(PROF OF INDIAN)
Bodhidharma was a Indian then he death as Buddhist monk who lived during the 5th/6th century AD and is traditionally credited as the leading patriarch and transmitter of Zen (Chinese: Chn, Sanskrit: Dhyna) to China. According to Chinese legend, he also began the physical training of theShaolin monks that led to the creation of Shaolinquan. However, martial arts historians have shown this legend stems from a 17th centuryqigong manual known as the Yijin Jing. Little contemporary biographical information on Bodhidharma is extant, and subsequent accounts became layered with legend. The two principal sources of Bodhidharma's account are those by Taohsuan and Tan-lin. Both Tao-hsuan and Tan-lin speak of Bodhidharma's Indian origins; however, Tan-lin's account of Bodhidharma being the third son of a Brahman king is understood as a later [1] [2] addition .Broughton (1999:2) notes that Bodhidharma's royal pedigree implies that he was of a member of the caste of warriors and rulers. There have been many different versions about his place of [3][4][5][6][7][8][9] birth, one being that he is from Kanchipuram in Tamil Nadu, India . A common account is that [10] Bodhidharma was born a prince in the Pallava dynasty in southern India, around the year 440 AD . As a youth he converted to Buddhism and became a monk, to study under his guru Prajnatara. It was
Prajnatara who instructed Bodhidharma to go to China and spread the Buddhist Dharma, and so [11] Bodhidharma arrived approximately around 475 AD, probably to Nanhai near Guangzhou in China The accounts differ on the date of his arrival, with one early account claiming that he arrived during the Li Sng Dynasty (420479) and later accounts dating his arrival to the Ling Dynasty (502557). Bodhidharma was primarily active in the lands of the Northern Wi Dynasty (386534). Modern [12] scholarship dates him to about the early 5th century. Throughout Buddhist art, Bodhidharma is depicted as a rather ill-tempered, profusely bearded and wide[13] eyed barbarian. He is described as "The Blue-Eyed Barbarian" in Chinese texts. The Anthology of the Patriarchal Hall (952) identifies Bodhidharma as the 28th Patriarch of Buddhism in an uninterrupted line that extends all the way back to the Buddha himself. D.T. Suzuki contends that Chn's growth in popularity during the 7th and 8th centuries attracted criticism that it had "no authorized records of its direct transmission from the founder of Buddhism" and that Chn historians made [14] Bodhidharma the 28th patriarch of Buddhism in response to such attacks.
Contents
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1 Biography
1.2.1 Doxun 1.2.2 Epitaph for Fr 1.2.3 Yngji Xunju 1.2.4 Anthology of the Patriarchal Hall 1.2.5 Doyun
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3 Legends
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3.3 Nine years of wall-gazing 3.4 Bodhidharma at Shaolin 3.5 Teaching 3.6 After death
4 The lineage from kyamuni Buddha to Bodhidharma 5 The lineage of Bodhidharma and his disciples 6 Works attributed to Bodhidharma 7 See also 8 Notes 9 References 10 External links
Biography
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Contemporary accounts
There are two known extant accounts written by contemporaries of Bodhidharma.
Yng Xunzh
A Dehua ware porcelain statuette of Bodhidharma, from the late Ming Dynasty, 17th century
The Record of the Buddhist Monasteries of Luoyang ( Luyng Qilnj), was compiled in 547 by Yng Xunzh , a writer and translator of Mahyna Buddhist texts into the Chinese language. At that time there was a monk of the Western Region named Bodhidharma, a Persian Central Asian. He traveled from the wild borderlands to China. Seeing the golden disks [on the pole on top of Yngnng's stupa] reflecting in the sun, the rays of light illuminating the surface of the clouds, the jewelbells on the stupa blowing in the wind, the echoes reverberating beyond the heavens, he sang its praises.
He exclaimed: "Truly this is the work of spirits." He said: "I am 150 years old, and I have passed through numerous countries. There is virtually no country I have not visited. Even the distant Buddha-realms lack this." He chanted homage and placed his palms together in salutation for days on end.
[15]
The earliest text on Bodhidharma, is a contemporary account by Yang-Hsuan-chih (Yng Xunzh) which [16] reads as follows : In those days there was a Sramana Bodhidharma from the western regions, originally a man from Persia. He came from rugged countries and was staying in the Middle Land. When he beheld how the golden dome sparkled in the sun, how its light reflected upon the surface of the clouds, how the precious bell housed the wind within itself, and how its voice rang beyond the heavens, he sang a hymn of praise: "Truly how wonderful it all is!". He said that he was 150 years old and had travelled all countries and had visited all regions, but that nothing inJambudvipa was comparable with the beauty of this temple, that is surpassed all others, and that there was nothing like it anywhere. With hands clasped, he daily invoked devotedly the name of Buddha. Broughton (1999:55) dates Bodhidharma's presence in Luoyang to between 516 and 526, when the temple referred toYngnngs (), was at the height of its glory. Starting in 526, Yngnngs suffered damage from a series of events, ultimately leading to its destruction in 534.
[17]
Tnln
The second account was written by Tnln (; 506574). Tnln's brief biography of the "Dharma Master" is found in his preface to the Two Entrances and Four Acts, a text traditionally attributed to Bodhidharma, and the first text to identify Bodhidharma as South Indian: The Dharma Master was a South Indian of the Western Region. He was the third son of a great Indian king. His ambition lay in theMahayana path, and so he put aside his white layman's robe for the black robe of a monk [...] Lamenting the decline of the true teaching in the outlands, he subsequently crossed distant mountains and seas, traveling about propagating the teaching in Han and Wei.
[19] [18]
Tnln's account was the first to mention that Bodhidharma attracted disciples, specifically mentioning Doy () and Huk (), the latter of whom would later figure very prominently in the Bodhidharma literature. Tnln has traditionally been considered a disciple of Bodhidharma, but it is more likely that he was a [20] student of Huk, who in turn was a student of Bodhidharma.
Later accounts
Doxun
In the 7th-century historical work Further Biographies of Eminent Monks ( X gosng zhun), Doxun (; 596-667) possibly drew on Tanlin's preface as a basic source, but made several significant additions:
This Japanese scroll calligraphy of Bodhidharma reads Zen points directly to the human heart, see into your nature and become Buddha. It was created by Hakuin Ekaku (1685 to 1768)
Firstly, Doxun adds more detail concerning Bodhidharma's origins, writing that he was of "South Indian [21] Brahmin stock" ( nn tinzh plumn zhng). Secondly, more detail is provided concerning Bodhidharma's journeys. Tanlin's original is imprecise about Bodhidharma's travels, saying only that he "crossed distant mountains and seas" before arriving in Wei. [22] Doxun's account, however, implies "a specific itinerary": "He first arrived atNan-yeh during the Sung [21] period. From there he turned north and came to the Kingdom of Wei". This implies that Bodhidharma had travelled to China by sea, and that he had crossed over the Yangtze River. Thirdly, Doxun suggests a date for Bodhidharma's arrival in China. He writes that Bodhidharma makes landfall in the time of the Song, thus making his arrival no later than the time of the Song's fall to
[22]
Finally, Doxun provides information concerning Bodhidharma's death. Bodhidharma, he writes, died at the banks of the Luo River, where he was interred by his disciple Huike, possibly in a cave. According to Doxun's chronology, Bodhidharma's death must have occurred prior to 534, the date of the Northern Wei Dynasty's fall, because Huike subsequently leaves Luoyang for Ye. Furthermore, citing the shore of the Luo River as the place of death might possibly suggest that Bodhidharma died in the mass executions at Heyin in 528. Supporting this possibility is a report in the Taish shinsh daizky stating that a Buddhist monk was among the victims at Hyn.
[23]
Epitaph for Fr
The idea of a patriarchal lineage in Chn dates back to the epitaph for Fr ( 638689), a disciple of the 5th patriarch Hngrn ( 601674), which gives a line of descent identifying Bodhidharma as the first patriarch.
[24]
Yngji Xunju
According to the Song of Enlightenment ( Zhngdo g) by Yngji Xunju (665-713) one of the chief disciples of Hunng, sixth Patriarch of ChnBodhidharma was the 28th Patriarch of Buddhism in a line of descent from kyamuni Buddha via his disciple Mahkyapa, and the first Patriarch of Chn: Mahakashyapa was the first, leading the line of transmission; Twenty-eight Fathers followed him in the West; The Lamp was then brought over the sea to this country;
[25]
And Bodhidharma became the First Father here His mantle, as we all know, passed over six Fathers, And by them many minds came to see the Light.
[26]
The idea of a line of descent from kyamuni Buddha is the basis for the distinctive lineage tradition of the Chn school.
Doyun
Subsequent to the Anthology of the Patriarchal Hall, the only dated addition to the biography of Bodhidharma is in the Jingde Records of the Transmission of the Lamp (Jngd chundng l, published 1004 CE), by Doyun (), in which it is stated that Bodhidharma's original name had been Bodhitra but was changed by his master Prajtra.
[31]
Modern scholarship
Bodhidharma's origins
Doxun wrote that Bodhidharma was from South India. Broughton (1999:2) mentions that Bodhidharma whose actual name was Bodhitara, is the 3rd son of the king of Koshi (Koshi is the Japanese [32] pronunciation as per the book's note no. 172) in Southern India.
Bodhidharma's name
Bodhidharma was said to be originally named Bodhitara. His surname was Chadili. His Dhyna teacher, [33] Prajnatara, is said to have renamed him Bodhidharma. Faure (1986) notes that "Bodhidharmas name appears sometimes truncated as Bodhi, or more often as Dharma (Ta-mo). In the first case, it may be confused with another of his rivals,Bodhiruci."
Tibetan sources give his name as "Bodhidharmottra" or "Dharmottara", that is, "Highest teaching [34] (dharma) of enlightenment".
In the Two Entrances and Four Acts, traditionally attributed to Bodhidharma, the term "wall-gazing" also appears: Those who turn from delusion back to reality, who meditate on walls, the absence of self and other, the oneness of mortal and sage, and who remain unmoved even by scriptures are in complete and unspoken agreement with reason.
[38]
Exactly what sort of practice Bodhidharma's "wall-gazing" was remains uncertain. Nearly all accounts [37] have treated it either as an undefined variety of meditation, as Daoxuan and Dumoulin, or as a variety of seated meditation akin to the zazen (; Chinese: zuchn) that later became a defining characteristic of Chn; the latter interpretation is particularly common among those working from a Chn [39] standpoint. There have also, however, been interpretations of "wall-gazing" as a non-meditative [40] phenomenon.
One of the fundamental Chn texts attributed to Bodhidharma is a four-line stanza whose first two verses echo the Lakvatra Stra's disdain for words and whose second two verses stress the importance of the insight into reality achieved through "self-realization": A special transmission outside the scriptures, Not founded upon words and letters; By pointing directly to [one's] mind It lets one see into [one's own true] nature and [thus] attain Buddhahood.
[49] [50]
The stanza, in fact, is not Bodhidharma's, but rather dates to the year 1108. Nonetheless, there are earlier texts which explicitly associate Bodhidharma with the Lakvatra Stra. Daoxuan, for example, in a late recension of his biography of Bodhidharma's successor Huike, has the stra as a basic and important element of the teachings passed down by Bodhidharma: In the beginning Dhyana Master Bodhidharma took the four-roll Lak Stra, handed it over to Huike, and said: "When I examine the land of China, it is clear that there is only this sutra. If you rely on it to practice, you will be able to cross over the world."
[51]
Another early text, the Record of the Masters and Disciples of the Lakvatra Stra ( Lngqi shz j) of Jngju (; 683750), also mentions Bodhidharma in relation to this text. Jingjue's account also makes explicit mention of "sitting meditation", or zazen:
[52]
For all those who sat in meditation, Master Bodhi[dharma] also offered expositions of the main portions of the Lakvatra Stra, which are collected in a volume of twelve or thirteen pages, of Teaching of [Bodhi-]Dharma.
[54] [53]
In other early texts, the school that would later become known as Chn is sometimes referred to as the [55] "Lakvatra school" ( Lngqi zng).
Legends
In Southeast Asia
According to Southeast Asian folklore, Bodhidharma travelled from south India by sea to Sumatra, Indonesia for the purpose of spreading the Mahayana doctrine. From Palembang, he went north into what are now Malaysia and Thailand. He travelled the region transmitting his knowledge [56] of Buddhism and martial arts before eventually entering China through Vietnam. Malay legend holds [56] that Bodhidharma introduced preset forms to silat.
claim that Emperor Wu did not listen to Bodhidharma after the Emperor was unable to grasp the meaning. Instead, Bodhidharma left the presence of the Emperor once Bodhidharma saw that the Emperor was unable to understand. Then Bodhidharma went across the river to the kingdom of Wei. After Bodhidharma left, the Emperor asked the official in charge of the Imperial Annals about the encounter. The Official of the Annals then asked the Emperor if he still denied knowing who Bodhidharma was? When the Emperor said he didn't know, the Official said, "This was the Great-being Guanyin (i.e., the Mahasattva Avalokitevara) transmitting the imprint of the Buddha's Heart-Mind." The Emperor regretted his having let Bodhidharma leave and was going to dispatch a messenger to go and beg Bodhidharma to return. The Official then said, "Your Highness, do not say to send out a messenger to go fetch him. The people of the entire nation could go, and he still would not return."
Bodhidharma at Shaolin
Further information: Shaolin Monastery#Patron saint Some Chinese accounts describe Bodhidharma as being disturbed by the poor physical shape of the Shaolin monks, after which he instructed them in techniques to maintain their physical condition as well as teaching meditation. He is said to have taught a series of external exercises called the Eighteen Arhat [62] Hands (Shi-ba Lohan Shou), and an internal practice called the Sinew Metamorphosis Classic. In addition, after his departure from the temple, two manuscripts by Bodhidharma were said to be discovered inside the temple: the Yijin Jing( or "Muscle/Tendon Change Classic") and the Xi Sui Jing. Copies and translations of the Yi Jin Jing survive to the modern day, though many modern [60] [33] historians believe it to be of much more recent origin. The Xi Sui Jing has been lost. Both the attribution of Shaolin boxing to Bodhidharma and the authenticity of the Yi Jin Jing itself have been discredited by some historians including Tang Hao, Xu Zhen and Matsuda Ryuchi. This argument is summarized by modern historian Lin Boyuan in his Zhongguo wushu shi As for the "Yi Jin Jing" (Muscle Change Classic), a spurious text attributed to Bodhidharma and included in the legend of his transmitting martial arts at the temple, it was written in the Ming dynasty, in 1624, by the Daoist priest Zining of Mt. Tiantai, and falsely attributed to Bodhidharma. Forged prefaces, attributed
to the Tang general Li Jing and the Southern Song general Niu Gao were written. They say that, after Bodhidharma faced the wall for nine years at Shaolin temple, he left behind an iron chest; when the monks opened this chest they found the two books "Xi Sui Jing" (Marrow Washing Classic) and "Yi Jin Jing" within. The first book was taken by his disciple Huike, and disappeared; as for the second, "the monks selfishly coveted it, practicing the skills therein, falling into heterodox ways, and losing the correct purpose of cultivating the Real. The Shaolin monks have made some fame for themselves through their fighting skill; this is all due to having obtained this manuscript." Based on this, Bodhidharma was claimed to be the ancestor of Shaolin martial arts. This manuscript is full of errors, absurdities and fantastic [60] claims; it cannot be taken as a legitimate source. The oldest available copy was published in 1827 and the composition of the text itself has been dated [60] to 1624. Even then, the association of Bodhidharma with martial arts only becomes widespread as a result of the 19041907 serialization of the novel The Travels of Lao Ts'an in Illustrated Fiction [64] Magazine.
[63]
Teaching
In one legend, Bodhidharma refused to resume teaching until his would-be student, Dazu Huike, who had kept vigil for weeks in the deep snow outside of the monastery, cut off his own left arm to demonstrate [65] sincerity.
After death
Three years after Bodhidharma's death, Ambassador Song Yun of northern Wei is said to have seen him walking while holding a shoe at the Pamir Heights. Song Yun asked Bodhidharma where he was going, to which Bodhidharma replied "I am going home". When asked why he was holding his shoe, Bodhidharma answered "You will know when you reach Shaolin monastery. Don't mention that you saw me or you will meet with disaster". After arriving at the palace, Song Yun told the emperor that he met Bodhidharma on the way. The emperor said Bodhidharma was already dead and buried, and had Song Yun arrested for lying. At the Shaolin Temple, the monks informed them that Bodhidharma was dead and had been buried in a hill behind the temple. The grave was exhumed and was found to contain a single shoe. The monks then said "Master has gone back home" and prostrated three times. For nine years he had remained and nobody knew him; Carrying a shoe in hand he went home quietly, without ceremony.
[66]