Spinelines
Paul Brainerd
formed>Aldus >DevelopedPageMakerforMac
embrace it.
April Grieman
overlapping of computer screen info, synthesis of video and print and teactile patterns and
shapes.
She created a single sheet magazine published by the Walter Art Centre (2x6ft
digital
image)
Art School/Universities became important centres for redefi ning graphic design
designedepartment at MichiganCranbrookAcademyofArt
th
of aninch
David Carson
typographical syntaxandimagery
Fred Woodward
Ie. Large scale type + full pg photo of Sinead OConnor gave a new feel to the magazine
Stone Magazine
The Magazine converted to Mac, but woodward still incorporated a handmade look
Fontographer allowed designers the ability to design and market typefaces as electronic
files
Summer Stone designed stone for Adobe in Serif, Sans Serif and Informal
In the past when designers developed for linotype or monotype, they took the specific
output devices.
Carol Tuomby
Robert Slimback
(A calligrapher) =
Matthew Carter
metal type to photo type then digital type. During an association of with Linotype from 1965
to 1981, Carters designs included the uniquitous bell centennial, created for early
Digital Imaging
Pat Gorman
Studio engineer became so upset over her experimentation that he left her alone with the
equipment, locking her in the studio so others would not observe her audacious behaviour.
Interactive Media
accessedinanonlinear manor.
coherent bodyofcommunication.
VizAbility was an exemplary interactive cd -rom program that taught concepts relation to
Spiekermann.
Linear series
=sequence of screenswhichcanbecalledonscreenoneafteranother
(slide show)
Spatial Zoom
= lets viewer acquire closer or more detailed data by clicking the word for
Overlays
Hierarchies
Matrix
In1976architect anddesigner
thecomplexdesigns of
Hideki Nakajima
David Tartakover
design in Jerusalem before graduating from the London College of printing in 1968
cultural themes
The designs of
Charles I. Kidd
By distancing the title from the image on the cover, Kid puts a very specific kind of
pressure on readers: he asks them to bridge the gap between what they read and what
they see
ChazMaviyanne Davies
Peter
Frankfurt
Graphic Design in the 90s often incorporated the digital process in complex visual
frontispiece designs for WIRED mag. Built visual essays out of cover stories.
by makingacollageof
foreign currencies.
Many London Graphic design studios embraced contemporary fine art that is
connected to pop culture. They also draw from traditional graphic design.
Alan Kitching
Before the computer, designers were liberating type from the page by turning them
Filippo Marinetti
celebrated
The used oftest as signs or as visual formbeganas farbackas 33 BC, whenit was
referred to as pattern poetry. The Cubists, Dadaists, and futurists all explored word
Guillaume Apollinaire
Ahn Sang-Soo
on older Korean typefaces. It was the first to deviate from the rigidity the Korean
th
centurt.
Graphic designers from the Netherlands remain on the cutting edge of their field
A Mexican Vanguard
provided incentives and challenges for the contemporary graph. Designer. Many Mexican designers were born in other countries.