NIGHT-LIGHT SCENES

1. Ice shows, in multiple white spotlights. If

spotlights are coloured, use Scene 4
THE JIFFY 2. Burning buildings, fires. For detail in
CALCULATOR surrounding areas, use Scene 5
3. • Brightly lighted stage-theater acts. If lights
FOR NIGHT-LIGHT are coloured or subdued in “mood” situations,
EXPOSURES use Scene 6.
• Brightly lighted boxing, wrestling rings. For
1964 by S. P. Martin spectator shots in close proximity of ring, use
NIGHT- ASA Scene 5
LIGHT FILM

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4. Neon-electric signs, theatre marquees. To
SCENE SPEED capture some detail in surrounding area, use
1 Scene 7
2 5. • Campfire groups (keep subjects close, but
safe from heat and flames)
3
• Bright TV and movie screen pictures, at 1/25
4 SHUTTER
or 1/30 sec only. If in colour, use Scene 8
5 SPEED OR
• Brightly spotlighted aerial circus
TIME
6 performances. For acts on ground level or
EXPOSURE f/STOP spectators in lower seats, use Scene 7.
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7
6. • Brightly illuminated store display windows.
8 f/22 • Brightly lighted gas stations
9 7. • Indoor lighted Xmas tree. For detail in tree
10 decorations, gifts, etc. (or if people are in
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f/16
11 picture), a double exposure may be necessary.
Use long exposure, sufficient to include flash
12
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f/11 fill-in. However, if room is brightly lighted,

13 flash will not be needed.
14 f/8 • Brightly lighted interiors of homes, offices,
15 restaurants and stores.
• Portraits, by brightly illuminated store display
16 f/5.6 windows and theatre marquees.
17
18
8. • Broadway-type, brightly lighted Main streets.
f/4 For emphasis on reflections of rain-wet streets,
19 use Scene 6.
20 f/2.8 • Baseball and football night games, and other
21 sport-events on floodlighted fields and
22 stadiums.
f/2 • Race tracks
23
24 9. • Fireworks, lightning bolts. Use f/stop
f/1.4 calculated at one-second exposure (or set
25 camera at OPEN) for each burst, or streak. Try
26 f/1 double exposures for pleasing results
• Brightly lighted amusement parks, fairs,
carnivals, and shopping centres.
• Intricate pattern designs of vehicular
headlights, ferris wheels, and other illuminated
For night photography, use fastest film possible. With amusement rides, etc. Use an extra-long
black-and-white films, use tungsten indexes. Flash-type and exposure, sufficient to include several elliptical,
tungsten-type color films tend to give more normal circular, and straight movements of lights.
renditions in “mazda” light. Daylight-type color films
render much warmer results, but are quite satisfactory.
10. • Gymnasiums, auditoriums, arenas, and
average bright artificially lighted indoor
It may be advisable at first, and especially with slow films, expositions (basketball games, flower shows,
to bracket all exposures at least one stop over and one stop boat shows, etc.)
under, until light values and special effects of various • Portraits, by 150-watt table lamp
“night scenes” are more easily predetermined with use of 11. • Floodlighted water fountains, monuments,
the Jiffy Calculator. and buildings at close distances. At 25- to 50-ft
distances, use Scene 13. If lights are coloured
NOTE: If exposures are less than 1/25 sec, USE TRIPOD or subdued, open up lens from one to two full
stops . . . depending on density of lighting
(See back-flaps for Night-Light Scene Numbers) effect.
• Dimly lighted gas stations

After cutting around perimeter, cut

these finger pulls out and top ones