Rock & metal music The rock music "scene" in India is extremely small when compared to filmi or fusion

musicality "scenes" but has of recent years come into its own, achieving a cult status of sorts. Rock music in India has its origins in 1960s and 70s when international stars such as The Beatles visited India and brought their music with them. These artists' collaboration with Indian musicians such as Ravi Shankar and Zakir Hussain have led to the development of Raga Rock. International short wave radio stations such as The Voice of America, BBC, and Radio Ceylon played a major part in bringing Western pop, folk, and rock music to the masses. You can hear some of the songs that were heard over these stations during the 1960s here. However, Indian rock bands began to gain prominence only much later, around the late 1980s. It was around this time that the rock band Indus Creed formerly known as The Rock Machine got itself noticed on the international stage with hits like Rock N Roll Renegade. Other bands quickly followed. As of now, the rock music scene in India is quietly growing day by day and gathering more support. With the introduction of MTV in the early 1990s, Indians began to be exposed to various forms of rock such as grunge and speed metal. This influence can be clearly seen in many Indian bands today. The cities of Delhi, Mumbai and Bangalore have emerged as major melting pots for rock and metal enthusiasts. Bangalore has been the hub for rock and metal movement in India. Some prominent bands include Indian Ocean, Kryptos, Dementra, Pentagram, Reverrse Polarity, Hologram, Inner Sanctum, Thermal and a Quarter, Abandoned Agony, No Idea, Zero, Half Step Down, Scribe, Eastern Fare, Indus Creed, Demonic Resurrection, Zygnema [Born Of Unity], Belial Bhoomi, Infernal Wrath, Thor, Prithvi, Agni, Exiled, Cassini's Division, The Supersonics, Span, Camouflage, Five Little Indians and Nexus. The future looks encouraging thanks to entities such as Green Ozone, DogmaTone Records, Eastern Fare Music Foundation, that are dedicated to promoting and supporting Indian rock. One of the most famous rock musicians in the world is the late Freddie Mercury of Queen. Born Farrokh Bomi Bulsara to Indian parents in Zanzibar, he was raised in Panchgani near Mumbai. Mercury was influenced early on by the Indian playback singer Lata Mangeshkar along with western influences such as Led Zeppelin, Jimi Hendrix, John Lennon and The Beatles. Indian Hip Hop The Hip Hop music in India has started only as late as the 2005 when a lot of bands popped up across the country. Rap/Hip Hop was often used in the regional movies as fillers in between songs and off late has started to become main stream songs. The pioneers of this genre in India were the 2-ShadeZ, Machas With Attitude, Mumbai's Finest, sKiZzOpHoNiC, Hip Hop Tamizha, F.B.I, Souls of Sinisters, XtremoZ Undadawgs, Desi Sultans, Wattabottles, Munky Rhymz, Young Prozpekt, Ragged Skull, D Soldierz , Desi Beam and various other bands. Most of the Indian rap music is underground.

Western classical music The spread and following of Western classical music in India is almost entirely nonexistent. It is mainly patronized by the Indian Zoroastrian community and small esoteric groups with historical exposure to Western classical music. Another esoteric group with significant patronage is the Protestant Christian community in Chennai and Bangalore. St Andrews and St Georges in Chennai and St Marks in Bangalore are churches with regular pipe organ recitals. Western Music education is also severely neglected and pretty rare in India. Western keyboard, drums and guitar instruction being an exception as it has found some interest; mainly in an effort to create musicians to service contemporary popular Indian music. Many reasons have been citied for the obscurity of Western classical music in India, a country rich in its musical heritage by its own right, however the two main reasons are an utter lack of exposure and a passive disinterest in what is considered esoteric at best. Also, the difficulty in importing Western musical instruments and their rarity has also contributed to the obscurity of classical Western music. Despite more than a century of exposure to Western classical music and two centuries of British colonialism, classical music in India has never gained more than 'fringe' popularity. Many attempts to popularize Western classical music in India have failed in the past due to disinterest and lack of sustained efforts. Today, Western classical music education has improved with the help of numerous institutions in India. Institutions like Calcutta School of Music, Bangalore School of Music, Eastern Fare Music Foundation, Delhi School of Music, Delhi Music Academy, Mehli Mehta Music Foundation and many others are dedicated to contributing to the progress or growth and supporting Western classical music. In 1930, notable Mehli Mehta set up the Bombay Symphony Orchestra. In 2006, the Symphony Orchestra of India was founded, housed at the NCPA in Mumbai. It has since presented two short concert seasons per year. Some prominent Indians in Western classical music are:

Zubin Mehta, Renowned music conductor. Mehli Mehta, Father of Zubin, violinist and founding conductor of the Bombay Symphony Orchestra. Ilaiyaraaja, the first Asian to compose a full symphony performed by the Royal Philharmonic Orchestra in London's Walthamstow Town Hall. Naresh Sohal, British Indian-born composer. Param Vir, British Indian-born composer. Karishmeh Felfeli, Indian-born Irani pianist and radio broadcaster. Sandee Bhagwati, German Indian-born composer. Opera singers: Amar Muchhala

Dance is an aspect of music. In other words, dance is not just something which accompanies music, dance actually is music. Music is a super-stimulus for aspects of speech perception, but speech perception is not just the perception of sounds: it also includes perception of the speaker's movements such as facial expressions, body language and hand gestures. Dance can be identified as the super-stimulus for this component of speech perception.

There are at least five and possibly six symmetries of music. These are:

Pitch translation invariance Time translation invariance Time scaling invariance Amplitude scaling invariance Octave translation invariance Pitch reflection invariance

Each of these symmetries represents an invariance of some aspect of the perceived quality of music under the corresponding set of transformations

The main idea of the theory is that music is a super-stimulus for the perception of musicality, where "musicality" is actually a perceived property of speech. "Musicality" refers to the property of music that determines how "good" it is, how strong an emotional effect it has, and how much we enjoy listening to it.

"Rock, Reggae, and Rap music, better known as the three R's to drugs are the three genres that have been classified as the drug related musical types" (Rocco E 3). Since the 1970's Rock music has had a huge reputation for being a "party genre". It creates fillings and emotions of validation that leads a person to look for the party life in order to emulate an idol. Rocks biggest contributors to this are Jimmy Hendrix, KISS, the Eagles, and Aerosmith, all with a history of drug use. Reggae has been known as the lyrically strong genre with great three-part harmonies vocals, a politically challenged sound, and the relaxing Rasta vibe in which marijuana is greatly represented. Many people who are effected by reggae music look towards marijuana for an herbal meditation to take away the stresses of life. Bob Marley and the Wailers are known for being the founders of reggae music. Rap is the newest member of this group. This particular genre not only admits to the "coolness" of drinking and drugs but also...

Music is a science exact, specific, demanding. Think of a conductor's full score as a graph that indicates frequencies, intensities, volume changes, melody and harmony all at the same time. Music is mathematics rhythmically based on the subdivisions of time. Music is a language a kind of shorthand using symbols to represent concepts. Common elements of music are pitch(which governs melody and harmony),rhythm (and its associated concepts tempo, meter, and articulation),dynamics , and the sonic qualities of timbre and texture

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1. Music as loud as the roar of traffic Marge Piercy 2. The music rushed from the bow [of fiddle] like water from the rock when Moses touched it Henry Van Dyke 3. Music is auditory intercourse without benefit of orgasm Aldous Huxley 4. (Drum, drum, drum, the) music like footsteps T. Coraghessan Boyle 5. Music throbbed like blood T. Coraghessan Boyle Opera in English makes about as much sense as baseball in Italian H. L. Mencken The opera is like a husband with a foreign title: expensive to support, hard to understand, and therefore a supreme social challenge Cleveland Amory

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The orchestra sounds like fifty cats in agony J. B. Priestly Our musicians are like big canisters of gas. Light a match too close to them, and they will explode Yevgeny Svetlanov, New York Times, October 20, 1986 Svetlanov, the Moscow State Symphony conductor, thus described Russian musicians in an article by Bernard Holland.

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The plaintive sound of saxophones moaning softly like a man who has just missed a short putt P. G. Wodehouse Playing bop is like playing scrabble with all the vowels missing Duke Ellington, quoted in New York Herald Tribune, July 9, 1961 Pulled music from his violin as if he were lifting silk from a dressmakers table Pat Conroy Saxophones wailing like a litter of pigs Lawrence Durrell The string section sounded like cats in heat Mary Hedin (Wade and Beth could hear) the subterranean thudding of his rock music turned low, like a giant heart beating in a sub-cellar John D. MacDonald A symphony must be like the world, it must embrace everything Gustav Mahler Mahlers comment was addressed to Jean Sibelius.

The practice of singing based on notes was popular even from the Vedic times where the hymns in Sama Veda, a sacred text, was sung as Samagana and not chanted. Developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. In contrast to Carnatic music, the other main Indian classical music tradition originating from the South, Hindustani music was not only influenced by ancient Hindu musical traditions, historical Vedic philosophy and native Indian sounds but also enriched by the Persian performance practices of the Mughals. Besides pure classical, there are also several semi-classical forms such as thumri, dadra and tappa.

Purandara Dasa ke bare mein hai kuchrelating 2 carnatic music

Carnatic music is completely melodic, with improvised variations. The main emphasis is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style (known as gyaki). Like Hindustani music, Carnatic music rests on two main elements: rga', the modes or melodic formul, and ta, the rhythmic cycles. History of Indian music during the 800 BC was called the Bhakti revolution. This period belonged to the saint poets like Tulsidas and Kabir. Then there was the emergence of several music streams like Ashtachap and Haveli Sangeet. Music was prominent during

Emperor Akbar's court and came from the text Ain- e -Akbari which mentions the rich music culture of Akbars time. The instruments used were like sarmandal, bin, nay, karna and tanpura.

The practice of singing based on notes was popular even from the Vedic times where the hymns in Sama Veda, a sacred text, was sung as Samagana and not chanted. Developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. In contrast to Carnatic music, the other main Indian classical music tradition originating from the South, Hindustani music was not only influenced by ancient Hindu musical traditions, historical Vedic philosophy and native Indian sounds but also enriched by the Persian performance practices of the Mughals. Besides pure classical, there are also several semiclassical forms such as thumri, dadra and tappa.

Hindustani music

Developed independently of folk music, albeit occasionally importing folk or regional elements, metamorphosing them suitably Raga based, mostly improvised Capable of intense expression in very slow speeds Vast range of ornaments, particularly during slow passages Subtle use of microtones in slow passages Steady, long-held notes, mostly approached and/or quitted by little ornamental phrases Gradual building up of tempo from very slow to very fast Convention of time and season Clear enunciation of rhythmic cycle by percussion accompanist (in dominant present day forms like Khayal, Sadra, Thumri, Bhajan etc.) True to Hindu traditions: so-called Persian influences fully integrated within its essential and ancient grammatical format

Carnatic music
Codified in medieval texts written by musicologists, the influential ones among whom studied in North India and thereafter returned to South India to fashion Carnatic music out of the prevalent regional musical forms to be found in South India

 Composition based, mostly fixed A fairly quick tempo from the start, so lacks the intensity, introspection, microtones and several ornaments found in Hindustani music Notes are not held for long and are mostly quitted by a characteristic oscillation using indeterminate pitch Constant and fairly fast tempo throughout No convention of time or season Percussion accompanist does not enunciate rhythmic cycle clearly, so a second percussionist and/or a timekeeper showing and/or clapping out beats (in which the audience joins) is necessary Contrary to advocated argument, has Muslim influences . From the ancient Sanskrit works available, and the epigraphically evidence, the history of classical musical traditions can be traced back about 2500 years.

Bhavageete which literally signifies as a emotional poetry is quite popular in India especially in Karnataka and Maharashtra . Another popular genre in Indian folk music is the Punjabi Bhangra done by farmers to celebrate the spring season that marks the time of harvest. There are various folk music of Maharashtra are called Lavani and Gaulan and the Dandiya music from Gujrat and the Baul from Bengal

Garba "Garba (song), the songs sung in honor of Hindu goddesses god during Navratri." it is sung in the honor of god krishna, hanuman,ram,etc.. Kolata 'Kolu kolanna kolu kole' is very popular music for the soft kolata dance of Karnataka. Kolata of men uses 'Indara Gandhi kondavanna', 'Belisalagonda kare beeja' etc sung vocally along with the dance. Cheluvayya Cheluvo Tani tandana kolata is performed by Kannada Kootas around the world for their Ugadi and Kannada Rajyotsava programmes.

It also is a family name with its roots in Eastern Germany and Poland. People with this family name are for example the writer Gina Kolata, the artist Jan Kolata[1] and the writer Katharina Kolata-Gerlach.[2]

Kolata is the traditional folk dance of the state of Karnataka, located in Southern India on the western coast. Similar to its North Indian counterpart Dandiya Ras, it is performed with coloured sticks and usually involves both men and women dancing together.

Types of Indian music

India is a country known for its unity in diversity. India is made up of innumerable and varied cultures that inhabit various regions of the country. Though this country is made up of over twenty States, each one having its own mother tongue, culture, traditions and art forms, these states have varied regional cultures. Every region has its own unique art forms, Hindi Shayri, poetry, prose, handicrafts, paintings, etc. While there are varied musical forms, Indian classical music has been broadly divided into the north Indian tradition also known as Hindustani music and the Carnatic music belonging to south India. What differentiates the two is their arrangement and performance. Apart from the abovementioned broad based categories, there are varied types of Indian music. The fact is that many associate all Indian music compositions of the eras gone by to be classical, however there are other entertaining and purposeful ones that have come down the ages. These include:

Folk music
Most of India lives in her villages. The folk music of India - the music of the ordinary folk - is their music; the music of these multitudes who sing to celebrate, to grieve, to hope, to dance with Nature and to keep their spirits high amidst their stifling poverty.

Though no special training is required to sing folk music, often there are specialists within a village who perform either because they belong to a family or caste of performers or for payment. Every state of India can boast of distinctive folk music like the Bhavageete, popular in many parts but more in Karnataka than in other places, the Bhangra of Punjab liked all over the country and gaining increasing attention from abroad, the Lavani of Maharashtra traditionally sung by women, Haryanvi music of Haryana, Uttarakhandi folk music that is rooted in Nature, the Dandiya and the Garba sung during the festival of Navaratri, the Pandavani popular in Chattisgarh, Orissa and Assam, Rajasthani music, the music of the Bauls of Bengal and the Dollu Kunita, the Kolata and the Veeragase of Karnataka. The spread of film music has eroded the influence of folk music. However, it continues to remain part and parcel of the lives of the common people.

Bhavageete Bhavageete (literally 'emotion poetry') is a form of expressionist poetry and light music. Most of the poetry sung in this genre pertains to subjects like love, nature, philosophy etc, and the genre itself is not much different from Ghazals, though ghazals are bound to a peculiar metre. This genre is quite popular in many parts of India, notably in Karnataka. This genre may be called by different names in other languages. Kannada Bhavageete draws from the poetry of modern, including Kuvempu, D.R. Bendre, Gopalakrishna Adiga , K.S. Narasimhaswamy, G.S. Shivarudrappa, K. S. Nissar Ahmed, N S Lakshminarayana Bhatta etc. Notable Bhavageete performers include P. Kalinga Rao, Mysore Ananthaswamy, C. Aswath, shimoga subbanna, archana udupa, raju ananthaswamy, etc

Haryana music Haryana is rich in folk music, whose roots are firmly entrenched in the classical music. The famous Sringar rasa (based on love songs) has an indirect association with renowned ragas like Bhairavi, Jayjaywanti, Gara (a Persian style), Khamaj and Kafi. However, the folk singer has no idea what a raga is and just goes out and sings.

[edit]Dollu Kunita This is a group dance that is named after the Dollu - the percussion instrument used in the dance. It is performed by the menfolk of the Kuruba community of the North Karnataka area. The group consists of 16 dancers who wear the drum and beat it to different rhythms while also dancing. The beat is controlled and directed by a leader with cymbals who is positioned in the center. Slow and fast rhythms alternate and group weaves varied patterns.

A buffalo-horn trumpet, the hakum, announces the joyful harvest festival and varying types of drums called mandri, kotoloka and kundir take over. A group of women chant antiphonally in leadership of the wedding festivities. Men dance on stilts, creating an intoxicating rhythm that is guided by drums. This is a snapshot of the musical practices found within the Bastar district of India, a region mostly comprised of tribal groups including the Muria and the Gonds.

Indian Music Industry was established on 28th Feb 1936 and is the Second oldest music companies' associations in the world engaged in defending, preserving and developing the music and actively promoting by encouraging advancement of creativity and culture through sound recordings. Indian Music Industry members includes major record companies like Saregama India Ltd. (HMV), Tips, Venus, Universal Music (India), Sony BMG Music Entertainment (India), Crescendo, Virgin Records, Magnasound, Milestone, Times Music and several other prominent national and Regional labels that represent over 75 % of the output in legitimate recordings and a wide range of musical repertoire.

Indian Music Industry has a rich musical tradition and is capable of generating sizeable revenue for the country in every genre of the music industry. There are log of loopholes in the industry due to the unabated growth of piracy. Raids spanning the length and breadth of the country, the Indian music industry has lost of over Rs. 1800 crores in the past three years.There are registered offices in Kolkata, Mumbai, New Delhi, Chennai, Bangalore and several other cities, towns across India focusing on surveillance, law enforcement and intelligence teams. Indian Music Industry is now working with newer strategies and better infrastructure to reach and strike at the very roots of piracy in India. Indian Music Industry along with MTV launched the first music awards in India, THE IMMIES which has been having a resounding success. The objectives of the award were to reward music talent.

IMI Brief Brief History Indian Music Industry was established on 28th Feb 1936 as the Indian Phonographic Industry (IPI), and is Second oldest music companies' associations in the world engaged in defending, preserving and developing the rights of phonogram producers, and actively promoting and encouraging advancement of creativity and culture through sound recordings. Rechristened Indian Music Industry (IMI) in 1994, it is a non-commercial and not for profit making organization affiliated to the International Federation of Phonographic Industry (IFPI) and is registered under the West Bengal Societies Registration Act.

IMI members includes major record companies like Saregama India Ltd. (HMV), Universal Music (India), Tips, Venus, Sony BMG Music Entertainment (India), Crescendo, Virgin Records, Magnasound, Milestone, Times Music and several other prominent national and Regional labels that represent over 75 % of the output in legitimate recordings and a wide range of musical repertoire. Despite Indias rich musical tradition; one capable generating sizeable revenue for the country in every genre the music industry has seen a decline in fortunes in the last few years. This is due to the unabated growth of piracy. Like a disease piracy has makes its ugly presence felt with every new launch or hit of music . IMI has reacted to this menace by setting up an anti-piracy operation consisting of more than 80 personnels but despite a massive task force to counter it, piracy eludes easy treatment or even containment with alarming ease. In spit of the fact that IMI has been instrumental in conducting hundreds of anti-piracy raids spanning the length and breadth of the country, the Indian music industry has lost of over Rs. 1800 crores in the past three years. Operating through Registered office in Kolkata, Mumbai (Administrative office), New Delhi, Chennai, Bangalore and several other cities and towns across India focusing on surveillance, law enforcement, and intelligence teams, IMI is now working with newer strategies and better infrastructure to reach and strike at the very roots of piracy in India. Three Years ago IMI along with MTv, launch the first music awards in India , THE IMMIES which has been resounding success. The objectives of the award were to reward music talent . Details of the last 3 years are as follows : ............................................................................................................................................... .........................................

Folk

Tribal

Bhajans or devotional

Ghazals and Qawwalis Bhangra Indi-pop Film songs Remix songs Fusion

Interaction with non-Indian music

In the late 1970s and early 1980s, rock and roll fusions with Indian music were wellknown throughout Europe and North America. Ali Akbar Khan's 1955 performance in the United States was perhaps the beginning of this trend. Jazz pioneers such as John Coltranewho recorded a composition entitled 'India' during the November 1961 sessions for his album Live At The Village Vanguard (the track was not released until 1963 on Coltrane's album Impressions) also embraced this fusion. George Harrison (of the Beatles) played the sitar on the song "Norwegian Wood (This Bird Has Flown)" in 1965, which sparked interest from Shankar, who subsequently took Harrison as his apprentice. Jazz innovator Miles Davis recorded and performed with musicians like Khalil Balakrishna, Bihari Sharma, and Badal Roy in his post-1968 electric ensembles. Virtuoso jazz guitarist John McLaughlin spent several years in Madurai learning Carnatic music and incorporated it into many of his acts including Shakti which featured prominent Indian musicians. Other Western artists such as the

Grateful Dead, Incredible String Band, the Rolling Stones, the Move and Traffic soon incorporated Indian influences and instruments, and added Indian performers. Legendary Grateful Dead frontman Jerry Garcia joined guitarist Sanjay Mishra on his classic cd "Blue Incantation" (1995). Mishra also wrote an original score for French Director Eric Heumann for his film Port Djema (1996) which won best score at Hamptons film festival and The Golden Bear at Berlin. in 2000 he recorded Rescue with drummer Dennis Chambers (Carlos Santana, John McLaughlin et al.) and in 2006 Chateau Benares with guests DJ Logic and Keller Williams (guitar and bass). Though the Indian music craze soon died down among mainstream audiences, die hard fans and immigrants continued the fusion. In 1985, a beat oriented, Raga Rock hybrid called Sitar Power by Ashwin Batish reintroduced sitar in western nations. Sitar Power drew the attention of a number of record labels and was snapped up by Shanachie Records of New Jersey to head their World Beat Ethno Pop division. In the late 1980s, Indian-British artists fused Indian and Western traditions to make the Asian Underground. Since the 90's, Canadian born musician Nadaka who has spent most of his life in India, has been creating music that is an acoustic fusion of Indian classical music with western styles. One such singer who has merged the Bhakti sangeet tradition of India with the western non-India music is Krishna Das and sells music records of his musical sadhana. In the new millennium, American hip-hop has featured Indian filmi and bhangra. Mainstream hip-hop artists have sampled songs from Bollywood movies and have collaborated with Indian artists. Examples include Timbaland's "Indian Flute", Erick Sermon and Redman's "React", Slum Village's "Disco", and Truth Hurts' hit song "Addictive", which sampled a Lata Mangeshkar song, and The Black Eyed Peas sampled Asha Bhosle's song "Yeh Mera Dil" in their hit single "Don't Phunk With My Heart". In 1997, the British band Cornershop paid tribute to Asha Bhosle with their song Brimful of Asha, which became an international hit. British-born Indian artist Panjabi MC also had a Bhangra hit in the U.S. with "Mundian To Bach Ke" which featured rapper Jay-Z. Asian Dub Foundation are not huge mainstream stars, but their politically-charged rap and punk rock influenced sound has a multi-racial audience in their native UK. In 2008, international star Snoop Dogg appeared in a song in the film Singh Is Kinng. In 2007, Hip-Hop producer Madlib released Beat Konducta Vol 34: Beat Konducta in India; an album which heavily samples and is inspired by the music of India. Sometimes, the music of India will fuse with the traditional music of other countries. For example, Delhi 2 Dublin, a band based in Canada, is known for fusing Indian and Irish music, and Bhangraton is a fusion of Bhangra music with reggaeton, which itself is a fusion of hip hop, reggae, and traditional Latin American music.

MUSIC MARKET NATIONAL Size of Music Industry In India : The estimation of the music industry size is a challenge, as the unit sales and the average realization prices continue to be a closely guarded secret of the music companies. The industry estimates approximately 15 crores of legitimate unit sales of music cassettes and cds in the past year, with an average realization of Rs.40-45. This brings the size of the industry to about Rs.670 crores (USD 149 million) Piracy will continue to hamper the growth of the industry, though measures from the Indian music industry will help curb some of this. Indian music industry is expected to touch Rs.777 crores by 2009.

THE FUTURE OF MUSIC The Indian Scene With the world making it huge on the digital music segment, India definitely cannot afford to lag behind. India`s digital music market mainly comprises the web and mobile music market. According to general secretary Dsouza , handsets are on rise and more and more radio stations are coming up also people are becoming more internet.Times Music is trying to expand by signing exclusive deals with mobile operators and others in this segment. Everyone realises that five years down the line, this segment will be a very important source of income and revenue. No one can afford to just wait and watch."In fact, the digital music business, dominated by mobile music, will surpass physical music in sales in India, says a study by digital music company Soundbuzz. The report notes that India is likely to be the second country in the world, after South Korea, where digital music will surpass physical music in sales. "In India, Musicto-Music accounts for Rs one billion (Rs 100 crore) and physical music Rs six billion (Rs 600 crore). So, I nowhere see mobile music sales surpassing physical music sales."