production
Phoebe Moore and Athina Karatzogianni
The ‘parallel visions’ proposed by the contributing authors to this issue are
intended to challenge the dominant themes of capitalist organisation and
production through an in-depth look at peer-to-peer production and the
development of software and sharing – a movement which, the authors
argue, is based on new visions for value systems, ethics and governance. We
have organised their contributions into sections based on the relevant aspects
of these economies in order to look into the politics of how these networks are
governed, the likelihood of new avenues for worker organisation, and the
possibilities for entirely new models of economies that can be classified out-
side the hegemony of contemporary neoliberal capitalism.
T
his special issue engages with the work of academics and
practitioners working in the areas of new media, politics, the
global political economy, business, international copyright law,
information technology and computer science, digital media,
sociology and cybercultural movements, as well as with the new
forms of organisations and discussions emerging in organisational-
theory-related fields. The peer-to-peer politico–economic model of
production is currently having a great impact on business, media and
global politics to the extent that social-democratic movements have
taken notice of the potential of the new technoscape for social
change, just as governments are engaging more and more with the
financial benefits, challenges and threats of these informal
communities and skills-development environments. Specifically, and
relating to the title of this issue, the peer-to-peer model is about
passionate production. One of the most relevant examples of peer-
to-peer production is constituted by the open-source
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Capital & Class 97
Social change
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