rows Bx
Treble modes (FR-2b): C-Griff Europe, C-Griff 2, B-Griff Bajan,
B-Griff Fin, D-Griff 1, D-Griff 2
Octave: Down (–), 0, Up (+) (for Treble and Orchestra)
PAD: 8 drum/percussion sets, phrase recording function
SONG function: 8 preset songs with selectable mute function for
left- or right-hand part
r
■ Power supply
Supplied external adaptor or optional batteries
■ Power consumption
500mA
■ Expected battery life under continuous use:
Ni-MH 2500mAh ±5 hours
This varies depending on the actual conditions of use.
Note: Carbon and alkaline batteries should not be used.
28
See more at http://safe-manuals.com
V-Accordion r
Appendix
13. Appendix
[*] Drum Kit address. First digit= CC00, second digit= CC32, third digit=
PC
29
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FR-2/FR-2b V-Accordion
Appendix
Note ON O O
Velocity
Note OFF O O
After Key’s X X
Touch Ch’s X X
Pitch Bend X X
Recognized: 1~10:
1~6: Treble Registers
Program O O 1~5 Bass registrs
1~5 Orchestra Bass
Change True # 0~127 0~9 1~5 Orchestra Chord
1~6 Orchestra
1~8 Set
System Exclusive O O
System Clock X X
Real Time Commands X X
*1 O X is selectable
Notes *2 Recognized as M=1 even if M≠1
30
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14. Information
When you need repair service, call your nearest Roland Service Center or authorized
Roland distributor in your country as shown below.
AFRICA PHILIPPINES CURACAO URUGUAY NORWAY JORDAN
G.A. Yupangco & Co. Inc. Zeelandia Music Center Inc. Todo Musica S.A. Roland Scandinavia Avd. MUSIC HOUSE CO. LTD.
EGYPT 339 Gil J. Puyat Avenue Orionweg 30 Francisco Acuna de Figueroa Kontor Norge FREDDY FOR MUSIC
Makati, Metro Manila 1200, Curacao, Netherland Antilles 1771 Lilleakerveien 2 Postboks 95 P. O. Box 922846
Al Fanny Trading Office
PHILIPPINES TEL:(305)5926866 C.P.: 11.800 Lilleaker N-0216 Oslo Amman 11192 JORDAN
9, EBN Hagar Al Askalany
Street, TEL: (02) 899 9801 Montevideo, URUGUAY NORWAY TEL: (06) 5692696
DOMINICAN REPUBLIC TEL: (02) 924-2335 TEL: 2273 0074
ARD E1 Golf, Heliopolis, KUWAIT
SINGAPORE Instrumentos Fernando Giraldez
Cairo 11341, EGYPT VENEZUELA POLAND
SWEE LEE MUSIC Calle Proyecto Central No.3 EASA HUSAIN AL-YOUSIFI
TEL: 20-2-417-1828
COMPANY PTE. LTD. Ens.La Esperilla Instrumentos Musicales ROLAND POLSKA SP. Z O.O. & SONS CO.
REUNION 150 Sims Drive, Santo Domingo, Allegro,C.A. UL. Gibraltarska 4. Abdullah Salem Street,
Maison FO - YAM Marcel SINGAPORE 387381 Dominican Republic Av.las industrias edf.Guitar PL-03 664 Warszawa Safat, KUWAIT
25 Rue Jules Hermann, TEL: 6846-3676 TEL:(809) 683 0305 import POLAND TEL: 243-6399
Chaudron - BP79 97 491 #7 zona Industrial de Turumo TEL: (022) 679 4419
TAIWAN ECUADOR Caracas, Venezuela LEBANON
Ste Clotilde Cedex, PORTUGAL
ROLAND TAIWAN Mas Musika TEL: (212) 244-1122 Chahine S.A.L.
REUNION ISLAND
ENTERPRISE CO., LTD. Rumichaca 822 y Zaruma Roland Iberia, S.L. George Zeidan St., Chahine
TEL: (0262) 218-429
Room 5, 9fl. No. 112 Chung Guayaquil - Ecuador Portugal Office Bldg., Achrafieh, P.O.Box: 16-
SOUTH AFRICA Shan N.Road Sec.2, Taipei, TEL:(593-4)2302364 EUROPE Cais das Pedras, 8/9-1 Dto 5857
T.O.M.S. Sound & Music TAIWAN, R.O.C. 4050-465, Porto, PORTUGAL Beirut, LEBANON
EL SALVADOR TEL: 22 608 00 60
(Pty)Ltd. TEL: (02) 2561 3339 AUSTRIA TEL: (01) 20-1441
OMNI MUSIC
2 ASTRON ROAD DENVER Roland Elektronische ROMANIA OMAN
JOHANNESBURG ZA 2195,
THAILAND 75 Avenida Norte y Final
Alameda Juan Pablo II, Musikinstrumente HmbH. FBS LINES TALENTZ CENTRE L.L.C.
SOUTH AFRICA Theera Music Co. , Ltd.
330 Soi Verng NakornKasem, Edificio No.4010 San Salvador, Austrian Office Piata Libertatii 1, Malatan House No.1
TEL: (011)417 3400 Eduard-Bodem-Gasse 8,
New Road, Sumpantawongse, EL SALVADOR 535500 Gheorgheni, Al Noor Street, Ruwi
Bangkok 10100, THAILAND TEL: 262-0788 A-6020 Innsbruck, AUSTRIA ROMANIA SULTANATE OF OMAN
Paul Bothner(PTY)Ltd. TEL: (0512) 26 44 260
TEL: (02) 224-8821 TEL: (266) 364 609 TEL: 2478 3443
Royal Cape Park, Unit 24 GUATEMALA
Londonderry Road, Ottery 7800 Casa Instrumental BELGIUM/FRANCE/ RUSSIA QATAR
Cape Town, SOUTH AFRICA Calzada Roosevelt 34-01,zona 11 HOLLAND/ MuTek Al Emadi Co. (Badie Studio &
TEL: (021) 799 4900 AUSTRALIA/ Ciudad de Guatemala LUXEMBOURG Dorozhnaya ul.3,korp.6 Stores)
Guatemala 117 545 Moscow, RUSSIA P.O. Box 62, Doha, QATAR
NEW ZEALAND TEL:(502) 599-2888
Roland Central Europe N.V.
TEL: (095) 981-4967 TEL: 4423-554
Houtstraat 3, B-2260, Oevel
ASIA AUSTRALIA/ HONDURAS (Westerlo) BELGIUM SLOVAKIA
TEL: (014) 575811
SAUDI ARABIA
CHINA NEW ZEALAND Almacen Pajaro Azul S.A. de C.V. DAN Acoustic s.r.o. aDawliah Universal
BO.Paz Barahona CROATIA Povazská 18.
Roland Shanghai Electronics Roland Corporation Electronics APL
3 Ave.11 Calle S.O SK - 940 01 Nové Zámky
Co.,Ltd. Australia Pty.,Ltd. ART-CENTAR Corniche Road, Aldossary
San Pedro Sula, Honduras TEL: (035) 6424 330
5F. No.1500 Pingliang Road 38 Campbell Avenue Degenova 3. Bldg., 1st Floor, Alkhobar,
TEL: (504) 553-2029
Shanghai 200090, CHINA Dee Why West. NSW 2099 HR - 10000 Zagreb SPAIN 31952 SAUDI ARABIA
TEL: (021) 5580-0800 AUSTRALIA MARTINIQUE TEL: (1) 466 8493 Roland Iberia, S.L.
Paseo García Faria, 33-35 P.O.Box 2154, Alkhobar 31952
Musique & Son CZECH REP. SAUDI ARABIA
Roland Shanghai Electronics For Australia 08005 Barcelona SPAIN
Z.I.Les Mangle CZECH REPUBLIC TEL: (03) 898 2081
Co.,Ltd. Tel: (02) 9982 8266 97232 Le Lamantin TEL: 93 493 91 00
(BEIJING OFFICE) For New Zealand DISTRIBUTOR s.r.o
Martinique F.W.I.
Voctárova 247/16 SWEDEN SYRIA
10F. No.18 3 Section Anhuaxili Tel: (09) 3098 715 TEL: 596 596 426860
CZ - 180 00 PRAHA 8, Roland Scandinavia A/S Technical Light & Sound
Chaoyang District Beijing
CZECH REP. SWEDISH SALES OFFICE Center
100011 CHINA Gigamusic SARL
TEL: (2) 830 20270 Danvik Center 28, 2 tr. Rawda, Abdul Qader Jazairi St.
TEL: (010) 6426-5050
CENTRAL/LATIN 10 Rte De La Folie
S-131 30 Nacka SWEDEN Bldg. No. 21, P.O.BOX 13520,
97200 Fort De France DENMARK
HONG KONG AMERICA TEL: (0)8 702 00 20 Damascus, SYRIA
Martinique F.W.I. Roland Scandinavia A/S TEL: (011) 223-5384
Tom Lee Music Co., Ltd.
TEL: 596 596 715222 Nordhavnsvej 7, Postbox 880, SWITZERLAND
Service Division ARGENTINA TURKEY
22-32 Pun Shan Street, Tsuen MEXICO DK-2100 Copenhagen Roland (Switzerland) AG
Instrumentos Musicales S.A. DENMARK Landstrasse 5, Postfach, ZUHAL DIS TICARET A.S.
Wan, New Territories, Casa Veerkamp, s.a. de c.v.
Av.Santa Fe 2055 TEL: 3916 6200 CH-4452 Itingen, Galip Dede Cad. No.37
HONG KONG Av. Toluca No. 323, Col. Olivar
(1123) Buenos Aires SWITZERLAND Beyoglu - Istanbul / TURKEY
TEL: 2415 0911 de los Padres 01780 Mexico FINLAND
ARGENTINA TEL: (061) 927-8383 TEL: (0212) 249 85 10
TEL: (011) 4508-2700 D.F. MEXICO Roland Scandinavia As, Filial
Parsons Music Ltd. TEL: (55) 5668-6699
Finland UKRAINE U.A.E.
8th Floor, Railway Plaza, 39 BARBADOS Elannontie 5 Zak Electronics & Musical
Chatham Road South, T.S.T, A&B Music Supplies LTD
NICARAGUA EURHYTHMICS Ltd.
FIN-01510 Vantaa, FINLAND P.O.Box: 37-a. Instruments Co. L.L.C.
Kowloon, HONG KONG 12 Webster Industrial Park Bansbach Instrumentos
TEL: (0)9 68 24 020 Nedecey Str. 30 Zabeel Road, Al Sherooq Bldg.,
TEL: 2333 1863 Wildey, St.Michael, Barbados Musicales Nicaragua No. 14, Ground Floor, Dubai,
UA - 89600 Mukachevo,
TEL: (246)430-1100 Altamira D'Este Calle Principal GERMANY U.A.E.
INDIA de la Farmacia 5ta.Avenida
UKRAINE
Roland Elektronische TEL: (03131) 414-40 TEL: (04) 3360715
Rivera Digitec (India) Pvt. Ltd. BRAZIL 1 Cuadra al Lago.#503
411, Nirman Kendra Musikinstrumente HmbH.
Roland Brasil Ltda. Managua, Nicaragua UNITED KINGDOM
Mahalaxmi Flats Compound Oststrasse 96, 22844
Rua San Jose, 780 Sala B TEL: (505)277-2557 Roland (U.K.) Ltd.
Off. Dr. Edwin Moses Road, Norderstedt, GERMANY
Mumbai-400011, INDIA
Parque Industrial San Jose
PANAMA TEL: (040) 52 60090 Atlantic Close, Swansea NORTH AMERICA
Cotia - Sao Paulo - SP, BRAZIL Enterprise Park, SWANSEA
TEL: (022) 2493 9051 SUPRO MUNDIAL, S.A.
TEL: (011) 4615 5666 GREECE/CYPRUS SA7 9FJ, CANADA
Boulevard Andrews, Albrook,
INDONESIA CHILE Panama City, REP. DE
STOLLAS S.A. UNITED KINGDOM Roland Canada Ltd.
PT Citra IntiRama Music Sound Light TEL: (01792) 702701 (Head Office)
Comercial Fancy II S.A. PANAMA
Jl. Cideng Timur No. 15J-15O Rut.: 96.919.420-1 TEL: 315-0101 155, New National Road 5480 Parkwood Way
Jakarta Pusat Nataniel Cox #739, 4th Floor Patras 26442, GREECE Richmond B. C., V6V 2M4
INDONESIA PARAGUAY TEL: 2610 435400 CANADA
TEL: (021) 6324170
Santiago - Centro, CHILE
Distribuidora De
MIDDLE EAST TEL: (604) 270 6626
TEL: (02) 688-9540 HUNGARY
Instrumentos Musicales
KOREA COLOMBIA Roland East Europe Ltd. BAHRAIN Roland Canada Ltd.
J.E. Olear y ESQ. Manduvira
Cosmos Corporation Centro Musical Ltda. Warehouse Area ‘DEPO’ Pf.83 Moon Stores
Asuncion PARAGUAY (Toronto Office)
1461-9, Seocho-Dong, Cra 43 B No 25 A 41 Bododega 9 H-2046 Torokbalint, No.1231&1249 Rumaytha
TEL: (595) 21 492147 170 Admiral Boulevard
Seocho Ku, Seoul, KOREA Medellin, Colombia HUNGARY Building Road 3931, Manama Mississauga On L5T 2N6
TEL: (02) 3486-8855 TEL: (574)3812529 PERU TEL: (23) 511011 339 BAHRAIN CANADA
Audionet IRELAND TEL: 17 813 942 TEL: (905) 362 9707
MALAYSIA COSTA RICA Distribuciones Musicales SAC
Roland Asia Pacific Sdn. Bhd. JUAN Bansbach Instrumentos Juan Fanning 530
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45-1, Block C2, Jalan PJU 1/39, G2 Calmount Park, Calmount MOCO INC.
Musicales Miraflores Roland Corporation U.S.
Dataran Prima, 47301 Petaling Avenue, Dublin 12 No.41 Nike St., Dr.Shariyati Ave.,
Ave.1. Calle 11, Apartado Lima - Peru 5100 S. Eastern Avenue
Jaya, Selangor, MALAYSIA Republic of IRELAND Roberoye Cerahe Mirdamad
10237, TEL: (511) 4461388 Los Angeles, CA 90040-2938,
TEL: (03) 7805-3263 TEL: (01) 4294444 Tehran, IRAN
San Jose, COSTA RICA U. S. A.
TRINIDAD TEL: (021) 285-4169
VIET NAM TEL: 258-0211 ITALY TEL: (323) 890 3700
AMR Ltd
Suoi Nhac Company, Ltd
Ground Floor
Roland Italy S. p. A. ISRAEL
370 Cach Mang Thang Tam St. Viale delle Industrie 8, Halilit P. Greenspoon & Sons
Maritime Plaza
Dist.3, Ho Chi Minh City, 20020 Arese, Milano, ITALY
Barataria Trinidad W.I. Ltd.
VIET NAM TEL: (02) 937-78300
TEL: (868) 638 6385 8 Retzif Ha'alia Hashnia St.
TEL: 9316540 Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666