CARPET INDUSTRY
Submitted to, Prof.J.Balaji Submitted on, 26th Aug 2011 Submitted by,
Surbhi Malhan (11056) Ullasa Kumar Jha(11057) Vanikar Nachiket M (11058) Vijeth Anburmath (11059) Vipin Bajaj (11060)
INTRODUCTION
The Handloom sector plays a very important role in the countrys economy, besides being the largest generator of non-farm rural employment. It is one of the largest economic activities providing direct employment to over 65 lakhs persons engaged in weaving and allied activities. As a result of effective Government intervention through financial assistance and implementation of various developmental and welfare schemes, this sector has been able to withstand competition from the power loom and mill sectors. This sector contributes nearly 19% of the total cloth produced in the country and also adds substantially to export earnings. Handloom is unparalleled in its flexibility and versatility, permitting experimentation and encouraging innovations. The strength of Handloom lies in the introducing innovative designs, which cannot be replicated by the Power loom sector. Thus, Handloom forms a part of the heritage of India and exemplifies the richness and diversity of our country and the artistry of the weavers. The Office of the Development Commissioner for Handlooms has been implementing, since its inception in the year 1976, various schemes for the promotion and development of the handloom sector and providing assistance to the handloom weavers in a variety of ways. Some of the major programmes relate to:
Modernisation and Up gradation of Technology Input Support Marketing Support Publicity Infrastructural Support Welfare Measures Composite Growth Oriented Package Development of Exportable Products Research & Development
The various schemes implemented by the Office of Development Commissioner for Handlooms address the needs of weavers who constitute the disadvantaged social strata and occupational groups, which are at the bottom of the economic hierarchy. Concerted efforts are being made through the schemes and programme to enhance production, productivity, and efficiency of the handloom sector and enhance the income and socioeconomic status of the weavers by upgrading their skills and providing infrastructural support and essential inputs. While available statistics indicate an economic sector of considerable size, there is still immense scope for expansion. Any initiative in this direction, however, is hampered by a paucity of detailed ground level data. The generation of such information is an urgent necessity today, since programme formulations for handloom weavers must be based on regional specificities and conditions of weaving.
Rupees U.S. $ Rupees U.S. $ Rupees U.S. $ Rupees U.S. $ Crores Million Crores Million Crores Million Crores Million 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Argentina Australia Austria Belgium Brazil Canada Denmark Finland France Germany Italy Japan 5.99 35.55 23.47 27.50 15.80 41.93 21.90 15.96 47.93 585.35 38.25 54.79 1.35 8.03 5.30 6.21 3.57 9.47 4.95 3.61 10.83 132.27 8.64 12.38 6.95 1.70 5.51 3.42 7.43 6.98 51.08 27.92 33.80 17.25 49.97 26.09 18.74 56.96 698.22 45.56 65.04 36.38 8.81 29.03 18.00 38.95 1.53 11.23 6.13 7.43 3.79 10.98 5.73 4.12 12.52 153.52 10.01 14.30 7.99 1.93 6.38 3.95 8.56 7.20 62.56 19.11 58.02 17.7 59.33 28.36 16.27 56.78 646.71 105.94 59.83 44.02 8.94 46.41 9.13 82.07 1.79 15.54 4.75 14.41 4.41 14.74 7.05 4.04 14.11 160.67 26.32 14.86 10.94 2.22 11.53 2.27 20.39 10.52 68.81 23.7 11.56 4.69 40.27 18.82 14.67 48.84 613.24 25.5 48.75 19.09 6.41 18.28 26.86 24.38 2.33 15.20 5.25 2.56 1.04 8.92 4.17 3.25 10.82 135.85 5.65 10.80 4.23 1.42 4.05 5.95 5.40
3082.06 696.44
3674.86 807.94
3524.73 875.71
2708.73 600.06
Handloom Weavers operative Societies functioning in the State. Co-operative fold, During the year 2008-09, the Handloom Weavers Co-operative Societies produced lakh metres of handloom fabrics to a value of Rs.800.61 crore and sold them for the average annual production of handloom cloth in the State is around Rs.1700 crore and the average turnover is around Rs.1800 crore, inclusive of export turnover of Rs.875 crore. The approach of the Government, in the context of opening up of global textiles market, is to sustain the handloom industry and continue to provide livelihood to the several lakh of weavers who depend on this activity. This requires constant skill up-gradation to produce marketable products, technology up-gradation to increase the productivity and to maintain quality to compete in the world market besides product diversification through continuous designing.
Carpet industry provides the finest example of how a domestic industry practised at home can be transformed to a full-grown mechanised industry. From the safe confines of home where the carpet was weaved jointly by all the family members, this beautiful piece of handicraft has found its way to industries where it is now produced on a mass scale. Carpet weaving is one of the oldest industries in India. The history of carpet weaving in India dates back to the 16th century (1580 AD), when Mughal Emperor Akbar brought some Persian carpet weavers to his palace in Agra. Subsequently Agra, Delhi, Lahore (now in Pakistan) became the prime production and training centres of Persian carpets. The Mughals established the art of carpet weaving in the town of Akbarabad or Agra. During the Mutiny of 1857 the carpet weavers fled from Agra to a village called Madhosingh between Bhadohi and Mirzapur and started carpet weaving on a very small scale there. Later with the support from the then Maharaja of Banaras, the art of carpet weaving flourished in this part of India. Linkages between Trade, Development and Poverty Reduction Perception Survey It are difficult to determine why the industry is carried on in these particular places. Its distribution often appears to be capricious. Many a times, a few weavers have collected in particular locality through the initiative of some local magnates or by pure accident and the industry has been handed down from father to son and has persisted despite all difficulties. In some cases the industry has been started either by released convicts themselves or with the help of their labour. In the medieval times, the prisoners were taught the art of carpet weaving and they used to weave carpets especially during the reign of British in India. Many a times emergence of new towns have attracted weavers like during British India the emergence of the town of Kanpur in Uttar Pradesh drew weavers from Agra, Aligarh. Since then, this weavers product has been gaining importance not only in providing employment to people in rural areas but also in earning crucial foreign exchange later for Independent India. Carpet weaving is looked upon as an industry that helps India in earning thousands of dollars every year and preserving Indias rich cultural past in its diversified art form. The carpet industry is spread over some specific belts in India. The traditional carpet manufacturing regions are located in Mirzapur, Bhadohi, and Agra in the state of Uttar Pradesh, Jaipur in the state of Rajasthan and in the Kashmir valley. In the recent times other parts of India such as Gwalior in Madhya Pradesh, Panipat in Haryana are also coming up in producing carpets as the industry is spreading away from her traditional centres. Each manufacturing region specialises in producing a certain kind of carpet. Kashmir specialises in weaving elegant hand-knotted silk and woollen carpets. Agra specialises in producing high quality hand-knotted Persian, Turkish carpets using natural dyes. The Bhadohi-Mirzapur belt in the state of Uttar Pradesh produces maximum number of carpets in India. This region can produce carpets of all designs and quality. Majority of the carpet weavers are established in this area. In present times, Bhadohi- Mirzapur, Panipat (Haryana) apart from Jaipur, Agra form the prime carpet manufacturing areas. This growth and the spread of the industry can be partly attributed to the caste and village system unique to India. This industry is primarily rural in nature with minimal requirements. From the
beginning, this industry had been dominated by the Muslims and was practised besides agriculture. Most of the households had a loom at its disposal where in the family Members could weave a carpet as and when they had spare time. This practise is in use from the ancient times. Over time this industry had become more modernised though in essence it still remains the same. The urbanisation of this industry along with its export worthiness has seen the spread of this industry to Panipat in the state of Haryana, where the weavers migrated from Bhadohi-Mirzapur. The world famous hand knotted carpets are woven in the remote villages of Uttar Pradesh. The carpet weaver has grown as a creator weaving poetry of myriad designs, with every knot he ties. A carpet weavers skills are his own and the design he evolves are from his mind to be translated into beautiful form with the help of wool and silk.
Indian carpet industry draws inspiration from countries as diverse as Persia, China, and Afghanistan in weaving intricate pieces of high artistic value. The speciality of Indian carpets lies in its exquisite designs with natural and traditional motifs, subtle elegance, attractive colour combinations and excellent workmanship. Indian carpet industry has travelled a long distance since the time Akbar introduced carpet weaving in India. They are mainly exported to USA, Canada, Spain, Turkey, Mexico, Australia, South Africa, Belgium, Holland, New Zealand, Denmark and many other European countries. The industry, vibrant since the midnineteenth century had to face rough weathers during the World Wars I & II and the Great Depression of the 1930s due to recession and a slump in demand. Between 1947 and 1965, carpet exports ranged from INR 32.2 million to INR 56.6 million. The Linkages between Trade, Development and Poverty Reduction Perception Survey world market of handmade carpets is estimated to be around US$ 2.4 billion.
Bhadoi Mirzapur belt This region contributes maximum to the carpet production. It is known for Fashion Oriented, Hand Tufted, Indo-Tibetan carpets and has a major influence of Buddhist arts and patterns. This belt also specializes in traditional woollen carpets and durries. Shaggy carpets with longer pile heights are also made here. These carpets are attractive and cheap.
Agra (Uttar Pradesh) this place is known for Persian style carpets. Agra designs with elegance and simplicity surrounded by bold floral borders. Turkman and Abussan varieties are also famous. They are known for realistic bold pattern. Jaipur (Rajasthan) Jaipur is another major centre of Mughal reign and hence carpet weaving. The carpets are of medium quality. They are known for their innovativeness. Panipat (Haryana) Panipat is famous for panja durries a kind of floor covering which is in great demand in India and abroad. Originally it was a traditional item but slowly the product name came to be recognized beyond Panipat also. Kashmir- Kashmir is famous for hand knotted woollen and silk carpets. Pure silk carpets of Kashmir are of very high quality. Kashmir is also called fort of oriental carpets and rugs. Amritsar- Amritsar carpets are known for their fusion style, fusion of Persian craft and Indian style. It mostly exports its carpets. This place is also known for Embossed carpets based on Chinese designs. Different classes of carpet There are many kinds of carpets available in India. Each carpet industry is unique and caters to different segments of society. From the design prospective there are two major designs available i.e. modern and traditional. Modern designs are more popular in north European countries where as traditional designs are more popular in southern European countries. These are the types of carpets available Hand knotted woollen carpets Hand tufted woollen carpets Hand woven carpets Pure silk carpets Staple or synthetic carpets
Hand knotted woollen carpets- these carpets arrived quite late in Indian scenario. They came with the Mughals and craftsmen were supported by ruling class for some time. Initially the patterns followed were Turkish and Persian but gradually got Indian zed. Hand tufted Woollen carpets these carpets have their pile injected into a backing material with the help of tufting gun which is itself then bonded into a secondary backing cloth with the use of latex solution to provide stability then third backing material is used with and finishing is carried out. Hand woven carpets- these carpets are rather broad category that includes hand knotted carpets a well as flat weave carpets. Knotted carpets include the traditional Persian carpets. Flat weave carpets include wool and cotton durries. The quality of these carpets can be judged by the tightness of the weave and the density of the knots.
Pure silk carpets The Persian style craft flourished in Kashmir where the finest quality silk and the finest quality wool were available. The patterns were to an extent adapted to Kashmiri art. These carpets are called pure silk carpets. STAPLE CARPETS Staple carpets are the carpets which are made up of nylon staple fibre and nylon carpet BCF filament fibre interventions. All the above measures will ensure sustenance of the industry.
TYPES OF CARPET
Carpet industrys major products are hand-knotted and hand tufted carpets. Hand-tufted carpet market is growing rapidly. Some of industry players believe that market is being shifted from hand knotted segment to hand-tufted segment. However many players believe that both products are targeted at Different markets. Additionally, hand-tufted carpets have already entered in to home-furnishing segment. Following chart shows the product wise market share in Indian exports If one dissects the market, some interesting facts come to fore. The export destinations can be categorized
on the basis of potential.
1. Woven 2. Needle felt 3. Knotted 4. Tufted 5. Flat weave 6. Hooked rug 7. Embroidery 8. Knotted Pile Carpet
1. Nylon: Nylon is the most common material for construction of carpets. Both nylon 6 and nylon 66 are used. Nylon can be dyed topically or dyed in a molten state (solution dying). Nylon can be printed easily and has excellent wear characteristics. In carpets Nylon tends to stain easily because it possesses dye sites on the fibre. These dye sites need to be filled in order to give Nylon any type of stain resistance. As nylon is petroleum-based it varies in price with the price of oil. 2. Polypropylene: Polypropylene is used to produce carpet yarns because it is inexpensive. It is difficult to dye and does not wear as well as wool or nylon. Polypropylene is commonly used to construct Berber carpets. In this case, polypropylene is commonly referred to as olefin. Large looped olefin Berber carpets are usually only suited for light domestic use and tend to mat down quickly. Berber carpets with smaller loops tend to be more resilient and retain their new appearance longer than large looped Berber styles. Commercial grade level-loop carpets have very small loops, and commercial grade cut-pile styles are well constructed. When made with polypropylene these styles wear very well, making them very suitable for areas with heavy foot traffic such as offices. Polypropylene carpets are known to have good stain resistance but not against oil based agents. If a stain does set, it can be difficult to clean. Commercial grade carpets can be glued directly to the floor or installed over a 1/4" thick, 8pound density padding. Outdoor grass carpets are usually made from polypropylene.[7] Wool and wool-blends Wool has excellent durability, can be dyed easily and is fairly abundant. When blended with synthetic fibres such as nylon the durability of wool is increased. Blended wool yarns are extensively used in production of modern carpet, with the most common blend being 80% wool to 20% synthetic fibre, giving rise to the term "80/20". Wool is relatively expensive and consequently a small portion of the market. 3. Polyester: The polyester known as "PET" (polyethylene terephthalate) is used in carpet manufacturing in both spun and filament constructions. After the price of raw materials for many types of carpet rose in the early 2000s, polyester became more competitive. Polyester has good physical properties and is inherently stain-resistant because it is hydrophobic, and, unlike nylon, does not have dye sites. Colour is infused in a molten state (solution dyeing). Polyester has the disadvantage that it tends to crush or mat down easily. It is typically used in mid- to low-priced carpeting. Another polyester, "PTT" (Polytrimethylene terephthalate), also called Sorona or 3GT (DuPont) or Corterra (Shell), is a variant of PET. Lurgi Zimmer PTT was first patented in 1941, but it was not produced until the 1990s, when Shell Chemicals developed the low-cost method of producing high-quality 1, 3 propanediol (PDO), the starting raw material for PTT Corterra Polymers.
4. Acrylic: Acrylic is a synthetic material first created by the DuPont Corporation in 1941 but has gone through various changes since it was first introduced. In the past Acrylic used to fuzz or pill easily, this happened when the fibres degraded over time and short strands broke away with contact or friction. Over the years Acrylics have been developed to alleviate some of these problems although the issues have not been completely removed. Acrylic is fairly difficult to dye but is colourfast, washable and has the feel and appearance of wool making it an ideal rug fabric. 5. Carpet binding: Carpet binding is a term used for any material being applied to the edge of a carpet to make a rug. Carpet binding is usually cotton or nylon, but also comes in many other materials, such as leather. Non-synthetic binding is frequently used with bamboo, grass, and wool rugs, but is often used with carpet made from other materials.
Carpet Manufacturing Process: Hand Made carpets:Hand-made carpets are traditionally more expensive than those made by machines. Though there are several carpet-making methods, including braiding, hand tying (or hand knotting), hooking, shearing and tufting, the most common of these are braiding and hand knotting. Braided carpets are done by connecting or tying strips of fabrics together. Hand tying or hand-knotting are usually done on rugs. Countries that are known to produce beautifully crafted hand-knotted rugs include Spain, Portugal, India, Pakistan, Turkey, Afghanistan and Japan (among others). Hand-knotted rugs are descendants of Oriental Rugs and can be made in any shape, size, coloured or design. Process The process that creates a hand-made/hand-knotted carpet can be explained as under: Wool sorting & Washing Wool is either imported or is bought from nearby markets and is carefully sorted to pick out unwanted particles. Wool often carries dust, grease which is removed by washing it thoroughly and is then sun dried for two-three days. The Tibetan wool has a strong good fibre length is imported in scoured form, good lustre and a high resilient value. The New Zealand wool is of 36 micron, 100 mm barb length and is identified as type 128. British wool meeting regulatory standards have also started being available in the market.
Carding The carding process allows the fibre stand to flow smoothly when spinning. This is also the stage for blending different wools and to ascertain the ratio of different origins. Traditionally, carding was performed by hand and machine carding was introduced when the industry grew. However hand carded product is still available if a customer so desires.
Spinning
The carded wool is spun into yarn by using a charkha or a spinning wheel. The thickness of the yarn depends on the quality of the carpet and generally a 3 ply yarn is used.
Dyeing
The traditional pot dyeing method has been largely replaced by machine dyeing in closed Chambers. Dyes containing harmful substances such as AZO are banned and dye-stuffs from renowned international manufacturers are used. These dyes have a high degree of fastness. Depending on the weather, the dyed yarn has to be dried in the sunlight for one to three days. Pot dyeing and vegetable (natural) dyeing are still being used by some manufacturers.
Carpet Knotting
Knotting is an art. Weavers who weave on a regular basis have a very good speed in knotting. They tend to develop this speed over a span of time. One or more weavers work on a loom depending on the size of the carpet. Each weaver makes individual knots row after row. The designs are chartered out on a graph and a map reader or another weaver instructs the graphic designs to the ones knotting the carpet. The dyed yarn is made into balls and scissors, iron rod, levers; comb beaters are used as tools.
Trimming
The finished carpet is taken off from the loom and the designs & patterns are trimmed by scissors.
The trimmed carpet is washed with the fresh water & chemicals. The washed carpet is dried in the sunlight up to four or five days.
Final Touches
The dried carpets are given final touches by re-trimming and stretching, where ever necessary. The purpose is to bring the fabric woven in level at the surface.
Packing
All washed carpets are rolled and wrapped in polythene sheet and is sealed at each end. Again, it is wrapped in Hessian cloth and sewn. Generally, around 14m2 are packed in each bale.
Payment
Export proceeds must be received through an irrevocable letter of credit (L/C) or advance payment
pile of short fibres that are imbedded into an adhesive-coated backing. is unravelled. All yarn that has been dyed is then steamed, washed, and dried .
Needle-punching is similar to hand-hooking. Formerly used for indoor-outdoor carpets, this process is now being used for carpets that are only meant to be placed indoors as well. In needle-punching, fibres are locked into a packing by using hooked needles ,which are further compressed. The process of manufacturing tufted carpets can be explained in the following steps:
Step1:Preparing the yarn
First, the synthetic yarns arrive at the carpet manufacturer either in staple fibre The staple fibres, which are an average of 7 inches (18 cm) long are generally loose and are individual strands that arrive in bales. Several bales are blended together into one batch in a hopper. Then, these strands are lubricated and are spun into long, loose ropes called slivers by a carding machine. The slivers are then pulled, straightened, and spun into single . Both the single-ply staple fibres (now spun into filament) and the bulk continuous filament is then twisted together to form thicker two-ply yarn suitable for tufting. The yarns are then steamed to bulk them, and then heated to 270-280F (132138C). This heat setting causes the yarn to maintain its shape by fixing its twist.
After cooling, these yarns are wound onto tubes and transported to the tufting machines.
Generally, most carpets are dyed after tufting yet sometimes the yarns are dyed first. The methods include putting 500-1,000 pounds (227-455 kg) of fibre into pressurized vats through which treated dyes are circulated, or passing the fibre continuously through the bath, or passing skeins of yarn through the vat of dye. The yarn can also be put on forms, and the heated dyes can then be forced under pressure from inside the forms to coloured the yarn. Another method passes the yarn through printing rollers, while yet another involves knitting the yarn onto a form that is then printed with dyes before the yarn
Step3: Tufting the carpet At this stage, the yarn is put on a creel (a bar with skewers) behind the tufting
machine and then fed into a nylon tube that leads to the tufting needle. The needle pierces the primary backing and pushes the yarn down into a loop. Photoelectric sensors control how deeply the needles plunge into the backing, so the height of the loops can be controlled. A looped, or flat hook, seizes and releases the loop of yarn while the needle pulls back up; the backing is shifted forward and the needle once more pierces the backing further on. In order to make a cut pile, a looper facing the opposite direction is fitted with a knife that acts like a pair of scissors, snipping the loop. This process is carried out by several hundred needles (up to 1,200 across the 12 foot [3.7 ml width), and several
hundred rows of stitches are carried out per minute. Thus, one tufting machine can produce several hundred square yards of carpets per day.
Step 4: Dyeing the tufted carpet Solid coloured carpeting: For this carpet of several standard roll lengths is sewn
together to make a continuous roll, which is then fed into a vat. The vat is filled with water, which is first heated before dyes and chemicals are mixed in. The mixture is then slowly brought to a boil and cooked for four hours approx. Another method of making solid coloured carpet is to sew several rows together to make one continuous roll, which is then fed under rods that bleed the coloured into the pile. After dyeing, the carpet is then steamed to fix the coloured, excess coloured is washed off, and the carpet is dried and put on a roll. Printed Carpets: In order to make printed carpet of various designs, white carpet passes under screens in which holes in the desired pattern have been cut. The desired coloured is squeezed through the holes in the screen, and the carpet is advanced 36 inches (91 cm) to a different screen that applies a new coloured in a different design through the screen. Up to eight coloureds can be applied with this method. Another method of dyeing printed carpet is to pass it under embossed cylinders that have raised portions in a design that press colour into the carpet. Each cylinder provides a different design for a different coloured. After dyeing, the printed carpet is steamed, excess dyes are washed off, and the carpet is then dried and put onto rolls to go to the finishing department.
Step 5: Finishing the carpet
The ends of the dyed carpet are first sewn together to form a continuous belt. This belt is then rolled under a dispenser that spreads a coating of latex onto the bottom of the carpet. At the same time, a strong secondary backing is also coated with latex. Both of these are then rolled onto a marriage roller, which forms them into a sandwich and seals them together. The carpet is then placed in an oven to cure the latex. The completed carpet is then steamed, brushed, vacuumed, and run through a machine that clips off any tufts that rise above its uniform surface. The carpet is then rolled into 120 foot (37 m) lengths that are then packaged in strong plastic and shipped to either the carpet manufacturer's inventory warehouse or to a retail carpet store
Production Stage Map/Designing of carpet (Design + Colour Contracted for making a carpet- Labour Contracto Weaving of Carpets (5 inch by 8 inch) Weaver/laboure Washing Latexing Clipping/Trimmin Binding Clothing at the bac Finishing Role Packing etc Total
No of labours
Rupees
300-1000
8000-10000
2 2 2 4 2 3 2 2 2 24
Apart from these labour expenses, the manufacturer has to bear electricity expense [carpet industry needs uninterrupted electricity supply especially in the night], transport expenses and other production costs
Growth Opportunities:
Carpet industrys major products are hand-knotted and hand tufted carpets. Hand-tufted Carpet market is growing rapidly. Some of industry players believe that market is being shifted from hand knotted segment to hand-tufted segment. However many players believe that both products are targeted at different markets. Additionally, hand-tufted carpets have Already entered in to home-furnishing segment. Following chart shows the product wise market share in Indian exports. If one dissects the market, some interesting facts come to fore. The export destinations can be categorized on the basis of potential. Following chart shows some interesting facts about this.
Why Panipat: Bhadohi can easily claim to be the home of some of the richest carpet exporters in India. Despite this, there are no proper roadways to and from the city. The road leading to Bhadohi from the state highway is rickety and gives the traveller a nice bumpy ride into the carpet city of India. Electricity supply is on an average for 6-7 hours on a day, though most of the time low voltage prevails. In the evening hours the town is shrouded in darkness, where only light comes from lanterns, low-voltage bulbs or the car headlights. But as soon as one steps into the exporters mansion, the scene changes. The power supply from the generators ensures continuous electricity supply in the exporters mansions. Apart from road, electricity, water supply is also irregular. People have wells or deep tube wells for water supply. Though there are ponds and other water bodies near Bhadohi, but the exporters said that the chemicals used in dyeing pollutes the water. The State Government is not taking any active role in improving the infrastructural facilities in this major export-earning city Carpet Production needs uninterrupted power supply, and the generators provide this power. One of the exporters engaged in this business for the last 40 years, lamented the misuse of human and financial resources because of the governments inefficiency in providing uninterrupted power supply to Bhadohi exporter. The story is as follows: On an average, a generator runs for 14-16 hours daily. A medium-sized exporter with twothree weaving mills under him and one two dyeing plants needs to install a generator per unit. This brings the number of generators to five-six generators on an average. The cost of running the generator per hour comes to eighty rupees (inclusive of all costs, maintenance etc.). Therefore, per hour the cost multiplies to INR 320 INR 400 (approximately)]. This when multiplied with the total number of hours a generator works in a month at the exporters place comes to a huge amount. The dismal state of electricity is not new, this has been the situation since the beginning. Staying without electricity has become a part of life for these exporters of Bhadohi who makes a substantial contribution to Indias export revenues. However, Panipat has a better power situation than Bhadohi. This can be partly attributed to the close proximity that Panipat has with the national capital New Delhi. The Government approved Bhadohi as a special economic zone in the Exim Policy 2002-07. However, any development as expected in a SEZ is still far off.
Main Market:
Latin America South America US Japan Australia Europe
It is clear from the chart that the traditional markets like Europe offer small potential for growth though the volumes are high. The scenario may change in future if southern European countries start driving the growth.For most of the players, USA offers a good market based on its size and growth. Also, demand for different kinds of carpets is not widely varying as in the case of other countries. Hence, USA offers an opportunity for both, traditional as well as modern designs. Similar case is for Hand knotted and hand tufted carpets.