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MILAN /ROME, NAPLES, PALERMO.

OrmUfl
1

.o it*1y
Ital.c
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V
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>:-"-:-

PARIS. LEIPZIG,

BUENOS AYRESand NEW YORK


j'CofyrigM

Imprimi en

f.

buG

Ricordi* Co

UNC-CHAPEL HILL

ftt

$-uz/

MEPHISTOPHELES
COMPOSED BY

ARRIGO BOITO.
ENGLISH ADAPTATION BY THEO. MARZIALS.

PIANOFORTE ARRANGEMENT BY MICHELE SALADINO.

S&t

arrangements, All rights of printing, copying, perfoimance, translation, vocal or instrumental

&c,

&c.

of this opera, are strictly reserved.

G.
MILAN
-

RICORDI & CO.


LONDON. W.
-

265, Regent Street -

- Regent Street. 265

ROME

NAPLES
PARIS
-

PALERMO

LEIPS1Q - BUENOS-AIRES -

NEW-YORK

SOC. ANON. DES EDITIONS RICORDI.

NOTES.
Mephistophilis, wrote Marlowe in his " Doctor Faustus "; Mephostophilus, wrote Prologue. Shakespeare in his "Merry Wives of Windsor"; Mephostofiles, wrote Widman in his legend of " Faust " Mephisto and Mephistophola are often found in the " complaintes, " and ballads and romances of the sixteenth century. John Pfitzer, in 1726, established the actual form " Mephistopheles, " wich was afterwards adopted by Goethe, Lenau, &c. Duntzer in his " Faustsage " gives this name a Greek derivation, from " mphotophilos, an enemy of Light.
;

ACT

I.

" Goethe has here introduced a " water-dog " instead of a " grey friar, in the old legends and descriptions of Faust we find the Grey Friar. but on the other hand

We

know

that

We

have followed the legendary tradiction.

(W. Widman, "


n.

Life of Faust. ")

ACT

" Sabo har Sabbah? " Les initis chantaient Sabo et les sorcires au Sabbat criaient (See Le Loyer, " Des Spectres, " 1. vii., c. 5.) tue-tte " har Sabbah! '

ACT

IV.

The fourth Act and the Epilogue of the present Opera are taken from Goethe's " Second Faust, " which is the continuation and necessary complement of the first. Without this continuation the drama remains imperfect in its highly moral scope and development. A bargain between Heaven and the Devil is the starting-point of Goethe's poem; if the acn'on nor the scheme of the drama ceases at Margaret's death the bargain has never been fulfilled properly evolved. The struggle must therefore be prolonged until the death of Faust, who is the subject of
,

the bargain.

The Night of the Classical Sabbath. In this all-classical part of the tragedy we have tried the experiment of transporting into the Italian language the Greek system ot versification, so as to give an air of greater poetic truth to the scene.

Rhyme, the discovery of the Romantic poets, was unknown to the Greek Muse. Helen, still ;t singing in classic verse, seeks the secret of this rhyme, " " this ineffable echo, " and loves in learning it. Here is a myth both deep and beautiful. Helen and Faust represent Classic and Romantic Art gloriously wedded, Greek beauty and Germanic beauty gleaming under the same
aureole, glorified in one embrace, and generating an ideal poesy, eclectic,

new, and powerful.

EPILOGUE.
Goethe places around Faust at the commencement of this scene four ghostly figures who and obscure words. What Goethe has placed on the stage we place in the orchestra, submitting sounds instead of words, in order to render more incorporeal and impalpable the hallucinations that troubie Faust on the brink of death. Goethe was a great admirer of " form, " and his poem terminates in the same way that " Le motif the first and last words of " Faust " are uttered in heaven. it commences glorieux, " writes M. Blaze de Bury, " que les immortelles phalanges chantent dans ['introutter strange

duction de la premire partie de " Faust, " revient la fin envelopp d'harmonie et de vapeurs mystiques. Goethe a fait cette fois comme les musiciens, comme Mozart, qui ramne la dernire scne de " Don Juan " la phrase imposante de l'ouverture. " have tried to realise in sounds this musical aspiration of Goethe's, and hence we have repeated in the Epilogue the theme of the Prologue, seeking, as much as possible, to fulfil the conception of " (See Baron Blaze de Bury, " Essai sur Goethe). the poet.

We

DRAMATIS PERSONS.
u&>

PART
MEPHISTOPHELES

I.

PART
Bass.

II.

HELEN
FAUST
MEPHISTOPHELES
PANTALIS

Soprano.

FAUST

Tenor.

Tenor.

MARGARET

Soprano.

Bass.

MARTHA

Con'.r.iho.

Contralto.

WAGNER

Tenor.

NEREUS

Tenor.

Chorus:

Spirits,

Chorus Mysricus,

Cherubs, Penitents, Promenaders,

Archers,

Huntsmen,

Students, Peasants, Burghers, Witches, Wizards, Svrens, Greek Coryphees, Warriors.

Sn.EXT

Characters:

Promenaders,

Witches,

Sprites,

Wizards,

Pages,

Soldiers,

Xobles,

Dignitaries, Fauns, a Buffoon, a P'ibiic Crier, a Juggler, a Zany, a Brewer, the Elector,
the

Executioner, a Beggar.

Dance: Act
Scene

I.,

Scene

I,

Dance of Peasants.

Act

II.,

Scene

z,

Round of Witches.

Act IV.,

2,

Choric Dances.

NS>&'

lo

lo

INDEX.
PROLOGUE
1

IX

THE HEAVENS.
PAGE
I

Tempo

II

Prelude and Chorus Tempo. Instruments' Scherzo


...

10
16

Dramatic Interlude
111

Tempo. Vocal

Scherzo..

20
32

TV" Tempo.

Final

Psalmody

PART
Easter Sunday..

I.

Act

I.

47

Act

II.

The Garden
The Night

...

97
1

of the Sabbath

Act
Death of Margaret

III.

178

PART
Night of the Classical Sabbath

II.

Act

IV.

200

EPILOGUE.
The Death
of Faust..

2?4

MEPHISTOPHELES.
OPERA BY

ARRIGO BOITO.

+
Prologue in the Heairens
Knowest thou Faust?
I?

TEMPO.
and

(GOTHE.)

PRELUDE

CHORUS.
MYSTIC CHOIR.

Clouds and mist. Flourish of Trumpets. Thunder.

Voices behind the clouds, invisible.

CHERUBS. The PENITENTS. Then MEPHISTOPHELES

alone in the shadow-,.

I jj

Largo. M.M. #=66. &- &' A trumpet sounds

from the centre. behind the curtain,

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&

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3"

A trumpet sounds

from the right, behind the curtain, easy time.

4685 G. RICORDI kCo's Copyright. All rights of execution, representation, reproduction, translation and transcription are strictly reserved.

A trumpet sounds from the left behind the scenes, very shrill and in

%Ped

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INSTRUMENTAL SCHERZO.
Allegretto. J)=i44.

ii

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lit

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skirt of his cloak.;

iMb
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Your pardon I

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speech

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face and

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;

^^ m

JL=
*

&

-t=

4(jH."i

lo

jgj

-Bra

',f
il

!<
-

lu

1
si
-

ne
ness

ch'e

rhia

ness Brings him ihat

mad

Which

*
*

leggera

feU

*7

*?

j 5

mm
3EE
Lento.

;*

^f^ ^bes
i

m
-

sfarr.

p
i)

^r
r^
i
<:

-V^-f-

E^E

pgg
-ma:
fih
fi-

Jgt
Ra
-

5
Reason.

sC

BEE
Si

g'ion,

stro di Yes! in -deed love Ay


-

3E Ma -e

^
-^

J_-4S.

S
-vi
-

Uu_*_
s
no,

g
in
to

-i^pp
g
I

;
il

p
the

p
lord

p
del

bu -jo
such a

fon-do
state

crol-la

pa-dron

mon-do,

^^
na-ture

K
e

b
.'

S.

fc
fil

non mi
I

d pi

spi-rits

Sink-eth

of

that

hare not

the

4S.

I?
g

g
ri
S-^s>-

& r^
:

-9h

IH-

!,

=OP "h^"


CV/wi

3g

prima.

tm? i I
cuor,
Afflrf,

>

r
tant'

p"

p
fiac
50

b
-

J
-to,

iiVif
di
to

Pip j
-

t$

ca

ten -tar
tempt him

Io al
to

mal.
e -vii.

fai -ten,

Come prima.

to=fc

m&

53=
-ter

eS
4')S.V>

^^
8

g
FEE

16

DRAMATIC INTERLUDE.
Bassi.

Mystic Choir.
(inside.)

SEE

Andante sostenuto. J = 48. ft__L-jb


V
V

&
>

Tk no-to Faust?
KnoutstthocFaust?

Andante

sostenuto. J =48.

Piano.

=3
/=
-=t
L

li

ff^shnlty

^S
MEPH1STOPHELES. tet

-=

?=J

nrn
i
ch'io

gg
? ?
j

-#-

J^

i
Il

f;

ii

m
paz-zo
ras
-

i
-

pi biz-zar-ro
z*>
-

7"^

ry maddest

cai

of

mi co-co-sca, my ar quaintance,

l
i!
-

w
p

HEEE

3E

col canta

w Cp

3EE

jgj

;^

g
cu
-

1
ri in
-

p'

^
-

dt

in

o
cu

In

deed

sa for ei ti rious ways doth he

=f p ma

v
r

r
da and
sen -no.
tru
- ly.

^^
I -

^
nas
his
-

ser -ve

so
tin

serve thee,

'Tis

i tt

stscc.

a tempa

^m
g
?

I g 1
?

m
I
di

3t 3EE

W$
il

)
fa

y
ta
-

P
pi
-

-pi - ta bra-mo -sia quench -a -hie de - sire

sa -per of knowledge

no
er

that

makes him

ev

ed a - ne -Ian -te; pant -ing and wret-chrd;

P
46S5

^=

j=j

17

e-gli vor-reb -be quasi tra- su-ma-nar e nul- la scienza al cu-posuode him -self andthere is no science can set a - nv He,so tospeakfcouldde-i -fy

li-rio con-fi-n^. boundrytohis craving.

m
uffa

h
mo-doctei
j'n

I
si

?
tro
tcay
-

-,

M
nel -le

s
mie

ir>
re
re
-

l!
i

p e
ti;
-

p
tu

g
far
-

r
-

ri

vuoi

he shall

ne -ver

sist;

mit

thou lay

ne scom-mes me a va

sa? ger

to'-

^
r48.

if^

^
g
-

Mi's.
l

CHOIR.

^
S
MEPH.

he. h
gfl

sia.

?
So

f|#

* i

J)

E'

P'

t'

|
-

|
t'av

=gl
-

J. 49.

^ I*
V*

a tempo

Sia! Som-mo Be - ne! be it ! powers of good,

aun ni- de
'tis

gio

co

ven

tu

on

dif -fi -cult

game you

col canto

ri

m
4t;s.-.-,

IH

r60.

m
I tr

| 1
-ra-sti.
ven-ture.

|
Ei
Let

?
him

1
but

j
r
taste

p
nel
the

1
dol

SE
p
ce

r
-

li
e
a/!f/

mor-de

mo
of

de'

vi

zi

meet

JKW/

fruits

the

tree

Of

an

a tempo
J = 60.

@ES
pesante
63.

=0=

=P.

*~

W9-

^
a _

< >

jl

p
so-vrail
o'er

p-

p
del
'

r
ciel

Re
powers

vro

vit - to

the

of

gonri_

shall be

vie

J = 63.

ii 9
w=^

=*=?=

T
*

P^
La I

?
if

F^

*
122=

>

^=

F^
-

#
na:
JOBS.'
-

for

q Soprani.

te

H
Pi
I

i $
Tenori
.

&
Z.<?

stesso movimento.
-*&+

TTT.

San

ctus!
- 7V>.'

San
.4
-

ctus!
.

San-

P.

ve!

lg
San
p-,

a
San
ctus!
-

a
.4

ctus!
-

San
ri-

ctus!

O K U

.4

ve!

s
I

Bassi

-*rrr

San A -

ctus!
-

San

ctus!
-

San
.4 -

ctus!
- 7V>.'

ve!

ve!

ho

stesso movimento.

h#

ggigfe a
j

pi
ff Orchestra
-?*-

r
k Xtsz

^E 5=t
//
I

K
I

'f
K

^
^

^
"^s-

^i^4

h~

W=r
46S

19

ME PH.
<p'

ijj;
Di

i i i hi.
tratto in tratto
-

JO^y-h
pectus!

f!

',.',

'

g?

Xou! and a

gain

'tis

m' pia-ce-vol co-sa ve -de-re il Vecchio e dal guastarmi se-co molto mi reali)' pleasant thus to chatnith the angels and III take good rare not to yQrrel

-9&
.4

San

3E5=

PO
San A ctus!

toe
San

s
ctus!
-

ve'.

m j^pm
guardOj
with

*=?t

Tt * ;pN''? p-p^
1,
4,
-

bel -Jo u -dir IE them 'Tis beau-ti -fid to hear

ter-nocol Diavo-lo

^p

2BE

-fr- tr

J. nri

^
-

Good and thr E'-vii speak

siu-ma-na par-lar to- gether with such hit

-men
-

te.

ma-ni-ty.

4i;w>

r
20

m? TEMPO.

VOCAL SCHERZO
Tempo
di Scherzo velocissimo. d = ne.
7
i i

tiHk
2" a

Ig

.p

Siam
Iter?

nim
flames

bi

p vo ev-er

r
lan
fly
-

?
ti

p.

'

r
lim
voi
-

p
- bi,

p,

'

dai

nei
re

r san
ply

- ti
-

p
IE
J)

E_

splen

in

g And

ces

ing

Of
"J)
splen-

W j5
fo

Siam nim - bi vo ic '?v flames ev-er


-

l>

J
nei
re

J san
ply

Ian
fly

- ti
-

dai

lim
voi

- bi,
-

- ti -

ing And'

ces

ing Of

Tem^o

di Scherzo velocissimo. d-\76.

fe^
Piano.

^
r
mezzo forte

Wkm
t=
%>" im
r -do p
- ri

?
va

t
-

p
-ti,
-

gan
dy

p siam

'

r co

n
ri

di

-i bim

bi,

d'a

M
9

loves nev-er

ing With

light -ness

and

bngbt-ness

mezzo forte

m
va loves nev-er
-

fr-jr
co
-

^
d'a
-

We

siam sing and ice


-ri,

mo

PPT
II

? p nim-bi vo icing. We are

1
siam sing and ve
- ri,

i
nim-tt vo sing. We are
-

-do

ri

gan
dy
-

-ti,

m
mm
tih fa->

siam ingUlth

ri

di

bim

- bi,

mo

light -ness

and

bright-ness

=g=

=g=

legato e sensibile
il

pp

e leggerissimo due Pei

basso e-

ff:

PPT
- ti

P
-

P
nei

lan

dai

lim

bi,

san

- ti

flames

ev-er

fly

ing,

And

voi -ces

- ti

lim
fly
-

ff-

splen
re
:

do

PPT
-

P
- ti,

P
siam

'

P
co dy
.

ri

va

gan

^
-

ri

di

plv
-

ing
.

Of
.

loves

nev-er
.

*m
-

ty=s=
-

^s
i

ng With f-

-lan

dai

bi,

nei

san
voi

- ti -

splen
re
.

do
ply

ri

va

gan
loves

-ti,

siam

co
dy

ri

di

flames ev-er

ing,

And

ces

ing

Of

nev-er

ing With

i p
'S S I

i
46855


21

J+bim-bi,
light -ness

da
and

rao -ri, siam brightness We

w
ri,

mezza forte

=F=P
nim-bi
sing and

7^-r
-

vo
ice
k .

lari

-ti

dai
are

Hm

^T
-

bi,

nei

san
fly

- ti
-

==

icing.

We

flames

ev-er

spien ing And

I
-

mezzo forte
i

h
-

h
We

<

.h
bi,

}>

},

i
splen-

bim-bi, d'a
light-ness

mo

siam

nim-bi

vo

Ian -ti
icing.

and

brightness

We

sing and xe

dai are

lim flames

nei

san
fly
-

-ti
in

ev-er

g And

m
<& m
&=

O-

m
pp
p

&

-do
voi

ri

p va
re

'

gan
ply

ti,

res

a i

" >

m
-

siam ing Of

T
co
-

w
ri

ppp
-i bim
rfv

r~r
-

r;

di

bi.

d a

lore nev- er

ingln

siam light -ness and


-

mo

ri.

nim
PPP

m
bi

to

brightness

We

PP

re

+3=9
co
-

=S=^
di

^F=fc
bim-bi, d'a dy - ingln
-

rfc

-do
voi

ri

va
re

ces

gan-ti, siam ply ing Of


-

ri

mo

ri,

lore ne^'-er

light -ness

siam nim-bi vo and brightness We

i w
mi m
JL
32=

=g=

zen

3T:

Ian -ti

W
dai
J
J)
I

PPPP

lim

sing and ice

-icing.

J
-Ian
si'/j-

- ti

dai

and ar

lim wing.

M
We
-

bi,

nei are

san -ti splen flames ev - er

^
,

'

V
-

do
fly

ri

V va
re

\>

gan
ply

-ti
-

mm

ing,

ing....

PPPP

*^
-

bi,

nei are

splen san flames ev - er


- ti

do
fly

ri

va
re

ijan -ti

ing

ply

ing....

PP
Z22=

ZEE

fe

BI

46S

^=

L'2

^#U

UN
1

^
=cz:

*
32:

=g=

sempre pp coi due Psi

SI
& P
SS

:zz:

m
Largo.
*?

%
b ?
*

-6>

MEPH.

n'i

mg Bis i
a

*'

*'
*'

?i

.'

"*~

^^

Io

sciame legger desili angio-let- ti: come

del-l'api n'

horibrezzoe noja.

'Tis the glimmer ingsTi'arm of lit- tie seraphs-.likebees I hold them in the greatest horror.

fete

^s

Largo.

2E*EP^
y

as

a tempo

WJtyU
a
(o
'

Kl

EJ
..

~v *

&
I
i

ii-

Tempo -di
e

Scherzi >.

U 126.
i

(>'

a.


stacc.

'

^_ ? * *

p
:j

'

\i*M^ wb
lfly>

Un
One
gior-no nel
day
in

p sferr.
M
1

p stacc.
M

i r
2W

fan-go
pi
-

mor
-fui

Earths

ti

ta - le, per mire Took

demmo
from

il

tri

podio
All
-

del

us

our

riole's

fl

3=
Un
One

gior-no
day
in

nel

fan-go morsor-roK. -ful


[

Earths

m ?^

Lf

>

fc

~=I

rnf

^
N.B. dal -$ al$
si

omette (N. dell'Autore)


4V>

23

I B^F

tffi
*

-la

#
I'au
-

m
reo
-

T
di

di

fio
-

ri;

-le,
.

la

Iu-cee
/>/<7_v

ma
<shen

fire

And

stayed

bright

(/ <wr

icings,

But

WS

fes
J
-ta-le, per mire Took
i

demmo
from

u
-

323

il

tri

pu-dio del
Au-ri-ole's

l'a-le, l'au
fire.

reo

-la
the

us

our

And

stayed

^
r^

T^T

:3

^
7ZTi

^
V
3=
-

i m^-r
sciol
ti

dal

lu

bre

ban-dorpre
ta-ken To

gan-do. can
all

from

the Earth's

sin

-/i/Z-

Heaven's

Si

V
tea
di
bright

lu-cee

di

fio

ri:

ma

sciol -ti

dal

lu

play of our

"zings.

But 7ihen

once from Earth's

sin

fui

^M ^m
fe^S E
? r f
-

e^
t"
zan
-

fra

-tan-do, dan
glo-ries

va

do, noi tor ken We vet

nia-mo

tksba #S
-bre
ness

mmt
ban-do, pre
ta-ken To
-

s^-

3=p
-

gan-do, can all Heavens

tan-do, dan
glo-ries

zan
"za
-

Y\?y

fr

^#
-5

085."

24

w
gli an-gio-Ii

mm
an
-

cor.rings.

an

lie

?
SE)

^ * "-*- P
*
do, noi tor
&ftf I{>_)r/
-

^
cor.
rings.

nia-mo
ho -Ter

fra
in

gii

an gio- li an an -g - lie

##g^ "ci"""
I

T^

=a=

m
=r=?=
P/
7

wm

Sgg^
,

S
m.

m
,

i ,

>

^F=f
La

TV

^3 2=z
(*- nr

fc''i.V>

Si
3E3:

e
.

^
j.
jjj

^
;Mfcr
$

B
j

M
si

>
e

^ gg
I

l>

;
-

,
si

tt

u
gi - ra, turning,

danza in an

g -li
an

ca
in

spi-ra

-gels

ex -qui -site

gi - ra. si yearning, Is

and

gi - ra, la turning, the

1,
1

j>
1
I

^
$

E^Egg

>

=f=B= =
tj

La
The

#-

*-

'

-0-

^g

f
46s"

^Fi

^P

M
kktk VV

I
dim.
*
'i

J>
in

danza

an

m
-0

0-

*-=

*= =wfc
gi
-

- li

ca

spi

danre of the

an -gels in

- ra si ex-qui-site

g - ra, si yearning, Is

ra,

si

turning and

g - ra, la turning the

m
-

3P

5*
-li

a
si

danza in an
danreof the

-ca
in

spi-ra

^ =
-#*

#-

*
si

'

ti

r# gi
-

ra.

3E

gi

ra,

si

gi-ra,

an -gels

ex-qui-site

yearning, Is

turning and

I ^

g=tHF

Is gg
*

/ smorzando

ppp e

M
-

turning.

S
*
-

stane.

mg p
lefctt:
i

p ^

^^ wp PPP
!

cresc.

i f

.J- "J)

*E
an
the
-

-#
- li

#-

=g2
g
-

ra,

a
si

5?
gi
ra,
si

t==
*:

danza

in

ge

ca

spi-ra

si

gi

ra,

la

m
Su

dance of

an -gels in

ex-qui-site

yearning,

Is

turning and

turning. The

a
La

j
KB

F*

^=^
It^'
rf

!;'

si

W
g
II

j>

[,

Lj

jjJ

i,J

lj

;j

ff

i1
danza
dimin

1
an
the

1.

si

5^

|M

k
gi-ra,
si

-*-

dance of

ge-li - ca an -gels in

spi-ra

ex-qui-site

gi - ra, si yearning, Is

turning and

gi - ra, la turning the

S ? E ^ danza
in
rfartrr
t?/

ktai

i
an
/A?
-

*
spi-ra
si

*:
i i
i

ge-li -ca
an-gels in

ex-qui-site

gi - ra, si yearning, Is

gi-ra,

si

gi-ra,

la

turning and

turning the

jM ^p
\i,

5 B

g*

i>*

!;i

m
5= p^5

M^
/:

^
b.wlJ

^j-

>

> | |
46855

i ^=? S

26

UM
I w

J-

in

J.

^#
- li -

*
si

gi

m
-

<

-0si

es
gi
-

si

danza

an
the

ge

ca
in

spi

ra

ra,

ra,

gl

ra.

dance of

an -gels

ex - qui - site

yearning, Is

turning and

turning.

J-

;
in

?pp?
-

-#--

t t
spi-ra

m
ra,
si

-r
si

p*
gi
-

w-

v
gi
-

-r
ra,

danza

an
the

ge

- li

ca
in

gi

ra,

si

la

dance of

an -gets

ex -qui -site

yearning, Is

turning and

turning.The

=^
cJ

m
PP

Z2X

^^ m
rail,

^S
gradually so as tn meet the fallowing

^^
%
i

$m
ef

movement
-

#si

=S
Fra
.Come
-

Jib,

ess ^AM ^
i

gi-ra.

gi -ra. si

turning, Is

turning and

^r

rfi^ i

Li

b>

-*;

l hV^
-

danzainan
dance of the

g;e-li-ca

spi-ra si
exquisite

angels in

gi-ra, si yearning,h

gi -ra,

si
h
r,

Fra

turning and

n .Come

'

i g
ra//. ffl/

*
ranto

^s

SE f*

^=x

^afe

e EH

MA

f^^S E^E
Meno.
J- = 60.

#n

St ^^
=W1
K K

i ka
-tei bro
-

rr v
li,

=c=^
-r*

-S

K-

^.

Vzi *r~*fin
1,|

-#'
- ti

0*

fafl:
eie
III -

O
-

9'

0-

te

niam
let

thers

and

-ci per us take

ma- no,

ul

-mo

lo

hand, To the

far Heaven's

Ion ii-mate

ta - no noi band, We must

mf dolce

H*(S=T
-tei

^B
te
-

=t
-

w
l'ul-ti-mo
far

*=te
eie
-

-li.
-

niam

ci

per

'

Aro

Mm

a;?rf

ma

^
-

no, fin

lo

Ion

ta

no noi

us take

hand. To the

Heaven's

ul

ti-mate

band,

We

mnst

Meno.

o-=6G.

~Wi
pp teneramente

~&

m
40S.-r,

"W
-&-

zzz H= ir-ri

27

3 55
-

''

nZI
pre
still,

ai

sem
sfili,

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still

& *m.
F?
sem
sfili,

*&

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dob

m m
bia
-

33E
dan
-

r-rr u
1

0'

f
rats

mo

zar,-

fra

tei

li,

le

mor-bi-de
de
-

danreand en

Heine.

m
-

Oh!

bro-thers our

l-

I
fra
<9A.'

'

i
tei
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J>
-

pre
still,

bia

mo dan

zar

li,

le

mor-bi-de
de
li-rate

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faine.

bro-thers our

m P&
pin
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-'

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ces-si-noil
rest
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ions Shall

vo

lo

pe
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al

San
clear

the

happy

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u m

9? pen -ne non


-

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te
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si-mo Al
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tar.

Fra

tei

li,

te

niam
let

ci

per

ma

ww

rfi

w'w.

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bro

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and

us take

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3=3=?
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-

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li,

== v
per

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ma
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thers

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us take

hand, To the

pp
(

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28

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lo Ion

ta

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pre
still,

dob
still

far Heavens

timate

band We must
,

bia - mo dan danre and en -

zar;
faine.

Si

a"iij
T ul - ti - mo far Heavens

'

i
eie
-

ii 'fff
lo Ion
-

ta

no noi

sem
still,

pre
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dob
still

ul

timate

band, We must

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zar,-

faine.

m
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ren-nechein
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Come

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our

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Pi vivace e pi presto.
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afa
-

223

U. I^iW
La
The

?=3= <

tor

no

al

San
dear

tis

simo Al
zure di
-

tar.
vine.

danza

in

an

m
eh. IH
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bone

the

dance of the

-tor

ku*
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e-:

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tis
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noal
the

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clear

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zure di

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bene

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m
zsx:
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s f
t

Pi vivace e pi presto.

tW
t Iv^i,

^^

-4
spi
-

0ra
si

-ge-li - ca an-gels in

^S
si

ex-qui -site

gi - ra, si yearning. Is

gi - ra, si turning and

gi
si

ra.

turning.

=g=^
gi
-

ra,

si

gi

ra,

gi

ra,

la

dan-zain an
dance of the

S"

^
r
i

ft

turning,

and

turning,

and

turning. The

Bg
^b

^^
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si

aJTT

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9
j
-

gi

ra,

si

gi

ra,

si

gi

ra.

/5

turning, and

turning,

and

turning.

I te =

j
li
-

33

sape -

ca
in

spi-ra
ex -qui

si

gi

ra,

si

gi

ra,

si

angels

-site

yearning, Is
i2-

turning,

4M>

^^
3^P
i

and

gi - ra. turning.

:S

^
?rff/.

Si
/ i-U^ 4 Sfe

ist
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:

j i i #_i =T= -j
1


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Velocissimo

come prima. J=i76.


2
-y

ff
nim
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J.

SS 2w
o

Siam
We're

flames ev-er
J
J-

vo-lan-ti dai lim-bi, fly-ingAnd voi-ces


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I

5^m
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re
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ri

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san-tisplen-do-ri va ply-ing Of love nearer

gan-ti,siam

dy-ingln

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J.

J.

J.

3BE

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gan-ti,siam

nim

bi

vo-lan-ti dai

lim-bi, nei
re
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m
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We're

flames ev-er

Jly -ing And voi-ces

san-tisplen-do-ri va ply-ing Of love never

dy-inglu

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j j
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come prima.

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light-ness

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ming.

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light -ness

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flames ev-er

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brightness

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j

a
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lim-bi, nei
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mm

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IT

32

IV?

TEMPO.

FINAL PSALMODY.
Andante religioso, non lento. J=76. PENITENTS on Earth.
Chorus from
withii
lc

tk fc ^f

-|T~T~T =J
Re Re
-

=s=

-

e
Uno,
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l'I

J
dal

#j

Sal -ve
Sai -re

gn-na!sln
gi-na'.The

nal

zi

un

co

mondo
the blind

Andante

religioso,

non

sound sveet and lento. J = 76.

From

j ir
Piano.

it

TI

ph
i i

Li **

rMfc ff
w:

-6M-

m
-

p Organo

>

T
eie
-

S
-

eie

co,
0/"

dal

mondo
be
-

co

al -la
-

di

vi
loft

na
the

reg-g-ia del

mj
ciel.

Tcor/rf

sorrow

low

ri

ses

to

Queen of the

Heavn.

#
i r

a i
M

J
r

'Lrr
i

:zr
stro
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^m n^
-

p
-

Col nostro

By

all

our
i i

can -to, col weeping and

r~

P
Me
col

no

pian
ni

to
al
b
,

domiaml'in

ten -so
aid
in

prayer and de

Lend
r

us thine

-r-

mm
i .
.

&tj

I
rs:

s ^^
H
#-

te ^
fo
'r>
I
-

SE B
to
thy

-cr

co del
our

sen

so

no-stro
to

can
rest

time of

tri- al

Lead us

in

mite e fe bo -som for

del.

given.

pi
,i,

CHERUBIM. c:
j )

mm
U
-

On

mm.
"ET.

-r~r

3!

4G855

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^F

SI

33
legata

S=^ I O
Hear,

di

la

pia,
seech

la
thee,

pia

pre
hear,

ce

se
be

ir

ne

*
L

j4_
E

I
stars

J)

1 j
and

J)

^
rag - gi
sun's

-gli astri, sui

Kinds and on

ven -ti, suimondi,sui and on blue limpid

lim-pi-diaz-zur-ri

pro-fon-di, sui
the light of the

del

mays Of

the sky

gold -en

si Km

m
m BE
B

S
f

W
k*

^Sp

^wo

/>/W mosso.

I
-re-na.
fortissima e assai siace.

La

danza

in

an -g
the

-li

ca spi-ra

si

ra,

si

gi

ra,

si

gi

ra,

si

The dance of

an

-gels, in

ex-qui-site

yearning, Is turning, and turning, and

#
;!

o
sol.

'

'* *

'

'

'

'

'

'

''

'

i '

y
i

i '

'

r w
SI

anrf

=g=

13 nam,
us

w
n

Vi

poco pi mosso

4 68 SS

34

s
'

Ern-ing

ra,

la
ike

I pi T I

*
of

+ + 1
- li -

I UJi
ca
in

J J

i
gi
-

J' T
ra.
si

la

danza in an - g
the

spi

torn-ing the dance

an - gels

- ra si ex -qui -site

gi
turn

ra,
-ine;,

si

year-nine?.

Is

and

gi-ra.
turningt

ffi
ve
i!f

gm
Ma
Mj
-

SE
a
pie pie
-

ria
hia

gra-tf

na.
-

ym

Zi'

na.

La

^^ P^ WF
P
r
us
i

^^
b
-

^^

-l^-v a si
'
1

f'
-

"'

m
o

nam__ per quei pray for those in

mo
ih?

neri

ti.

hour

of

death,

per quei mo-rien -ti o the hour in of

tur
&-

m& m

W-

sm
*+i\>?

legato e marcata

^^ ^ 53 ti
46W>

35

t
danza in
dance
of

an
t

ge
an
-

- li

ca
in

spi

ra

si

gi

ra,

si is

he

gels,

ex

qui -s it?
i

wa rning,

gi - ra, tur n -ins;

si

gi

ra,

and turn -ins

JiTj) J)"Vj

^1w* i^T) ^in


it

P
la the

's
o
IK

nam.

^Pf
-nam,
'

r'

>

^m* *

r*

t*

*-

fog?.* SBCC-

V7Qh<?

#
[

ffi

3^
A
A
-

ve
TV

MaMa-

p ^ll^^ ^l^^ ^^l^^i


danzara an-ge-li -caspi-ra si dance of the angels, in ex-qui-sit-g-ra,
si

gi

ra,

si

gi

ra,

si

gi-ra.

yearningis turning, andturning,and turning.

36
>.

^
-na
-ria

g.
-

*
a
a
pie pie

^Ta-ti gra-ti

na.
na.

La danzain an-^e-li - ra sp-ra si 7A? dance of the angels, in exquisite


;> zz<z j;

tm
/

j/

j;

g g g

I 9

S
o z>r
[|
-

;/5

pi N

i
mo
the
-

gas b '
?
rieri -

-riani.onam per quei


/voy for those in

hour

of

ti.perqueimorientio death, in the hour of

H
a

'

riam,
iteath.

m
g - ra, yearning,
si

ra,

si

ei

ra,

is

turning and

turning

im
1

-k *h
'
''

k-

y-

gb

gK

\
ra
-

-jy-

>
- li
-

>
ra
in

^=jfc

P
la

J 1
in

dan-za
dance

an
the

ge
an

spi

si

of

-gels,

ex

qui -site

&

5^
nam,
pray

SB

3E

1/5

468.1:

5E ~1
o
Hear,
-

#m
I

mm
.ii

fe

*
seit"

la

pia

if'

Vf>rA

M*r,

pre -re Afar ici"

'MiKH'J'
li

Ji

g g I J
il Jl
si

i
si

j J^Nr*
gira.
turning

gi

ra,

si

gi

ra,

gi

ra,

yearningis

turning and turning and

*
\

j
rrssr.

-nam.
sempre

^^
-nam.
/"'ay-

1
-

-6>^

Let

us

riam, oriam perquei mo pray for those in the

?^

'Lr

F'7
-

rien

hour

of

Sep;
-

re

na.

w^m
JL

ff:

ZED
I

A -ve Ma -ria,
-

seech

thee.

A -ve Ma

ria.

grati grati

a
a

pi*
fie

na. na.

m
-ti,

4
c
grati
graft
-

5E
a
a
pie
pie

A -ve Ma -ria,
A -ve Ma -ria.

na.
TItf.

perquei morientio
in

ria

mo. perquei morienti o


of
death, for those
in

na

=s

death, for those

the

hour

the

hour of

mo, per quei morienti. death for those in death.

^m
//

&
Bfe

ste n

J^
H

g=T^ H

ts

C>

3
46S.-

as

Eb

y'
j

zee

,'

J
-

*
to

A A

-ve
-ve

MaMa
-

^
ft* m

ria,
ria.

gra-ti

a
a

gra-ti

ple-na. I] pen-ti ple-na. See ham me

men
iceepin

la-gri-me spande.
hit
-

our

ter

re

pent-ing.

IP
A
A
-

ve,
ve,

AA
-

ve.

X
r

(T',

S
?
If

PP

-j^-ri
l>

a
a

1 -&jez:

m
Oriam per
na.

A-veMa-ria,
.4
-

gra-ti

ple-na.
pie
-

quel-le

wm
di
hit

mo-rien"-ti
-

-gna-ve
-

zr ita

ria,

gra-ti

See kena they iveep in their

ter

re

pent-in^

^S
Wy

^^^
A
.4

^m
ve.
ve,

-SEve. ve.

^
Oriam per
See
quel-le
di

A
.4

mo-rien-ti
-

-gna-ve.

hw they

weep in

their bit

ter

re -pent-ing.

# r

Di queHearthen
ste
/A*

blan
cry

de
o/

tur-beil

la
la

men
meni

to
ing.

sin-ners

ac Soar

col

gail

ing

and

aMb
8&=
a - m Hear then
'

J/ Siam
WfcVe

J)

j) #'

J) *' *'

J*' *' 1 1

'"I J' J)
re

'

nim-bi vo-lan-ti dai

lim-bi, nei

flames ev-er fly -ing And voices

I*

7~~1
-

=3 St

3E
ve,
ing,
si

me
the

schia
cry

ve,

ni

me
la
-

schia

per
insr

quel

of

sin-ners

ment

Soar

and

WE
a - ni Henrthen

me
the

schia
cry

ve,

ni

me
la
-

schia

ve.
ing,

per
ing

quel

of

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ment

Soar

and

-zn

&
lOS

r~ =3=

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eie

ac
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col

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sour

hea

on
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ss

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W
-

-o
-

w>
ri,

r-

splen-do

ri
ne-,' -

Of

loves

va-gan-ti, siam er dy - ing In

ri

bim

bi,

da
We

mo

siam

lightness and bright-ness.

sing and

ve

-l'a
ni

me
to

soar

schia hea

ve

pre

7r*

-l'a

ni

me
to

schia

ve
7Vrt

soar

hea

pre on

P
@^#
#,

TT

f
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46855

f r
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* 33 *1 *? 7 ftm fffiTnircpet sounds behind the clouds and Tuli Orchestra.) ^

-9-

yirff i **^*
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46S5

47

PftRT
ACT
I.

I.

FAUST: When

I can say to the flying moment:Stay thy course,thou artlovely.then let me die.

(GOETHE:

Faust's Laboratory.)

EASTER SUNDAY.
SCENE:
Franclcfort on the Mayn.- Gate and Bastions. People of
all

conditions leaving the city in groups

Noise and

murmur

of a

crowd. Holiday

bells.

Then

FAUST and WAGNER.

100.

I
Piano.
senza rigare di tempo
(Bells)

ffmarcatissimo

^Ff li
M.

n ^i
^-#1

g4=i=^ ^p^-

^
.-?.

E f rf f

SEP
o
tf

lpi

^m w w ^ ^H
Curtain rises.

Marziale, (same movement

all

aleng:

n:

fa*
1
j

r*Wi
feri.

1 f^i =l O
f ffrfU
*,1

/T\

a-

i-

i
*

r~r

1 I

Perl.

sEI
senza rigore di tempo (Bells)

i~*

rar/7.

pesante

?p-

f
Ped.

i ^^^ =
*
movimento.

*TO *

I SrTT
? 3

* J- ^Ped

=F=P

Continuando

lo stesso

LJff^'^iJg
46S

48
Three STUDENTS.fourBURGHERS.two HUNTSMEN divided Tenori

P
en

a
Why
Bassi

j)

i
di

m
j

into

two groups.

Per- che

o X u

then that

l? nay.

Vol - giam ver- so


TI>V^ Wi>/V>

^ ^^
fee
il

ca-sin

di

the

hunt

ing

i P
V
fe

E
E

t*
noi
t

ver

so

f=
il

mu

Wards

Man

dels

)T')
car-cia. bnx.

fo
;

r^
5

S
-

g
traclast
this
-

'fJiuI^ ^S ^
tfrir

^
d'
-

Right girls pass singing.

/n

ll P^ P
li

Soprani

H^
pril
la

^a
eia
bri
-

-no.

Del

va -go A

la

eri

de

Sweet Mill. " ontralti P

pril

romes

at

way

with sun and shavers

*
va Del Sweet A
-

r
trac
last
this

go A
pril

pril

la

cm

wm
bril

m
la e

and her pretty

ri

^ M^
^fe

romes

at

"'<?>'

with

her

sun.

m
p
gentilmente

t
T~

'LI
f

^
46853

SB

uB

*t

exeunt

girls.

7
-tor flowers

Bassi.

no
Tcith

gin sun and shmo-ers and her pret-ty

bai

dez-zae

leg

dria.
flirzers

Tenori

I.

in
g s
-

5
Stiam
TT>.'

^^
<?f

*=^
4'
a/ir/.

col -la

com -pa - giua.

TT> a/r

JUi.
-

Mf

MP?
ff

W?

pa

n:

Mes-se
Good
sirs,

ri,

Ms

andiamo a Burg>dorf. on to Rurg - dorf.

^iJ
I w
;

U
3E =? r
r la

^gp

pp
Co-sta
Ah! there

g
pi
is

|
fe

son
in

le

buf

mat
of

tie,

mi-g-lior

truth

wad

dest

fun.

srcer-test

of

46855

50

i
>r
bir
ale,
-

3=
Paz
- zi!
-

ii

h
le
li -

Hi
le

1
the

I
most

f
f

^ P?as^
pi
di
-

7?(75

rais.

ra,

don -ne e

ba-ruf-

let

to

s*>.

de-

cious girls

and

de-

light -fui

nf

brails.

;-H ^ i

psmarz arida slegato

w4

^ p

r-fm\

Two

trumpet.

public criers with a proclamation in

A HERALD.

hand and with the sound

of the

From

the other side a quack #c.

na.

ai:r
Bj^l
frd.

g
JL

//

|j

y>

fit.

PS
i
i
J

Marziale.

r^
f r* sr. mc/t

STW
di
( Bells)

senza rigore tempo

*
I

-Tlj
10855

r^r
J

**m

*=

51

-$%m
US- cLlf
-ies-

52
Pill VVO. J =
10-1.

A group
Tenori

of

men

with haleberds,and peasants surround a beer seller.

w zE

o o

^
fa

Quail Drink

bic-chierT
this

'

F'
fa song-

E
TL'ifh

TDay

Bassi

Vo
flit TITO. J P/// r/?'0 J = 104.

^^
-

p p; reunbrin and joy

?
-

di

si.

fui

lays

1
ber!
tty

gli

am

^
Ai

^
.

Z>ri

Js
7
""~

^
g

53

17 A
ff

'"

=f=j

^
:

i I

^
s

^F^ S
E ni -la
and shouts

bel-t

PP^
rnr
-

^
ri

i
=5=

i'*
r<?mc

^
ri

va:

Be-viam,

to ten

der

beau

-ty's

fraise

Wi

be

pg
fol
-

g
li

j
!

a F p
Ev-vi
-

g
!

* IT

r
ri

amor

va

Be-viam,

mad-ninz love

Hur-rahl Hur- rah !

Come

let's

be

imi
6 5

7
8

BE

333
i

^=^ mi
$
VO
7 P

Idi m *
1

-l

^
-

pp gg
I

f1

Meno. J = 66. Mtf0. J=


f
'

ij^JJii
-

-dia- mo, cantia laugh-ing and quaf

il

rn'o.

fing

-dia

laugh-ing

mo, cantia and quaf

mo.
fin*.

Agreyfriar with his hood down crosses kneel, others flee him.
J =66.

in the

crowd. Some

Mr no.

i w

r if)
jrp e

II

crescendo gradatamente

^
4fl<=ie

-$=f
J

i% w&&

K J'^J

^1

S trp

)S

-3

njiijTJ

#*fefc 1
.."/

p-

^
The crowd Soprani

a
pointing to a side of the scene. b

i
t-._, ,

Belisi

4QS55

54

f^f

quan num

ti
-

P
i
p

I
-

p
-

fo

co
fi

si

} de
-

[
-

I
-

I
-

;i
l

p
l!

^gj

strie

ri

seal

pi

bers

of

ry

horse

men

are

rid

tan ing

Cil buf -fon,


thers the fool,

c'

p
il

buf-

by!

there's

the

i ^=^
strier,

J
de and >
-

.U^lf
ri

i
(i

strie

seal

pi

knights

horse

i quan an
jwm
-

ti

fo

co
fi
-

n
-

si

de
-

strie

^
-

men

are

rid

tan ing

l!

by!

#^Mp
seal are
-

ri

pi

bers

of

ry

horse

men

rid

tan ing

l!

m; M

Cil buf-fon,

^p
bufthe

ceil
there's

by!

there's the fool,

un pa' sospesa

fon.

j Ren
Hail,

j
-

diam
for

p o

B
-

y
-

p
al

mag"

gio
is

the prince

I i trxt:
See

I j
fai
-

g
fai
-

j
c' il

buf
ner
-

ap

pren - ce! proach - ing

i
fon.

*=*
p i

Ceil

co-nier,
the

Fa
see

teo-mag
the prince

vn
g"io
is

m
-

al
-

pren
proach

ce!

there

co

comes,

ap

ing

X
O-

EE
P
magprince

fnn.

^
is

P
al

gio

ap

pren - ce! proach - ing

Ceil See
fai
-

E 2=2
co-nier,
the fai
-

*
c' il buf co - ner
fon.

o
Hail.

mag
Hail,

gio!
Prince,

there

comes

M
ff
u/7

m
pa' sospesa

M
$

91
46S5

r
55

i
*

m M=M
Lar -go, lar-goal Make Kay, make way

M eMe
suo for

p p P p Lar - go. largo al Make Kay, make z:ay

p suo pas
for
his

fEEEfEEf
-

sag-

gio!
sage.

pas

pas
his

sag-gio! pas - sage.

fc a^ m
i p

B
1=9=,

= 5*^

?
us

il

Che

mmm
fra
-

?
di
-

stuo

no
a

ram

^p
-

pa

n!

Hark

the

bells

bove

clmsk

ing

pp

P Cheab-bar-ba - glio 'lore the men at

P
di

guai

PM
-

da

ne!

arms

are flash

ing

Va

58

i
<gji
Vien
j<"/

p
S'ar
-

P
ra
-

P
bat
-

P
ta,

si

PPM
con
er
-

fon

de.

J-i

J-.

Jr

MM)
on-de,a
ev
-

Struggling; fight -ing,


2-*

int

flow -ing,
P
-

0.

0-

rP
s'ar
-

P
ra
-

P
bat
-

P
ta,

P
si

P
-

la

fol-la a

on

de,

con
-

fon

de..

tt?

crowd

is

er

grma-ing,

Struggling fight- ing,

int

er

flow -ing,

fe

^t

B^
-4

*-

>+-

-&

che fra-stuo-no
hark
the bells

PHP PHP M
1

s
I

('

di

cam-pa-ne!

guar- da

l!

bore us

clashing,

look out there.

g che abbarbaglio bagli


Aott
tt<

?
1

di

mu

7'

fag

=*
la!

gualda-ne!

guar -da

mc/i

rtf

tttw are flashing

look out there.

5
gr,

P^
STO!

-r-fr
guar - da

^
l !
;

lar

there.

make

CVfV

4=f
gotte re,

"Te?

g
l!

lar

make

gr! 'say,

guar-da

Zoo* ou^ MT".

i^t
crescendo-

#=

4 e *

'

55=

403."

i
r,i

ip J

f
o/

m
l!
/Afri,

guar -da

gTuar-da

H
ft

v
la!

<
i

'?

M
l!
l!

i^iar-da

^
im

/<w&

look out there,

look out there.

3
guar- da
look

=
guar -da
la!

1
la!

out there,

guar - da
look

^3

guar -da

m m
la
g

s
v
4,
!

*
l!

guar-da

^PP^
look

guar- da

out there,

guar
look

da

l!

out there,

il

(I

g
l!

l!

guar -da

^mm
guar -da
look
l!

out there,

m
p
afctf i
*?

look

out there.

look out there,

out there.

m
5

r^

w
^

g?9R=F=^E I

-*

^r

a
3(=3C -r--

The Cavalcade passes. The Elector

at the

head of

it,

followed by court ladies, pages x.

i r

Ah!
.4/!.'

s^
r

Ah!.

Ah!.
.4A!

4W

&
5S

* M W m m
Quan
ti

m
-

I
quan
rid

fo

CO

si

de

M^
ti

g ?-fr-H f
her: 1 by ichile
fo
-

strier!

bei
by,

ca -va
rid - ine

hers

of fi

ry

knights

ing
*;
ti

the

co ban

si

de

ner -ets

=F
-

*
quan
rid

r
ca -va rid -ing
lier!

|
i

Quan
Xitm

-ti

fo

co

si

de

strier!

bei

ry

knighis

ing

by

by

tchile

fo thf

M
-

>
si

P
de

co

ban

ner -ets.

P=5

m
si

Quan Quan- ti fo-co Xum bets of fi


i

si

de
-

strier!

quan ouan
rid

- ti

bei
by,

ca

va

lier!

1 1

fo

co

de
ets

ry

knights

ing

rid -ing

by

Tchile

the ban

ner-

Jl

Jl
-ti

VP
co
si

Quan
.Vi/m

fo

de
-

strier!

quan
rid
-

li

bei

ca - va -va
rid -ing

lier!

fo - co fo-co
the

si

de

bers

of fi

ry

knights

ing by,

by

zrhile

ban

ner- ets

r
strie
ri

'
l

fly.

See

seal -pi - tan them rid -ing

P
l!

by!

fa - te Hail to

4 o-mag
thee

XX
gio al
our

= pnn


ci
-

I 1
te

pe, fa
to
thee.

prince, hail

our

strie
ri

hh
seal
pi
-

l
!

?
fa
-

fiy-

See them

tan rid- ing

te
to

o-mag
thee,

by!

Hail

I
-

r
strie
-

P
ri

B
seal
-

n I

m
P
l!

=Si
fa -te

^
V

//v.

See them

pi - tan rid - ing

o-mag
thee

M'
ri

B
P
^
-

by!

Hail

to

la!
by'.

strie

seal

pi

SfV

them

>7</-

tan ing

fa -te

o-mag
thee.

Hail

to

r-^
-f

&

46835


59
un po' sospeso

fi!?

I P mag-gio,
mag -gio,

I Ju#
-

T^
ce. prince

omag
to thee,

prince, hail

gio our

al

pren
no
-

hie

omyig
to thee,

prince, hail

gio our

al
i

pren ce. no - ble prince.

P I-mag i
-gio, prince,hail

''p omag
to thee,

4^ S
-

^^
.

gio our

al

pren no
-

ce.
prince.

lie

^^
*T

am
gio al our

W^
ce
prince.

mag
thee,

pren no -

hie

un po'sospesa

Wz

"

g=g

P^ P^

4686

60

Moderato.

-44.
above.

FAUST and WAGNER descend from

RECIT.
P P P Al so- a
v4/

IE
Moderato. J=44.

-^
I.:

ve ragthe tern -perate


-

gspp

P?
3E

T^

r1

^J* ttmmn
jrp traquiila cai canta

FfFf

= @5^
rr

tJrf-f-f-f-f-

3=1
r

FfFffFFFFFf

te ff
beams

t^ S =3^
di

^
ve
spring

J
i

pri

ma

ra

E F=?
si

i
-

sco

seen
sntnv

do
quick

noi
ly

of health-fid

ire

and

I
8*

>

* P

* n

0.

=
1

Eg
ffl/

ghiac van 8

ci
isA,

P e gi

p
rin
-

j/

=B

*g=^

-+

*-

n=^=
-

anri ntrx sreeet

ver - da di spe-ran hope a -gain takes bud

za
in

la

vai

le

the

vai

leys-,

rrrfrrrfff
77/7/

Ift'tfftUtfW
a tempa

tinn i i.

canto

^gff^^T^l n* W
M *
in
i
1]

vecchoin-ver-no Ner? hoa - ry Win -ter seeks

fugge

al

^.kv monte
hl-tp,

J)
il

so] ra] -legni e

^m

p
av
-

ir
-

E
-

^
ni!
rail,

ri

va

for-meeco

^
form nnd
trr

the

andnemthe sun

re

v-vtth

m ^m
r'

r^
ciaf.

m T*
cai canta

[fcyM'.f

ma ^p
4 OS"

61

r
lor

se per anco al the Ij yet in

r pin

r
-

ip
non
tr ees

^P
i-

no

p sbucciano
out

^ij
i

w*

E
la

^4
som -ma
-my

fior,
flrnc'r,

vai -ley

are not

in

these bai

m f^
gg

^Et= F=
3

m m m
leggiero e legata

!=

Je

w
p
-

BS

^
p

^r
In

^p

ce
zes

irw

fi p j jj p/p f P fa pul -Iu- la -re in cam-bio bei bor^he - si i rail out instead by hundreds the happy burghers
I

p|

pl*i

fp
-ti
-

P'

111

az -zi
rlad in

-ma
ho

dafe-sta.
-day garments.

li

I w

iS

m
Allegro focoso.
J.= 132.

z=k
Enter noisily a crowd of peasants.

010

r r -r rr
as5a:
7

rn
ad
agni variazione di

ffmarcando

^mm
<fflhlh

B^W
quarti forti

tempo

#.

7fr=T

W
;

=132.

F rlrErr
l

Ur

FD

C
i |

TrLw
-

t=

=5

-p fctdt-

*>-

gff4 aJjUfr i#l

*1

M p rp

46S

62

Ancora
^=

bit/

animato. W=i92.
-#-

w=

i~

>

m.

tur
1 f
Q

WAGNER.RECIT
<*

Jt

di
-

Mo-verea
Roaming

| por

JirJ>
-

to
sir,

| j P con voi, Dottore o- no


you dear doc-tar
is

J^p

7p

J'

p^p
by

thus a

broad,

ivith

re -vole e sag"-gno; pur both vise and plea-san^tho'

dame
my

p col

canta

me

Hi

so-lo,
-srlf,sn,

qui I

mi schi-fe could sick-efi

rei

fra que-sta gen-to. een-to.


this

Me

at

mass of feo-fle.

di no - ja il For a rrcrwd I de

ft'
(e)=i

J"'

I !

iV

33E

I
I

Chrr-fe^^
Allegretto vivace. J=
ieo.

M *f^
I

FAUST and WAGNER retire to the back.


ft

ggj
vulgo. -tor.

yn
[303

m
,

^Soprani Scopre
i t

f
i
Ju
\

hi\?m
he!

Ju

Tenori

o|
o

SE

1
Bassi

S
j'/i
u Ju
-

Ju

he!

Ju

he! he!

Ju Ju

ipi^
Ju
-

mi
1
W'

Ju
-J^
i

he! he!

Ju

he!
he!

Ju

Ju

Ju

Nju
he!
he!
jt. Ju
.

r he!
hel

r r
Ju

Ju

J,

pi ^ > r
i

Allegretto vivace. J =mo


r r r attaccando can energia
r

yu
t

r hei - sa! Ju hex - 'sa! Ju


f r
*

>
-

he!
he!

Ju

f he!
he!

*pif
Ju
-

^
Ju

he!
he!

,1

P^ m
4

m to ^
Ju

Ju

Ju

&

6S50

63

fiiTj
-hei- sa! hei-sa! he! hei -sa! hei- sa! he!

Jitj"?
bel
g"io
-

Ah!
Ah!

he!
he!

^The
li

p va : net - to sen vie-neal-la hand - some young fel - lo-js have come to the

J?

tf

Jil

J'">

^p
t
i
-

-hei-sa! hei-sa! he! -hei -sa! hei-sa! he!

Ah! Ah!
9-=-

he!
fo!

^bel

t ffH

hei- sa! hei-sa!

he!

hei - sa! hei - sa! he!

Ah! Ah!

^The
f

hand

gio - vT - net - to sen vie - ne al - la some young fel - loss haTe come to fhe
I

he! i! he!

D Il
The

P va - net hand some young fel


i

P^rj -C ;
srio g"io
-

v-

bel

J'
-

py
i

to

lo^cs

sen vie - ne al have come to

la

the

55E=3

s
lfcfc

^m
3S

i
X
I

1 r

sta.

danr-ing,

coi a

W
a
i

V=+
na
-

m
far
-

Ij

pT
-

p
coi

M'p E
fior
sul

f
te
-

35fe
sta.

stri

al

rose

at

far -set-to, set to, their col - lar,

la

and

red

rib-bons

glancing.

f f

sta,

coi

na n'a
rose

stri

al

danc-ing.

at

their

set col

to,
lar,

coi

fior

sul

la

te

sta.

end

red

rib-bons

glancing.

SS
f
-

f
sta,

r
rose

P-prr
al

P
col

coi oi

na-stri
at

far- set-to, far set -fo,


their
- lar,

Pi'Pwpir
coi
fior
sul
-

p/j
-

la

te

sta.

E
And

dancing,

and

red

ribbons

glancing.

sol sot-toadun un - der the

& m

ms ^^ ^m
i

can grana

L2^

E. And.

sot

sot

me e

And

un

m
-

to

if r ad un
p

ir
j

piop

po fan

un

der the

pop

lar both

to

ad un

piop

po fan

M m ^^
n
p
j

\r
'

riul

le

e co om

mas

ter

an d
g-

ciul

le

com
and
r

der the

pop

far both

mas

ter

i
-

piop-po fan

ciul
-

E
le e

com - par
and
maid

E
And

f
sot
-

to

>nf m
ad un
piop
-

';
-

p
-

po fan

ciul

le

com
and

pop -lar

both

mas

ter

gap

un

der the

pop

lar both

mas

ter

& ?m ^?

rr
f

tm
4SS3.J

64

m^^
m
f

par maid

3B
si

?
dan
danc m

-par maid

no a dan

zar

un

mat

^
to g ga
i

O & GW
*

-par maid

si

dan
danc

m
no a dan
/>
a
-

round

^m
to g-a

To

lop - po! pade. Ho!

P^
-

_l

<&lop

zar

un
(7

mat

po!

round

mad

ga-lo

bade.

Ho!

te

Pi mosso un poco.

l#

"

= 192
j
j

ey begin the

OBERTAS.

mg
Ju
-

JB-J

he!
Ae.'

Ju

Ju

Ju

=s

Pili

^
[u

r
he! he!
.

^
fe

he!. he!.

Jw

mk
mosso un poco
.

jh?
Ju
-

fu
J

he!. he!.

11

- 192.

CL'

'

I m*

ruvidissima e ff

"

m
1 he!

^ l^P
Ju

*g

-0

it

I
-

ju

he!.

Tu Ju

m f

ben marcata

fi

SI I 1 V
he! he!

Tut-ti Out of

il

ritma dei Tenari J|


al
-

Ju

he!

7w

heL

Jh

he! ne: he!

'-p
van -no
rr*"

la

p f =
rin
-

J, r
-

g
-

fu

sa

sul
all

la

step^ ^and out

i mu
-

of

meg -su re,

ron -fu

ca c'on-fu - sa. sion and all plea -sure. marrafa


si
-

q^ff

W.

ah!

^
CM

Tut-ti
of

>

fJL"

=5

-s
'

gettate can forza

^^
3?
46S55

Si
j

Eg

in

^^ ^#

65
tra
tra

Jl

m
t^f w
&*

la la

fefe
h!

ah!

ip-j
ah! ah!

m
b
-

^^m
ah!
ah!
la

ah! ah

mm
ah! ah!
tra tra

la la

aE

p
al
-

F
la

p
rin
-

te g
fu
-

van -no
step

and

sa
sure,

sul
all

iG> g mu
si
-

^^
-

fefefe
-

ca

con

out

of

mea

con

fu

sion

and

all

fu plea

sa.
sure.

Tra

la

Tra la

jJU">

&

h iH^h E
^S-1la la la

j"J
la

'

li'V'lM

fc-

1
la

la ra la
la

ra la la
ra la la

ra la

mar cata p

ra la ra la

ra la la ra la la

la

liS^^''"'^.^''^/ ^ f
1

ti
la
la

L-t

marcata e

ia

ra la

iM ^

m
1

la

ra la

ra la la ra la la

la

ra la
ra la

ra la la.
ra la
la.

.la

la

H
al

e
-

la

rin

te

al

la

rin

la.

out

of

gaffa vgfg

'
,

y
al
la.

la ra la
la

ra la la
ra la la

la

ra la

ra la la
ra la la

la
la

ra la
ra la

ra la la
ra la la

la ra la
la

ra la

la ra la

ra la

ra la la ra la la

la out

rin

f'V'fr^r
marcati s sima

a ==31

of

\k

r f

!..

3==*=

1 1 ftH^HHlH' IJ3EES PPPP W-A


,

Pf
tr

t=^

1
|H
zia
-

^r^
jUrf
mo,
"
i

p^
\

fu -sa tut-ti van, mea-sureftut of step

dan a

fill

5-fej'ng

i{!>'

65*p
ai all
t

ai-la rin-fu-sa rut-ti van, a ^ m 't f wawfiOid ff step

^^f
in
1

can di

p-

-fu - sa tut-ti van, mea-sure,out of step

dan

all

zia spring
1T2-.

mo,
ing
-t

la

9 rin-fu-sa ru-sa

>hyr

out of

tut-ti van, measure,out ,0/ <?/> \of step

can c
all

gj

J)
jjj

J gj
dan
a//

te T
al
all
-

f i fk g
i

-fu -sa tut-ti van,

zia

mo,
'"/fi

mea~sure out of step


}

la rin - fu-sa tut-ti van, out of measureout flf step

can
all

bit

a 1

S^JJlIS

-M-

W
46855

g:
J
tf

5E

5!

**
mo
sine
ing,

la

dan-za
to

Hark
g
la Hrtr^

the

scal-pi-ta sul suol, mfr-ry mer-ry sound

n
la

dan-za

I
'

B
ta

seal -pi

sul suol,

i^teh
r

a
mo,

E=
dan-za
fe

^
scal-pi-ta
=?
seal
-

of glad fret

trip-pins; on t f

Me ground,

la

ha

sul suol,

dan - za

Mi

mer-ry mer-ry sound

Jfefc-

ggg V -tia

*Et
mo,
we,
la

dan-za
to

*m ^z S f=rf=F
pi - ta sul suol, ry mer-ry sound
la

of glad feet

seal -pi ta sul suol, trip-ping on the ground,


-

*:

?m

dan - za

Hark

the

mer

ofj-l^dfeet

seal -pi - ta sul s ul suol. trip -ping on the ground.

S*

la

dan
ing

,n:heel

za round

ro

ton round.
i=

da

I r
4

^=p
-

'

i'

i
Heisa
Hri-ra

la

dan
-

Sf
a
la

rA>W

za round

ro

ton

da sul suol.

and

^=
dan
-

P
7.T\

da.

^
Efi

?-

==

^=fc

ro

ton
round,

-heel

ing

round

and

Tut-ti vanno alla rin-fu - sa. .-1// are out oj'measure out of'step

m
marcarissimo
il

m
canto
0-

m^t

^r ^s=

Mff
^Nb

JL

If

fftf#
1
V=f?f
sa

^
4-

i +t

^x-

P'M
he! he!

jf
Ju

Tutti vanno

,i

s\u tar uni of All are out vi

alla rin - fu measure out meu-

of step

&:

m
he!

he! he!

Ju-

Ju

Ju

fi
i

r
he!
he!

i
Ju Ju
-

-#-=-

he!

rir
-

1
-

flh
Ju he! Ju
he!

Ju

hei

s a!Ju

he
he!

he!

Ju

hei

sa.'Ju

Ju

Ju

4<,S.-,5

67

&'f >JN:JJ'J
-he!

n*
I

rr<

gHEg

gg
ri
-

J.J
don
dies

S^ s
le

g
-

=
al

Ju

lei

t^ W

m wmm
Ju
-

-he! -he!

n n
hei
-

sal hei-sa! sa! hei - sa!

he!
fie!

Ah!
,Ah!

Eh!
EA.'

^ 7V
_

Sor

don

ne

la

are

laughing and

t
he!
he!

Ju

hei hei

sa!hei-sa! sa! hei-sa!

Ah! Ah!

Eh! A\\ Ehi

Sor The p

ri

don
dies

i W 5* %
le

don -ne

al

ut
he!
he!

-he!
-he!

Ju Ju

hei

hei

sa! hei-sa! sa! hei-sa!

Ah! Ah!

H H

fF1! m&& T
The
la
-

Eh! Eh!

m irmgips
ri
-

la

are

laughing and

Sor

don
dies

le

are

don -ne al laughing and

^^
riH-hbel

Emi I
E^
-

52

cm i
E
dal are

^= g
a
*
-

g
le

=3t
1

s-f-

X
por
-

?
ne
ta
-

turn

toring

neamen

to,

svo
their

laz
skirts

zan
zrheel

grtn
-

and turn -ing

round them, their

fa

te res

ven-

s
to.

burn-ing.

bel turn

ing

tor-namn and turn-

to,

svo

laz
skirts

zan
Tvheel

le""

gon

ne

por

ta

te
res

ing, their

round them, their

tm-r l^-r^trrf f-w ^ 'v


=s=s=
i

fa

dal ven - to. are burn-ing.

r-

J PV
l

ligi
-

=^
-

^q

bel turn

tor -neamen - to, svo - laz ing and /rn-ing, their skirts

zan
'zheel

le

gon - ne por round them, their

ta

te

fa

res

dal ven Il to. are burn-ing. The

fc fl *

m i P mm ppp mSfibri
:
6

J>

l
K

*f

g le

n^ *
i

h^
mm
da son
Orti

cnn grazia

M
E

B
il

Tht

bru dark

no e

la

bion
fair

r
i

S=l
la

The

bru dark

no e

one and

bion fair

da son

ff^-7-T^
^r
bru -no e la dark one and

i
bion-da son
fair one are
stret-tiin

i
un
a
-

ai
Il

la

voi.

fly

ing

round,

The

bru dark

no e

F^f^
bion
-

one and

fair

da son one are

4665S


68

1&

m
gg

stret

- ti
-

in

un
-

vol,

fly

ing a

round,

E
un
-

^S
vol, round,

.e

Ji
-

stret -ti in

seal
trip

pita al

suol
ground
suol

^ S
la

fly

ing a

and

on the
i

dan - za ro - ton -da round and a - roundflo!


i

stret -ti in

=S^ PS
un
vol,
-

ht
ground

r
la
<7 -

seal
trip

pita al

fly

ing a

round,

and

on the

za ro -ton-da. round an(f a ^JoundHo!

^^f

(2.

dan

PWP ^lWi>
iJi

^^
i

Sfcji

^
al

E 1=1^
S^
tor-nea-men-

=5==*

S
-<

~s&

FFf
5
to,

$
^^

=F=T
Sor The
-

*-++l
ri
-

#
le
iia le

Z:

^
and
bel turn
Ql al

^#^
-

don
dies

don -ne
laugh-ng

svo
their

laz
skirts

zan

le.
-

la

are

ing and turn -ing,

trheel a

Q/-MSor The

fi

ri

nnn don
dies

TI a don -ne

r/TT->

Kul bel
-

ni m t^ tor-nea-men- to,
+rf
ri*-

cia svo

Ii7 laz

t zan
-i -

le

/^^
-

la

are laugh-ing

and turn
7

ing and turn


'

ing,

their

skirts

Trheel

jJFTT7~nfTrc.rig-r
Sor The
-

=5=

ri

don
dies

le

don- ne
laugh-ing

al

la

are

and

tor-nea-men- to, turn -ing and (urn -ing,


bel

^3 $
svo
-

3H
laz
-

zan

le

their skirts

^~
ft?

^r * w jg m

uheel a

gg

Si
'

P P Hg
*
3FP

f^lH

^ 2S B3
ir

e
sot
-

^
cresc.

^g^
fan eiul-lee comboth

^
P

'
I

hs Pjyl:
I .

gon - ne round them,

por t

PP
-

ta

their

fa
I

f res
t

dal ven - to, are burning,

3y ifi^?
to

ad

un
a

r piop-po
i

nf

and
-

un

der

pop

ar
:

mas-ter

and

4-*

P
por
their

Il

fM
te

p-tf P-^-*
dal ven -to, are burning

g"on

ne

ta

TV

&

round them,

i
-

g"on

e e ne

P por
their
-

fa

ces

dan -zar dancing

fan eiul-lee
both

PP

comanrf

mon -ter
i

s
-

ta

te

round them j

fa

ces

dal ven -to, are burning,

f-

dan -zar
dancing

I f Ffan eiul-lee
both mas-ter

E comand

iesas

69

=*=

I
V

p -par
maid

si

dan
danc

i&hj*3 U u^
T
l

go

no a ing

" dan
to

f.
1

i>\f i
un mat
a
-

f
'

i
r
-

EH ^
'
'

za

re
ther

to

g"a

lop-po,

si

dan -no a dan

ge

mad ga
:

lop

ade

mad ga
j

lop

Pipi
-par maid
:

o*

m^ m s
all

-par maid

m
i

ah

3X r
si

a
dan
ianc
-

p:
zar
ing

all

SI &*si

i f fan-ciul le e com-pa-ri lee a mad ga - lop - ade,

gjp

ggji i

a
si

ah

dan

go

m
re,

danc

zar ing

fan-ciul-lee com-pa-ri
a

mad ga

lop

ade^

w=+

UJ u

seK

gg

i^E
a
a//

s
dan
Y>
-

J=A
-

^ ppp
J"JJ
le

=4

za

S'

-zar -zar

^^3 Pm n;
rfanr-ing
f '

f
f

si

3nT dan - no a dan


i

zar,
ade,

m
a
all
-

J=&
r

I r

-ade,

dan- za - re, go dancing,

dn-ne

:f
a

the

la -dies

u
-

ur
-

^B
si

X
dan-no a dan

mad

dan -no a dan ga - lop

zar
ade,

a
all

dan- za - re, go danc- ing


jj

mad ga

pillili
3

)\\ j
si

dan-no a dan a mad ga - top

zar,

a
all

dan

za

M
-

za

re,

sor
the

SS ^
are
ri -

don

le

lop

ade,

la

dies are

re,

ade

go

danc-ing,

dan go

za danc

k^B Bs ^M f^ f# fc ^ T=f g fe
1
!

d R.olce

B P^
m
-fj.

=M.

w~

&H
I L
m

bel tor laugh -ing

Qi
-

nea-men-to,
and
'

il il

hrn-nn bru-no
rfrtr
1

p e

la

hinn-Ha snn bion-da son


/air

turn -ing
ia,

tt?

one arf

/V

stret-tTin

r5"*

un
<*

vnl voi,
round,

sor
the

one are

m
-

IP
bel turn
-

p
tor
-

p p
and

^
si

ly-ing

S3
dn
-

don

ne

al

n-men-to,
turn -ing,

laugh -ing

and

ing

and laugh

nadan-zar, a ing and fly -ing


'-&*-

dan
a
-

sorzar, round, the

^m
re,

S f V

sorthe

m $V
&E

m
f

LlLt P
~wr
46^."

^^ Pi ^U
?

ine.

T e

wm
'm

s^

70

ri

don
dies

le

don
laugh

ne
ing

al

la

are

and

bel turn

tor
-

nea

men
turn

to,

svo

laz

zan
<xheel

le.

ing

and

ing,

(heir skirts

ri

don
dies
L

la

don le are_ laugh

ne
ing

al

bel
-

and turn

tor ing

nea and

men
turn

lo,
ing,

svo

laz

zan
vheel

le

their skirts

gg

f
-ri
la
-

J
le
.

don
dies

don

ne
ing

al

ar,-_ laugh

and

bel turn

tor ing

nea and

men
turn

to,
ing,

svo- laz
their skirts

zan
u'heel

le

I
f f [

juJ fi gnn i
*E5=ee
I

m
it
k

incalzando sino alla fine

^m
!;

^ a
^

i
j
I

i
f
ta

gron bout

ne
them,

t ior por
their

B
-

jjpj
-

p
dal are

mnT'
ven burn
-

plp
-

3S?
vn
-

ta ra

te

to,

por

te

dal dal
a

t'o,

si

fa

ces

ing

their skirts Tcheel

bout

them

gon

f ne

\ por

M
-

p
t
-

m w$
-

i
\

<!'
i ven
burn
-

te

dal
are

to,
ing,

por
their

if
-

f-M-i^
-

"N"

m
g

bout a f-

them, their

fa
1

res

P
por
-

P
ta

1
-

ti
te

p
ven
burn

r
-

nr
-

dal te skirtsTvheel a
ta

ven
-

to,

si

bout

them

r
-

e
dal
a

dal

to,
ing,

por
their

ta

te

ven
bout

to,

si

skirts

vheel

them

%'

e
E

,
'

i
f

iL

_g__

ft

uJt

*=-

.._

(&i 1

i
'

I
j

^f^T

5^

f
-.
'

fi\; dan
Q U

- no a dan round and a """""""

rj'i-^iJ
zar, round,
S1

"^ &
a
-

T^
zar,

r g=gg
a and u/m

/^
1

rmt

^ onda-round,
L
,

tan

dan
u a
-

sPP :
-

zar,
niiiiiu, round.

dan
u a

zar.
-

'lu-Mfu/ra,

round. rati /tu.

I
-

dan - no a dan zar, round and a round,


A
|;

J:

j;

'

1 si
a

!I. dan

no a dan
and

.'J,- I lJ'
ff
-

round

-zar, round,

dan
a

&E
-

/T\

>

dan - no a dan round and a

rrj r hi
zar.
si

dan
a
-

rorind,

dan - no a round and

-zar,

and

zar, round.

I dan
4
dan
a
-

l
zar. round.

11
!

S
r\ C\

fc

dan
a
-

zar,

round,

and

round

zar. round.

#^N w
&^_
V

s^ e
k
i l

te
V
fi

16665

The dancers and Chorus withdraw.


Vivacissimo. J
= 192

71

J.- 13s

102

(The day darkens.)


(

to

WAG.)

FAUST.

Lento.

as

P^
/V

- va co -me Observe the bet-fries

Osser

^m

*,

g
fui
-

=^=:
haw

go - reg-gian a vespro
they gleam in the sun-set

J
1

:.
le

J^

ca-pan-ne,
the dis
-

afrom

tance

Mr4#

?
Ientis

3fc

9
a a m *fe=fc i:-
s
r^

^^ i ^

* *' *

Andante mosso. J WAGNER.


1

80.

11

*j

-#-jr.C
1

"

decli-nail

gior-no.

Theitav de -cli-neth.

degli spettri;essi sen vanno frai vaE hour of spectres, when they glide amongthe \ato N&m is the h Andante mos SSO.l =80.

Y v iFf lo-ra
-.

iE

fc

Ji

-K

k-

>

1 f P P P -por del -la se-raorden-do ska- daws of ereningday-ing

*
re

fc
- ti

*=fc
' *'
-

fe
l'uom.

sot-toi pie-di del snares to trap the feet of us

men.

f
I

gg

<ftfe^ 3=*

*
46855

-e-

^
se =5=f

t-

72

j^fe

.Ldjts

B
An
-

'r
go.

r
s'im
ZJff/i
-

fe
pre
.

=g

diam;

gna
t'm
-

g
-

l'o

riz

ky#r^
1

=6

wnY

preg- nates

IT

to

^
5E
sMf

PP
= *=:

ppp

due Pedali cai canto tremola lento

JJTOJ
j
te the

3f

OWMTO
te
Ah!.

| zon
all

j
di

lyl
l

^J j

my m to^to
hor
-

neb-bia. i - zon.

Tenori.

Chorus from within.

f=

r=

trxtz a tempo

-e-

--

jj

M *F im
-u-

PPP

m
96.
J"

h-M

TT-J-O-

eT

I not-te

At fall of night all heartsturnlightly to

#j^ p

as m
a

Allegretto. J =

*#5 *-#--la

->

I
uezretlo. = 96

bru-na tor-na dol-ce

casa. home.

Bi

i^

* ^ H ^^ i ^ 1
b

<W>iJ

* I 3t*#
f>

s
g=
-

-*-#-

tr

yg=

i S

ffl 2

g a

RECIT.

^^ r>F
A
What

r che sog-'giiar-di,
are you
%'atching.

ir

\^t^
so absorbed

nelcre-pu-sco-loas nelcre-pu-sco-los
T^ith the

sor- to
fai -light,

* gg im-mo-bilstill

as

46S36

To
(The grey

FRIAR

slowly and spectrally turns towards FAUST.)

Andante. J
-*--

= 69.

FAUST.
i

ju)
Vedi SVv

m
gl

>> Ji J.

J jk

iMJw:.^
in

mente?
sta-tue?
|

quelfra-te grigio

mezzo ai campi

fo

the grey fri-ar,

a-mid the meado-ws

wm *

Andante.
I

J = 69.

--

legato

'HH
I ii
f
j

am
h

c_tf

pp

m;

j,

j)

mm
SI a
l

va-go-lan-te laggi?
Hand'ringe'er to and fro.

m
2

WAGN'ERr

'

Da lun-go trat-to,ma-e-stro, l'av-vi )a For sometime past I my -self have no -ticed


?
r

nnn;

'
sai;
him-,

M 'p^
nul-Ia
it*/

ai

Bg

V"-

SI
stranoappa
-

FSF^

FAUST.

#-t#^ 23,
rein reii esso

mm *=m

r"

-#

B==l
ni

# E
#-

noth ingstra nge therein

Aguz-zabenlo sguardo. ^guz-za ben Io Saylooka little clos-er.

Per chi tie /or trAom

quelfra-te? doyoutakehim?.

te a

Un poco meno. WAGNER.

Eunquestu

r'r
-

an

He's some poor fri-ar

r r che va al - la go-ingjwmefromhis
te

J)J

'

^-

cer- ca.
cir-ruit.

^FP
Lo

con-

Nay,but

4685

74

S
i.

?
1

A
vol-ta.
us.

M
V

r
-

F
1

I
in

ci

na
es,

len
5^c,

toal-la
j'i/.v/

f=f no-stra
front

proach-

4^

of

-^<

I r^r"
i
g
I
i

s ? g 8 er-ro,orme

B ?
di

*
makes

,o
*

F-* fu-coimpn-meal
a track

^
of

S
PS
A1V2 J =144.

Allegretto.

=144.

suol!
fire.

take not, see,

^f

xtk WAGNER
:2=fc

E
Ah!
/1A.'

3t=?
'

-f

"

Xo! fanta - si - ma queXo! 'tis but some i-dle


.

|_

!>

;
-

J'-

^
e
del

E
vel
lo,
-

st e,

quest'

tuo

cer

10

non
I

scor

p
g^o

che un fra
but a

te

/an

rv

for

see

no-thing- there

grey

Si
46S35

-:,

S
i,

FAUST.

^=^
Par va ar
It
-

^
de'

j
nets

J.

da

fi. fi

-V - P
in

lan ln
tent

r -

do

lac- ci in

seems he were

in

spreading dead-ly

tor-noa noi. round us.

S
gri
-

*
gio.
-

iT7 E
Ti
ti

lp|
mi
-

men -te
van-cing

fri

ar,

-mid

ly

da ad

va
on

per
his

F $5 F la sua
homeward

*=
via,

F=F
du
-

s
E

way.

We

two

sco are

no
un
-

m ~7
gjj
j
\

fff
I

^
f

^
-o

j.
l

F
sciu
-

a
% tan fan
'tis

ti

r 'c noi siam o'er oisiamper


he

r
es
-

'
so.

'

Ah!
r>

i ta xa

',

'-

M m
,
i

^
some
i
-

si

ma que -st', quest' m;


die

E,

SEifa
?

known

to

him and so

fears

us. Ah.'

but some

-die work,

deltuocerwork of fan-ry.

,K1

t %

Sr
r -

Mosso.
?
lb,
i -

vel

del tuo

FAI" ST.

'"B
e

!Zf:
E

'>

Ml
cer
-

g
vel.

/
si

Laspi-ra

rmnr

* .

^^
vi
is
-

cin
nih.

O !MJ
ah!

stringe.
clos-er,

Ei

ne

but some

die dreamer's

7i'ork.

The circle draws

and he

Ah!

Lentissimo. JX

30.

WAGNER.

rs

(c ai

5E
Lentissimo. A=s 3

^
71
-

senza tempo

o
*__*

PF Losser
&f

va.

=SF* ^ " unfra-te non uno


r

1fc
r

^
e

gn-gio.
fri-ar.

spettro;

Ob-serrehim.
-

'Tis but

'tis

not a spec-fre,

^3 4
/j/j

#1

-r
!

>fr

s5

cupamente religiosa

j3l

r>

5rf bz-b *
1

if

46S55

76

J.

J-

J,

J'^s^

^Hj
An-diam,

Jiia

*>:l

m 1 I
t*

<

lao - razio - ni ri -g - randoun ro-sa -rio. Just murm'ringhis prayer as he fingers his ros'-ry.

bronto

Ma

wm
f
f
(Exceunt

^m w
* J.0

Com e hence my Or

i i

V^

FAUST

and

WAGNER.)

Allegretto un

te
-estro.

poco sostenuto.

(The FRIAR

follows them.)

o
o
=K=

master.

J = 104.

Soprani. (Chorus from afar)

Se
Il

The

gio - vi hand -some young

bel

^p
J
=

2P

M
net- to
1

?
le
-

=F
vie -ne al -la

sen fel-loios have

sta

come

to

the

dan

ring

nil
poco sostenuto.
104
cai canta

Allegretto un

Scene changes.

m
fedfc

r?

n
1

i
Il

if l bru-noe
rfarA
t)/i<?

i-

la
artrf

bion-da
fair one

son
are

stret-tiin

un
a
-

vol.

77ze

jCl

fly

ing

round.

/O

m
,

r>
\

r ti,

eP

-?

SCENE: FAUST's
Tenori.

laboratory. Alcove. Night.


afar.)

* =100.

(Chorus from

almost inaudible

4G'v'5

77
'Enter FAUST. The gTcy

FRIAR

follows

him and hides

in the alcove.'

m
IF

iO

(C\

o>

iC\

,o

p
Larghetto.

^ o
^f
I

f o

1=
o-

c
O
1

FAUST

r meditating *

Da Da-

cam-pi,
fields,

dada -

orapra-

ti,

che

in

non-da

la
is

From

the

from, the

grove, Where the moonlight

not-te, flowing

che die

inin-

My

Larghetto. J

dbl

non
heart

da
is

la
still

notnot -

te,

da

que
hear

m
- ti -ti
-

\
\
ri

,Mr-^
-

sen
en
-

rH

tier

glazi-ing

With

ly

love.

Sfe^S

^
ce,

mu
r/c/
cai

^
'
!

tor

-no

^
e
di

Ov -

er

vale,

ov

er

db

or p=e=P

^
mr
-

<n<nm 0^,0,

=
P

/'

CJ

CJ

CJ

y[JJi

p
I

r-pn.'
padi

Fi

J
r
-

-ma pro
the

fon

da son
a

^p
pie -no,
-

/-

E
di

wood,

does the calm of

night Shed

myst

ic

and

sa sa

cro_
credrail.

mi
de

PP'T

46S55

79

dolce

I
(i

'

I
ster.

'

u
tor
tur
-

^a
|

*zc
-

*apip
na-ninplacldoob ora placide
fo an

Le
The

Si
T

p legata da /ce

.ss
3S
bli
-

^m Wmm
-

ve pas-sio hi ni del bu-lentthoughtsinmv

co

re

sas
Gf'rr

son

breast-

way
f

exquis-ite

i t**tfltt

Si iT= feFP gT

m
* * e

a piacere

*= ftft
o,

r h

-f-t--^ fet
I'a-mo-rediDio! and yearningfurheai

mi ier-vesoltan-to

lamo-redelluo-mo!
To love for my neighbour

rest.

My mind

is all

giv-en

$ Pggfgf m m ppg?
? ?

fe
cresc.

-&-

: *

eT

i'

"
i

i
pi,

._
i

ti

,
ri
-

3
tor-no e ver- so
turn to r'-ad
re
-

#=
IE -van
some ancient

Ah!
Ah.'

da
From

cam
^

da
and

pra

the

""""^

fields,

the

gro^je

cresc.

"+

tr T7 -gel

tf

*=* rnrf^
mi
sen-toat-trat-to,
'tis

a.

3.

mac
Fa
-

^TT
a.
Ishall

s
di
-

cin
r

go

me
med

tar.
ate.

i'olume,and

the

ho

ly

thers

it -

alciss.

46>5

>

#
79

(He opens

volume placed on
.

a high lectern. His meditation

is

broken by the FRIAR's shriek as he

is-

sues from the alcove.)

Assai sostenuto. J

= 72.

:rxs
iV'(l

FAUST.

6
chi

i
ur
r//
-

*
il

J)

J
io?

O-l!

la?
-

fra-te!

Ho -lu.
Assai sostenuto.
* = 72

fT^oi

/?"-;'

The fri -ar.'

che vegx What do I

see?

^m j^jt ^^^^ ^ yg^w


3
4

laEjj^ *?

'

? s*

I P P

Di-vi- der la mia eel la io taccon-sen-fo, To share my cell * Uh thee free-lv I consent good
-

, .

c;

-tUb
' >4 : '

f ; f

'^

*
fra-te.
jri-ar.

k * "
se

k h y -#-

tu nonmujETgn.
so.

but do not cry

marcahssima

m
tf

=^=^
e che!
p. 111

y y mi guarda e non gnardae


iff"

But That?

la looks a/id makes no

5fr

jf-r

niot-to.

mo -lion.

*= ^#
afafe gE

si

: * *-^* 1 ^
> -

-*

te

;*

m
-

? 9 9 t / y cheorn-bi-le fan
MTiat
is

K 0'

<

0'

g
-

tasma
shape

tra

this

dread-ful

P g F P sci-nai die-tro di me? thus er-er here at mv side?

*=^ P

0'.
'

4G6c

80

to

J;v/.J | J
Furia,

,,J
|

fip^-p
"in

mmm
Devil

demonio o ordemonor

spettro, sarai mio!

sul-latua

razzaonnipo-tenteilsegmodi Sa

lo

spectre, thou art mine.Thy race un -clean succumbs to the omni -potent sign of

^
T5

"

gg
(The

,.J

w
off his disguise

W
appears
in

FRIAR

throws

and

MEPHISTOPHELES

the garb of a knight with a black

nis arm.) cloak clo^k on his arm

<f

Scherzo. *
NfEPH.

= 120.

fr/

fe^

BI
-

g
no!
bub!

^L

A X
<
r

fi'

as
-

FAUST.
g
V
?

& m M gin
Scherzo. J

Che bacca What a hub

Mes-ser,
troorf szr,

mi
(7/

co-mnn-da
your de
-

te.

Que-stoe -ra
Then here
ire

'l^fc

s
AA
F
4t

sire

f=IRF

m
,0
i
ti

= 120.

=M
rpausa)

AAA jr

a placers

S*

iM>

I Jjp
dunque
have
il

mu^t
nocciuol del fra-te?

J>J^
A

T^ffi
fa

k
*
;

S il

p
is

un ca-va -lier! mi
che-va- Her! 'Tis

the ker- nel

of the Friar.

ri-der la fa - ce-zia. in-deed a sood-lv jest.

Co-me

What

your

46855

r
SI

Meno

mosso. J

= 92.

I
MEPH.

JM
i

chiami? nGwsift

cn^j.

iv

La

M" k frr
is
,

P
re

do-manda

*= JJg^ P=* ^*
-

i-nezia pue-ri

leper

tal

che gliargo

men-ti
ceive

sdeg"nadel
yon-ly
>the

Meno

Mofl ab- surd mosso. J = 92.


i!

your

quest for one icho would re

j.W

f^
*

^'p^'

>-:.

r~piMs

Bi LF
BB
^lH>
P

fpni
P

ppi
?ft=5FF
-?-j-

:;;

Verboecre-de so -lo agli Enti.


fact nor in the icord be
-

M
7
*

rir'W.hSF^
lieve.

; ?
il

ht
g

Tr-

"

^^

In voi messe-ri,

nome
may be

Nayfnit inyou

sir.

it

ha tal vir - tu yournamehas poTz'r

/Tv

giP^E 5
?
*

-f

-=s
:p=
b

f 3m
l'Essenza. 1 Essenza.
-

rt>

^
Oi
b t

^m
^
iggg

SE
:C3z

jggi a
chi sei
at least

che
to

- ve - la ri -ve -la

Dimmi

su,

ni

reveal the es

sence.

&F? ^

$
r

B
=t

Tell

me

then

what

Mb

^ff teaaa

*,

a g M<'^'- ^ ^f|

Largo. J = MEPH.

38.

dunque? nque.
J

are you?

|/'m

*ur

?j=fe)

^^

Cs

14

Z /

7 7

Largo. PPP IE

J =

3s.

^Wf

^p^
di quel-la quel-fa

par -te vi-vente 'o/i<? liv-ing fart


h

for-za che perpe-tuamente perpe-tuamente'

pe pensa il
thinketh
,

Ma-lee fa
e'il,
'-

il

Bene.
5.,

of that great

poser that
!..

to all

e -ternity

worketh good

fc

mm
J
* j
4685:

if
=a=*

te

f=*=Efr

i t.

t>

r^r

?=^

a^

82

^m r
ggg

FAUST.
3BP

u>

che dir

p vuo-le
'F

^ppr
co-desto
this

'p
i

11 *
p

i | jp pp

S p
le?

& 5
I IS
o>

gio-co
subtle

di stra-ne

paro-

Aadichat then mean-eth

play of

language?

^p
Allegro focoso.
J-

h*

=138

Un poco pi
MEPH.

trattenuto.

J=ss
2jc
fi
i

<W

ir

Son_
I'm

^
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lo

? rf
Spi
-

i
-

9+
som Ev

0-

tut
ali

ri -

to

che
de
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ne
ni

ga
eth

fT
-

2
-

=b=
to
;

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-,

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Fa
star
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p EC
stro,il

pre,
er

the

spi

rit

vho
59

the

the

Un poco pi trattenuto.

J. =

Hg
gg

i
/?p

E
assai legata e cresc.

Sr

==

tas
sforzate

3E

T?

f.

fior.

Il

flx-

This

mio my

ghi-gnoela irhi-erioela
7ihim
that nev

.mia mia
-

be
di

p-a ga eth

tur

-ban
the

glio-zial Cre rlio-zial


rest

a
on

er

Mars

of

heav'n

k W kb^^ri

*pc

sferzate

^M

T*
468--.

S3

Allegro sostenuto. JXuas.

j^up ,7>rl
-tor.
high.

f
as

'Q
Nul
is
-

f
la e

Vo

glioil
-

del

g
Cre
<fr

i
-

I'^p
a -to
sire,

g*
i

E
la

g'T
i-nau-ni-veris

ru
-

my

<?/z^__

Ru

in

my

dai-ly

Wl>

k
|

gg

i
ra//. mj//ff /7F >a/7/f

-#-*-

i
ffi

Allegro sostenuto. TE
1
7

#)=128.

^
s

low^^iiJ.

=&=

UH'U
1

gg

g B
-sal, al,
breath,

i i

r
la fa

B
ru
-

B
-

i
sai.

'I
-

E
sfe

?
ra

1
;

5
mia,
hope,

mB
a-tmo and my

Ru

in

i-nau-ni-ver 5 my dai - ly 8

breath,

La-tmo And my

hope,

and my

~l
y

m= (I

^m
^sg

TV jj

-#*-

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<"W

7
f

ti

*^E

ee3e

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r

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g P mia vi hope and living F


sfe- ra
-i

===

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1
-

i
tal,

f"
fefc

ft-A* H
sfe-ra
hope and

=F

tal,

fire,
,

a-tmo- sfe - ra mia vi and my hope and liv-ing

fire,

a-tmo and my

mia

^
vi

liv-ing

. <:

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t i

sag

n-r

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gfc

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E

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fire,

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ci chex chia
7- ni
-

js
Y
tvr
g-

jt_M
ma
sal
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si,

:a

f-

-f

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ciche
u
-

^ ==?
pec
-ni

s
,

Si
-

^-

^ ^=
che
it

chia
-

-ma

-si
u

ca
ver

to, ci

rack.

ni

ver -sal,

-sal,

ni

46S55

84
rail.

J^T>^.
chiama -si pec
-ver-sctl,
-

J
ti e

ca

to, ci

che
-

chia-ma-si pec
ver -sal, u
-

ca
ver
-

to,

Mor/
rack

ni

ver -sal, u -ni

ni

sal

and

Pi mosso con fuoco. JXias.

wh

r,rp' fiTT
Ri
laugh and
I
this

-*-:

r^
lit -tie

2=2
la

F
-

5
ba:
fly.

Mal!
death.

doe av - ven-to questa

si] -

a No.,,

word

lei

"No!"

ripigliando con farza

mm
1

f-g^ft
Strug
Squeak
-

Si
go,
ing,

^
P

r/

s
p
bi
-

g
to,

E
si still

ten

rug-go,

lo:

(i

No..,

p
Mor Mot
Ri

#^?

3=

do.in
-

I**
E

ff a tempo
k+*-

Wh ^^

stniggiing,shrieking

cry.

"No!"

ting

\JUt

mm
-

T*

&
H
D E
bi
-

htfv*
?

rail.

fa
J)

tempo

4-sr

ps

vi

schio,
ing,

strug-go, ten

to,

rug-go,

si

lo,

ti

schio!

ijSneak

struggling shrieking, squeaking

Estill

cry

with

hiss,

4I5S

85
(

whistles violently

<rm

jl

ti p

V
t?
-

' I i

\4
fi

p P
-

1
schio!
hiss,

p V
fi -

\)

V
schio!
hiss,

fi

schio!

schio!
hiss,

fi -

Eh!
Eh!

oitk

hiss,

"with

with a

vritk

with his fingers between his

lips.)

Ugl
ggg

J
tut

M
to:Oscu
thing can.

I
ri
-

S
t.

Son
Pvw'r

W
fi

=POC
-

-f-f:^-

=P
giiuol.

del -la.

"^

mm r
secche

di

srern

of

dark

ne ss and.

ne-

SEE

g
iSii

^^ j
40H5

5BE
-#J

a fH ,j 'V
:


8t

Allegro sostenuto.

nvr.
lu

ppr
ceu-sur
ft?

fpnii'
paeaf
ty
-

fer- ra

;;
il

mio

scet-troa
seep -tre

Q
E

p
ri

f
-bel
en
-

lion,

M^
il

migA

pffW-er Rise
g_

my

to

thrall,

rise

mio my

Ah'egro

sostenuto.

8-

iHS

m=i w r

?
pesante e
sta.ee.

*
i

mf
gS
1

F'P
scep-tre

scettroa ri-bel
to en 8-

EP'P; p
-

hon,

po-coan-dra,

Mr

T'i

Mg
dra,

*
i

l'

B
la

=F=
sua ten-

po-coan

po-coan-dra

thrall

Nought can change, nought can change, nought can change that dread-ed

S |^P
fc^
i
i

STI

at

mst

g ea
p

Sr:

s
F F 1
la

^ggg

i j p I zon, po-coan-dr

P F
la

sua ten - zon, hour, nought can change that dreaded hour,

sua ten nought can change that dreaded

1 1 po-coan-dra
p
1

F
z on,
hour,

p ve

l)

sul

nought can

4683

87

^,> Egg
Sol,

_ft

OA
fi-

*-

to

ML*_
g
and
1

iti

g
sul

jj
Sol,

|
v'

I
-

jg
-

|
e

g
death

1
-

?
sul

v'

change that dread hour

sul ni

Sole

sul --la

ver -sal

Ter-ra, v' ru-in, it

So-le e
-

sul -la

ni

ver -sal death and

rail.

SS w

E
sul
-

?
la

^=F
Ter
ru
-

4
Di
ov

Ter-ra, v' sul ru - in, u - ni

So-lee

ra:

"^X

ver- sal death and

-in

Pili

mosso con fuoco.

)= 13s.

A
g
fl
l

*.

^JFE
-zion!
all!

Ri
I

doe

av

I ven-to que -sta


I
this
lit
-

Hi
tie

fe

fi-

p
-

sii

la
let

ba=

laugh and

vord

Pili

mosso con fuoco.

)=i3s.

'Viri

&W

f>
:g

-Stru?

=?

n
-go

?
e

ji i
ten
-

i
si
-

d
bi
-

"Nor
"Art/-'

to,

rug-goe
shriek - ing

lo:

4A__

squeak- ing,

si niggling,

Still

cry,

mi

p
40s.-n


88
ripigliando con forza

-v

Jr

No?

Mor
Bi
-

do.in
ting,

vi

schio,
ing,

sp?ah

struggo, ten -to, rug'-go, sfmgglingshrirkingsqueaking,

si
.

bi

-lo,
cry

Still

fi -

srhio!
hiss!

fi

schio!
hiss!

fi

schio!
hiss!

fi -

schio!

With a

with a

with a

with a hiss!

fi -schio! with a hiss!

kit

fWhistles violently as before.)

FOCOSO

40865

N9

fe & f
Caos.
rhaos.

am

MEPH.
>

-You,

f
p
tu,
if

se

m
bra -mi
Kish
to

#
?
farbe

*>'

'

p
ti

p mio
com
-

I
di

so -ci,

you

my

pa-nion, speak

buon gra-doacthe Tcord and

P
mg
<rw
-

mmm V f
o

I p

U 'so

Moderato.

LA
up

cet-tofin da que-st o-ra $o be it from this hour,

; p 1 1 : p e tuocompar mi chiamo, o, se ti pia - ce, tuo schiavo, tuo And, as you please, you may rail mefriend,oryimrslave,or your Moderato.

fl^


ggg

^Efc
j

r~fc^
EEEEE

jj

FAUST.

11
E
qua-li

fc*
g
F

#-

And

pat-ti in ri-cambioa-dempier in exchange,~J:hatcon-di -tions must I

de^-gio? giieyou?

^Pf
No,
r
l

J-t

m^A^
ser-vo. sen ant

A o, Mc en

5g
V

1
tempo a
ci.

There's

time for that.

W
C/7/

T3n/Z7

j2s_

^^
L,
,

j
pat
di
-

I
ti

1
e

e
par
speak
-

p
la

?
chia
-

M
ro.
ly.
-

Largo. :. MEPH.

^i

'

^
fo

-
V.

#-

tions,

and

pre

rise

Largo. J = 4S.
1*

Jl

qui mi bind my

^r,
4JS65

53

90
can forza

le-go le-eo
-

self

ser -vi a tuoi ser- vi -gie sen-za tresrua ac -ror-io trearua ceasing in ev'- ry nay to serve yowsifh- out

al-le tue voeiie,- m&lflSTfmin voglie; mnl(lggill(m'm

inallyoumish-es; But be-l ow (tinder.

^^
legatissima e

m
pp
re/ canta

*wil
^>"ff
l

i
FAUST.
ji

^^ B^
1

,-L

^
} }
?
J
[

=z

kk g-""pp
I
*t

-ten-di?)la veshallchanzeourfiarts. -stand me)

p ve -ce mu-te-r.

ag

?=?=?
Per
l'

=MET
vi
-

rW 5
iZ2=

al -tra
-

ta

The o

ther life

non mi tur-ba pensier. nev-er troubles my thought.

mm

s
si
Moderato
D
OT7

=rz;

221

2E

^^
fe eg

cantabile. = 56.
espressione

xrz

Se
//

tu
.yew

mi
can

do
grant

ni

u
but

me

^r

Moderato
!

cantabile. r66.

30

>p,^

>
p can espressione

bft

PP.

legatissimo

mm
no
-

\
ra
brief

p'fy
-

ti

di
bles
-

ri

p
hour

so

In

cui s'ac-que
to

l'ai

ma.
ing.

Se
If

one

sed

7chere-in

calm

my yearn

4i 555
,

01

e^=a li

to
sve
you
li

^m
al

mio
re
-

bu
Tea!

-jo
to

pansier

me

stesso e

il -

mon
a
-

do.
tion
.

can

me

my own heart and ere

EP p*
ran emozione crescente

H *

3=
CH'IO

Wl
DI

3E=
CA
OXCE.

di

*-

Se AV
IF

VIEN
I

CAX

SAY

AL OXCE
B-

LAT-TI -MO
TO THE FLY

FUG
ISO

vrbratissima

+z/

*y +zy ytzy
con molta passione

+-S *

-+z^y +^y

+sls +zy

g^T'^yp.ppi
MUOIA

e irfinghiottal'a - verno. PERISH, and the pit mayen-giilphme.

B
2

fet

gg

MEPH.

T=^F

Yeng-ailcontrat -to. filiere isthe con - tract? u(They take hands' 1T7h-

37

Sta ben!
ttfThatsTell

Top,

p gifat-to. gifat-to

r^.' 'Tisconclud-ed

46SBB

=3

=H

2
Allegretto. *=126.

Ff I^Ff^ da

f^F?
ft
-

^ 5
-

E
te

Fin sta not Nought can ga insay

te,

fin

da

sta not

nel-1'orgie ghiot-te
Just like

PFR ^^
a stare Fromthis re
1

delmiomes-

him

must

bey

him,

ry

Allegretto. 0=126.
t

>

frr?
j

HE

I
A
;

FT
-

r; p

? j

saltellante e briosa e

gg
f^
-sor
night

-*
:

'-/

2EE =

T* i 4 de
1

^-tr
a

f-^

1-

0 Ise

0-

^m
./

5^e

di camerier,
just like a slave.

da rammer.

^^ m S
-#
#~

da came- rie -re

lo

ser-vi
-

71/5^ //Ar

a slareFromthisre

ry

gc

m
i*

>

**^*
z:

_^--

I
ir

i -r

r^^r^ ^
ICE
-

*EEE

fcS

**

j
%

%*??

| > <

0000 =*
F
E

B 7

v
0-

* =3C -r

g
-

*;

> < / k" da sta not Fin Nought ran gain -say

?
-

i
sta

T
not
-

fi

7 EEEEE
-

te,

fin I

da
must

him,

bey

te him,

T=5=

'

t *

i
3*
i

p? T^e
?

:*Iti?

*=
33 =

^
agi
nel-1' org"ie

EE

E*EE

^
1

EE

^
a

Et

?g Plf

* HH
da camerier,
just like astore,

1?

c^fp?
astore.

Just tike

slar-e

ghiotte del mio mes-ser From this re - ry night,

da camerier,
just like

46S5S

93
FAUST.

#
s
"P

Fin

da

sta not

te

P P P
-

P^
-

^
r.

Notigli t can

ga insay

me

da ca-me-ric-r
/ must o

lo ser -vi

Fin
.

P^^=S
da sta not ran gain say
-

te

bey him From this re

ry

night

No tight

sp

**
t e
1

^m
g
g
|
j

ps

a ?

ai ^^

J'

p
J^

Ei

4 B 55S
fe

#=

,i.

s
-*

iUii"H

h im

(kWp^
nel-l'orgie ghiotte, He must o- bey me

nel-I'or-^ieghiot-te del Just like a slare From this

p p suomes-ser,
re
-

B|

p r

da camerier,

ry night,

gg

nel-l'onjieghiotte, l must o -bey him

pp ^1

111
-

1
mes- ser,
ry night,

ss
a
-&-1-

Pi-

i^
a slare,

Just like

nel-l'or-gie ghiotte del mio a slare From thif re

da camerier,

jW like
*
t

w* m muru
Bsa
1

i l ^

N^r

3 l

J^g Ts-

tnopc Dt

**

$a

ii

1^

--

f'F^'r FP. da camerier,


just like a slare.

Jl
i
l

& n ? 7 da ca-me-rie-re ca-me

P''f'
lo ser-vi
-

r
i

iJ'J-J^

-r.
n igh t
.

Fin da sta not -te

i/c mi/5/ o - bey From ih is re

ry

Noughtcangainsay me,

SJlJB

f da camerier,

s e

ft

P da

p p

fr
-

>

^Ff^
Fin da sta Nought cangain-

itstlike a slare.

ca-me-rie-re lo ser-vi / must o -bey From this re - rv

r.

night..

Jf'.S

94

j j j
He must
o
-

m
bey

i
nel
- 1'

i i

3E=JE
-

5 F=P?=7
del

?
.

nel-1'or-gie ghiot-te,

or-gie ghiot

te

suo mes-se
o
-

re

me,

Nought can gainsay

me.

He must

bey

me.

Spa
not
-say
-

}lQ
-

$
-1'

jgg
o
-

j
-

?
-

j
re

|
o
-

te

nel

or-gie ghiot

te

del
,

mio mes

him

I must

bey

A/m

Xought can gain

se say

da ca-me,

him

I must

jn
33

f
4i-f

=f=fr

4
?

db
f

ff

*>

=f=7

^
-

B 5S3EE
/S
a tEmpa

P^
eg
ah!
'

a da
Just

a s
r

^
ser
-

?
vi
-

P
r.

p
-

i?

n
ser -vi
to

ca
like

me -rie
a slave

re

lo
this

da
/fc

ca

me-rier
o
-

lo

From
Jl

ve

ry night.

Ah!

mwr

bey

me From

a tempo

as
-rie
-

JL
g
-

ft
3E
r.

g
re
lo
this

g
ve
-

fee
da
I

ser -vi
ry

ah!

ca- me-rier
must
o
-

^^ ^
lo

ser -vi

bey

him

night.

Ah!

bey him From

to

r=r

rail.

w$ M
S^ *fc
-$+

^=r
am
forza

balzando

a tempo

^S

^m
lo

* j t

>
-

-ra,

M
ser -vi ve- ry

^
-

-n
ry
-

^^
ra,

r,

lo
this

ser

lo
this

ser-vi

/?/^/,

This

night,

ve

night,

ve

ry

si
-ro.
night.

S
lo

m,

m
'
-

*
e
-

^
-'
-

g
r.

m ^
ve
:
-

H E
ry

ser-vi

r.

lo
this

ser-vi
ry

lo
this

ser-vi-

This

ve -ry

night,

night.

,.!^

46S55

95

fp
SI

g
lo
this

I
re
-

'i

i
-

SE
.

&
33E

2E

-ra,

spr -vi
ry

r
night

night,

EPE
lo

-ro,

ser-vi
tip
-

r.

night.

ttw

ry

/?/Af.

RECIT.

affrettatamente

Hr'
i^
-

;;
>

^
0/HY\

g*g
let

plFp
noi,
be,
it

^^
con lentezza

E quando

s'in-co -min-eia?
7/7?

Or-ben. presto, a
At once

And ichen shall cr

doveandiam? Tell me nhere?

ffi
RECIT.

3=

Tosto.
.-1/

m
Cff/

ppp
Do-ve t'a? Whir -e'er it

ETzEt

I =E
ran?j

@*E

s frr
123

__!

--

uz:

^9^r

rapido

( I S
-

^p
=fc
j

p Comes'e-sce And hoz? shall

t 'M^y
di
7?e
-

;
i

ipi
i

3^

qua?dove

go?\S~here are the hors-es

ca-val-li, le carrozze, staffier? or the roach or the grooms!"

3FT?

-grada.
please thee.

46S5

96

#=42.

Larvo, vigorosamente *< * MEPH.

^
-

j,
1

JJ-.

M.

i i
Pur
,

Largo.

I've -4

ch'io but = 42.


d

di ai

f
-

Men sten

fi

to

stretch

forth

? p da que mv cloak

I
sto
in

p
this

r
i

man-

tei

wise.

u-

'jfciip
p

noi_ viagge - r
^T/5_
fty ///>>

pH
-

life tra-rel.

mo

sul-l'a-ria.

air

it -self 7ve shall

=.

=*>

-..

^*

*$*

*$*

**

t7

ACT

II

FAUST: Who would dare

affirm the saying:

a
I

bdieve'

(GOETHE: Marthas

Garden.)

THE GARDEN.
SCENE: A
rustie

Garden.

FAUST

under the name of

HENRY, MARGUERITE, MEPHISTOPHELES,

MARTHA.

They pass

in couples.

Moderato.

J = 76

Piano.

leggerissimo

P^pM|
jg

^ -7^yl* B

NjJ

33F

s.

^P r^-r
MI
f
r
s

^P =
?

0t00*

l '

m
##1

t^t?^ J*g^ S If-gggj^g f U"


i
I I

0-m.M.M.

Ul
i

pp sempre

stacc

Ig

^S I

Pi

^^

grOEg -

g az * - < *

'

^^

tlfiil

nmaf
46S55

98

Un poco pi moderato.

MARG

(With giaco

fa

an<i

-LIE-ROil

wmm
i
-

an almost childish simplicity.)

5^ 7=
-

UER,

so

lu-stree great and

sag-gio,
learn
ed,

co Let

me
me

p mai
hear

ip
vi

p'

^
-

pub

p
tar
say

p
la

jp
fan

al

let

you once

more

Why you

z te

t:

a*

g p -ciul-la del vii- lag -gio col lore a vii -lage maid-en _1\lth

,m

iJ^ jri

p suo
her

j.,,ji

par

um
-

ru-sti-co

lar?

sim -pie conn -try

ay-(\Trth
,

FAUST.

tenderness and warmth.)

3Bt
DtI
-le

5
lips

like

labbra impor-po-

From your

crimson

IiBYtmente sospesa
r7\

'M
Ah!
^4A.'

P non
nay,

ba

cease

lei g

S=
ras

^^
spandi ac

(kissing- her hand.)

P
voice

"F
is

P
so
too
-

ra -te
-

cen -to

vru
di

J
'

^^ ES
Par
-

man.
vine.

la,

p^r-la.
et
-

es

Ah!

that

Speak for

er.

4 6 Son

99
(With resolution.

-eia -te
kiss
-

m W pp * i^
ing
this

J>

J'

I
no,
no.
no,

^^
rail.

(The? pass

m
S

on.)

que-sta poor

ru

vi

nis

tir

da mia hand of

man,

no,
no,

ca -va
ca
-

her.
Her.

mine. No,

va

$3=m
ben legato

m ?^f
rn

i I ben
'

f^
cai canta
rail.

9i
g|

*
I

Allegretto moderato. )=\S2. MEPH.(to MARTHA.)

p s
l

p i i
-

P
bi
-

i i
le

i
cor

* 1%* * E-is *
rer gio
/n>
o/!c'
-

Meno.
'

p
-

p
in

al nu Sta in n the young ^a)' .. Nay fy e k y unS Allegretto moderato. )=32. ft

-con -do,
cen
sures

traccia

m ^

and fair

There s

The hap-py

mm

^m m pg
ruvida e staccaiiss.

Meno.

=IE3

-MS
*
~
.

S^
^eee
(lau^hiae

^hH-
r
MARTHA.

f?g;

^H~

-*#-

# ->r-r

I r

Ji

-*

0ah!
a/.'

Ah
35
=F
-

&^&
d'i

la-ri ven-tu-re.il
of

^
ad

-4A

*
P
p

FT"'
d'i

pT~?
mon
-

mon
-

quest

a-mor-ous

-do, in trac-eia ven-tures,The hap-py

quest of

-la-ri ven-ru-re,il a-mor-ous ad

vn

A
^-ttnr^ i
ah ah!
ah ah!
xtr

(With affectation.)

:<&f~r

^
do.
tv res.

Come prna.

E
Ma

^^
quando
lu
-

"u
zeva

bre rv vare
-

tem

^
-

p ver

do-^nhis

Gwi* prima.
-^

*3E

3^
*M

-j-

_~~v .

ni

*=+
p

ruvida e siaccatiss

4=4r

*?*/

''I '
[

X
!>

-L_b!:

*=b fe E ' 'f g


j

4855

100

mm
fa,

*
1
-nel
let
'

^ p
die

let a

=B

ietjfP
fr

vecchio

ve-do-vo
Up -on tqc

-to mor

r,
bed,

h?ad

Go

him

wid-ond

vecchio nel go let him

p
ve
dir

-do

f"p | vo
-

let -to

mor-

up- on

TL'id-OTa'd

esggg

=
fj/
ra/7/ff

r-

*
ra//.

mm pr m
p
>

fj/

rar7^r

re/ ranto

B
|
Pur
1
.

Pj^
i
ve
just
-

*
trop
feel
-

3C=
tre those
-

-r.
bed.

pole
for

m
pi
-

do

do quel
on
the S-r
t2_i

Miw
-

To

ra.
it.

Who stand
p'+Y

brink of

S
gfetr:

-V^r

,-lrr"

^Z g "

k
5

m
l.

iEE

^
MARTHA. dt
Ba
Bah!
-

as 5a m
3f

5S
*:
=

:
J

m-

^
-##

*-

i:
r"

=b=t
tempo an
cause to
-

=b=fc
co
think
-

ie!

pen

sa
Sir,

te

ci,

ra.
it.

e'

tempo an
cause to

dear-est

You hare

no

of

no

Sii
Ah!
Ah!
si!

TrhZ=

ah!
aA.'

ahi
yes!
aA.'

yes!

2=

3E

g i =*=*=

a
i

< -#

* #-

r-T

T*T*
te^*
#
.

*
Snrs^

*
t.
*

'

==

3C5
'

T^
P
I

.t'l'

,fc

g
-cor.
fA/flfc

F
(7,

P'
cor,

?
fo

?
/Am

c'
of

tempo an
no

c' tern

o an
of

^s
a n
,

77 frw/>0 di

prima.

cor.
fAflf.

raHSc

(FAUST and MARG.re-enter.)


a

b>

AL ST.

a
per
for

Mi
(MEPH. and

!?r=F

nr
do
all

m
na

l'ar

MARTHA exeunt.)

But

that

di pen

s=^ \?$ri

a
las!

^E
Il

me!

tempo di prima.
B -B
7 *

gggI
4GS.-1

S^
t.i
,

cri

101

m 3E
*

it

py'ii
at
Irrisi

P'

ib
sfug" sfuir

;pp

"p

-mento

al che dal

lab -bromi labbro mi


I

& ^ f^

j
I

ar - dour Say

am

for

e g quan-doil givi When I

p ma -eri - co por -ten - to de tuo -g -co -to del sali) you first be an fore me Like
-

p\i

teg MV|>7

SI
i^f
>

z=rd

gj

Bg

a
j)
i

*^
; j j len -te,
fui

^3
rail.

:
i

MARO.
Ji

j)

Fui
/

do was
"
1

tur

p ? p ba-ta, du-bi
hap- py, And
I

p
tai
felt

^
a

nel

mio pen
sud-den

troubled and

un

Ju %
vi
-

J)

''
I

J
n. heavn.

>

so

m'ap -pa

an -gel fresh from

&

'^

m
b
'

^
7^7
-K-

i*

^
leaata e delicatiss.
rall.

SiSEEE

*-

p^
1

? ? sier che fan


fear You

eg

-'

ar*

a-r-

3;
-

?
ciul
-

la

sco-stu

ma

mis

took

me for some

- tn mi ere o-iher. Some great

de
la

ste,

ca

ya

lier.
lier.

Pian-si

dy,

ca -va

And

t:t m
a

w^* ^eee

m
|

tempo

T
a g ?=F

=c

^
7
*

^
cresc.

cot eleganza

V.

3*
3fc 4t
nel

fl

>

to,

mol-

g pian
?
-si

mol

to,

ma

ri

ma-se-mi
poor heart
like

3E cor

rail,

moltissima

sem-pre
1

fi-soil

vo-stro

wept, and flut -ter,

MARTHA.

flut -ter Went (laughing.)

my

doveWhrn

conjured bark your

1
ah!
ah!

Ah
MEPH. (laughing.)
Ah

Wf^
Ah
Ah

?
I

ah!

ah!

M
0>l

iab
ff
i

*w

*3=

=f^=
40S55

^
ra//.

5E3E
re/ ranfo

=7=F


icia

3=

mgc

Come primo. (MARG. and FAUST

pass on.)

-Vk-

vol -to.
features.

m S
CJ

^^
k
Se
-

:n*

-*-rte
-

-ysor.

gni,

se-gui,
ev
-

mi

Speak for

er,

lore,

my

tow

1 1

v
an
in

j
ti

EBE
cfais
-

j
si
7
-

Da

un

mo
/?/;

IW

pro

fri

Come prima.

fe
ef

n
Cff/

?'i!^t*
3r7

f=F
*
!

W=^w
gTjSCB

^r "

1 *
MARTHA. en

i*

r^F *
: i

F S=
:=

Meno.

melt 3 rallent.

mE

I
det

w
-

1 1
-

2 th*

tos'im
a
be

no-TC

p pa -ra, che moglie Uev- erThat ei<-ry

r 7
sacr-?ia
iL'nni-an
1

7*

is

e
a

j
de

m 7 7 771 ^'
0r-

m a m
p

ep
,

co -sa
-

ra

ra,

ceiv -er, that ev-ry

che moglie sa^Tjia cosa Troman is a de-

B
^^

jj

Meno.

TT 1 H
*. *.

**-

r
b-r

*<

al

canta

1'

=*=*=

x
Dav
ver?

S
Davtruth,

E I
in

ver!

ne in

trap
nei)
-

p
er

la
yet

ca -de-steanfall'n

have you

the

m
i

-*

ra.
-

e?
de
-

"B^Sra
ceiv
-

t^r
Ra
ceiv
-

ra
er.

dav
7/7

ver.
truth.

er,

m
41N00

103

I ma
net.

2E
b

mg

fi
so,

Piypp
ere
-

Non

de -te -lo, che


not

^^
sia

N mai d'un
Say,/iair you

l'a

mor.

In truth,! ir

no-tion

of love

yt.

ii ^=s
Iffi
rk

m
cai canto

a km/ra

igE t3

IgiS W-ffil 5 WV

S
^=fe 5EE
'?

&r nr

s ~Tp

^= ? 9*
n
the

|
de

pai -pi -to.

nev-erfelt

mai d'un
eet

s^fno,
sire,?

Sa>'> haTe
,

^ j mai
i
i-

9-1-

^7^
ds

=fc

-gg

d Un
>'

'

ou

pai nev

pi er

to,

n mai d'un
the szseet

felt

de

%t

ne =

SS

^S

te + W te * 9> mi -9 ab
*
:

-fef

'

J M m
;

=fe
i

&

sogno v'ar-se bi sire Of mutual

so -gno

T=T
-

fa

sci

-na

Icrving-ii'ith your

heart on

tor? freP^LEFii.

Non

so,

In truth,

ere Ire

de -te
not

-lo,

non

so,

ere
love

no-tion

of

7*

3*

-2JS

^fEfj

7
''

Ah

w
r

r
-de
j)W,
-

f
-

(i

p
so,

''

il

P
te
-

>'

1
che sia
-

I
l'a
love
-

te

lo,

non
a

Ire not

ere no-tion,

de
no/

lo,

mor.
yet,

non
no

so,

ere
-

no

tion

of

no

tion

te*

m
*m
4tS5

^B

-4-

r
104

H
ah

I
-

j
non
no

g
so,

;
ere
-

de
of

te

lo.

de

te

lo.

non
In

so,

loie yet,

no

tion

o/__ love yet.

truth,

ere lie

de
not

te

lo,

che sia
of

l'

no -tion

love

7T

s
*rr
!>5

^
^g
-mor.
yet.

i
ra//. cai

m
(they pass on.j

^s
.

canta

fi 3E
=i
4,
j.)

^ w^
=F
S
1

W! ^rv^
1

j>^g*r
rail.

m
s ^

rtfrlr

K 3z

18

rv^r
with FAUST.)

fcgB

; *

f***ft

Un poco meno
(MARG. returns
(With

del Preludio. *=.&.

trrpat simplicity.)

!"*

'
,

En-

p
-

Dim
Do Un poco meno

mi

se credi,

^S
legatiss.

i te

N
^3=ffc

^^

you be-lieve in del Preludio. J=69.


S

;-.

'si

v
P
-

p e
33C

legatiss.

i^E

MM ip s
-ri
-

co, nel -la


ry,

k P re -li
quite sin

gio-ne
cere
-

heaien, dear Hen

ly?
rfc:

=3*

FAUST.

*m
T=
K

Non

r
vo'

?
f
-

8
I

'

?
so

tur-bar le / "would not vex the

di

del

le

co -scienze

conscience

Of

one

Ime

3^
(

jjjgill
4'3S55

"

p
-

ir
fice,

buone.
dear-ly.

D'altro par Let this siif

Ham; da -rei

105

P a
-

per chi

sweet maid }Vith

mo, fan -ciul-la, sangue evi my heart and my soul I love, I love

MARG. q mah

(reproachfully.)

Non

,*-\*%

l-fi o+i ba-sta.

Nay,

nay,

( /\ar Cre-der to ho

*'
r\i bi

'
-11

c*"i / n so-gna
--

ly

matters,

1' *ii il l e a nul-la +11 cre-dj. En tu r>ra I mast be to first


*-J

*'

*'

i m
-ta-.

you.
k

M
r*
-ri

fe

SE|
i

can semplicit

S
nr
1

Hi

^
i

*~
-co.
-0

teneramente

fe

Eg

0-

5 ==?

^ ^gg*

fe
MIMI!
;

'
TT "hat

:*=b s=r
*

0.

A - scol-ta, vez -zo - so an-giol fe - del. Then hear me;surh a saint I can't de-ceive.

Chi o-se-rebbeafierman Tvoulddareaf-

l,UvW P^g r
fe I JU)j)
ma
/;>m
-re tal
7"^/"

TT*

3 **iLiu
;

11*11

I-

/j
I

crescj

j)<

-iJ)

jiir
IN Dio! BE -LIEVE.

detto:
say-ing

CREDO
'

Le
All

p pa
the

r
ro
-

i
le

dei san -ti


the pro-phets

priests

and

r= son Are

igs<5

108

5
p

beffe al ver ch'io chie -do, e qual uo -moo - se-reb -be re -reive not. Yet who would dare af - firm trif-les I

S ? p

r
i

P'

tan-to On-ly

J 1 da din non ere


this:

l
-

do?
not.

be-lieve

Andante sostenuto. W=50.

Col

So

g i =3= * mail tuocordunpal -pi-to yield to that e - mo tion As

33E ite*

I
1

**

P^
i

3E
e

===
ve - ro heav - e

^M= I
d'amor
a -bove,
*^r~

nef-fa

bi -le

^f
And

fair

asheav'n.as fair as

Andante

sostenuto. J = 50.

F^

S
-5
1-

=^=F
*

?^ ii 33=

p_2

^ c-i
^3 za
-=t

?=

_t9-#-

__ ir

_c

4_^ *
'

^^
r
!..

^
this

k*h

^=b ^F^Fr--l'
-

m^
-tu
-

r\
<9

pg^E
it

M:

chia-ma poi quel


ec- sta -tic
rap- ture

sta

Na
-

ra!

Amor! Miste -ro!


Loir,

si

Oh!

cali

Sa

-ture.cal^

VI - ta! Heav-en,

ravvivando
col canto

.';

m
fo
air,

1
^r~n
-

-CL.

Q
1

=F
Ciel!

S^
non*
'Tis

^
-

Life!

Vi - ta! Ciel! Hrav-en, Life!

che fu - moe nought but smoke and

la
love,

il;

af *

*EdE

3ir

sempre assai legato p e dolciss.

4855.3

107

^m
in

S
fa
ty
-

gon
name
del

All

pa emp -

and

sen no

so
'ion
,

iJ

no
no

me

That

e one

la

m
pacom-

can

rail.

^m
Ah!
Ah!
Va/A cai \canta

jo
chiathis

I
-ma

j;

j..
i

tu poi

quel

re~ sta
Call

m C/

__

^J"
-si
it

i*
3E
-

"Na

tu

ra!
ture
:

Amr! Mi<~" 11

ec - sta -tic K

rap -ture,

Ka
t

fi * gg

* ____

*-=
/

^
.-1 -

jn

r^/ ranto

;2r

-J7

rinf.

con pass

/TV

r
Con-vien che va
f/;>u,

da. should he
-

ad

di

o,
ifljj-,

con vien che


a
-

va

da,
be

ad

di

go

dieu,

should

I m
L'
'"

3E
-

Dio!

-^-^

Vi
-

-st

ro!

Vi
Life

ta!

ta!

Love

and Heav'n.

Life and

~
-o,
^//j^,

o .*P

69.

fc

-b br
^
i

>

-m-t

#-

m
k

rf^b

addio, convien eh

io

va -da.
o
ing.

E
b
E
sei
-

piccio

a -dieu, I should he

b
P

i
Dio!

V ^E
in

Dim -mi,

ca sa

so -la
/<>/!/

so-ven-te?
doors?

Heav'n.

o
5 7
(Of

Sometimes

are you a

i>

TV-;

= J = 69.

^^
tTEmnlo lento

V*LJ*

^ 3*
46855

1
108

m
-let
-

j 1 1
la

,i)
i

jg
/

ji
i

jj)
- to,

j^jlj

sim

ta pie

no-stra fa -mi
-

glio-la.

Io veglio

al - 1'

And qui

et

in

my

home

tend the

al desco ed al - lo or gar - den, And In - it, when I'm

sta
in
,

SE
- io,

M
I
set

^
o-gni

tf

r
cu
or
-

?-^'
g
ra,
der,

^
'

(smiling-)

t'

H ^

^ i*=*
la -io.

at- tendo ad

fi -

lo sul-1

_s_

the things in

Andthen I

ar-co sit and

P EP
My

; P

?
is

P
zi
-

assai

mi -mi-

spin.

ma-ther

too

rail,

cui canto

m
m I 5

&1

T&L

pp

o-

' e

ffiB
x
la

t*

m
:^

^^
*
>

rail,

un poca

h ^

j *

M '
-

t
!

r*

pas-so
-

-o-sa
careful,

mamma,
Per-haps!

still

eppur, be day by

te

day

pla-ci - da-men -te In pear e andsTieet con

T ^^ PP

tut

te

le

mie

gior-

tentment

So flies the time a

Tfe

>

^r=^

m.

zaz

M
na
-

Vn poco meno.
v-

J = 46.

te. satta vece, penetrante

Tray.

FAUST. P

=
d;

51 r
non
must

p
7

tr
7Jit'
-

giammai
er
knoz.'

dol

ceu
one

Xot

T T T T
4<S-->

109
zk

1 1
-n'o
"brief
-

1
ra

1)

r
-

h
vi

-L
3=E
y g
-

w
E 1 p
p

^3
cuo-re?
dove.

hour of

d'a-mo Une

re

-ver te-co e con -fon proT At your side deeply =r

de-re il mio cuor col tuo lirve you, my ing I

elm

f
Q

I TT?
--iH
-#

Eg
morendo

_zzT

con passione
-

g| g
CJ"'LLT

m m a m
tf*

^e =
=3=3

#-


f-

MAKG.
p
a//r*rr.

7 r =F r
-#

^
g^ia
-

V
s"

?
-

$
t'

Non dor-mo My mo-ther

so

la

e in

lie

ve
ly,

so

por mia
then she

madre
is

ce;

el

la
if

sl eeps

bu t

light

And

so

near

me;

Oh!

she

m
ey

5
#

St
3=*S=

UA

a
iS*

3$
A A A
;

PP *#"*.

QE

^
(with agitation
)

*-

EJLEJ:

:
'

^=^
"

//

/wo pih

mosso.

=66.

g
-dis
-

'Tg
ere on

'p
do, ne
(y //

I
mor
would
-

*a
i

*i.

se,

re
kill

heard me Ab'ST.

me!

~7^
Dat Dar
ti

T
pa
hear
ling,

*=$*
A

(handing her -**-

a phial

T
te
;

jEEjE
di

ce.

questo

me. Take

this!

Un poco pi mosso.

= eo.

fi
sue
li
-

?
-

S
tre

mi

r t
foc
-

e
eie

;>

i/ffp

',
j

co

so -le

pon-no
ta
-

ad-dor-men-ta
//

^
re

in
ly

quor

If

but three drops

be

ken.

gives a

line

l",j-

no
Pi
.MARG.
agitato ed accelerando
(taking the phial.)

Por-gi.
Give
it.

m
Ne pu
and

m
ve
are

(MARTHA

And you MEPH. enter.)

km PT^r
pia
slum
-

:'
-

P^
son
leak
-

ci
-

do,
her

in

le

tar
ea

g
sy

co
to

no.
en

noi

Pi agitato

ed accelerando

F=*=
-nircer
-

ne

W ma
al
-

I
-

l my

g
-

w-

EK

cun
It

le

a mia

tain

can't

hurt

ma-dre? mo ther?

?
1

=s
?

p -

e
-

P
nes
in
-

P
su
-

Nes
In

su
deed

no,
not,

p no

p
-

P
so
an
-

an
Oh!

gio

deed not,

my

cresc.

sempre
tut

J=^

^J
rail,

un poco

rasserenandosi

f.

i I

a -ve dal-le guan-cie leg geljherevas nev - er such a

PPPP
=

''E

E
P
-

E
Ah!. Ah! _ Ah!. Ah!.

gia

dre!
-

mo

-ther!

f TO

^S
i=

^p
1

Pi^ppp
cresc.

tn^
^
rail,

itr
L

2E

un poco

S
'

3t=*
*

J&L

ft*

BE

46855


Ill

Allegretto. J = 84.

MARO

PPP

legatissimo

t
4

ff=r

1
a

M
eie
-

m
men
hear
te.
/T7

va.i
U/l

io

nuo
I'm

gna
learn

ra

MARTHA.

Gen

fl(

ppp (hie

whisper)

Dav
fn//A,
-

Ah!
//i

ver? have

n in you

trap nev

po
er

la,

ne
-

in

fai

I en,

iFAUST.

ppp

iF=r
E
MEPH.

ere
1

ZXL
i
1

l'a

#?F

ppp

the 'Tis (like a whisper J

ne sum

to
mii

of

su ex

per
is
-

P
-

no,
ifnee,

4V^
i
I

lJ*'P
non
in

p
-

p
-

^P
-

zn
re,

Non

so,

de

te

lo.

so.

ere

de
I

te -lo,

^3 8

//?_ truth, Ik ? Allegretto. * = 84. Usatissimo

no

no -t ion,

truth,

hoar no

ehe sia no - tion

la
of

mo

love yet,

T*

jf

"^T

son

del
in

mon
pleas

&
-

m
del
-

do, ing

l'

mo
lov

re-,

and
cresc. pian piano

-in

mg

trap nev -

po
er

la fai

ea
len

de
in

stean
the

eor,
net,

an
.Soy,

$
il

mi
f^

ra
5a

co

lo

di su

vi

no
nai

si

^
non
In

T(5

rm

crrsc- meni

per

so,

ere

de
Hrt_

te

lo,

P p P P non so ere -de -te -lo,


in

p
che
no
-

P
sia
tion

P
l'a

L'
mo
hroe
-

?
re.

truth, I've

no

tion,

truth, 1

have

no

of

yet

s
W

^p
S3 g j
f]l

At

m
T
P

cresc. pian piano

p
7 46855

^P~

112

?
sen
In
-

^m
-

S
che Se
-

tmm
mi
crei

to u

n'

au-ra &r
-

ca

na e
a

my

bo

som

there's

ca gen

ra
-

pe
tre

ne
rnor

He

$
I r

d
cor:
in

ca

dav
truth,

ver? ne in

haw

you

trap nev -

p
er

la

ca
len

de
in

ste

an- con

fai

the

net, Say,

1
del
la
vi
-

?
ta!

m % pg
del
<f
-

p
-

del

la

vi
life
-

ta!

la

vi
life

ta!

0/

our

/(/< -

time,

M Up
non
//i

r
re

^f pr
de
-

J ^r
i

\^

of

our

time,

our

-time

ii
notion

^^
Mo
Er-

so, ere
truth, I

telo,
notion

non
in

so. ere -de -te -lo,


//-;<M,

chesia l'a -mo-re.


of lineyet.

gile
'

Ihcneno

^
@i

^7T~J'

b n ?
ff.

^
gp n d
.
\

^#-

^F=3&

P
13=*-

P^
zfe

"m
ZOO
.'

*^s
5ac
che mi Se - crei

r
m

<?-Sr
tra ev
-

p-rT
nel
er

m
re,

Lit

E
-

co mov-

ins,

sen -to u-n'auraar In my bo - som

ca-nae
there's

ca
gen

ra
tie

^ ^^
mi

#^?
de
in
-

ste

an-cor? dav
net,

ver?
ne:'
-

e
er

non
fai
-

ca
len

de -ste an -cor? dav


in

ver?
truth,

e
say,

the

say,

the

net.

In

n
sen
ot'/A

p
-

^r
-

p
no,
mi/,

r
sen
-

za fre
out
li

? za

*r
fre
li
-

no,
mit,

r
sen
Great
-

v
za
e
-

fi

ne!
-

m &
tre
-

pe

nemar-

non
nev

ca
er

il

ra
sa

iL'ith-out

ter

nal .

'Tis

the

co -era-

&E
sag TO

t
mo
man's,

-glie saggia
-

co
!s

ev

'ry

%co

man

sa de

ra
-

ra dav -ver,
er
in

ceiv

truth,

46S55

113 =
, r

<i.
,

con passione

**=4 =
,/
tra

r> Moderato.

_
!

affi

'

**=

nel
-

cor,

ah!
-

sen-to.

ah'.sen-toun'
Ah'-theres a

a- u-ra ar
gen-tle
tre
-

canae
mor
ev-er

ca-ra.
merging.

ev

er
<

mov

ine,

moving,

1
t
fai
-

4-

*=*si.

=F=F
net.

-deste an-cor? ah!


len
in

Un
lo
d'
-

the

con passione

tr f
per
noi!
j4A.'

a mor,

i-

t>

ro^/j/

5if -

Ah! sen-to u/Arar a

ss
dav
mi

ver.
fnrfA.

Moderato.

# = 56.

I i i

tag

fa
'

-e#-

ag r

te

5^
Allegretto

S
~^r
.

^=^
ire

EC

si

^-9

/
come Prima
CJLA.RO. escapes from FAUST.)

ft

-dio!

>+

<-

Ad

fuggo,
-ing,

fu?- go,

le- sta,
lightly,

lesta.

Good. bye. Fly

fly- ing,

(follows

MARG.)

^g
-na-u-raargen-fle tre
.

3*3=
re-sta. /(y nor,

3r.

I g

canae
ev-er

ca

ra.
ing.

Resta,
F/>'

Marghe
Margaret,

ri-ta.
Marg'ret.

mor

mov

nof

fflE
Allegretto

come prima

_^L

Sfc

-0

r
y

"-

5 raff, e leggero

m w
te.
46855

*E

PPP

*m

-0


114

tefe
Fuggo,
F/y
-

iste ^?^
fug-go,
fly
-

J.J k
le -sta,
light -ly,

le-sta.

ing,

ing,

lightly,

g^
Corri,
Fly-ing,

cor-ri,

m
S,

i.

-SS3 *2le-sto,
sprightly,

le

j
sto.

fly -ing,

sprightly,

I r

p
-

g gpjj
ri -ta Margret,

Eg

Marghe
(follows

re-sta,

re-sta.

MW

MARTHA.)
S

Margret,

fly not,

fly not.

j F-y

fe

Marta!
Martha:

Marta!
Martha!

W Marta!

fi

F?

* Marta!
fi

S
T

Martha!

Martha!

pipip ^pug
wm

*E*E

^^
Fuggo.
Fly-ing,

s S
feE

i
-#

#-

;;

* ^

3e*

l r

3EEP
Fug-go,
Fly-ing,

t
/(y
-

fug-go,
i/!^

p'p , m r&^
.

fug- go.
,

fuggo,

mm
fuggo,
fly-ing,

fly

ing,

//y- ing,

cor- ri,
sprightly,

'

>

0)0,
corri,

^^
Tf nenie-

cor-

ri.

cor-

ri,

cor -ri,
sprightly,

corn,
sprightly,

sprightly,

sprightly.

sprightly,

m F
w*
p jj Marta!
Martha!

63

6
mi
-

S
vie-ni,
frki
s
-

*t

Amor
Hear me

o,

ni,

sighing.

ther

ing?

p F"r
Marta!
Martha!

>

_
jj

4t
*(i

Marta!
Martha!

Marta!
Martha!

do-ve
UTu-ther

cor- ri?
hie -ing?

do-ve
Tehi-ther

cor-ri? hie-ing?

4GS

115

m
1

~^ M
-0 0-

ir.
.m r
'

_*

i'

; '

-eyr*-

23E
ah ah!
ah ah!

^^
ah ah!
ah ah!
'

fuggo
fly-ing,

fugr-go,

ah ah!
n/i

ah ah!
flA

ah ah!
ah ah!

ah ah!
ah ah!

E
cor-ri? corhie-ing,

fly-ing,

oA.'

ah!

4-

5E

g5E
fuggo.
fly-ing,

=fc

Sex
cor-n, no re

fug-go
fly-ing,

fuggo,
fly-ing,

fuggo,
fly-ing,

^
-

==5?
y
y.

V
no

v"

F
cor-

P'

corri. cor-ri.
ply-ing,

cor-ri.
r

ri.

pi}'- in",

do -ve re
%hi- ihrr

* V

ri-ta!

il

^^ ^ g^ S ^^
Ti 'Al
-

do -ve e ftT

fuggi? fuggi:
A;>
-

Marghe
Marg'ret!

Marghe
Margit!

ri-ta!

ine,

Marg'ret!

Marg'ret!

es
Marta!
Martha!

3fcfc
y

#-

Et

ft

fc^*-

^
*.

*?

m ?

Marta!
Martha!

Marta!
Martha!

Marta!
Martha!

Marta!
Martha!

Marta!
Martha!

Marta!
Martha!
t

Marta!
Martha!

j*l

J *

II*?

^Jj

is

tee

/*=?-

^
f

E?

gg
ah ah!
ah

t^
ah!

m gg
ah ah!
ah

B
fuggo.
Flv-in<r,

^r-

3=
ah ah!
ah
ah!

2 3tq &
ah ah!
ah
ah!

ah ah!
ah

ah ah!
ah ah!

fuggo.
fly-ing,

ah!

ah!

no

m
cor-ri,
re

Et
corri.
ply -in ?,

TV
no

i
cor-n, ply-ing

cor-ri,
re
-

ahlah!
ah
ah!

S Tv
ah! ah!
ah!

v
fuij -

3d
go,
ino-.

ah

fug- go. Flv-ing,

fly

-_

^^
,

^=^
ri-ta!
Marg'rrt!

Marghe
Margret!
j T

Marghe
Marg'rrt!

^
m

,'

. -1

Si

ri-ta! Marg'rrt!
m.

do -ve
whither
pc S

Et

^
corri.

TTT~
a do -ve
sMther

a
-<":'

cor
A;>

hir-ing'
E

M-t.

m.

^^
Marta!
Martha!

S
cor
ri.

Marta!
Martha!

Marta!
Martha!

Marta!
Martha!

do -ve
7ihiihrr

cor-ri,
hie -ing?

do -ve
vhithsr

4')b-V

116
/,

Ut

cmz
fug-go,

fuggo.
flV-ing.

fuggo,
fly- in?,

fug-go.
flv-ing:

=b=fe

-4-4

EE

b jg
fuggo,
fug-go.
fly-ing.

n iu n a
Ah ah ah
:

Ah ah ah ah ah ah ah
t
?:
m

ah!

ah ah ah ah ah!

ah ah ah ah ah! r-~

-F *-0

ah ah ah ah ah!

Ah ah ah ah ah ah ah
Ah
a

fly-ing,
fcitching Marg.)

fly-ing,

fly-ing,

ah! ah ah ah ah ah ah ah!

ah ah ah ah ah!
ah ah ah ah ah!

i
u tu sei There 1
col-ta, hold you, (catching Martha.)

tu

Sei

there /

col col-fe! hold you

4? Ah
ft*

a 3 B B B B s e E E E E h ah ah ah ah ah ah! ah ah ah ah *\
B
;
r

VVil
M.

ah ah ah ah ah ah ah!
M.

ah! ah ah ah ah ah!

M.

A A

-<<

-<<

tz

n hv

wv

117

THE NIGHT OF THE SABBATH.


SCENE: A
hill.)

lonely and wild spot in the valley of Schirk,

among

the higher summits of the

Sombre rocks with clear black outlines on a dusky grey sky, a reddish dawning of the

Brocken (the witches moon throws a


The wind
is

strange light on the stage.

cavern on one side. The peak of


helping

Rosstrappe
to

on the left.

blowing

through the ravines; then

MEPHISTOPHELES
J =54

FAUST

mount.

Moderato.

Piano

Un poco pi mosso.

J = 3
(from within, with a distant and mournful voice.)
a*:-

MEPH.
~rr
bi mosso. J
$11

^
-

Un poco

= 63.

cam
on

mi
hih

na,
er.

cam
and

mi
high

na,
-

cam
and

Come

er,

'}

t^3:

&*p'
4I3S

tTfc rT +

us

^^

*
-

#-M

5=c
0-

f9-

chi

na;

su See

cam -mi
the

cloud

na.cam rack grow

mi
nigh

na,
er

cam
and

mi

na.
-er.

nigh

e
-\
[

?A : :
-

=<git

-m

#-

=*=*
T

?=*=
p
legatissimo

?? f

a-r
ff

i
(Q

>
?JL ^ JL #. JL ^ j
i
1

>

* j-

u
7AAAA
r-r
' i !

3^^
AA
1 1

P/// mosso.

*=wo.

tt
j i j j
1

JLA
1 1

1?

fc i

7
,

***f ** f f Mf f f f f f f f ff ^f f ,^'H

444

44

444

44

zft/77.

Sibn

4^4441441444

***

**

;,****

46855

119

MKPH.

\w

**=
j

2p
mi
high
-

p
-

am
-

\. \rr
che
See

'fl

Su
Come
Bassi

cam
on

na,
er,

cam
and

mi
hish
L

na,
er,

cam
and

mi

na,

Ion
'tis

higher,

(like

||

^^
jjgj

an echo.) -fes-

m
mi
high
-

Cam

na,
-

cam
and

mi
high

na.
er,

cam
and

er,

jj

^M i ^ su
allarg

^
-

W't

^m
i

^m
:

w^
^
-

ggc
*4j

apsz^

=t p
-

e/T
-

if
p
-

r
Ion
-

^
-

ta
late

no,

ta

no.
tee

and how
r
-

far

Ion are

tan

still

IP

B7
-

mi
high

na,
er.

J8:

F s^
wfi-y 3EE^ b* r *
1

^^
if'

Bf

^ ^

s'er

geil
/Af

from
:
Ion
ta

=i
no.

Ion

Ho*>

fe
xr

M ml

120

w.

SE
eie cloud
-

f
lo.
racfe

f
SCO comes

it
see
nigh
-

| Te
sa
er la

na:

^
su

chi

cam
on

and

nigh

Gun*
?X-

!..

^^

Ie
Sco
-

E^
-

-tan.

see
nigh

sa

la

Comes

f^=
-

j
-

mi

na,

cam

mi
high
-

na.
er,

cam
and

mi
high

na.
er.

j@
chi
-

2
na;

cam
and

mi
high

&j #

j y^,

~^^fcf *

b|

~ |j

(Lambent flames appear, one


and

of

them

flies in front of

FAUST

MEPH.)

469*55

12]

FAUST.

Fol
-

let

Hob

gob

Tt^iii

PP

EU
-to!

I
n

Un!

.Mem. MEPH

it

g
Fol
/foe

j
-

3S
to!

let

gob

46855


122

Andantino con moto. J = 92

FAUST.

I
Fol
/fo/)
-

let

to, fol

S
let
-

S=^s

to,

-g"i
ten.

Un,

so

nim

Me

ve - lo - ce, leg and cheer - fui and

P
^ier
light

-^
che The

'

l
so
-

splen - di on - ly

bright

Andantino con moto.

J = 92.

^1

ffi=

sr
-let let thing
-

to
in

per
the

Ter gloom

nio mo of

sen
fa
-

tier,

noi

t'

av
us,

vi

ci

night,

Come near

come

near

sfcrz.

sfori.

-*--*

P3f
-na,
us,

=p2=

r-

a noi t' av-vi - cicome near us, come near

na,
us,

che

bu-ia

la
to

chi

na, che
us,

bu-jae

la

To guide and

cheer

to

guide and to

r*i=* &t

Ul m mAn e^
f
>

mm

i>

^
;

=F

chi -na, che bu-ia iae cheer us, to guide and

^7 w
*
la
chi
-

-*
=?C
fol -let
-

*-

=F
to,
fo!
-

T
-

na,
us.

let

to,
us,

to

cheer

Hob-gob

Un, come

near

^
a
noi
to

guide

f av-vi and to

46*55

123

ci

na.
us.

cheer_

MEPH.

gjjjj

Cam -mi
Come high

na,
cr

'

p;
-

cam
and

mi
high

na.
er,

FT

f. ?;
-

cam -mi
and
high

na-,

3*

'

?
-

=F
cam -mi
and
high
-

F^
cam
and

cam
and

nii

na,
er,

na,
-

er,

high

er,

6 S
(speaking louder and louder.)

E
S
-

a
Fol
-

h,

*
let

'

to.

fol-

rYbA -gob

<tf";
-

$
-

g
ji

j!

'
-

^m
-

-t

mi

na.
-

cam - mi
and high

na,
er,

cam
and

mi

na,
er,

cam -mi
and
high

na.
-

cam
and

mi
high

high

er,

high

er,

@^
-

ff
*-

subita legner

-&*-

:*=

i>-

^s
so
-

let

to,

ve

lo

ce,

leg;

gier,
light.

che_
The
8:

nim

Ne

m
na.
er,

and cheer -fui


n
.

and

splen on -

di

let

to
in

per
the

I"

er

mo
of

sen
to

ly bright

thing

gloom

EE
-

I
fol
-

? g
-

I ^
leg
-

V=\
che The
splen on
-

let

to,
lin.

fol

let

to,
ble

Hob

gob

so

nim

ve -lo and cheer

ce,

gier,
light,

di

so-

fui

and

ly bright

iti

.~

.-

46 So 5

fe^

124

M
ff

'

*p
a

noi
rifar
t'

p
av
us,
-

i$
a
to

-tier,

vi

ci

na,
us,

come

near

P av guide and
noi
t'

p-

p
-

vi
to

y<?,l?
let
-

|
per
the

to
in

l'er

N 4# ^^Ff
-

--

mo
of

sen
to

tier,

thing

gloom.

night.

a Come

noi

t'

near

us,

av-vi - cicome near

t
-

fU

ci
-

1
che
to

na,
us,

1 bu guide

|
ia

iE
la
to

chi

na.
us.

cheer

and

cheer

C2S

tt.

=p=F

5
a,
us,

na,
us,

cam
come
4L

mi
near

cam
come

mi
M.

na,
us,

che
to

bu
guide

ia
and

la
to

near

M.

s-

I W

ESEEpEpE
Fol
Jack-o'
.

m
s
at)

I
chi cheer
-

p na, che
us,

P'

bu
guide

ia

la
to

ff '
|

to

and

chi cheer

na, che
us,

r
-

bu
guide

ia

M
la
to

^
i

chi
cheer

na.
us.

to

and

*s
n
r

S
fel

gg

"
468"

SSi

m ^g
=3=

125

-fiL

$
sa!

1
to.
-

let

to,
tern,

fol

let
/flrt

Ian

Jark.o'

fern.

s g
Cammi
Come high
-

i
na,
er,

(with hardness.!

cam mi
-

na.
er.

Ifeg r
PP

&^ ^^ A
come high

32:

i
i

m=4 M f
(MEPH.and FAUST

=*

s=
77

3=

appear on a lofty rock alone and motionless.)

.MEPH.

JM
a

to

rf

n
9-=

erat0 J
-

-i m
P

ft

1
scoi hark
-

L_ j
ta.
l:

S'

A
Just

p a

p
-

Dost

gi - ta il thou not

Moderato. J=56.

@5Bj

*:

to' ?

*
'

-$r

EES 3rj,

gp

s^7r.

____===

ffl

bo
hear

p scoeglial-ti pi-nian-ti
i

p-

ji?

"'
6
-

'*?

"'

'-''
I

1
fu
-

1
ren-ti

ie

w^

chi
rest

cozzan
hur-tle

col-le
their

gi-gan-ti

hole

the pinetrees in

the

fo

and

dash

migh-ty boughsto

cresc.

//

f
40855

126

Allegro. d = ii6. AlEPH. m

t^
.

braccia.
ge-ther.
L

m
-e-

A - scol-ta, Just hark-en,

scoi -ta!

just

hark-en:

*r

Soprani -

-&-

'-&

EE

=P=

Alti.

Ah!. Ah!.
Ah!. Ah!
.

Ah!.
Ah.'_

IE

rr;
-<^
Ah!.

s
Ah!.

3X
ce-

Tenori

I
1

sassi.

We
Ah!
Ah!.

-cv-

S ^

AhL
-*
Ah!.

Allegro. =i6.

(With a

shrill

and excited tone.


*

>>

ce SI

$
=S2

*
i

'

m
-

*
vai -le
vai -ley

31

*'

'
Iu

*z
-

t.

-#

#-

a
di

;
o
-

Ad
Be
i
-

mo
there

del
in

la
the

un a

la -to

low

hear_

vo-ci mil - le thou-sand voi-ces

^
do
and

sore-

shrill

=3

^^ ^
eT

^ M V
:

^f^
=5
-9-

5p

46S5")

27

w
i

j*_
r
i

s'

s
-

T
co
-

=5

=g
Ah!.
zee

-nar. -sound.

ac

^^
sfa

F in

fer

--

i^
?=P^

Tk'in

frr

nal crffsd

ap

zm

Ah!.

jUl

-9-

Sempre ^n
in due,

ma pi Ritenuto.
g
=

7*

lOO.

gl g

r r
-

f
le

?,*

:?=F
Oh! me
- ra Oh! Ti'ond-rous

3H
vi
-

X
g-Ra!
sion.

-na

con

gre-g^a.
near - er.

proarhes near -er,

n
(fi
I

I tt

AhL
<b

i
?cx

znz

Ahi
.4 A.'

-g--~

re

at

Ah!.

s
AJh!.

--

Sempre^ in due,

ma Pi

Ritenuto.


128
(with a cry of Satanic delight.)

MEPH.
[

k.

Ml
;

e
-

3S

*fc^ E *
ie

Jw
scaglie,!

i=^
eie
-

nembi, il gi The storm, the

mon
moun

te,

bo

li

tain,

The

Koods, the

heav

ens

allarg.

WSk 53=
un
are

s.

tu fu
all

no rie
thund

so

in

tuo
a
-

nar

ma

'ring

round von

gi der

co
fui

car
mil
-

Allegro veloce.

*.=

2o$.

^^ m ^^
-

sir:

M ^E W=^
S

Soprani.

3E
k'

fib

E
-

ft=* 5
pia-mo

'

?
cheli

;
ci

?
cetre

g
us,

?
eil

?
bai
-

?
lo

OH
St

Ram-pia-mo, ram Come on-Ti'ard and


Riti.

tempo
hour may
j)j) r r

gab-ba,
-

per-

on-ivard, the

de

And nought

could re

a w*** v
i

Ram-pia-mo, ram Come on-'sard and Allegro veloce. = 2os.


3

p^
~

"

r rj)
f)

r
che

J)
il

ji w*

j)j)j) r w* r
i

j) r

r J

pia

mo

tem-po
hour may

ci

gab-ba, e
-

il

on-ivard, the

de

cene

us,

And

perbai - lo nought could re

fe^l s
W
7

FFffl

M
E*-'

it

~9

4kc

Re dia -mo di -trine us The feast

p Bel
of

i'
-

:
-

"
i

"fl

I
-

@
la

l
not
sul
-

v
-

m
-

ze
our

not te b, King, This feast of

fa

ta

le

te

our

Sah -bath and

phur

del ous

$*

-^ j)
dia

^^^
j)

j)

j)

*+ j)
-

j)

hy<
-

1 1 1

j>

i
ta
-

i l
le

i
not
sul
-

Hi
-

mo

di

Re Bel
feast

ze
our

trieve us

The

of

not - te b, King, This feast of

fa our

la

te

del
-

Sab - bath and

phur

ous

geap j j 'r

-=-

>

-g-y

toq=

B^
1
^
1

2E

"n

p
-

p
il

n
pri
-

i''

p
sa
-

r^
di
tee

'g

m
m

=e
trethe

Sab
danc

ba;
ing.

mo
ing,

Ad

vane

che ad

le

vanc-ing,

ha un pre-mio We shout and

pi,
sing.

not - te The feast of

j>\i>
Sab
-

j)

i I
il

;
-

i
che ad

u;
sa
-

;
le

; ;

:>
di
tie

ba;
ing.

pri
-

mo
ing,

m
3p

danc

Ad

vane -

vane -ing,

ha un premioWe shout and

^M ^s
not -te The feast of
tre
the

pi,
sing.

3JB :*2i

*=

33C

^
E
l

35E

fe #

E g -men-da

g
la

B
del

'

?
il

I
pri
-

E
ing,

^^
j^pp

not-te

Sab-ba;
danc -ing,

mo chea
ad

Sab -bath and sul -phur -ous

Ad -vane

seen -da ha un pre-mio di vane - ing, We shout and ve

j>

j)

i
la

-men-da

not-te

:>
del

.*

;
il

j>
-

j
ing,

;
-

j>

Sah -bath and sul -phur -ous

pri danc -ing, Ad -vane

Sab-ba;

mo chea
ad

scen-da haun pre-mio di vane -ing, We shout and vx

(Mr-

f
-#-=-

m 3

4695


130

g
pi.
si't^.

p r
su!

*
su: on,

v t

=5

'

Su!_
Onward,

suL_

p su!_

pi^

su!_ su:

omaird, onward,

onward, onward. onward,

tt
pi.
sing.

3E
Su!
On,
su:
su:
-

===:
r
on
'

*1

3BE
su:

su:

ward,

on,

O/i

Mrrf.

Tenori

i
v

Bassi

^s

'

'

Su! Onward,

^ su!_

su!_

su!

onward, onward,

on.

SE

4h
Su!
On.

,
su:

Wsu: su:

5EE

ward.

su: on.

EEE

/
-

t
te tre
the

not The feast

men -da
Sab
-

la

not -te
siri

of

bath

and

-phut

del ous

i s*

ine
su:

EEEfc*

n.

E
-

3==

fry
-

su!_
Onward,

su:__ su: onward, onward,

su.
(7/7.

not The feasi

te

tre
the

men -da
Sab
bath

of

del la not -te and sul-phitr-ous

g
su:

su!

su:

0n,

ard.

tz

fi

ft
*i

!i5

ir

: .

&g

t
\lS3

40S55

m
EE

>^
Sab
dune

=g*=
-

5 5
ba.

ri-

*
-

S
ba.

Sabdanc

ini r ?= s
v

Vy

jpp
ba.
?.

Su

H
su su

i?
forfat

f
ti

svel-ti,

p che il

On! frail one and

one, the

tem-po ci hour may de

s
Sab
danr

-T

H
5

ba.
>j2--

e;
I

Su

svel-ti,

epe

for -ti che

??

il

=^f
tem-po
ci

mg.

On! frail one and

fat

one, the

hour may de

--

=Sfl9=

-4- t=3=k
giddily

TVT
ff

T
*
21
-

s=
l>

^
;

^6 jg W%
p p
no-stre con comrades, he-

ag

p
us,

p
le

gab-ba,
ceire

^^
-

sor -ti

Your

lieve

us.

/ ^ son 1un -te Go round ia

3C

s
las
a
-

:XK=

su.
rim;.
:jm

E
i.

not

te

tre
the

This feast

of

m
\

Y
-ba,

=9
le

gab
reive

us, Your

? ? no-stre con comrades, be

3^f
7
y
-

r
E
not
-

3E
te of

-J-

sor

ti

lieve

us,

y y son giun Go uuind

r~
su.
ring-

te
in

las
a

tre
thr

This feast

t-

==

>

-*w

k*
ggjj

J.

BE

"g

n
la

g
-

ie
del

3E
Sab -

?
ba,
,

"
e
il

g
pri
-

'

?
a
-

seen
-

2=F
di

men - da
Sab -bath

not
svi

te

mo che
-in?,

da ha un pre-mio

and

-phur-ovs

danc-iiKr

Ad -rane

ad

vanc-ing,

We

shout and

tr

tor=^

r P -men -da

21

P
la

Sab -bath

not - te del and sul-phur-ous

P1

P
e

P
il

P
-

Sab-ba,

danc-ing.

Ad

pri -mo che a -z<anc-ing, ad

seen

P P P P da ha un premio vanc-ing, We shout and


-

di
ice

mm
W\ S
inn

^
z=

=5*

MH

w
irK:

^
IT-

132

P
^f=

f*
pi,
sing.

p
v (

p
tre
the

p
-

p
la

?
not
sul
-

;
te
-

g
del ous

not - te This frasi of

men
Sab

da
bath

g Sab-ba, e
g
danc-ing,

m
il

E
pri - mo che a -vane- ing, ad

and

phur

Ad

PI
pi,
sing.

not

P
-

P
tre
the

LP
men
Sab

P
-

P
la

7
not
sul
-

P
-

P
del
-

da
bath

te

P Sab

P
-

P
il
-

P
pri

1
-

ba, e

mo
ing,

'Thh

frasi

of

and

phur

cms

danr - ing,

Ad

Tane

che a ad

^&. ^^
vBlig

t^-

^*
r?^
-7TT

1*

^
np ^

1*-

3G2

fe
C?
Su!
On-icard,

tat-

Su!

^^
-seen -da Tane - ing,

-seen -da ha un pre -mio vane - ing. We shout and

On,

3E
di

P
pi. sing.

zn

3E
su: on.

Su!.
Chnrard,

'w

su:. su: on-ward, on-vard,

^^

ha un We

shout

pre -mio and

^^
di
ice

h
pi.
sing.

-?=
su!

m
ward

w
5
su: on.

Su!
On,

on

46S5

i* r

inm
su:.
on-Ti'ard,

5
su:

^
su! su!

su:

^
su!__
Jsu:
on.'

133

on *

tea rd,

on.

On-vard,
5
t

onnard, ormard,
',

i s*

*>

fc
su:

su:
on.'

su:
0/Z.'

on.'

0/2.'

On,

fe
su!

3*=m
su!_
su!

su!

m
ST

&&
SU!

On-vard,

^
SU.

onward, onicard,

^^
su! o.

on.

su.
0/7.'

on.'

fi

e * ^

fi

-r

ir.

p
ti

?
tre
-

g
la

%
Sab
danc

I
%
JSZ

not -te
of

This fast

l> ^J).';
su!
on.

J)

not -te This frasi of

^
thr

men-da

del not -te Sab -bath and sul-phur-ous


k

'

jz

tre
thr

-men-da
E

del la not - te Sub-bath and sul-phur-ous

Sab
danr
3X:

l
V

*>

7
tre
-

n =g= E V
la

E
Sab
danc
-

not -te

men-da

This frasi

of the

not -te del Sab-bath and sul-phur-ous

s a ^ / i ? P E ? not -te tre -men-da la not -te del This frasi of the Sab-bath and sul-phur-ous a

:3jr

f
:

SE
Sab
danr
-

46S55


134
(They rush wildlyonto the
stage.)

Presto. J =206.

i
-

m
-

\n%.

-b.
ins?.

ba.

me

ef
IDC

ing.

^
208.

-ba.
w"-

Presto. J =

=F?
/ sempre
turbinosamente

^m
/yfl
j j J

3^

^
^f* 3

=*=

^^

BffKffB^C^WttffEtf/tUrt*^
4 fi So."

13;

Un
j

fio'

meno.

J- = i38,

a rr-

Soprani

ftlti

I s=

ES I
o
Bc

Tenori

Se
Un po'meno.
J- = i3s.

ft
.

h #
///

gc g
*

m
a

^
m a a

? Siam

r
sai
-

?
vi in

We're saved for

K
le

w^
* a
*~
;

3=

iT*3 f
Fed. -#

--

5=

mi

-*

#^-#-

###

#^

ee^

J.

w
p
p

EBi

k=
;

^
p

j ? ? ^ ^ )/ Y i=ijt Siam sal -viin tutta l'e-ter - ni We're saved for ev-er andev-er a ?
V

^ ^m
We're savedf<ir

.Siam-sai -vi in

tutta If ter - ni e^'-er andev-er a

^ r
r
-

=t

t!

siamsal-viin

tut-ta l'e-ter

ni

Ti'ay,

we're savedfor

ev-er and

i",:

er

a-

4 r

p
-

p
ni

f^f?
t!
say,

w=f=* V S
'/

'y

tt
-

-T7-

1-

V
ni

tut-ta le -ter

siamsal-viin tut-ta
we're saved for

l'e-ter

ni

t!

siamsal-viin tut-ta

l'e-ter

ev-er and ev-er a

ev-er andev-er

Kay, we're savedfor

ev-er and

r; -er

a-

4 (5 vi r,

136

it r
|
t,
%-ay,

ffiffff

^^
-

pt
t!_
soy/.
.1.
|

Siam
Fte'r?

sal -vi in

tutta le -ter

ni

S!

saved for

T^r and JiJ>J>

ev-er a

Km.'

]>,],

^J.
|

jj

J--

3E

i'FFVS!
Ffcy/

siam sai -vi in tutta l' -ter - ni vere saved for ev-er and ev-er a

t!_
Teay.L

-t,

siam sai -vi in tutta

l'

-ter

ni

t
izay!-

S!
1>5.'

-way, vere saved for

ev-er and ev-er a

wpte
-t,
-xa_y,

FPC

il

Uff
-

siam vere saved for

sai -vi in

tutta le -ter

ni

t!.

S!

ev-er and ev-er a

VOV.'-

5= a ji Et
J
)

3E

^PP u 3 23
*=f:

-H54
T7:

?q=
-*-th

^ SE

a-5

ai

7=^3^F^5

ME

r
sr

m
#

Sa-boSa -ho-

m
!

3=
Sa
Sa
-

^F^
-

bo
bo

Sa
ta

bo*o-

e!

e!

#-

-!
e!
!

Si
e.'

tJ
5"a
-

il

Sa-bo

Sa-bo
o
-

Sa-bo-

Sa

bo

^P

g
Sa
Sa
-

Sa-bo -! Sa-bo - e.'

Sa
5a

bo
Jc)

!
*/

bo
Jo-

ins-,.-,


137

m S
EE
-!
-

9s-

^3&
/"'
1"

Sa
.Sa

bo
do

!.
<".'.

Sa
Sa
-

#^
bo
bo

gl?' !_ e/-*-

0-

"

^ ^

jt

e!

s^
-

r
!
ft'

s^

g
-

\t

1*

Sa
Sa

bo
io

<*/.

tt
!
-

& Ut
s

e!

Sa Sa

bo
bo

L
e.L

ffrrr r r a
,

fggffr.,k,

Allegretto.

16S.

MEPH.

(cleaving the crowd.)

feygN^ j
Lar
Clear
-

SEg |pi jg F^=


!
i

'

-*^-

E
al

0,
the

lar

go a
for

Me
Me
-

f-

ses p
Re!
king.'

fi

-le sto - IP -le,

vo-stro

.%'ay

phis- to -phe-les,

knee/ to your

Allegretto. J=l68.

W* m |
il

j,

=pgpj

a v

*-*
:

^de:

M44
ff

marrata ed aspra

m\

^
pu
-

ij

? ^

r?
=

IP P!
/fare

XJ
=F
-

nrfc
3E
vuo
dffzm
-

fe
di

raz -za o/ r<9A

tri
-

-da, Hon,

ta

rup

on your

knees.

46b

13S

u-rrii-le

mi

li-ty

si prostri al Re. kneel to your king:

~-

raz-za Race of cor

pu-tri-da, rup - Hon,

vuo-ta
Dozen

di

on your

J^f
knees.'-

=c==

$.

ffiBB
Por^
J Q PPP
^>/>?

g-J*J
^=3-

gj|
7 Z /

^.Jl^iJJ,
I I I

Tip

j-

-It

* T * T * i

mossOj come un mormorio

(kneeling" in a circle round

ET-*
Ci
t'i

ME PH.)
3c

5^
pro your
stria
-

mo a
to

Me

fi

sto
/f
-

fe

le,

al

Bozo
CO

selves

/A''

D o n o

I
?

fff-

^~
Bozo

i
stna
-

'

pro your

mo a
to

Me
Me
-

$
-

fi

sto

fe

m
le s,
-

Dozen

no-stro on your

Re.
knees,

o
In

rt
al

le,

no-stro
on

Re,
knees,

o
In
::

selves

phis

phe

les,

Dozen

your
51

:28
Ci

pro
your
:fc
-

5
striaselves

fc
al

J
Re,
knees,

mo a
to

Me
Me
-

fi

sto
to

fe

Bozo

phis

phe

m
*

=
Ci

^E
stria
-

^
-

le,

no-stro
on
R=

o
In

les,

Dozen
o=
al

your

Bos?

pro your

mo a

Me
Me
-

fi
y>fo'.s

sto
to

fe

le,
les,

no-stro
on

Re.
knees.

o
In
4i

selves

/Af-

Dozen

fiS=

? pi
3 msso, come
i
itti

your
:

~Roco

mormon V46S-55

. .

139

*i

J.
-

'

J.
ter
-

J< J)
ra
/'

'

J,
di
-

J.

ite;
thee;

-*
ci

i:
-

J
stria
.

J.
-

'

J
Me
-

J)
fi
-

-gnu
a//

no at
hu

si

mi

ty

nan-zia Bend-in? to

pro 5o7c your

mo a
to

selves

J
-gnu
all
-

i
noat
hu

i.
ter
-

I i
ra
-

i i i
nan-zia Bend-in? to
di
-

J.
te;

?
ci

*^
pro - stria your selves

si

mo a
to

Me

^
-

ii
-gnu
all
-

m
I

mi

li -

tv

Bow

1 1
ter
-

J'

i
di
-

i j
nan-zia
to

n
ci

&
stria
-

noat
hu
J>

ra
li

- si
-

te;
thee,-

pro

mo a
to

Me
i

fi

mi

tv

Bend -in?

selves

J
-

!'
ter
-

J^
ra
li
-

J.
I

J
ci

J)

J
stria
-

J.

I
-

-gnu
all

noat
hu

si

^^
i

mi

tv

di - nan-zia Bend-in? to

te;

pro

moa
to

Me
Me

fi

thee ;

Bow your

selves

phis

^S

J7-I * -t

7=F

y
sto
- /<?
-

I I
-

^=5
al

-^
J6W/-

f
ta

le,

no-stro
0

Re^
knees.

/f s,

Down
'

SE
-

Ji
sto
to
-

i>
f
-

Jle,
les,

phe
J)
-

J) no-stro Down o/i your


al

J)

5
ReT^
knees.

J>
sto
to
-

EE
J)
|

EE
ji

le,
les,

phe-

no-stro Down on your


al
1

Re
knees.

a
-

a
-


f
-

^^
r
r

Re
knees.
;

-sto
to

le,
les,

al

phe

Down

no-stro on your

%m

j>

3F=^
r

7
3^*=

7
-

3E

M
ICS:

=j

F=3F

140

Dance

of Witches.

Danzante.

160

^^ S

leggerissima e staccatissimo

^^

pg

=v ^jg; S^bi'^yj j^'f.trj'

S5

&

bat

V"*V
'
t

^^^J,j],,.;v

Ij.^l^v

|^ _^
|

MEPH. (on a rock *=56. ^ Largo.

shaped
v

like a throne.)

ligi I
Po
Peo
-

y
-

-y

irr
e

eia robe_
-

I ?
mi
jrf
-

p
pie

li!

bring

My

scet-troe staff and

de
state.

so non da - tea] Re -teal Say 7cauld you have your

Largo.

J = 56

\fjh-

-#-=-=

sai
vra

m
no,
1

r< I p p non da -teal Re

1
so

r"
1

? ep

s^

A-Tcait,

say would you have. your

vra king

no.J
A-icait?

La
Hare

formi
/ then

da

bil

ma
fold

rfovuota dovr ser- rar?


In

vuota dovr serin

nought to

my despo-tic

hold,

my

despo-tic

fete

fPfSe
ff^tfcr
P/w Presto.

-ti

HI

m >^CKr Lf
4-J3-

**

S^
n=ad

J = NO

ai
A^M?
n
to

^
pr esent ing a cloak to

% 3G yj
la
is

*-

Ec-co
Here
CO

cla-mi-de, non

thy robe of state.

j
I &

O K

s
k^

jj j Ec-c
la

cla-mi-de, non

M
so.

mm

MEPH.

* 42=* 3=5= iB
kt'a
-

di

rar,

Don and

for-bear

p3

=F=?=

t'a - di - rar,

Here

is

thy robe of state. Don

and for-bear

^^

1 1
Or

j | j
di
-

>

i =
ter
-

t'ub-bi

sco-no

ciel,

All things are thrall to

thee, earth,

sea

rae and

B
\

Pi presto.

=-

Or tub

p
-

I
bi
-

i
di
-

m
*
sco-no

;
nel,

p
ter
-

P
rae and

L*

All things are thrall to tkee, earth, sea

{.ftv

142

Ho

nonta-di
Zto/z

*E
-

rar.

and for -hear

* ^^

E3 ^
non fa

S *'1
-

==
-

di

rar.

Don andfor-bear

Largo come prima.

^
=*=*
de
hold
spio in
-

gg5SC
so

glio,

3=fc

r ho
5

=F scet-troe
J -se. I

g g f^
king
-

fefc

ta

sbn del mio


That

proud

of the k ing- domi

thrall,

re-gno dom is

Largo come prima.

^?
-#-fl
',

=k

3
*=s=

g^
H''i>l

^T^N
?

-T

5^
not

=f

g^
He
jrrf

S
-

ro,

son del mio re-gno

=F

li *3 m
fie

fe
ro.
all.

g
'Tis

Ma
the

mm^^ Wm
40S.V5

LJ

mm
vo world
"IT

mm w
^Tt
glioilmondoin-te
it -

Jo rici pugno mm aelpugnomio


In

ser- ran
tir

nelpugriomio serin

mmm s D * m ^ BW
jg n?
as

self I must fold.

my des-po

hold,

my des -po -

tic

X
=^TT

wm ^P^
-rar.

P//J presto. J = so.

?
w

^ ^K

fto/rf.

(Running round a cauldron

at the

back of the scene)

JEESE

t t t y * p tn- troia pen-to-Ia


'

w=w

=r
cor

In

to

the cauldron tx

min

m& W
fefeii

gp

y y Sot-to
Un
*:

i
la

r=f
pen-to-la
kin
-

E
cor-ria sof-fiar.
die
the fire,

v v en-tro
In
-

v
la
the

der the cauldron Tir

to

t' t \ r pen-to -la cor-ria mi cauldron ne min - gle the

3E
= so.

'i

presto. J

1
t

fTh CTk
>

mi m> m>
la
t

d) m> m

( d)

Sk
m)

3CET

Sopra
Ol'- er

pen-to-la

corri a

dan -zar!
V.

he cauld ron turnhigh er a nd high

m
SE

'; j> ; j. Ji -e>:. ;J) ji j. . J. So-pra la pen-to - la corri a danzar, sopra la pen-to la corri a dan -zar! Ov- er the cauldron lurnhigher andhigh'r,ov-er the cauldron turnhihcr and high'r.

y hh

: I

>

~cr
schiar, so-pra la mar, sb-pra fa
mire, Ov-er. the

pen-io - la corna danzar, entro crria pn-fo cauldjonturnhigherandhighrjn- to


ft ft ft

ft-

la

pen-to-Ia cornami -schiar! a corna mi


ffif

the cauldron
'

mingle

* V

XJ

ft

ft

ft

f
f

-]

rn~

V
-

'

r'

V
la

schiar, so-pra la

pen-to

la corri a

danzar,

entro

la

pen-to

f f V corna mi-schiar!
1

mire, (h'-er the cauldronturnhigher andhigh'r,In -to

the cauldron rve

minsi e the

mire.

4 66

144

Come prima.

J=i68.

te ^i*%

^^
i

S
^^

Mf>i

i
I

1w
very coarsely

mm

^F

i'a'J

mm i

fT3 * i

*P
46S55

pfp

F3

148

f
w D
PCi

(presenting a globe of glass to


-a

MEPH.)

I
Ec
Here
-

mm
ci
-

co -ti,o ve pre

prin
-

sent

to

pe, thee

^ Ec

co-ti,o

prin
-

ci -

pe,
thee

O
o

^m
i
Ec

Here

ar

/>rf

^/j/

to

i
-

m
ci
-

zmm
il

Here

co-ti,o use pre

prin
-

pe,
thee

mon-doin
of
the

ter.

7t/

to

^^
m%

Ec

co-ti,o me pre

prin
-

ci

^
-

All

earfk.

Ol
il

pe,

mon-doin
of
the

ter.

Hes
e?

sent

to

thee

All

earth.

$$e
i
>

^^

^m
*n

ti

|S

m
SE

THE BALLAD OF THE WORLD.


Allegro. J
= 76.

^m

MEPH.

(with a globe of glass in his hand.)

Allegro.

J. = 76.

a piacere

Pi presto.
r>

#.=48.

g
Ec
-

m
J-=

coil
the

mon
earth

m
do,

m
pi
rail.

Here s

So

r>
!

Pi presto.

48

p legatissima

46855

146

m
vuo tuo
round
-

toe and

ton

do,
ty,

s'al sal

za,
in

seen

de,

bai b

zae
in

f-

<m

r\

5SE

emb

Novo

dearth

and

n<m

splen-de. blen - tv.

176.

Fa
Nera

ca
des

ro - le in troy - ing,

tor

no al
ere

so
a

le,

tre

ma,
ing,

now

ar

P?
s
nrrty

wm
^=^

mw
ting;

Shin

vigarasa

r=p
F o
ffith
-

i
=*

lj
whin
-

i.p"r
d e Lov
di
-

y=

1
ra
er,

^-+
or
fe
-

rug- ere, rue- g


ing,

strug-ge
hat
-

ste

ri - le
-

ing,

ins;

8
0f-I

4-

I w

^ M
toy

*
g
con
-

leggera

^E
r

?*:

g e

-0

^
thith
er,

Toss 'd

and

T=T
Pi veloce.
J-

*=
do.

f
co
is

Ai. '
;
il
i

^
=ioo.

Ec
Here

mon-do.
Tcorld.

tdrl'd

Ay!

the

U'iS

MEPH.

Sul

suo
its

gros

so

On.

ancient bark,

m ^6?
i

J>=184

m
'

bese

co and

dos
slee

so
py,

ve
Lit
-

na

tie things.

fe S3
:

^
f^f
fe^EE
vi
.

?=^

i?

s^
3

Bg
e soz Crawl on
-

r_

mat
erre
-

mm
ri - a, sot Proud, de

s chi at - ta foul and Mark,

za e
so

ta,

fie

ra,
less,

le,

py,

Worth

S=

Mi
^p

A I

4=

J^4
f-

le.

a^

thiev

ing,

cresc.

ita
i*_^_
ti

ti
-

14
ri -a, sot Proud, de

le,

fie

ra
-less,

vi

C*7'

ing,

Worth

m
g|
gj ^
Ev e
-

=m I
*
di
-

rr=

n*
violenta

thiev

ing,

mg,

i
SE

m
/

u
*

^3

4h -
del reo

A 1 1 j 1
b
si

U^
vo
-

ha

cheadogn'o -ra

ra

dal-la

R*
-

Sfi

V
si -

V no al
or
fon
bro
-

ci-ma

-do
ther.

ry hourThey de

vour

One an

other Friend

And

so

fed

^^p
46 ft So

fe*

Quasi Andante.

= 100

m
w
ATT 1

fi

?
hold

p 6
li

fo-la

va-naa

? Sa-ta
de -ri
-

na,
Sion,

m
E

(!

(!

n-soescher-noa

Sa-tanfhey

in

Quasi Andante.

P = ioo.

drill/

sciolta

^
1
8
ri

Loud they mock at

bfl

\,+
*

+ + 5 sa r "
r

-,0-

\>+

u p^
db P

+ *

-*-

quasi a piacere

\>*

se
i
I
-

|W

p
lei

p.lL
ln-fer

i
no,
tion,

a=

scheraoe

soil

Pa-ra-di
i -

^
-

so.

their

per-di

Heav'n they call

an

die

vi

sion

3
\>*4l4L

rttrrr
sciatta

th
^
bk.

quasi a piacere

r r
*468i55

^^ f^

149

un paca

pu massa

ohperDi-o!
yes,by heaven!

ohperDi-o!
yes,by heaven!

che or
/

ri

do an
nith

ch'i

nel

pen

sar ci

shake"

laughter,

Thinking

of their

un paca pi massa

m
^g

as

ir

hi l

S
'
'

^
acce/,
.4/(.'

afcel e rinfarz.

F5
i

ili

r^f
ah! ah! ah! an!
ah! ah!

J- =88.1

^
W

>

JLfL ed
che lea longhere
-

U
scondo.
a//
-

ancora

Ah! ah!
a*.'

ah! ah! ah!


ah"!

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##
35

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ec

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(He dashes
the globe of glass to the ground.)

Allegro focoso. J

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151

mm
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dia
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mo!
ye.'

Rid -diamo! riddiamo!

m
i

J-,

ii

Ji
il

i ii
ali
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j
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mo!
ye!

p p "** II*

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'

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il

mon-doe ca-du
is

m ^^
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to!Rid-

shat

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to!Rid-

m P^

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'

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>

flip JSJlJiJi
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mo:

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is all

f
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j tr

ii J

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its

19-

JB
to! sui

j j

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p
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turnye,cometurnye,

a-toms are scat

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mor-ti fran-tu-mi del glo - bo fa dance ori its ash-es, We twirl and me

-diamo! rid-diamo! cheilmondo per- du rid -diamo! cheilmondoperturn y e, come turn ye,
its

to! sui

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m
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152

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r
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i

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-

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pip
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la

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j j

| j e^ E
che il mon-do ca - du the world is all shat
ctil mor-ti fran-tu-mi del crln sui mr\r _ti fran_tii_mi H*a1 glo

diamo,

rid -diamo,

turnye, come turnye,

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its

ash-

es,

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o la and we

M-i AjijiA

i i i

^pip
sui

.^j>j^
fran-tu-mi del glo
its

*EH
bo fa-

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to:
iVrif,

mor- ti

JJ> dance on

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(i

J'

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l]

'

p
to!
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HE
sui

|i

JUiJ)#3
on
jfo

-diamo, rid-diamo, cheil mon-do ca - du all shat turn ye,cometurnye, the world is

mor-ti fran-tu-mi del glo


rfa^f"

t
-

Wr

ash-es,

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wFp
-diamo,

pp rid-diamo,
p

cheil
the

r
-

r
i

r
-

',

mon-do ca
is

du
shat

to!
ter'd,

turn ye,cometurnye,

world

ail

sui mor ti We dance on

r f fran^u-mi del glo

Pi
bo fa

its

ask - e s.

We twirl and we

465fi-'5

1
153

P
^
*>

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sui

^p

>p
ti

J'P
p
its

-tal -tal

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fran-tu-mi delglo
ash - es

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-

spin

we dance on

we

twirl

bo fa and we

tal.

Ah!
Ah!.

spin.

$*
-tal tal spin
sui

We

elo -ti fran -tu - mi del glo - bo fa ti dance on ih ash - es Tre twirl and zee
-

mor

tal

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Tre

cen
burn

da

spin

ve

m Q pi
-tal
j/>j'n

sui mor -ti fran -tu -mi delglo- tfo fa fran-tu-mi ire tetri ire We we dance on its ash- es We twirl and we

ta
spin spin

fe

yes Tre

sac- cen-da^ac-cenda cen-da,s'ac-cenda turn and Tre burn on tre

'

ac c-

F* "F e

pP^pM
ti

tal_

sui
ire

mor-

fran-tu-mi delglo
its

spin.

dance on

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tzrirl

bo fa and Tre

ta
spin

le s'ac-cen- da,s'ac-cenda,s'acyes Tre turn and we burn on we

t ?b*te tek

mam pppj^
Ttv

=B
sin.

s'ac- cen turn

da

la ridda infer -nal.

in the

measure of

fcbf ppp P
pre
-sto,

Ji.'-.IM
-

hum and

s'accen-da la nc en -da ridda infer Treturn in themeasure of

nal.
sin.

\ 1 p p -cen- da, s'accen-da la ridda infer burn and Treturn in the measure of

M M

j j
the

nal.
sin.

e
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i 1 1 1
dia- mo, rid -dia-

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ye,
il

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ail

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the

world

gg
-

|g

J>

il Jl
|

p
-

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tei

cen -da, s'accen-da burn and Tee turn in

la ridda infer

nal.
sin.

measure of

P Rid Come

P P p P dia-mo,nd-dia-mo,che

PPP P mondo
il

p
all

ca

turn ye,cometurn ye,

the Trorld

is

Jryj ^m
f

^
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ia
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46355


154

jag

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Mi if
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1 Ji

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diam!
in

W
rid

come

P^^
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j

1
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to!

ter'd,

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Rid-diam! come turn,

3=

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A
-

ir
du
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?
to!
ter 'd,

cometurn

PP mo, nd-dia-mo, nd-dia-mo,rid


ye,

W HP
ye,
ye,

dia-mo. rid-diamo,che il mondo ca cometurn ye,come turn ye, cometurn ye, the world is all
rid

^ ^

rid-

come

'

Ji

JJ^
il

J>

^
i

j-

p
-

dia-mo.

diamo, che

mondo
is

ca
all

du
shat

to!
ter'd,

rid-

g^g

ft/r/z

cometurn

come turn ye come turn ye,cometurnye, the world

come

rid-dia-mo, rid nd-diE dia-mo, rid- diamo, che il mondo ca cometurn ye, come turn ye, come turn ye, come (urn ye, the "world is all

id-dia-mo, rfd- dia mo,

J'J) P -

'

M>

J>

J>

ji

J>>H|'
-

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pj

I
<?

J-

| Pp

r
l

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rid-dia-mo, rid-dia-mo, rid dia-mo, rid-diamo,che il mondo ca - du ram /z/r/j ^q comi" A/ rrt ye, com e turn ye,cometurnye, the world is all shat

to!
ter'd,

come

pjg

\JJ

m uj

g
-

46S5

155

m
a -mo.rid- diamo che
vi
il

mondo per-du
a-toms are shat

to!

sui

mor-

ti

fran-tu-mi
its

del glo

ye.cometurnye,

its

ter'd, zre

dance on

ash-es, <se toirl


1

bo fa and Ke

j
c
-

J)

j>

1
il

-dia-mo,rid-diamo che
turn

ye.cometurnye,

its

r mondo per-du a-toms are shat


i

Mp
-

'P

1 1
ti

" p
J

'

1
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p
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il

mondo

per- du pe a-toms are shat

to',

M
sui
ice

mor-

fran-tu-mi

del glo
the

dance and

ne

turn

in

bo fa mea -sure of

.V'L

t
del rio iel g"k
the
- bo la mea -sure of

sui

ter'd,

Tue

mor - ti fran-tu- mi dance and ve turn in

wft
-dia
turn
-

Pi f

^pip p^;>
to!

Pff
del g\o
the

Mi

ye, come turn ye,

mo,rid-diamo, cheilmondo per-du its a-toms are shat

sui

mor

ti

fran-tu mi

terd, 7ce dance and z:e turn in

- bo fa mea -sure of

/l

U frEir i
i

fe

f
i

p p
on
its

;
ash

1
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Ah!

sac- cen -da

p
la

>* j^g
fj

.H

*l h

ridda infer- nal.


fcrirl and zve

He

spin.

P^5 S
-tal

3E

sac

sin,

JMii<^ ^
tale
ri,
ci^

s'ac

^
cen
-cenft/rfl

I ,hjh g T=e=?
da
pre -sto s'accen da la
iur/z

^ I mg
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*fe

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in the

p ?

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in

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ir

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? :
la

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ta

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sac -cen-da, sac-cen -da, sac cen-da,s'accen- da re /rrc and ve burn, oh Tve turn and tee burn fin

ridda infer-nal.

the

measure of

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46965

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Andante Lento.
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J =48

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M
Stu -por!
J = 4s.

stu - por! be - hold!

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there

fl

P'
nel
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Ion the

Si
Andante Lento, Pi

jjll

i
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dettissimo cantabile

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7

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p "' P p p -ta - no, nel ne-bu- lo-so del in the mur-ky sky dis-tance

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p u

p
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na fan
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dost see

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Her

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pi
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m
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46855

"
157

54.

i E s -Tu
jm

r
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p
a

B
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ri
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ra
ble

Mar-gne
rf^arf

ta.
g'ret

m_y /iflor

Mar

MEPH.

Torci il Turn your

g^iar-do,

torci

il

guar-do!
glan-ces,

gian-ces
t

turn your

J=54.

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Quel
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fan

ta

sma

ar

do,
cies

dreampndvain,

those mor-bid,

her -tic

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4GS53

158

FAUST.

$
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f du

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Quell' occhio
flisr

PHP
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da ce-

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pain

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ca

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corp

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co
that

lH 5
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wmm
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v sen
breast

y v v f p i che tan -ti ebbe da me my kis-ses used to feel

t
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ba

ci

da

gloTD-ing zrith

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f^L

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Marche
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Ye s,

Ma r -g're

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lan-g"e-lo mio. ah! an -gel mine, Ah!

l'an-ge-lo

STveet an-gel

4CS

159

feN^
mio!
mine'

ME PH.

^: ^yji^ jgpp #= f^s


Torci
il

P
so born
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nel

la

fa

ta

gna
There

Nay'tis

(y

anp of those monsters

o-gnun_ the poor

co -lei che am. \fe-di/.m bled.

FAUST

f^f

stra
That's

p
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il

P
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Ah,

no vez
that cir e

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let

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da

d'u
like

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of

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Min

fete

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p
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gui blood?

gna.

MEPH

Wm Vr
p
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Per
Tcho

serf/, moltissimo

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Yes,

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.che la her fa

ta
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4CS55

160

Allegro focoso. J = 208.


Roond and
Kfrll
infernal

fngne

f|

head
j n Soprani
CO

^
Ah!

J
su!

.h

J)
-

j
dia turn
-

J.


il

^
ci

up
CU

rid-dia- mo, rid and turn ye, and

mo, che
ye,

the

tern -p poTV-ers

be

Tenori

iI

XA.'

J
su!

J'

J>
I


turn

J>

-h

J>

J
ci

Ah!

up

rid-dia-mo,rid and turn ye, and

dia -mo, che il tern -p the p&m-ers ye,

be

m
S

Bassi
g
su!
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g
-

in
turn
ye,

g
il

p
ci

Ah!

rt/jrf

rid-dia -mo, rid /urn and

dia- mo, che


the

tem-po
ptrw-ers

be

mm
9
ff
Z

Allegro focoso. J = 20s.

I.jtf*?^filffggg?f

ffi
*-?-*-

li*.

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k*

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ie

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j
rot the

j
ta ru j)
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j
del

*'

'

te
P
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ba,
us,

sui
Tve

vec
dance

chi

mi
in

glo

-friend

on

and rack
j>

bo of

fa
the

tal;

P
-

P
tre the

not

te

izorld;

this night

of

j>
g"ab
-

1 j h
ba,
sui

1
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j>
1

j 1
del
-

1 1
-

m 1
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p
e

p
not
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p
te

p
tre the

vec

chi
orc

rot

ta-mi
ru
in

glo

m M
g"ab
-

-friend us,

av

rfanre

M^

and rack
P
del

bo of P

fa
the

tal;

Tzorld-

this night

of

P
-

HP
rot
the

P
glo
rack
-

E
fa
the

1
tal;

g
e

I
not
-

'
te

ff

ba,

sui

vec

chi

ta-mi
ru
-

bo
of

friend

us,

we dance on

in

and

tcorld;

this night

of

tre the

W&

I T

.J.

J.

>i.

1GS55


161

I fP W
p

-men-da

la

g
-

not -te

g
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g
del
tre
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gg
i

n sab-bath un

ho

ly,

ba, nm-bom-bi men-dous, from moun-tain

Sab

B
sul to

'"p mon
i^p

P
-

P
la the

te

moun-tain

p da infer dan-gour is
rid
-

p "p men-da la
sab-bath un
-

p not
ho

p re
lv,

p
del
tre
-

>p

Sab-ba, rim-bom-

g
di

p
sul
to

men-dous, from moun-tain

mon- te mmm- tain


p
-

a
la the

;
rid
-

da

pi
infer
is

clan-gour

ai
(I

ffffffTffi-ff
la
-

ffff

|i|f
sul to

|
la

P=^=^

-men-da

not sab -bath un - ho

te
ly,

del
tre

Sab-ba, rim-bom-bi

mon

te

men-dous, from moun-tain

moun-tain

rid - da infer the clan-gour is

u-

S|

^F
t
e
this

M
pp
is
-

nal, hurld,

not not- te night of

P
tre the
-

'

men- da men -da


sab -bath

la

not
-

P
-

'
del
tre

'

te
ly,

un

ho

Sab- ba, Sab-ba, rim -bom men-dous, from moan


i

'

P
-

bi

^
l

tain

sul sul to

^-nal,
hurld,

p
e

not

j fe
of

p
tre the
-

p p men -da

I
not
-

EE
-

this night

sab -bath

*
P
tre
I

g
e

|
not
-

|
te

pEEJfeg
la

la

Ve

del
tre

un

ho n

lv,

'*-

Sab-ba, rim- born m^n -doits, from moan


P P P Sab-ba, rim- bom men-dous, from moun

bi

pp
sul to sul
to

tain

nal, hurld,

men -da
sab -bath

not

te

del
tre

m
B|

m
ft
;
P

un -ho

A
=p

ly

M
s
-

bi tain

F77

i ^

5' p

mon

-te

mountain

rid-da infer la nd the clan-gour is

f
P

p.

1 Eg
-

'

^=^
Sab-ba, Sa Sab -ba, Sa
-

f
!
e!

Iti
5
I

nal. hurld.

Sab-ba,

bo
bo
rfc

Sabba,

Smon P ^ mn-

te

m
m

mountain
'p

infer infe l la the clan-gour is

P ndnd - da p

=?
p p

33
-

m
e
i

f
p

naL
hurld.

Sab-ba, Sab-ba,

Sab-ba, Sa- bo Sab-ba, Sa - bo

! !

1 -*r
nal
.

1
1

, EjE5j

monte

la rid-da infer mountain the dan-gour is

hurld.

Sab-ba, Sab-ba,

Sab-ba,Sa-bo
Sab-ba, Sa -bo

1-

*pc

,1

A i &

! !

J>

dr

^^
3

rF
1

W=^
pp
?

r 40855

F^

fe

Ff^

1(52

-V

iEi
Sab-ba Sa Sab-ba, Sa
,

Sab-ba, Sab-ba,

I
Sb-ba, Sab-ba,

Sab-ba, Sa- bo Sab-ba, Sa- bo

^ g
bo

bo

!
e',

P^PPP not-ttrethis night

of the

r,

^ V
r*
il-u
3=3=1
ftt:

jj=
Ht:.

m
Sab-ba,
.SVzA
-

Sab-ba, Sa
Sab-ba, Sa

^m
-

! e! e not-tetrenot -te tre el this night of the

p
I

5E
this night

If

bo
bo

e!
p.'

pa,

^^
u
g g

J.-J).

iji
da==
r p r

not -tetre of the

J). ?

feyriM

^1

NP^
J., 176.

gg

ta

4
p

w
ia,

^?
m
bo

r r tr

I pgff
^-men-da men-da
sab-bath un
e'-

l nt- t la not- te del -ho- ly, tre

pj;,

igEE
Sab~
-

men

Sab Sab

ba,
ba,

Sab Sab
l

ba. Sa"- bo-

Sa

i mm mm
men-da en-da
la

*>V 1

T
.

not -te de] del


tre

sab-bath

un-ho-ly,

wWfi.

p^r If
!
rid
-

I
-

1 1

p
-

S
mo,
rid
-

=fc=* r\
j

,*^K

-^-ff

Hhr>

r^-r

^^

come

diam, rid him, come

dia- mo, rid- dia

dia-mo, rid-dia-mo, riddiam, riddiam.


turn ye, come turn ye, come turn, come turn.

turn ye, come turn ye, come

w
S

^s
^E

^m ^
4685

-X
53E

^^PF


83K ^

163

s
bo
-

^
-

|J
bah!
bah!

i>

i\

,\

Sa"

Sa

bo

har har

Sab Sab

Rid

ve

diam, dan re.

1
rid

^
ba,

S
Sab
-

m
ba. ba

Sab Sab

ba, ba

Sab Sab

m
Sa
ba Sa

g 0
|

bobo -

iE
f*'
dia
-

r^**P
sui
ree

*_
**
rot the

SE^=
ta
-

\\

32
del glo and rack
-

\\

mo

dance.and

ve e - rhi dance on

mi
in

bo
of

ru

fa the

tal, %-orld,

rid

rome

Sm
-

m
rid

~EE$EE*
rd-

e: -e!

diam,
dance,

mo, dance, and


-dia
-

rid Tee

dia

mo,

dance on

rid the

i
-diam,
turn,
rid
-

S3
diam, che
turn,
il

:*
torn

*
'.
'

-n
pare

'

po

n gab
he,

r-

ba
us

su
turn

rid
ye,

and

the

ers

friend

dia turn

mo_

ye

CJ

Sab
Sab


:.
.

dia
ru

-mo, rid-dia- mo,


-

.,.
-

'
.

^=5 tff eta


L
K
I

rid

diam,

rid-diam.

Sa

bo
bo

e
e

nar
har
I

Sab
Sa

bah!
bah!

in

and rack of the

world, tdc dance.

Szj

Jt m

-**-J

'I

'

^-v-

^f

P
3=3:

U^'^

"

w*$

ft

3S ^riK

46S5

164

m
<tF

n
Sa
Sa

^=^

bo
bo

SE ^S
Sab-b'a, Sab Sab - ba, Sab
-

-ba,

; ; ? ba,Sa- bo
ba.

E
1

1-

rid

,
e.

diam,
dance,

rid
ve

mS
Rid

-ba,

Sa

bo

22=

=6 j

j)
rot the
-

M
-

b*K

y
-

!>

diam,
dance.

rid

dia - rao sui vec-chi dance, ve dance on

ta-mi
ru
in

del glo-bo faand rack of the

Pf

4
22:

m ppp?
-**-

3)

^
I r
Bj

33E*

a:

Sa Sa

bo
A,,

-.
-

rid

dia

m
E
I

mo

riddiam
to

p;

j
?
rid-

from
E

moun
K e i

tain

moun

*:
'
rid

K
-

f\

\ *

fa
bo-

dia - mo. dance and

ine

-dia-mo, rid dance on the

dia- mo, rid


ru
-

diamo,

in

and rack of

rid -diam. the n-orld

riddiam.

nr dance

Sa Sa

-fai,

^=^ *
rid

diam,
turn,
rid
-

SE
-+-

diam, rhp
turn,

il

tem
pinv

^m
t
-p
ers
CI
-

bo

vorld.

come

and

the

m ^^^ s
^=T

tx
is
s
rid to

^
hP=

E.

Jv
V
^*

-dia
-tain,

=P

mo

^
la -tain

moun

da infer moun -tain the


-

?
-

na
clan
-

^
Uv
gourthe
rid

clan

da infer gour is

e
1

^PFr
har
har

Sab
-Sa*

bah
bah.

Sab Sa

bah
bah,

rid

ve
=*=*=

tet

gab
friend

ba

su

^
diam, riddiam,
fern,

!F
bo
-

r
,

t~t:
-

tuo

ni

sul

come

and turn.

4CS55

1G5

1
-na hur
-

3E
-

le.

-terf

^r

'
r
-

8 dia

r
rid -dia
-

rrr"
-

5
-

mo,

mo. rid
Tir

diarri,

rid

diam, rid
dance,

diam.
dance.
iTdig ags i

dance, and

we dance,and

dance,

we
?
la

we

mon

T^T'
-

\t

^TfT^^
-

te
tain

tuo-ni

rid

moun -

Imid-ly

the

clan

da infer - nal. gour is hurld,

Rid
7ce

diam,
dance,

rid

we

il
f

X EE

<fs

s=j

i I
I p
I

Sab

ba
ve

rid

dia

mo
K

rid

tara,

cowe turn ye
K K

and

Bay
'

ft.'

Se
V
'

\
i

p
dia dance,

f mo,

p
-

rid-dia

p mo,

p
rid
-

'p

!>

'?

?
-

!>";
diam.

and we dance, and ve

dia - mo, rid -dia - mo, rid dance, and zce dance, and ve

dance.

s &
5
dia
IldlT encri

SI.

D.

*v

m
UE

turn "

:j nd j;, mo, ndmo. r -,A - dia - V/"j """ i>''" >e,, and S rA a/?tf turn ve., unii

,P p Sab - ba jab bk dance, and


,.

P ve

rid-dia nd-dia dance, and

P mo,

?
rid
ree
-

'

dia dance,

P ? mo. rie rid-dia mo, rid and ice dance, and we


-

^^

/'/!!?

1.
Sa
Sa

bo
ho

e,

nm
from

'+
=2*=

46 Se


166

j
nisc

r
Sab
turn
-

ba
ye,

dia - mo rid come turn ye, and


rid
-

dia

mo
ye,

rid

dia

mo nd

htm

-A

I a

-C,

2Q A
sul

and htm ye and k -04- a i>

P I Sb - ba, nd - dia - mio, aajtce ad we dance and -diam


turn

I 3

^
rid
-

ree

#t
1
'

'

'd&m,' tum,

"

Ah!
tvrn

S, Yes,

m
bi

4=
sul

V
-

bom
moun

mon

to

mounI

ir- &r fi

@P
I
-dia
-

-1

J*L

*
Sab
ba,
>'

rid -dia -mo, rid come turn ye and

dia turn

mo,
ye

rid

and

dia turn trn

mo. ye

rid

and

nd mo. nd \dance and rre dance and ir

j T dia -mo,

1
diam. dance

rut

ti

rid

turn

diam,
turn,

& nnf ^-diam rid


Sf

>diam.
turn.

S nd -diam,
and
turn,

p nd
and

diam!

htm

htm!

Im
rid

=wt

diam,
turn,

rid

diam.
rurn,

and

Fgg
sul
Avr/J/,
is

^
mon

rid

diam,
turn.

diam, rid- diam, ridturn,

and

ane

turn,

Jfi3=
-

4=
rid
-

te,

/farM,

IS

hurfd,

come

^
turn,_

dianv

rid-

diam, ridturn.

ane

^-*T
3E

(g.

I==
40S5

167

Pi

presto, = joo

Rid-dia - mo, cometurn ye,

rid

and
e
rid

dia turn

mo.cheil
ye,

tem-po
porc-ers

ci

gab
-

ba,
us,

sui
Tee

vec

chi

rot

the

s diam!
turn.

g
-

Rid-dia

i mo,
ye,

^ 1
dia
ft/rn
-

MI
ci

be

friend
ti

dame

P
-

EE

^E
-

on

?
rot the

SE m

come turn

and

mo.cheil tem-po ^<c, /A< pow-ers

gab
-

ba,
us,

be

friend

sui Tee

vec - chi dance on

V -diam!
turn.

MM
^5
j
j
ru
-

id-dia Rid-dia - rao, nd mo, cometurn ye, and

dia- mo.cheil tem-po mo, che il


turn
i

r
ci

gab
;

ba, sui
us,
z.<e

^F=^ vec
dance

chi

ye,

the

porc-ers

be

friend

on

rot the

Pi presto. J =200.

**

B
,
in

^
J

^
.
tal.

;
fa the
-

J
e
this

3
not night
-

j
te

.
tre

3
-

;
la

:
del tre

-ta-mi

del glo - bo and rack of

men
sa b

da
bath

vorld,

of

our

un
?
la

not - te ho - ly,

te snr

m
mi
-

^^
glo
-

^
fa the
-

5
tal,

V e
this

V
not
night
-

g
te

^
tre

?
-

r^r-f
not
-

del

bo

men
sab

da
bath

te
ly.

del
tre

m
i
1

ru

in

and rack of

Taorld,
:

of

our

un

ho

?=*F

^fc
e
this

^ ^=^
not night
-

?
-

B
la

P
not
-

P-4
te
ly,

-ta

mi
in

del

glo

bo
of

fa

tal,

te

tre

men
jo*

and rack

the

Tcortd,

of

our

da foM

del
tre

un

ho

ml
$

-

J,:

V^r-

fflc

&
LJx
sul
to

&
--

M H
Sab
-

^
la

.h

,b

,h

^
tpt
nal,

M M
i:

-men

ba, rim-bom dous, from moun

bi

mon
moun
?

te tain

tain

rid the clan

da

infer
is

not

te

tre

gour
'

hurld,

this night

of

our

te
**

'

i
-

i
rim-

i
-

r
-

p
la

Sab men
I
r

ba,
(/<?;/5,

bom

bi

/rom wiwn
'
r r I rim -bom from moun

fain

sul to

mon
moun

te

tain

ffi
^

P
r
-

v f
-

=
mon
-#-=
-

Sab men
I.

ba, dous,

bi

sul
to

te

mmmm
la

rid the clan

p da infer -gour is
-

'g
i

p
not

^i
-

nal, hurld,

te

tre

this night

^
-

tain

da infer the clan gour is


rid

nal,

not

mm
of
-

our

te

tre

hurld,

this night

of

our

I.

HE
CJ

4GS55

M=
=t=

&

ffE


168
r r
la
-

r
del
tre
-

i*r
,

i?*
mon
-

r
te

r
la the

r
-

n-da

not -te

sab -bath un

ho

y,

men-doits, from

Sab-ba, nm-bom-b moun -tain

sul to

mmm -tain
mon
moun
-

rid - da in-fei -Ter clan- gour is

-men- da
sab -bath

la
tin

not -ho

te
ly,

del
tre
-

Sab- ba, rim-bom - bi men- dousjrom moun -tain

sul
to

te tain

la the

rid - da in-fer clan- gour is

^
-

-men -da

la

not -te
-

del
tre

Sab-ba, rim-bom

bi

sul
to

mon-

te

la
the

rid

sab -bath un -ho

ly,

men-dousjrommoun-tain

moun -tain

clan-

da in-fer gour is

Sab-'ba,

Sab-ba,

Sab-ba, Sa bo Sab-ba. Sa bo

e: el
I

Sab-ba Sab-ba

i $

S P
Sab
Sab

,,Jl

,i

J,^ ^

fc=

tSl

^s
m
S"\b-ba,
fiab-ba,
1

fast ^^ m
Sab Sab
I

-n&l. hurVd,

bah,
bah.

Sab
Sab

bah!
bakl

^FTT
-nal

EE3E

5=

^
*

v -na)
3f
\&

C^

B 3

*7

SUL.

Sab-ba, Sa-bo Sab-ba, Sa-bo h* m^

'

feE
Sab
bah,
bah.

! ,e!

hurta\

T
^i^-F

5*

Sab Sa*

bah!
bah!

SF

# gpg 1&
1f
-

#f

adp
"Sft

^5
E

*V:

S
P

m
H cST"
i
i

r^*

jjagii

^^^E

Eg

3 g

u?*. s

gjE

Sab-ba, Sa- bo Sab-ba Sab-ba, Sa- bo

el

^
j
it

~
-

-bah!
bah,

Sab Sab

bah!
bah!

this

not
night

te tre

men-da

Sab
Sai -

p
ba,
ia, ba,

'
1

Sab-ba,Sa i 5 *iab-ba,Sa -bo


*

la not-f de not-fe del sab-bath un Ac - lv, tre -

m.

i
-

S
-

L^

i, e.

e
.,

this night

not.,- te tre tetre of our

-men -da men


sab-bath

la not-te del

un

Atf

ly,

tre

v
J./.J

3E5E
Sab
.Sad

g
bah!
AaA,

B
not
night
-

'

El

Sab
5a A

(S

bah!
ioA.'

this

te tre

men-da

la not-te del sab-bath un Ac - /y, frc -

JU>

-ins.-.-

169

l)- }\1
\

jj

1
die:

^
(fotti.'

-ba!

ba!

Sab

dous!

yp-i
Sab
Sab
-

g
ba,
ba,

rSab
Sab

'r
'

^^
-

.Sai

t
?
-

jg
-

ba.
ba,

Sa Sa

bo
bo

,
,

rid

diam,
turn,

rid

dia

mo,
ye,

rid- dia

mo,
ye,

rid

come

come

turn

and turn

and

iii
marcatissimn

ie

gP=

h=L
?

ff.

dtf
"p

J=

r-^r

r*f

t
ba,
ba.

*-

-*-

g^Ff

i i sr
te>

ba
ba

f=*r Sab ba,


-

Sab Sab
-

Sab
J)
-

ba.

Sa Sa

bo
bo

e,
,

rid

diam,
turn

rid

come

h J, J) J> v -dia #* rid-dia mo,


-

J>
rid
-

mo,
ye,

*E V ^^ .7= y rid-diam, diam,


turn,

Sa
Sa
-

come

bo
bo

e,

har

Sab

turn

ye,

and turn-

and

come turn,

Vi)

^-TTiJ WW w

W ^^
1685c

W^

-K

"

V.

y
170

n
SE
-

WS

ma
Sab
Sab

?*-

dta
-

ab

Sa*
J

Wm
J
p
*

dia - mo, rid-dia - mo, rid turn ye, and turn ye, and
,i

a
i

ba,
ba,

Sab
Sa*

ba,

ji

dia
turn

mo, rid- dia - mo, rid ye, and turn ye, and
B

p..g
')
,

'

ti'

^
-

E
diam,
turn,

^
rid
-

ba,

t Sa
Sa

fe
dia- mo,
ye,

-^r-.

Sa

S
-

bo

bo

a
*

-ba'

p p J su rid-dia- mo, rid


J
l!

>f>

g g p n J J" "J dia- mo, rid -dia- mo, rid


J*
*

i^
and

^
-

come turn

ML
mo,

m*
rid

dia

J*

so comejurn ye,

and

turn

ye,

and turn

ye,

turn

and

m
jj

*
j

<t

-*

g 'J. 1

*r
i

^ s
r

l!

3E
*r
r

Lgj'

S*

-*#+-

'

3
-^

*=*

^3

-e,

dtefz

-,

Sab Sab

bah!

Sab
Sa*

bah!
ftflA.'

s
g|
Tn-

bah'.

2z
Sab
f

f-

har

bah!

si.

bah! jo

rid- dia - mo, rid come, turn ye, and

dTa

mo,
ye,

him

rid -dia - mo, rid mo and turn ye, and

^3C IF

-diam,
turn.

Sab
Sab

-v
bah!
*aA:

fc

k
rid -dia

tut
ft/rrt

ti

-mo,
ye,

rid

jv and turn

and

pf sfei ^

mm
Sab
-

=*=
M.S.
2=2:

T
ba,
ba,

3H

"*
-

X
diam,
turn.

cresc.

rid-dia

mo,
ye,

rid

diaturn

=^E I ^-diam,
turn.

Sab

come turn

and

mo, nd-dia -mo, rid ye and turn ye, and


)

nd-diam,

mme turn.
-FFfe

V -dia
tu ru-

jg

^
ye,
*7

3=

^^
-mo,
}

tut turn

PPP
-

ti

rid

dia

ye,

and turn

mo, rid ye, and

diam,
turn,

nd-diam, come turn,

T=T
-

=
Sa S
:5ac

mo,

rid -dia

rid

diam,
turn,

bo
bo
-#^-

e,

and turn * 1
".0

ye and

^^

jtj

Zacr

m
^

PPP rrf 5r.

JbL

3^

46S5

171

ere se. sempre a poco a pneo

Sa-bo-,
Sa
-

Sa-bo-,
Sa
-

Sa-bo-e,
Sa
-

Sa-bo-,
Sa- bo
-

Sa-bo-,
Sa
-

Sa
5(7

bobo

e,

bo

bo

bo

e,

bo

mm
f
cresc.

- e,

>

J)

J-"

^
'jJ
l

fefeb
f

kk
PP

i*-U^

Jx^X
sempre

Wal

m
' -

UJ^uJ

Lti iD'

OS

tiJ

& iX

e,
e.

J~z2

i pm
Sa
5tf
-

i fitDo-e, Sa-bo-, Sa- bo-,


e,
,

m$ m%
Sa bo-, Sa-bo-, Sa - bo-'e,
-

mf

k 19 yy-

Sa-bo-
Sa
-

wm
io
S

bo-

Sa- bo-

e,

bo

Sa Sa

bo
bo

& l
f
a
-

bo

e,
-

Sa

bo

Sa-bo

e,

Sa-bo-,
Sa
-

Sa-bo-e,
Sa
-

Sa-bo-,
Sa
'

Sa-bo-,
Sa
-

Sa- bo

bo-

fto- , bo- 1,

bo

. ,

bo -.

Sa- bo5<i
-

e,
,

fto

Sa- boSa-bo-

'

e,
e,

^^
j
-

3EE r
1

A
Sa
-

bo

*t

Sa- bo-e, Sa-bo-,

Sa

bo-,

Sa
Sa

bo
bo

e.

Sa-bo-,

Sa Sa

bo-e, bo-.

m ni fli
J^a JMa P tf=^
5

W
^=

PP
2fi.

ii-,

hj.

t^^L-

t^r

JW^L Wr
/

SHi

zm? WW wwwm
46S55

-rf-

U^J

r3

riS

172

a
Sa Sa
-

i
-

bo
bo

- e. ,
-

e,

Sa >a Sa
f f c

bo
bo

e,
e,

Sa Sa
i

bo
io

,
?,

a
Srt

bo
Jo

,
(,

ft

^ Sa
St

iM>
-

i
-

tfl
-

bo
o
>'

,
e.

Sa
Sa

bo
bo

j
-

,
e,

f Sa Sa

g
-

r
-

piP
Sa Sa
-

f
,
e,
-

bo
bo

,
e,

bobo

fcjf E

^#^
e,
e,

Sa- bo5/i
-

Sa
Sa

bo
bo

,
,

Sa
Sa

bo
bo

e,
e.

io

Sa Sa
ti

bobo
-

,
e,

ivH

^l ,m

J71 ..rn

s/fl

Jvj^ i S'P^P f

i^U^a P^ ^^
ti

ffi

si

SP

cicTttr tir tir

s *r

?3P

sg

Sa
Sa

bobo
-

,
e,

46555

173

4GS55

174

Ja

m
-,

~r-

w
I
Sa-bo-.. Sa -bo- e^.

Sa-bo-e,

m
Ah!
.4A/

Sa -bo- e,

Is

^
v

r P

pa

r
e, ,
,

Sa-bo-e, Sa-bo ao-e, Sa-bo- , Sa-bo

ba-bo-e, Sa-bo-e, Sa-bo-,.

r"g

ppr
Sa-bo-e, Sa-ho-e,

fp
Sa-boSa-bo-

1 P

^P
f

I
e,.

Sa-boSa-bo -

e,.

pp 1 Sa-bo
-

a- bo -,_
e,

1
-

b ;

E
m W 6'

a-boj-e,.
A<>- ,-

1
Sa-boSa- bo
-

5a-

a- bo-e,_ Sa bo - .
-

^^

*:

*
ft'

:
.

e,
,

a-bo- e, Sa-bo- Sa-bo-e,.

, e,

f ? Sa-bo5rt- Ac
-

r
e,_ p._

Si

i
rid
," >"

K
r
r^

S
r

m
^r^

pprTr
Sa - bo - e r Sa-bo - e,

dia

mo,
ye,

rid

<-

come turn

and

dia - mo, rid-dia turn ye, and turn

mo, ridye, and

46S5

1C5
J.

5 5

iC *
P

,?

diam

am
e)

turn

P P rid -dia -mo, rid come turn ye, come

'

"p
dia
turn
-

?
mo.
ye,

P
rid
-

P
dia
/urn
-

P mo,
ye,

g
rid
-

come

i
Sa
'a
-

^^

and

Sa

bo -e,
bo
-

bo
bo

e,
e,

S<?

e,

5e M
turn,

l
diam,

Ah! Ah!

p-1

come

turn,

-(fiam, rid-diam, turn, and turn,

Sa
Sa

bo -e
bo
-

si!

yes

Rid - dia - mo, rid com* turn ye, and


p
-

dia turn

mo, che
ye,

il

tern

ci

the

p<m'-ers

be

I s
V

p
diam,
turn,

p
-

g
-

;
ye,

p
il

g
tern
*r
\>
-

ci

rid

diam,
turn,

rid

diam!
turn,

come

come

f if
rid
-

r
rid
-

Kf

Rid dia mo, rid - dia come turn ye, and- turn

mo. che
the

fe e
-

#
i
il

p po^-ers
-#

be
-*

p
-

tt
ci

mo,
ye,

diam,
turn,

diam!
turn,

come

come

Rid - dia - mo, rid come turn ye, and

dia- mo, che


turn
ye,

tern

the

pcnv-ers

be

46855

176

JL

gab
riend
-

ba, rim-bom-bi sul us from mountain to


-

^^
mon-te
mountain
ridda infer the clangour is
la
-

nal,
hurl'd,

I W
^

gab

friend

ba, rim-bom-bi sul us from mountain to

MtMlMHM
mon-te
la

Sab-bah!.

Sab - bah!.

Sab-bahL Sab-bahL

i
-

*
SabSai-

ridda infer

nal
hurl'dy

Sab
Sa

bah!
oa

mountain

the clangour is

m g fffff
gab
-

fe=t=|=g
mon-te
mountain
la

^ fejg
-

I
SabSab-

ba, rim-bom-bi
us,

sul
to

ridda infer

nal,
hurl'd,.

Sab
Sab

-friend

from mountain

the clangour is

bah!. bah!.

P/tt Presto, o '=W2.


32=

w f

J
-

^h r
1

Sab
Sab

bah!
iaA.'

Sa
Sa

bo
bo

har

Sab
Sab

bah!
*aA.'

Sa
Sa

bo

fe
Si
s

f
bah!
bah!'

iH
T^T

j
Sa Sa

Sab

g bo

har
har

Sab
Sai

bah!
Jaft.'

Sa
Sa

bo
io

"Sa*

SaVT
Sai

i
Sa
iSa
-

bah!
bah!

bo
bo

iar

m
.

gy|
^fffPi presto,
4L
-=-

sL 132

^
har

Sab
Sab
j

h!
JaA.'

Sa
Sa

~bV
-

i
io

iW*l

46855

h ^mf

^=i

177
rallenienda e fartissim.

i r
i

1
har Sab-bah!
Aar Sab
-

J-i r'
-

r
-

bah!

Sab Sab

ba,
ba,

Sab Sab

ba,
ba,

Sab-ba,
Sab
-

Sab
Sab

ba,
ba,

ba.

^ss
har Sab-bah!
kar

Sab-ba,
Sab-ba,

SabSab
-

ba,
ba,

SabSab
i

Sab

bah!
-=
.

ba, ba,

SabSab
-

ba,
ba,

m
Sab
Sab

ba,
ba,

Sab
Sab

ba,
ba,

har Sab ha Sab

SabSab
-

ba,
ba,

SabSab
-

ba,
ba,
'

har Sabha Sab

' 4^,

,f--

' 4-

#-=

#' 4=
ba,
ba,

"
1

1. ^-r A-

'
1

#-=

#-' +=-

har Sab-bah!
-

Sab
Sab

ba,
ba,

SabSab
-

Sab-ba,
Sab
-

r
i

C-

F-

SabSab
-

ba,
ba,

SabSab
-

ba,
ba,

Sab
Sab

b\
ba,

har Sab

bah!

ba,

har Snbha Sab

-bah! bah!.
'

ffV

Jf,Uf

J^LJf' ^Uf LJf' .U^L

-bail bkL

A g ^
Rapidissimo.

-bah!.

!&&r

M ^ ^m Pp
#.

t:

z&z

^^^^
fi

T^
'jes-:*

i
End

zfcr

ofAd

II.

178

ACT

III.

ME PH.

She

is

condemned.
prison.

GOETHE: A

THE DEATH OF MARGARET.


SCENE: A
the wall.
prison.

MARGARET

on a heap of straw, singing and wandering. Night.

lighted

lamp against

grating in the back.

Andante

lento. J = 50.

3*H[ =Hi -+-

4?

M -4

-4,-'

3Sww#{

^=^ g
r

cresn.

tr
t

j it j

J?*V^ iCJ^

I*
>-

#-

A f>*

> ;

,.

TOlg

fc

^
dim.
#-*#-

ra//.

TTT te

f = *>

-ir,

-..-,.-,

1
179
J =46.

MARGARET.
i

i m

L
not

V, ;n tempo

L'ALTRA

=*==
te in fon
the deep,

=F=F
- do al deep

=F

ma
sea.

re

il

mio

Did they

m u^>j)\}}>^m

bimbo
hanno
lit

git

drcmn

my

-tie

*
*

P^ T7 f
F
*

Ji

mm P^
Jil
|

ta-to, one,_

or per

far

mi
to

de

li

ra
me,

re

di

con

Sem they

say

mad

den

'twas by

my

maF^
/

ilg

S m
career
cell is

=E=S

if.Q ><
ch'io
'

L ,ii

[J_i>n
ga
-to.
.^

,U
Laura
/.irai

J_M
fred
cold
-

JPfr l, |J
il

J
-

1
e
la I

l'abbia affo

da,

fo

sco.

-self

I
Cl.

^ ^^
the'deedtvas

done

My

dark,

But

itttt
a.
i

ff p'lJiV

^f

pp

ih.hi

M'' ^*'
.

=t

**

g ^p;,^f
4 Os 5

180

jjiii
bo
ir
-

m
vo
fly
-

i
la,

nn
vo
-

sco
est

^
la,

'#

^
vo
fly
-

r,r

"I

vo
fly

la,

la,

vo

la

/;

ing, fly

ing,

^S

4
pr

"ft

ing,

fly -ing

I*

Me *=s fyf^
^=^
via.
-K'av.

i 3*tat
;/7

fcE
fempg

'

'

Ah! di me ^pie-t! Ahi haze pi-ty on me.

^ ^
>

te
-

*'
-

ne dead

re-o
at break

so

po
day.

re

of

fc^&t*&
fc

'j^>

^
<7

mia

=C=

.'>.'
e

ma-dre
mo-ther

addormen -ta-ta,
without a
breath.

per

Lav my

TVm

OhJ'hoas

*=F=t

P^P

3E=

//.
i

H
-#

MM
jt
l|

f.h 2

h--i.-ff

col

-mo
<>/

r del

rr^r T
-

I y^o
-

lor
to

An/-rf

them

ro say.

re
7/

di

con chio

^^ P
*'

a^i
m m

0)05

my

self

l'abbia atto - sea - ta. hadcausrdher death

EHI

f=*
1

mt
/

smnrz.

^m
,

<1

e fr~^

^.

#r^

-9-

S
4i;s.>>

1_

jf

F* ^S
se*

Ibi

te
pp

ji*?
-

Ji^rs gfg r
tea
il

=F

si
sco,

frt-d

da,

car-cer
cell is

fo
dark,
'*

la

me
let

sta

a-ni-ma

cold

pm
Ig

m
My

But I
'

my
m * m m m

sadheart

f g f f

I*

* ^ f -

\<

m m m m

-V^-^r hs>->

^)i

ir
-?

*>

-f

S*

H K
sco
-

3K

aFF =g&
f
*:
!

*'i

pqg
-

T if i #-Hn
del
the

:*
-

come

il

pas

se

ro
in

bo
for

vo

la,

fora
fa

gjfl_

?^EE
PP
a

jjj g

|j

* ^^

#
i

7*^,

I*

**
,

f,

.Ti
me

B
pie
-

5E
t!

via.

Ah!
.-1A.'

di

way.

have pi-ty on

me.

injejnpa

4Gb

153

FAUST

(without the prison)

L4J

^a
*?
re

IS
E

& *
(Witflout tlie prison)

m mm ^
^y

Sal -va -la! .SVn ^ Af r.

i
E
RECIT.

*F

F^K

MEFH.

chi

la spin

se

nelT a

bisso?

Io

o tu?
orthou?

Andno has brought her

to this state?

Ciche pos-so fa-r. / xi7/ do 7chat I can.

m F=
\mW
b

fit

p
7TT

// a tempo ff

RECIT.

wm
\
k
Is

PR

a tempo rapid/if

f3=j 1Kg

E3

."

E^ l-'inp H-^
i

Eggjjg

np
g j

g
f (

? ? f

>'

Dormono icarce-rie-ri, Ec-co lechia-vi Here is the key-ring. The jailors are novallsleeping.

pu-le-dri fa-ta-ti son pronti per la 7~V fna - gic horses are ready for your

s
(MEPH. opens
the grating.)

re/ ra/iiV
/T\

Agitato. J = 168.

46855

lS3

Pi
MARG.

lento assai. *

= ss.

i
-^ =*

X
g

Dio

E M 3 1511 g
i

Mer

sones-si... ec-co-lj.a-i -ta! -ci-fui heavn! It is they. Helpme,oh.'helpme,

di pie-t!

^"f
assai. J = 88

IsM
,

J.-

hJ*Ji.h JUtJ.iT
Du-ra cosa
Oh.'
'tis
il

morir.

hard

to die thus.

Pi lento

if

r
ir~

&

r\
tu sei artthou,

_^ ^3
cai canta

1
pg

rene
f f

Il

fj

o,

RECIT.

pause
lunghe

FAUST murmuring

Lnuom .nuom
A man

rfT
di

y ca-ri-t... cari -l.


y

777
.

Cn

teith

any heart.
X7-

labbi per Haresomefor

f
m

]Jh}JhtJ,J,J,,H^
Pa-ce,

pa-ce.

Iosonunche
./

ti

Si-lence, silence.

am one come to

sal-va. help thee.

fM

pause lunghe

cai canta senza rigare di

^^
Cie
-

tempo

SS
E I B
g me.
"' r
-

W
= 80.

Andante. J
/C\
it

C\

Io!
<

0\

3EHE*E
.Si -

^
si
-

fOT effusione effusio

^
ah!

35

par-laan-

oh! He(n n!
ir

^^
ta.
<

Ahtspeak once

len-zo.
leni.

Nfar-gTie

ri

Zfr

Mar%- ret, Marg

'ret.'

S ^ 2E
/C\

'ante Andante. J

= 80.

Pud.
rr

b ' can espressione e forza

Ff

ine =r

/Ts
i

vr,

ter

R
"
i

^Vr^r
co-ra,ah!

V
la!

>

par

once more.

'Tis

ah! tu mi you mould

^
g

K^f-j^vr
sai
-

sai
-

vi!

ah!
.-ih.'
.

save me?

m'hai fhnu

host

4G855

184
(

wandering)

i 5 \ 4
'

1 1
la strada
this
is

% I
que-sta

the

va

ta!

ec-co
See mno
tJ

saved

me.

the

streetdove

Pei

M
63.

rallentata

, I

dov' io

^^
ti

vi

di

^ per

p
la

(j

pri-ma

ve-ry

street

wher^ I first be-

f^P?
S*

fai

P
is

=F
di
-

J5. 3E3E
with anxiety
fe ^r^
-#->-

vol-ta...

ec-co il giar-cfin

Mar-ta.
gai -den.

This then

Mar

tha's

FAUST.

^F
= 63,

^lJ^^

3S

'I

ll^ l
3

^ V?.^ S
j4A.'
I

Ah!

vie

niah!
oh!

f(?m^,

*g

; 33

#*

^wm
^
^
j r
g

^m
tranquillamente

V V
r.

i
1

=F Resta ancor, re-sta an- cor.


/"/y zi/
j>r/,

v y F
/(>>

=g

/io/

ir/.

vieni.

Taf

come,love!

jE

H
j

>

kJ-TTS-^r

iTi^i
.?

^ !.'V<,f^i.'Ti.f

',

if

f
acce!.

S*

^mm
-

i
'

cJ

cj

^
kl

*=4
c

fret

haste,

pagherem prez-2o ta o a prez-zo tre - men -do paghe you know not the price all this de- lay
.

lin

dug"i< dueio.

i,ct

jp

-#

ill

costyou.

0*0

f'WuJ'UJ
sempre pi agitata

4US5

ISO

MARO,

with affectionate apprehension

pi
Vf-

F
-

5^
ci?

-Jt

3E

Ttr

OC

IS
f

^^
-

E
3

non mi ba

^
tr

m m mm
Dost thou not kiss

me?

e non mi ba Dost thou not kiss

ci?

me?

Vm#

\>+^~J~+
r

f'i 4 r

S~3~~

*m^ fc
ti

rr?5c. a ss <?;

tragically

ct

*.

' J-,
'

}\,j: ''
'

9 J. m J,j-.
-

;.

^i
A

i^
Che
H7j(i/

ah!
,4A.'

le
rtA/

tue
/A)
1

/'/>5

labbra son g"e-lo. arf /#v ire

fe-sti
hast thou

del-la-mor donewfhthy

J SE

fe

U 3=^
dim.

rg :~

'*

X
rail,

.X

col car. to

%m

mm
m
'

lentamente

me

'

m> 1
'

' ' > m1 1 a' m> m1 m> m1


' i

m w~+'

r
'

t
'

g i m m 0' 0>
' '

n
'

w r
'

'

i 0' m>

w
'

'

mi

>

i
0' m

0~

tu-'o? lave?

Tumi
enza temno

FAUST

^h!

to-gli pie-to-soalle ca kind oneyoutry to break my

te-ne? e i-g"no chi sal-vi. o prison. Ybukncns notwhomyou save^- ri

pieOk!

feS=5I

TCessa.
Cease.

ge^ Nl
fet sempre seguendo
la declamazione

m
sforz.

ff

&F^

*T-

3^
half speaking

^^>-to-so? kind one.'


s/orz.dim.

,rTs

)W'^i^H^/JiJ
hoawe-le-na-ta For I hm e poison 'd
l miapo-ve-ra

^.?,j,j,j
madre
mother,
-/=\

;^j.j

^^

my

-otr/i

poor

edhoaffo-g^a-to il fan-to-li-no and I henrsmotherd my lit-tle ba-by

PP

te|
*
Ped.
4H>>56

186
sadly

*" wirt

simplicity

and increasing emotion em,

^S
il

mio...

qua...

la tua

ma-no... vien... vo'nar

rar-ti
tell

te-tro or

dm di
the

torn -be

S m
IP S*
j

min?.

Here, gii'eyourhanddear,come

-e-

v- i

che cne do-man sea- ve

| p
to

m ^^
I
|

will

you

the

gloomy or-der of

grave-holes

5FS=

^m
ver-deg-

*
grow

ra-i

you must dig by

morrcpB.-

ag
F?

%
?

fra

le

zol-le pi
blades of grass

There inhere the

^
s
*

3=

K^
pp

b
p

p
mia

17'p q'p
ma-dre mo -ther,
the

e
si
-

v^
to
in

-gian-ti

greenest

i* F^

-rai sten -de - rai en you must lay

nel pi bel

del ci - mi oi -mi
ali

m
the

my

fair-est

cor -net

SE

fe

f fe
ef

7^

r''F

di-sco-sto...

B
p
p
e il

^pp'ipi^'J-^p
p

ma pur

vi

church yard

re-mov-ed,

but not too

ci-no... sca-veyou must far

Hg

3S

PP
7K

*
mi
dig

fe^ 5* rr
ro/7 strazia

M r^M f^^i\^f^n^\^
la

rhh'T

rail.

g
-

ip
mio

m-a...

lamia po-ve-ra
for my
poorlit-tle

fossa....
self.

me mine

My

mio barn -bi- no lit -tie ba-by

p -se

r sul

yowsnll place on my

g
s

Se
46(555

1S7

Allegro agitato. J

= 100.

^g
sen.
breast.

5
fi

b Sta
1

a
in
-

No.
No.

pp?
fer-no a quel
is
-

la

For

that

door

hell's

1|E
ff

FAU S T
Deh! Jeh!
A7ly/

ovn

1 5 F r r fug'g'ia-mo. ti scoi -fiu- ro. scon de -Jay not. / he - seerhthee


= 100.

E r fl=F^

Allegro agitato. J

i>

>=-

g 2

333

i 3
ra//.

31
/"" //.
'

I'

porta
portal.

Ah! Ah
b.

per -che

fug^-gi?

per

che

non

t'ar

re-sti?
iritt

uhere-fore fliestthou?

mtv

dost thou stay not

m^>

non ti pos so se For a -las I may not


L i

kk^gj^Ag

I-

kC

li-

ZP

Meno.

jjgg
-guir...
fot- loTS.

;,

i;

J'

=*

=3F^
la

po-i...

S
vi
-

=fc

g
per me do
is

^
che
far
Tchat

:
sul
-

ta

lor;K

la

More-07'-er

my

life

on

sorrow,

and

should

-*-#=*==

*
p
b
j I
,

*
dim.

*
a llarg.

m
j
B

Meno.

^dbJ.

1,

^R*^
j j
ter- ra?

r-.

r^

r^

r^i

b5 ^ 5 i 2 ?

<t ^ T -9 T

li

j
-

=r
ca
beg
re 'il

b
for

'L
mio pa-ne a my bread from
fru
-

}l

ss
my

J}^m ^=w
co
eked
"wi
-

*:

Men -di

sto a
to

fru- sto

do

vr col -la
all

live for?Just to

door

door, Trith

(*!
HE

\+-

5 # V T T
46S55

'sgatissima

mw
v * *

as

168
j*

= 50.

^^

3^=E i * E =F^

>- m J; '-:
I
>

j',

'

L
1

j j
m-*
-an

I
dales

kk gg

Lento ma non troppo.

^ ^

-scien-za pau-ro-sa domici de -past ev - er making meJ'ear and


I'ALb'T.

lit - ti.

tremble.

sp
O

n 3JC

Ri-vol-giame

=F
lo

tb g m*=+
sguar-do!
ah!
Ah.'

turn thy gaze to

ward me.

Lento ma non troppo.

TO
pp

I s*

kfe=as
o
-

g
di

'
i

g
to
tend
-

3E
-

LK

=
l'a
-

mor
lene

la
the

ce del
er taire

che
that

pre

ga!
thee.

hear

of

prays

Vie -ni. Come,

^
~#

#-

fagus

let

$m
J*

^
legatissima ed Spassionata

.MARG.

*
S
Yes,

F
let

P'

r
gi
fly
then

~F

p can
-

fug -gi- mo...


us

so-gnoun in too have dreamd of

7 7 7 ta -to a -sii
somesweet place

T
di

of

P
pa
ja/f'
-

i\
ce,
/_)'

ji

j*

>

i=
:
-

a a *
#-=

r\
=t

so - a -ve-menteu where we might live and lave so


-

do

ve

ni

tiognor
-

vi to

Yfefit.

7=f

tran-quil

ly

ge-ther.

46S-5

189

FAUST and MARC (embracing Adagio. 'J- = 40.

and gazing

into

each others eyes and whispering together.)

MARG.

B^Vl Eh r

JiJ
Lonta
-

} )})}
no, lnn-ta
-

M
on an

3=5
-

3
sui flut -ti

5
dun am-piooce
-

no, lon-ta

no

no

-far,

and a far
-

o- cean

Just sleep-

ly'breathd in

i m
l

>TTljTir ;
-

j j

j
- ti i
-

;>

to

mo -Hon,

Lonta

A -far,

no, lon-ta- no, lon-ta - no and a -far on an o - cean

sui flut

d'un

am -pio

fust sleep-

ly breath

oce - a - no d in -to mo- tion,

Mi
i

Adagio. "fg:
-,

= 40-

V
f

JL

ggfg
!=
Fed.

I
*
fled.

i
=EE
fra

s^3 Ia ges ^
frai

J
l'ai


-ghe, frai

J
fior,

p.p
-

r
-

fra
fr

ro

rdi ef flu

vi del mar,

'Mid fresh- en- ingsrent of the sea,

'Mid palm - trees and

floiv- ers

le pal - me, and fo unt- ains,

p "7
frai

r ro-ndief-flu

p.p

vi

i" pp mar,
del

^-p
fra
l'ai
-

?
le

^ m
pal
-

ghe, fra i

fior,

fra

me,

^
i
Fed.

'Mid fresh en -ins: scent of the sea

'Mid palm- tre es andflcrv-ers and fount -ains,

tL

*J

*i

f=

^p

i=J
1=
Pei.

E
*

^P
il

p
-

r
-

p
ti

por

to dell'in

p -me

r
cai
-

p
me,

^
*

^
-

^
so
-

ta

? j-

l'az-zur-rai

let

mappar.
to

mth hav -

ens en-clos

ed by mountains,

An

is

land appear eth

me.

p ^

Jl

p
il

r
por
-

p/
-

r
cai

m
-me,

^M
An
i

p
-

f^e
ta m'appar.

to dell'in
ens en-clos

ti-me

laz-zur-rai
is

so -let

c m
i=3=4
l'.hT""

With hav

ed by mountains,

land appear

~2^J>

JS m
i

i L-

k
i#
.;.

tt
*

i:
/id.


190

ifefe

3S ;
/

r
-

Mappa lappa
see

p p

r
-

7p
lo

7 r
-

i
-

'

re sul eie
in the hai

se

re

no

ri

? cin -ta d'un ta


-

J
ar
-

!i

^
: -

J
le
-

i
no
er,

co-ba co -ba

cy- on meath-er

GiadformsthatareTcand'ring to -grth

pi

ir'if/r
Mappa
/
see
-

pp

f
-

pp
lo

r
-

m^-pr
-

re sul eie
in the hai

se

re

no

ri -

cin

p r ta dun ar
p

p
-

pj
-

co -ba

le

^
-

no
er,

cy- on "reath-er

Gladformsfhat are Tzand'ring to-geth

(Mi
ss ^
fled.

^=
ravvivando

*=F
o- 5

P
"crfled.

=l
i/ff

poco pi

y=

!*

i i-

:
-

r
fu
-

p
dei

r
li

p
-

specchian-teil sor-n

so del sol

La

ga

be-ri

f^p?
is

Likecloudsirhere the summer-lightbeavis

Their fear and their toil

ing

aman-ti spe ov - er. They

M w
s*

trp

r
-

hr
\

')
j

specchian-teil sor -ri


LikecloudsTch ere the

so del sol

La

fu

p
-

p
li

ga

dei

summer - lightbeams.

Theirfear and their

toil

aman-ti speing is ov-er.They


be-ri

=P
4

l.h.
;

A a E
z//7

'

p
pgfg

31

gii
JP-e-

ravvivando

-*_3-

pm

fled.

fled.

un poco acce/.

j B

j | j
wander

-ranti, migran-ti, raggianti n-u,


on, lov-er

Tm

^
di-

string.

ri-geaquel
the

by lov-er, andfind here

vo- lo.aquel-t - so-lail li - so-lail home of their dreamsfiie suceet home of their

iJ%lVl ?J
-ranti, migran-ti, raggianti

H
di
- ri

fT?jT?

HlH

za nder

on,

lov-er by lov -er, and find here the

ai
//

F
arre/, e/7

ms
m

-g a quel

li -so-lail vo- lo,aquel-l'i - so-lail home of their dreamsfhe s^eethome of their

esattamente col canto

mm

46S.-J.3

a tempo

PP

W
voi.

qjj
PP-

J-ii.
dei

j
li -

1)

Jij
is

jin^p
la

r
fa
-

La fu-ga

be-riaroan-ti,
trig-

p ga

p
dei

r
li

s
-

lui

cresc.

se*

^3

be-riamanti
is

spe-

dreams. Th eirfear and Ih eir toil-

ov-er,

their fear

and their toil- ing

ov-er.They

r
vol.

ii

ii

La fuga

p.

r
l

p
-

;
is

^^ ^^
i g
l.i

1,1

3^

^
=*
cresc.

dei

be-riamanti,
ov-er,

la

fu

drf ams. Theirfear andtheir toil - ing

th fir fear

ga dei li -be-riamanti speand their toil -ing is ov -er. They

J^T
a tempo

f
PPP

*
/fed.

&IP

*//J77.

*= 3

-ran-ti, migranti, raggianti di- ri

m
1 3
j)

-g a quel-

l'i

so-ln
of

il

voi,

quel-

l'i

so-Iail

EM nder

on,lov-er by lov-er,

dfind here the

homi

their

dreams,- the s~Zf ft home of their

~~

j j

;.
\

l>All
-ran4i,

r migranti,

>t

L^L-;.r
- li -

:f

raggianti di-ri-geaquel

so -la

il

vol

Trander onjov-er by lov -er. And find here the

home.

of their

a quel -li - so-lail dreams,- the s~7veet home of ihfir


rail.

^
IS

r r
ppp
_^
j) j
vol,

PPPF
j)
|

ir

,=^=1;

S*
i

era

w
K
.

O
a tz
o-Cfan.
i

te

lonta-no,lonta -no, lonta -no,

lonta -no, lonta -no, lon-ta -no.

drfams. A-far and a -far on an o-cean,

a -far and a -far

on an K.

PPPV

b,

PPPP^
,
.

K
.

'K

'

L_

vol,

... lonta

no, lonta

dreams.

A -far and a -far

no lonta - no, on an o- rean,


,

lonta -no, lonta -no, lonta -no. a-far and

afar on an

o-cean.

rs
e7

wppp

3EE5E

^
morendo

=m
r\

t& ite

gs i
I

SP
II
4r,s")

/fed.


192

Assai sostenuto.

4 -92.

MARC

=*=?*
(appearing in the back.)

&3
-*-#
ta

MEPH.

Sor
Drty
-

E B

g il
Aaj
di!

Ah! Sa Ah! 'fa-

OL.rJ, PT l" na
tanvho
is

I:

'

TSi
g!
g*1?-

rug
ra

m'rc.

jj

bf

/M

MARC

(to

FAUST)


FAUST
in desperatinn

g*

= Ah!_

^
my

no,

non lasciarmi
loir,

f^
in

abban
a

ES

*
deh! t'af
/A",
-J-

F
-

m
ta,
il

Ah.'
j*

my

lave

do not

5*im flfcjt
tem-po
time
is

fug--

Ah!_
Haste.

fret

S^
14

g!

Aa.5r>

$",

hastethee,

T^

3E

^ E
Pei:

-#-

^^

ft?i.

tf

-tq

^-t

'

Mr
*

Fed.

&

3Z

iM^=^

^^
-

do

no!

^^

ban

don me.

MEPH.

j-

r S *-^y

h' J#
gi
waits

^ S^
da
teitk
-

T
le

^
la

m
E

Squii -la The scaf-fold

quel out

and

the

por trump

te

fan

A-

of

death, the

>.

3E

1
*

ffPei.

f
#

1 1 i A
a

7t

*a

ji

wmm
ig->-

^a

^s

193
(struggling from

FAUST.)

Ahi

me!
las.'

gran Dio, tu
in
this

al

lon-ta -na

la

mia

ten-ta

great temp -to. -tion,Oh'.Heavn'. keep near

r^*=
-fa
-

a
mor
-

=e

ra, la
-

fan -fa
of death

ra

del
calls

la

irum

pet

mmm

ji

now

loud

I
Pei.

LJ.

&
for

ji,
me,

in

ji

j.

zion!granDio,tual-lon-ta-na lamia ten-ta


this great

&

Poco

pi. J =
j-.

100.

cresc.

paco

.LVj
-

j,

jijii
le all

tempta-tion OhJHeav'nJkeepnear

zionlMi strazian me. The rack is

mem
turn

m
m

qc

SE

1)

S I
J
= 100.

J*

'

-te.
thee.

Cessa -te, ces - sa -te le va - ne pa Have done nozc.hare doneWithiheseizords un- a -

m fe
t

Poco

pi.

7?
*
~=t

-Or
cresc.

pp
\-

paca

paco

acce/.

Jl
bra

h
My

Jl
-

J>
re

J^
ri
-

con du
limbs

tor
bleed

te.

Dio,

fu

ma
the

are

all

mg,
i.!

Oh.'Heavn'.to

HI m=% t
-

J,

j | J.|
do
in
ri'

=jfe

1E
le
-

ro

dal ciel

en
heav
i

te

gi

va -si il ra - si
dy
is

so

le,

dal ciel

do
in

-ri
the

vail

The damn

the

ens

Al

rea

pa

ling,

The dawn

4<s5

A
194

mP
1U

MARG.

ta,
old,

^^ f^Ff
o
Dio, tu Heav'n! to

ma

iu

scaff

the

scaff

FAUST

l w

Se
ifr

Ji

J,

g
ciul
-

ii
la,

J)

I,

J
-

|
to sconnut not
ty of

^P
b
-

MEPH

- re - na, fan fa/ - mer, my -Mli-miT, iwy

lo spir

nut car

ting, ling,

And ana

cui talk

P en - te gl^ le keav-ens Al"- rea

J I

P
-

va-siil

I
so
-

P
le,

F
-

V
sa
done
-

P
te
Tilth

P
le

S
va
-

P
-

P
pa pa
a

dy

is

fa

ces-sa - te, ces ling; Have done nas!,haTe

ne thesewords un

I ?m
'

gip

PS^P m m
/,
arra/,

$ w

WE. m

^E
!*-

mo/to * sempre

-^
-ta -ta,
old
v0rl
-

fi

E
gui gin
-

F^
da -no a
they ar.

mi
/

know

Pi
dy

^
to, io,
-

a E
-

mor
lead

^^
te,
ing,

i
-

mi
I

gui

da -no a
they are

knim

eh io veg ga tran k ing, Be hap - py, nor

quii

X
tor

lo quel pai o

I
-

;
li

f do

:
voi
i f -A

Ppp

to,

por pon

f re

no al - p la
zzo/
7i?r

ture thv

bo

som with

Mg;

-Yrtv

sw/i

fri'ii
-

p
-

P
dal

I
ciel

ro

le,

p do
in

1
en
-

'?

n
the

|
le
-

j
-

*
- siil
is

so
-

te gi

vail

ing,

The dawn

heav - ens Al

rea

va dy

le,

de
I

m
&$=M
i r
mor
lead

m
malto
e

acce.

sempre
I

W
iifTi

3E
fe

m
/f

pa

ling,

hear

M
ne
-

^^
ri

pu

the black

-urn

*
Sc
-ft

If

i^j^
te,

==

ciel!

ah!

^m
JI

Heav'n

-e

gi sul mio ca-po, sul mio u/> - on my Af atf", up - on my

^m s &
p=r=?

E
-

=F

fo

ga de' va fa de

ni

so

spi
stay,

- ri,

trem-ble,

Thy tears quickly

ce d'uo-po r d uo-pc fug And comehas - ten a

6W
spay.

ah!

4M
=s=

C>:l\1

pfr Pi)

|
tri
-

PP

pf

-le -dri gi sb-deil ni char-gers Im-pa-tient-ly

neigh.

re, c' d'uo-po fug So come has -ten a -

^^
s

f=f=t eSe

g
t i

-Mte H'E p*

f
i

?-

f-

t t

li

4CS55

195

gg
r.i

ir

g ^ po
la

n
r-

acce/, pi

ancora

k
ii
Jil
.!
ii:

3E
bril

scuc- re scu

bril - lo,

la

scu

re
ly

ah!

head

5w how brightlygleams the

axe,

bright

gleams

the

Agitato.

a
chi

:*

3E
-10.
axe.^ k
k
'

y
'

a.
il

Chi
i

*S serge?
ris-ing,

'

What's

F V V f serge dal - la what's rising"from the


?

ter-ra?
earth?

Tu

t
SE

g
-gir.

t>

g I

*
E

g= g
na-to!
horn.'

'

3^

-wayWouldl

Ah! non fos- si mai ne'er had been

giam.

-M

0-

=1S 5*=
iher

3B
to. cai canta

Eb-ben? And then.' 5=^=


3=

-.

SO

3*

bw
P
<fi

igita

^
RECIT.

P
lS"o
-

f.

>

K* p

FI*
-ri

P*piF. i:.,.
i

,|J

;.
lo

-.H
che
what

=^=fc f. ,'iJ j
vuof le il ma
is the
-

mostro!
/an.'

Mi -se

-cor
mer

dia!
cy.

in

que-stosan-toa
in
this sa
-

si -

le

Oh.'hare some

Here

cred

chamber,

ac-cur-sed

*p

EE

w
ccl canto

4ft

^
i*"

'

i-m

a tempo

rw
40so;

= 144.

196

RECIT.

r*

jf

?^B ?F3?
Ahi
Aft.'

s
d

r\
4t-

Allegro veloce.

32
-

J>

Jfor
-

J.
se
'tis

=&t
chei he
vuol!
seeks.

-det-to?
seek-ing?
KALST".

lo

scaccia,

me
I

take him

from

me,

for

.All!

vie-me
anrf

-4A.' forni

Allegro veloce.

BS
q

^
**= 35

I*

# - 144. -

FAUST
P*
' -

4$

^
fr*
,-.

<$ k
vi,

A
s,

fi

vi
lire,

Ai deh!.
yet

vi

vi,

Marghe
-

Hn
-

ta.
-

live,

in

deed,

MEPH

my
l

Marg'
-

r<rf.

-*- #J
Mi

fr

\
#-J

=fc=q
#^

0-L

<U

+1

se-g^ii,o

en -tram-bi v'ab-ban/
leave both
to

come, or
m>

w
...
F

&

'

~i

T"

'

R5

-9

-9

Dawn.
and

the grating.

MEPH. goes to explore MARG. lies broken fainting in FAUST s arms.

K
-#-"

#^
-

-do-noalla man die up -on the

na
scaff

V
4685

197

Andante lento, MARG.

s = 36.

Spun
TA^
-

^^
pai- li- da..
lui
Oh.'
-

g"?
ti
-

ta

rfaraw

lau-ro-ra w slowly
- 36.

mo

n ^
r
di

'

gi
a
-

ly^-TO J T vie ne,


-

break-

Andante

lento. J

E B =^
d

m
N
fui
-

ing.

most for- lorn

vak

ing,

C7TT rr
i K
"

EEg

jEjE

?
es
-

3S I

^
-

r
-

+f-f

ser

do -ve

va

il

Where should haveieen

my

bri

g dal

do.
bed,

gior-no

del nostro i
they

me

ne!
ing.

My

death-bed

now are mak

t I stk

:f=

m
kbi
S

\>tM
i

f P Hfgr ffr r L^-rr

m*

mm
tut-to
All,
all
fi

j^
5

!*

BBg

3^F

V
PF

*p languendo
*==

2*$ 9 **& f

-S-ni
-

to

in
is

VI

& BE 1
E E
a!

ad o-gTiun -gru
the cold earth

Ta ci... 'aSoon

s'ashall

in

life

0*

er!

FAUST.

u_"
E

t U
e ^
e;//

j
ZF

stra-zio cru-del!
cr
f/

T* *

^
1K
ghe
the

scon

da,

ver, shall

ascon-da chea-masti Mar co -ver Poor Marg ret from

ri

ta
ver

e ctifo

ti

die -di
all

il

lo

Whom

she has

for-

46S5


198

^^ggl| gp
|pj
cor.
giv'n.

Ah! Ah!
'*

a questa... mo-ri-bon-da per-done-rai, Si-gnor, hearme... I am dy - ingand benearme... For-give,


ti-*,I

perdone

- ra i,Si for- give me, gracious

4*

-#

ffl

^IP
-W
I

li

^^ W^~g ra i P
ftft

r\

S
Prologo.

SE o

tt

^
Coffjtf <?/

w
ga^

-gnor. heavh! Come nel Prologo.

Pa-dre

Ho-ly

E
PP

3B

^
3

m
.
]

f
5^ * ^S l^^SiSJ<!
l

imnrz.un

-paca

SS
3 3

"S"*T

tM^J
3rS
le
-

accelerandn

*3

tf

p
san

E9
to...

3
mi
thou't

-#-*-

p
voi

qtq=
ce
-

sai

va... e

sti

fa

snre

m/\
m:

a/irf

ymt,
I

sweet an

gels.

4&
"i

trr

#-

a^

^
/7/7

:x^F accelerandn

^^
I S*
*A

&

3u
5*5t

S^

IT

S ^^I^^^^ B
/

E
pro come
-

fc

teg -g and sue

^
-

allarg. e nnf.

<

g'H *

>

dai
si

te

que
her

sta' che a voi

cour

ichosehardheart

is

ics-:

199
(falls)

almost spoken

-g-p
-

irur..

S
fe

jk FAU S T

MEPH

^#
O
t

En - ri -ri

-co., co.
.

mi

fai

ribrez-zo!

Oh'.Henry

I ab-hor thee!

zio!
ture!

stra
tor

as
I

Hi
E GIUDI-CA
-

Oh!

TA.

n
art

5A<"

cottrfem-ned.

Soprani.

sf

Vigili
VE
f is

m
^

Tenori.

sal sa

f
va' Va!

8*5

ved.

Bassi.

H^SI PP St< n H E ^^ f
H
sal
-

She. is

sa

va! ved.

SV.C

sal sa

va!

red.

MEPH

Prestissim 0.
}*;

FAUST and MEPH.


In the

exeunt.

back the executioner with his escort.)

li

'

*i

1 1

I
Ewrt o/
f/rg

40s."

Fmf

P<?r/.

200

PART
ACT

II.

IV.
HELEN:
me
what

(Tell

must do to learn

an idiom so moving.)

(GOETHE:

Faust

II.)

NIGHT OF THE CLASSICAL SABBATH.


TEMPE. The
zenith.

shore of Peneus. Pindus. Clear streams and thickets of laurel and oleander.
left a

To

Doric Temple. To right swards of

The moon at its nowers.HELEN.PANTALIS^srRENS.NYMPHS.etc.

Lento. J

Piano

46 S

201

HELEN

PANTALIS

La luna im Moonlight in

-mo-bi-le

in-non-da
se
-

l'
re

-te
-

re
ty

d'

un raggio
on

motionless Wairs of

ni

Flov-eth

pai-li -do. pal -lid -ly.

m
Can
Sing,
-

3
ta.
sing.

$
Ca-li-do
Out of
the

m
Can
Sing,
-

ta.

sing.
rail,

languidamente espre ssivo

un paro

bal-sa-mo
my-rtle tree

stil-lan

le

ra-mo-ra
de
-

dai

cespi
er

ro-ri-di.
pal -pi -tate.

Odours most

li

rate

Hov -

and

P*m
9 s
9

t*

I
SS
<

^
yr
sii

m : i

r
-di
-

Do-ri-die
Sylphids and

-fi -di,

cigTii e

ne
-

re

Wa -ter -girls Wan -der de


-&

light -fui

ly

va-gan Ov - er

sul
the

T a-li -ghe.
va.
-

tervays.

m
-

Can
Sing,

ta.
sin?.

468.".

~
20i
rinf.

>A

g
-

L'aura se Soft Kind is

re

^^m
EEL
na,
la
i'/jg',

rail.

v
is

'

r
pie
Jloz:
-

^^
na,
!'/?,

lu-na

can-ta,o
.SYrtJ?'

si

blow

Moonlight

fo

T=3F=F
Can
Sing,

i^ll
ta,

~5
can
s/^,
-

5 g~^?E 5E
ta,

!/5,

*r

ran-ta,o
jt'ng-

si

sing,

rin^,

to

us,

em ~
5e
languente

$ PP
f-#-

==
p
ra//.

r?
Ped.

TtF i~s

ES

m
:

4r^^

f decisa

i
i

7,

^JJ
-

feEE* EEEt
si
-

3=5=
-

^E
i
*?

re Si

na, canta, o
ren, sing
to

re
Si

us,

na, la se -re ren,sing us to

na
deep

ta!
sleep

22c
-

re

na,
ren,

can
sing.

~Tf
-

3E
-,

-7

ta.
sleep.

Oh! sing us

to

FAUST.
I

(From

within.)

e;

Se?
E - le - na,EHe-le -ne,HePiU
=EC
lento.
ten

?
ra/7.
">\>

P
4

tr^rJ

en I canta

appassionata

/ff/7.

I V

>

z a

Hi'S Ff
-

W2
-

^r^
na:
ne.

-le
-

na.E-l
ne,He-le
-

-v

le

ne,

na,E He

le
le

Ripigliando

il

Movimento di prima

w
seguendo
il

EIE

canta

ir~.ii
f marcate

1
i ^-4*-

E^

*,!

? 7

4CS3

203

HELEN

PANTALIS.

Viandan-te Comemea-ry

lan-goii-do t'appres-saal
tra -vel -ler, Here
to

mar-gi-ne

del flut-to
the

fie

bi -le.

the

murmur -ingRuins of

riv- er-head.

u
m
7

|>

Can
Sing,

Mu

j
-

1
in
-

J)

I
Mh

J;

j
to

j,
flo-ri

De-bi-le.
sic

can-ti
ri
-

-co t'in-vi-ta,e
thee

-da Ja via

di
in

mammole.
vi
-

Here

lie

trnnquil-ly Bed-ded

o-Iets.

8-

Can-tan le Hark to the

te

-ne -re

voi-ces

si -rene, a -ma-bi- li Grazie del of Mermaidens singing a -far on the

mar.
sea.

Laura

Snft air

seis

4HS55

204
languente

e e
-re
-

ppp

rail.

p^P
na,
ing,

ji

la

p lu-na
is

p
pie
flora

r,

m hi:
can-ta.
si
-

;i

Jl

I
si

na,
ing.

^
=5

Woto

Moonlight

BBS
Can
Swig-,
-

^ v^
ta,
sing,

#ry=
Can
Sing,
-

^
Sing

to

us,

re -na,can-ta, Si - ren,sing to

us,

:=:
#
to
/

'

si

are

ta,
sing.

can-fa,

Sing

us

Si

C^r:

4t-tI

=4

35E
ra//.

?
i =:

^S
rs//.

sB
efcis

P^P
f decisa

231

^=

Fed

f^^
I
re
-

la

*
re
to
-

(exeunt.)

3=

na.

se

na
deep

ta!
sleep-

Si

ren, sing us

SSsP i =* W=
-na,
-

Zfc

"TTf
can
-

3=
ta!

ren,

K w
&?!'

pf u
(

en \o.
-

FAUST.

sing, Oh! sing us

to

sleep.

From
.
,

within.)

s *1/
;

"f^T
le
le
-

^
*na,
ne,

le
-

E
He

na.

le
le

na.E-

ne.

He

He

le

ne,

He

Pill lento.
ten.

=m
-lM-

T
appassinnata

S&d

fe

^=*=
-

^E
/f/7.

^SI
-le le
-

O
'N i
-

E
2E

le

na. Ele-na.L El-na,E ne,Hele - ne,He

m
gyfr^

n
le
-

le

na!

ne!

rrs

if
i;

If
r\

g^

1;

46S5

205
RECIT.
(

MEPH

enteTS

th

FAUST.)
'

^T~"
Ecco

^f-

,1

k
h

^ f-M^
a a
che cer-chi
vi
-

J:
ta

I w

s
nel

This

is

la not -te del classi -co then ight of the classi -cai

Sabbath. 'Tis

Sab-ba. Granven-tu -ra per a great boon for

te
thee

ubo

seek- est

life

4^V^

s ^^ ^
Vl
-

Moderato.

Pp

'

fl

pp

er

m
3EE

PP
-

re-gno del -le fa-vo-le; nel regno del-le


thf land

from out

of fa

bles,

for

in the

land of

fa-vo-le tu sei. fables thouhast come.

Saggio con
So hear mv

&=2^ I
.

Moderato.
-

9 w

ct

ffi?

:*

S=t 3nz

;2

^3
,p^

tf

Moderato. 0-6$.

3r

sir
-

'vp

^L

??

"M
-

^^
1

-si-glio
counsel.

di spiar cia-scun Let each oj us de -part,

no~stra for
in search

of

per op-po-sto sen fortune, on a dif-fe-rent

tu-na

tier.

path.

Moderato
3=

= ss.
.

f-

legato

s
1

FAUST.
i

P"
-

^
the

-*^

*
-

<M

*
of

J^-fc
'
'

=^
go
i

ft"

ft

3
can
-

?
ta
ly

De -li

ho l'lt-ra
in

del

suo va
thv

dio

ma

/ breathe

cense

de

li-cate

Ian- guage, love

46855


206

'Tis

p?

Sonsulsuo-lo
inGreecel

w
di

am

E
Gre
-

fi
ria!

^
i

ravvivando i i i g E E p
fi-bra

languendo

(Exit FAUST.)

i P

E
P

2==f p

MEPH.

s
7',.

k il

O-giiimia
ev-'ry

stand-ins:

My

fi-bre aches

pos-se-du-ta dal-Ta-mor. and vibrates andfails for love.

J^^r

Al

^i*

^^
Bro
Bro
-

--*

ruvidamente *- 3*=

3=
cken,
cken
,

<;

/)

-t

*
f-

S
io

r'

fra le stre-ghe del Nord with the hafs of the Sorth

ben

sa-pe-vo

allvouldhave trembled

W-t

Itti ^.g

p^

l ^c +^*
:*=**
P
'

J
-* >
'

E
'

^^^
Tu"

1
T T

V -v^
Andante, -zs.

Eg 1

up

r
r

* V

II

*=*F
V *
tro-vo
leaveme.

P *j? f p ? far-mi obbedir, ma qui fra stranie at my command,bu''mid these love -ly

ir
lar
sha
-

" a
-

^S
P

*-

ve pi me stes-so non dans all my Kits seem to

Andante. J=ss

ss

46 S') 3

207

M=

r
-

r
-

g
t,=f

g
Harz,
Hartz,

gg
3

A-tri va Ter-ri-ble

po
va

ri

pours

del -l'ir -to of ro - cky

a -cri ca -trami e
re -sinous smells of

m PP I^sp
cresc-

P|

S3

Si

DM
re -si -ne! pi -ne -trees!

,ppp lTjUff
|

J)

ff^j?

|T
or find
-

i
ma
not

M=g
di

o pre-di

ye are

let-tial-le dear to

mie na - ri! un' my no-strils! I

voi

non

your

slight -est

m u ggj
4
i
fiu-to
trace

Lo

stesso movimento.

p
1

";

p
-

gp
-

p p p

in quest' at-ti

-ca

ter-ra.

in this de-li-cate

country.

Maqual s'i Bu Tihai ap


t

nol-tra

p volante o danzante

pi

praaches's.ith singing and dancing?

Lo

stesso movimento.

m
fey

bg
r

^
pp

k
>

w
r?

zmz

mi

dolce

^E

be

S
-k

^^
fr-.
I

rr-pj'P
ga-jet
It
-

seems

to a

p scia-me fem-mi -nil? croTcd of Ime - ly maidens

pp'

^?'y
Ve
Let us
-

^^

(Enter

CHORETIDS.)

diamo.
see.

i
gi

fc

^
46,S5-->

208
(Greek dance. Exit

MEPH. annoyed

and perplexed.)

Andantino danzante. J=ioo.

' -5""

leqqiera

i\\l

giP^i

F##

P T P ? P

Si
#=i=F

^^m
fcEfe

mm^.

gjjjglg

M^

S
\

ffzf:

P^ PS^
V
7

tVi-frr flP

jjjgp

IMMS.
3EEJE

fc

BS

PH* P

P^

46855

209
ra II. languidamente

a tempo

i u'-^g sa |
>

ig

*3 J # ' # j
'

r a Fa : * T-^r

*t*hi

-#-#

L C JPii
leggerissima

^^ S
=

^
UJ

Ma ^F9
Si*5
jgg

*Hf

PPP
fffPff
I
i I

"Mi

Hi

il

SE

es

f^r
=*
F?P?P

^^
;f
lj uj

e ^

L^

g^WT^
gjgj
Prp?

^f%
V
A

*
i i

e*

e ? i v a

-ft

P-??v j

gglllg

B^^

PH B
ggj

g.-*

flVr BLj

CJ

ih

M &H t'trrwfrrt
(HELEN enters
followed by the Chorus.)
-5y!

^m PS

-sanar

#p

il

gig

) i 4 *
!

r-

'

1 i

40855

210

CHORETIDS. Maestoso q lento. J-46.


8

Ah!. M.'

=*==

Maestoso e

lento. J = 46

lU
' *
ii

i
11 . ^*

Tri-on-fiadE-le-na, car- mi -ni, co- ro -ne.


Ptaiserumthe triumph song SpartsQueen adran
-

h^ m wmm m
'

k
r dan
Fling

)' ze
forth

w$
pa
the
-

te

f -che,
ti

ces.

flou

er crowns,

;ui

i,

*mm
^Fg^F

m
#

dolce e solenne

f
*-

i^#

=5

S?

r
lu
strike
-

m
*;
di

4t=fc
L

p
ce migh

7?
te
ti
-

?
ra.
ly,

Vthe

febt
*

di
lyre

sa di With the sun -Ughi a


-

Cir-con-fa

*W
sol
il
-

ma-gi-co

round thv beauti -fui

tfy^MMM.^?^
vi - so, tu ir-ra - di l'a- ni -me, ri -ver - be visage TTioudost il -lume eachhearl and lamp up
-

/Tv

ri

il

the

eie-Io. heavens-

10 V) 5


(HELEN absorbed as Largo. J = 40.
211
by a terrible vision.)

pi
I ^
I

p p Not -te

p
rfar

g
_2_

cu -pa,
touring,

tru-ce,
fearful,

senza

Midnight,

fi-ne fu-nbre!or-ri-da beyond all ex -pression. Horrible

Largo. J = 40.

'W

^g

izt

s
r>

mm

?
J>

IF*

^
i)

*7"
!

i%

T +^g *
i

rj):i 0' r r w a
im-pla-ca-to
ri
-

i^f*^
*

not - te d' II night of I

lio!

mor-so!

Nu

^
-li

moSSO. -

69.

-go

d'ar
-

sa

Hum.

im

pla-ca -ble

mem

-ry

Yo - lumes of burn

*g

m
'Sp

Pik
rT\

TTIOSSO.

Jr69.

declamato

T
p
/T\

legatissimo

s
la
te
-

al

tog 3
dust
in

* E mm * SE
ven wind
to

poi -ve -re

sur
-

gono e fan
and
the darti

no
ness

pi

eie

PP P= ^^
-

ca

ne

the

rise,

gnrzs more blind and treacher


tr

m
M
a =9

rr

^
sforz.

5R I
-f-Tt-

3=

*=7!
tl -SI

it
-bra.
-

g'

fee
?

tws.

Di coz-zan
With the clash

CHORETIDS

40


212

tm
-

m
-ti
di iots.and&ith

M
ca-ta-pul
thegreat ca
-

te

J
-

scian char

so

nan
thun

ti

p
E

Te -tere scossa!

mm
i
I

tapult's

der trembles the icelkin,

Pp^
yjwj B r
i-
5=ft;

te

mm

I fu" rfj
g

E
si

T
ali

-f

iO

^
di
the
Tcith

3C
T=t-

mu-tail
the

suol in

vo-lu-ta-bro

san
slaugh

and

ground slides from the feet

^
aflBS^-*

mwwM mm

:
40 So")

Molto pi trattenuto.

213

m f
t3E=Ei
&-.

se
I

k
Nu
ter

m
-

mi_
ri
-

S
ter
ble

m^E*
-

ri -

bi
in
-

li

gi
-

The

Mark

fer

nal

r ^^E
mi!
us!

Nu
Spare

hJtiJ
l

JdJ Jjd J^ J itll Jj,^J^ Ji,l^i jJ Jt JlJrilhJJhJ^


l

l; l

r
i

Jlil

^ mm 9 5=m *=*
l

Molto

pii trattenuto

iJi ji

*-

ff can violenza

g
S y
p'
rug"
-

g g g g >

it
-

:>>

av

*#*p
i
=
-

M
1

g
i

go -no,
ies

^^
rein Itm
-

-?
-

ro

cen
hnrt

do
the

de

bri

and

ex

del la murd' - rons


-

as
pu-gna;
fren-zy.

^ ^f^^^^^i^ ' ^ ^
l

'

'

i
i

'i

Te

# h# Hi =F=* i v

h*

h*
v
-

h*
v
#

m
-

Trattenuto

come prima.

0M
1

fi ^
tor
-

^SP
ri

k
*
L

'H

rM-ir
*

j.

j^ H
fra
la

spi
-

Tot

er
ter
-

ins:

tors

ers

Trattenuto come prima.

loom

gon-si tra -g- che, ne -gre, up som-bre and death- ly

ca-li-gin

out

of the deep nin^

46S35

214

I
CHORETIDS. 3RE'

t
E
le

L'in-cen-dio gi lam -be

m m
?
1

?->
le

Ncm great tonguesnf flame lick


\

the

%
j
j

na:

^fjjjgl-^l^f^f -^l;^l:^l;^l

USE! ?f
rr?sr.

tfj

/wrj

/mrj

a 5

5 ?

^F^
h h
b.
.

^ M *
case.
houses,

5Q
h

fc

b>

^
b

JE

=^=^

string.

#-

-#

#-

'

*=*=
gi-g^n-ti) a- bene us.
$L '

Veg"g"on-si

l'ombre de-gli Achi pro-jet-te


-

(bui pro-fi -li


hen'- er black -ly

and the great shadows of iheGieeks gi

gan-tic

gg
SB

it
!f

0.

:
1

g
ar/.
rfz

/h

^B

f=r
=b 3=*
r=3*fc -M

tr-rf

e^ e

?; j; P va-go-lar

^^

P-fc

*=
a
1

r
in

Ahi-m!
.-1

m^
iC\

le

pa-re-ti
a
-

mez-zo

ai

Wallsare crash-ing

round us,

the flames are

ro-ghi. on us.

las!

ah! Ah!

46S5

215

Largo. J=

ss.

p p
Al-to

p
si

J'J'K
-lenzio

.'-

J'UUX
ever

Jtj

regna poscia
reignsfor

do -ve
"'here

Soverrign silence

fu Tro -ja. once teas I - Hum

^
r\
followed by

(FAUST enters richly clad in the costume TALIS, and FAUNS and SIREN'S .)

of a knight

ok the W? century,

ME PH. NEREIS, PAN

P r Moderato.
-

.03

pH
Contr.

M-f)
g

M
I

j
O
O

J' p

J)

I JWji
-

Chi vien?
Witf comes?
i

le strana, o mi -fa -bi strange,0 most icon-der -fui

vi -sta! vi
-

w2

^ ^
I P
E>?

vJ/IJ)"P
Chi vien?

Sion

i JHji
-

p p
.

ip p
Ln

fe

An a
!

*p
Un
e Anil-

strana, o

mi - ra

bi

le

vi

sta!

Moderato.
--=

Wh o

comes?

strangefi most son-der -Jul

vi-sion.

~rr "a;

s
^v-

li '-I!
accentato conn eleganza

^^

T3~

fe
j

f^p.jji.j.uu Tju
vib-so mestis-si-mo
si

pallidfeatures onecanread the

^l
^#

ry Cr

^~

BB m
leg
-

sad

tale

ge: Amor! of love.

^ftfogfhtfefl

dolciss.

a w i

5E=

18

'P

Vol-gi-ti

p Re
-I

I'lH^pp
-

p r

r
(group)

gi-na!

Re-gi-na vol-gi-tieguarda.
beholi turh thy head and behold him.

Turn thy head jxeet princess

If

a
dales

gi
O

j>

jij

j
ji

'

=#=s=
guarda.

Vol -gi -ti Re - gi -n? Turn thy head, STCeet princess

Re-gi-na

vol-gi-ti e

turn thy head and behold him

I f
uga FT

PI

it it it

M.S.

M.S.

46S55

17

FAUST

(kneeling to

HELEX.)
J = 60.

Andante amoroso.

pu-ris- si-ma For-maide-al Form of i - de - al lore- li-ness Andante amoroso. J = 50.

del

En.

SE

1d
legatissima

33=

^f
i
-

rp
p-

w
-la

bellezza e
be

ter- na!
fore thee!

unuom
A
mor
-

ti

si

proa
-

tranced I kneel

tal,

3Z

m W

*3

zac

.171

JSl

^
p

tr

as*
me
la

p
ster
dori?
-

1 ~i r
in

''fj;
suo
one

a ^
j
-

F
ver

na
ft,

<?_

na -mo -ra -to al per -fed queen -ly

lo.

Vol -g
turn,

me,
turn

ver

those eyes

up

ra/7.

i.J'\
cru on
-

^
pu
of
-

s*i:
Eczzzzf!

fc

-**
rfcifc

na

di tua

me. So full

la bru-na, va-ga co-me la heav'nly dreaming, Like moon-light soft -ly


pil
-

=&

acu.

na, gleam-ing,
-

lu

ar- den-te come il Yet glowing like the

pm ^^ ^
m

rail.

til]
col canto
accel.

w w
m m

^
i
p~

m m m

r y
?

r
-

so

le,

p ar-den-te rome

pi;
il

r
-

so

le.

ir e Un uom ti

* ?"
!

g p
si

=
-

g
-

pro
a

ster

na,
thee,

san,

yet gffui-ing like

the

sun.

A mor -tal

dor

r^rmj
4CS55

218

unuomti
a
mortal

si

pro
a
-

ster

na

in

na-mo
a
-

ra

to,

in-na-mo -ra-to

al

WpPiP^
creso

dor thee, Yes, I

dorr

Ahee,0 queen-ly

per -feci

gg
HELEN.

^3^

Jg

i
=Q=

gJ

U77I
323

1
j
-

1 I
Dal
PANTALIS.

P
tuo
re

I
spi

P
chia

^p

ro ger

pen
ev

do e
er

me
in

mo
fond

be

your

em

li
y

m*
Ah!
.4A.'

P
qui
vi
rest

'

l'a
(77

mor
/otm

Mo-

rfo

FAUST.

S ^1

?
OHI".

i 1
La
NffS) the

St

5
-ma
me
-

5
P'
-

P
-

P
la ern

suol.

tran-quil-la im
tran -quii

XEREUS.

g -ne mo - ry

del-

la

fan-ciul
/a/r north

Qf-

f/W

m
O

MEPH.

stu

po
7T07I

great

CO

I s=

Soprani

Contralti.

E-

_PE

Qui
They,

n
rest

l'a
in

mor
lore's

li

m
O a

Te non

Bassi.

8^
Qui
-

3
vi

flb/re, tranquilla

e legatissima

46S

21

ch'u
Yes!

ni
call

#
ca fra

m
tut
bles
-

-te
sed

te

me

or

^^E
Ah!.
Ah!-

m^
blan

g
da
eh'

f
mai
loved

p
le

>

!
-

l fra

neb -bie d'u


pine-trees

maid

'mid dis-tant

'neath.

i
5

Pro -di

H ppp
-go,
ixon-der,

j
-

J) t
-

pro
o

di
fttfrt

gio!
der,

<a-'

Jnii
-re!
<frr

?
-

e
vi

pro -di -gio! qui


o

p p ; l'a-morlia
in
love's

n
na:
ion!

m
stu

du
min

'swn -der, Ihey rest

do

Won

y&i

PPR

-^-V
'

i
-

fe
ste

stu

por:
der,

re

le

/w>

H I
-

%
na!
ion

3;

<

-jx.

du-

O
Pa/r

ce
of

le

ste

m/n

hearn

^^
1

3
Pro
-

p 1
di-gio!
^render,

r
li

a-

du
Ti/oh

na
(ifr

Fa
<i/

46855

220

Cr-^f^
tro
all
-

&
-

g
nin
-

Pp
spar
For
Ml/5

a - di e
the Greek

le

ar -

or

g ve Tro-jan
-

fe
ens,

maid

vo - lut hav-ing

U
-

P
na:
ton

'l;
per-du
so cloud
-

p
-

p
gib.

?
di
-

j
sva
a
-

f
way,

^ T~:
con-qui-so
he-hold me,

ta
be

Ian
la
-

da

den has died


K

pro
great

EEjE

di

gio!

I
ni,

stu

l'ozi

^g
por!
stu

por:
der.

guar
TTaMi

da!
them!

Lfefc
rop
heav'n
-

'>
.'.

A
g

lr

:"

ft

^^
Lu
tf]>'

5E

pia, ce
ly,

le

ste

cop
beau

pia!
ty

of heav'n-ly

Like

sembran En-di'-rnione e na and /i Lu

na!
mion,

T
cop
beau
pia!
ty,

ce

le

ste
-

sem

heavn

iy

p
V

mor!

^
la
/fcr

dea de-

li

ba

Une!

armi a

tawf fl/m

du
-

ah!
ton.

46555

r
- tuo SI drami to me

h J B
P
'

} p
su
so

b S a a 35
te
-

JDC

fa
love

sci -ni

co-tanto a
a

man
lov

te!

from

vonder -fui

er.

5*
guar
Watch
-

da!
them!

li

r-'"
m'ha
Tis

tTTp
un pi
thy beau
-

P^ry-
bli-me sguar contem -pia
-

j)

,,
|

Lr
un

.jjii,,^
-

su
ty's'

do,
tion

pi ful-gai -ra
-

to

En

sia -red, enthrall d, doth

^^
-por!

ce
-

-r-f
cop-pia!
beau -tv

A
*-

le

ste
-

Hea

ven

Sp
ah
//i

^S
qui

ff-mr

Ha- du-na
<fo
-

^
l'al'

Mts

min -ion of

^tM,
('''
j

VJ>

.1

Jl

J
le
-

p
ste!
ty

coppia

ce

PP T
li

=
qui

adu - na

of heavn-ly

beau

main

of

M
-

hj.^j)

i^
Lu

}*

j\
li

g 1
adu-na
do
-

J)

^
l'a

bran En-di-mi'- o -ne e ty,LikeLu-na and En

qui

/h Mj's

main

of

gli

a
46VV>

ti

n^
K

W*

222

P^
Dal
7^1/5

suo
let

re -spi

ro
for
-

pen
ev
-

do,
et.

dal

suo
lei

re -spi

ro
for

me

stay

Thus

me

stay

m
ri
-

ff

m
in

mrr
ar
ra

iti
f
do!
//on,

NNe#
-

A()M

so

e tre-moed a - do -

a
/n

do -roe tre-moed
burn-ing a

do

m 5

(to

the Choretids.)

**

ft

M
|

-
5

F
B"

MM
las
-

I
su!
there.

^^

-mor:
/OW.'

Zit-ti

si -leni

^^ W
-mor!
love!

nMi>JU^
o
stu-por,

stu-por!
di -vine

Sight di -vine, sight

^ B
=nz=

}t o
Sight

,H J)
stu-por,

>i

^^
stu-por!
di -vine

-mori

I
V

M
lo

love!

di-i'ine, sight

P
con
she^.

BE
si
f77t

w
lo. lo
i"7n

Io__

tem

HOTV32=

stu-por! -es Sight di -vine


pia!

qua
and

con

tem

pia
-

Hoii>

es

and

f'L/L/
S65 3=

i w ^
l
r


ff
#- #-

>**

46855

223

me

chia

mo
me

be

Yea

call

bles

sed'..

BE

J
del

J.
ciel!.

m>

coppia
/fai

-WW iy

pair

p'U H
ar
do!
/ion

,p

p
-

|
so

g
-

pi
su
ier
-

p
bli
-

con
i^

qm
Afl/d

m'ha pi me A loft

me
ing

amor.
loir _

^
P
them

burn

^
qui
li

^^
du
him
-

na.
-

V a
in
-

mor!

W
i

lie m
zit
ti

s
cop
hea

self.

vites

las
fcn/

sii!
/Afri.'

Be

j<

sw
o
JfgM

allarg.

pia
ven del

'^1
ciel!

stu-por,

stupor!

sight divine, sight divine!

pair!

i*tkbnu r
:

3E
pia
ivn
del

2
ciel!

*>

o stu-por, o

stupor!

cop
hea

^#
ba
-

divine,sight divine!

pair!

E
o

-r

eia,

stupor!

cop
hea

pia
ven

del
/v

ciel!

bra

ces sight divine.'

pair!

jjjj
S

^
ba
ira

^
stu -por,

J)

stu

por!
a>r

stu

Won

heavn-lv

46S55

224

SEE

m
ah!_

m
/t
1

s
g

cop
lcn<e

pia

'

ea-do-roe
J'

p-

p
hold

''P

P
-

|
-

m'ha.
thrall

tre-moed
,

enthralVd, en-slaved doth

ar -do, gi con-qui so me Yes en -slaved, en

P
m
fck
*

P
s

P
qui
-

%
vi

dbsfe
v

_a_

l'amor
u
-

li

du
nites

na

Tu
i p

lore him -self

them

p
-

|
1'

j
mor,

^i
li

ui

vi

du
nites

Vi

tev him

^^F
re

i=P
d'a Ti 5

P
ce
0\
-

Pf
le

ste
ly

love
le
-

ste
ly
t

love
Eg.)

cop von
i

'

'

P
'7*15

'

qui -vi

P l'a-mor
-

^H '
li

ry!
j

J:

a
-

du
nites

&

love him

self

J
-por!
pair.

g
qui
-

vi

?
I'a

g
li

mor
-self

a
u

T/S

/07y

46^05


225
(MEPH. PANTALIS, NEREUS and
withdraw.)

Chorus

t* e
be
-

fL p
a
'

If
-

</g
O
O

;
-

g^^g
-mo!
par-la!

ta.

incan
most

te -si

beau-ti-ful,

I $
ce most
-

I
ICC
le
-

^^
ste!
/wi'r.'

lovely

^?
s

^^
un pi su
in

p
-

ti it
l
i

Mime a
birmegreat

mor!
love'.

ed

su

^*=^
-na
them.

*
l'a

r
mor, l' a
lore,tis

m
mor!
love!

Tii

-f
s

p-

M
mor!

l'a

Km, 7m

^
*
-na

a
s

mor
love.

d'a

mori
love'.

cop

^
^m

piad a la d
rf<?r

mm
-pia

mor!
-

0/"

d'a

mor!
love!

i ^m
la #
-

mor!
love!

them

Rs, 'fa
fi'

W^
V
-du-

5=

^
.

na, l'a them 'tis

mor!
i

sempre legata

JL

M=tz

F^n rn
-1BC5-

828

HELEN.
'J'

iJ^
par-la!
fell

^^
qualma-gi-co this ma- g -cai

JiJnv
sof-fio

JUJ>
p

r.

[i

me,

cadence,

rm t What

co -tan-to
is
.,
-,

bea

it,

la tua dol - ce f-que - .a d ~a fo-qu. r! ; r ,,# ringing so s&eet ..../.., - der com thro'your ten

B
-

Lo stesso

movimento.

p -mo-re?
p

1 i
11 Il

i
ir

m
al

p "g
sound
7M.
like

?
a
-

a
li

suon tu inserti

suonqua-si

-tod'e-co -tod'e-cc
e-cho
*.

ppp
1=-*
m

^
d'e
full

sta

si

pie-na.

-plaining?

that s ound,that

an swer,

a soft breath- ing

of sweet ec-stasy.

?~

.l

m f

Lo stesso

movimento.

s I

FAUST.
te

-r CO -ME FA -ROA PABLAB DO TOLE.R.V TELL ME VCH.iT MUST I

1 >

^m

DlM-MI

^ ^^
i>
L'I

i n=3t

F=^
-

-DI- O

.iX

-MA SO I-DIOM SO

A -VE?
MOV-LXG?
5

fefe j a
Fru-go nel
/
osi

m
m
i F
i 9
1

my

-M=nc
ree ice -cr

3
-f*

'

1
T<

I
i

^p

m
-

oU
.

A
A
lot'

m
cor
heart,

E mi ri-spon-di: And answer me by


' 1

ve. ing

1
e

e
ti

p
ri -

1
spon
thee
-

r
-ve!
-

p
-s

p
tu

r2
i

t
aug"el
-

^>
Io a ri
to

g
pur
un -to

and answer

do: by

A
lov

Co
As

come
bird,

ing

bird calls

say,

Wi'ia

227

Pi
*
prove

T
1

; a

r
-

i
mo!

^m
=fi

/ lovethtv.
'

=n:)!,.W ?*?
i
!

B
I

I'

'

T
mo:
thee

chia-mo,
thee,

frughi nel Askthouthy

ri-spon-di: heart and answer give,0 say

cor

mi

T'a

t'a
love

mo:

love.

siati, affrett.

fy

can anima

thi
t'amo!
lore thee!

^
r"

fi

^^
H
of
,
,

Andante.

- 68.

ffW
ste
-

5
-

T P>
-mo!
tti<",

P
t'

P f=

^
E
ah!

ah! A- mo-re! mi Ah! Deep pe rder of

te'-

rio ce -le- ste, proing.Deeppastalldis-

^^
*=fc
5

r^

Wtfffo
,

3t=S=

a-mo,t' a-mo, t'amo, lovetheejoielheejmethee!

A-mo-re!mi

-ste
lov

rio ce -le -ste, proinr, Deep east ali dis-

Ah! Deep poner

C'^W
.j@g

^^
f
,

fidante.

J.= 68.

/r

W^rV^
!

1zrrhri<"
,

'i>'

'

46S5

28

^
mfcn m

allarg. un

poco

-xn

T=H
fon
a?rn
-

&m
tem-po di
-

?
-

^^
la
-

s * *^=^
fl

*=

do'.giil

le-gua,cancel
fly

si

il

mon
turn

do! Gi

ingTTime stays in her

ing,Tke earth stays in her

To - re da ingjhehours full of

*
I"

f.'i
-

P
tem-po
di
-

r
fly
-

r
-

p p p
la
-

e
il

1 i

ite

-Y

fon
cern

do'.giil

le-gua,cancel

si

mon
turn

ing,Time stays in her

ing,The earth stays in her

do! Gi To - re da i ngJThe ho urs full of

IT?

te sor

tri

mor-ta - li con - ta row The hard gods hai? giv

te ra-mingan se

enNcrwglideon se

re -ne per p!a-ghe be rene - ly More lene - ly than

iM s
fe^i I 3

'ff;;^^
mor-ta - li con row The hard gods haie
tri

p
ta

J; te

g E

'

ra-mingan se

s p a r-y r F p re -ne per pla-ghebe| '

giv

en Now glide on se

rene

ly More lore

lythan

4*

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-

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M>.i.
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,

r? j
-

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a
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Per plaghebe

ven, more lore-ly than

i^'r
s*

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J
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hea-

ra-min-gan se ven, They glide o n se


te
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?

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m
ve rene
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wm
bri -vidi
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fo^,

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re

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40S55

229

f#^#
g-no
ti
-

7*

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T
ne. zen
.

mi cer-can

le

ve
ri

pas

pg

ifi}

A
OA.'

p .fV.M mo
-

.i

^^
au
-

re!

E un*

ra
ted

di
in

'/w

love,

'tis

love

Like maf

pi mussa

m r**

k* W

':

^^
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EE

# *

J} '!!< fe
i

6=5 at
-

Euriau
Likcwaf

radi can
ted in

-ti -ci
-

e-sa
I fee I

la

po

sy

il mio co my heart mcn<

re.
ing.

mgsa
%J^&
smnrz.

jJt 8*

ir
rail,

liJ
Guardan
-

J/JiJ.
doci in vi
in
-

J)^
so
love

2EE

'

m
mo l'amor!
of our love

^m

re,

cantia

^m
f
W

O
assai

look

my face,
V*

And sing
i b* > 3H
'

so

ry cantia-mo a
1

1'

mo
lov
-

r p cantiamo l'aand sing of our

face,

Ime And sing of our

ing,

46*500

aso

m
5

i
Sing
i

ii

<pi'f
-

vf^pgy^. '-^
i

3 CCS'L

allarg.'

Can-tiamd'a
of our

mor!
love!

Ahll'a-mo-re^'a-mo-re de - li Ah! of love^es, of love and lav's fe

rioll'a-mo -re sorver and7ceep-ing and

I fe r
mo
J<w
-

>?

J
-

r
in

^^,^e
vi

M
P^F?

^ g tv p r
l'a-mo -re sor-

re,

gTiardan
look

do-ci in

so:

ing,

my

face,

Une

Of love andlove's

cresc. ed allarg. assai

f
<

#
||
'

arre/,

cm

passione

allarg.

wm 4 4 ^^v 444tvv tr r T#
1-14-4 _144

gg a

-*
;

atiJLLf LLP t^ir


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li

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r: M

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trtH*
-

33
-

E
Ah!_
Ah!

qcgft
l'a
-

so!

laughter.
siring.

Tfi

- zo-ne,l amore canzonelsia sempre nel loveve shall singof for ev-er hereof -terjor ev-er here -

mo-re can

<j

?&=**
-ri
-

E
so!_AhU'a-mo-re
ver
vi
-

+
'
;

sio

fe

AhJTis saeeterihan sleep

/ r P ? ne.l'a-mo-re can -zo-cej'amore canzonelsia sempre nel ingAndloveneshaU sing offor ev-er herraf-terjor ev-rrhere>'

&

0.

m
g

3t*

FF

3 m 9 * > ^ >
;

ft

CHORETlfiS.
Sop. e Contralti.

V.

Po--sia
Free as the

46855

31

fe m s

""

tar

do fu
ter far

tu

af

ev
Jj
-

er h ere

ro s'om-mer - af -

so
fer
.?

si

1 a
siili

P
1

estre

And
'
-

the last

(Mf
tar

T3TJ>
do fu
ter for

p-^'l-

-af-

mm
3_

-ft"

tu ev

ro

som - mer
-

PP T sol'
.?

Im
?

=-*-t=

#
-

erhere

af
Seie

estre ter The last

mo

suo can -to,


-

l'

estre

s
vo
-

mo_ suo
of

^F*
fi

our

n,

suo
our

of our sing

ing the last

*>=^f
li

p.'
fd
thun
-

be-ra t'al-za pe'


gle songfliesthro'the

li!

di

go
tier

hea

vens, Swift as

pe ing bolt Soar


re!

im

me m
"""
-

ti

so

be-ra t'al-za pe'

gle songflies thro'the

"[
I -

^f~^
p p

& i^Q^
*r

eie hea
19-'

li!

vo

li

vens, Sisifi as

di a

fol

gq_
-

re!

im

pe
-

ti

thun

der

bolt

Soar

ing so

ea

be-ra t'al-za pe' gle songflies thro'the

eie hea

m
l!

ya^ j^3
-JU

i
-

vo

li

di

fol

re!

im

pe

ti

vens, Su'ift as

thun

der bolt Soar

ing so

im 5
I gs
te

-Oj

fe
-

-t-^tso

ver

aShall.

mm
-

ccn

fon a

e grande enusi&mn

35

^
=#

mor!

si/ig

shall

^
*-

_y be love!

ri-

M
-

versing

so!

I can-tiamo ia
be

Ce r

^p?
mor!
love

# ;
can
ii
-

*V
-i-

jj

ti

=^=F
tia-

ah!

mo l'amor!
be

ah!

can-tia-mol'a-

ss

it

mor!

ing Shall yet

Ahi

shall yet

Ime

m
m
s

A.
.

r<;
d'a might
-

qui -la! spiritanti al


-

>\r:i
-

}:j
reg'-giedel

l'ul

ti

-me

CM
sol.

Ahl

shall yet be

zi

al -le
to the

i reg-giedel

ly

On

to

the

vi

limate realms of the

sun.

realms of the al-Ie re^-giedel tnthe realms of the

t+
d'a might
-

qui-la!spingantial
i
-

-il'ul
til
-

- ti

-me re^-giedel

sol.

po-e
()/

sia!

ly

On

to

the

3
5

limate realms of the

If
d'

g
-

P
ly

^^

sun,.

the

sun

-&-

p l \
si

8-

d'a might

qui -la!
i - ly
-

qui - la!
i -

al-le
to the

\ : re^-giedel
realms of the

might

Oh.

RS


22H

ii M fie ^
a-

(m urmur tngj
rail.

j
a
-

yM.i

VJ-

Bj
in

JJJ^JI *//}

1 1

y$
.

mo

re!

mister!

mor!

Giace

iftart.

be lone,

yes,kn:e,deep lore.

Love, in

Ar - ca-dia Ar - cadia

u-napla-ci-d
15

a slumberous

?I
5

r-

P"

mr** ^
Pa- mor!
(Withdrawing.)

-mor!
Jot*',

l'amor, mister! if 5^a// be lave,

l'amor,

yes, Iove,deep love.

sol,

SI

I
spingan-ti a so ra -pid in

'

H
Ah!.

Tj

mm
SI,

sun, sol

Yes,

vol! flight.

AhL

PP^
a sping"anti so ra -pid in
vol!

ai
flight.

Bg

E
-i
sol,
5U/J,

Ti
s

r-

Si 5=1
vol!

spiritanti
50
ra -/'d

a
t'n

fe,

flight-

******
ra//.

35
PFP

WR
b>V i te

J3EL

^m

-4

^r=pf
=E5

=SE #*-#

^hI-vi insie
-

^E
ni
-

^tae
do
le

E <>v rem per


Our homeshall

grotte del-le

be

the grottoes of the

me

vi

vrem.
gether.

m
fettE ff^
<35: g| 7
l

Hewitt live

there to

W ^
PEC

-s-

gg

S3
be:

r#*

Ah!. 4A.L

wt
<

T^t-

-e^>

n.

46855

S33

j |g s=

J. J.

ffi

J
-

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Le

fl

ninfe
Dryads,

m
p
5~

e pergoian and/or a

cia-le.

pillow

I j
tue

i)

j'

^ 1^^ a s=i
ffi
1

Ei

fior del

prato.

7"Ae

meadow

flcrsers.

morbide chiome.
(They vanish through

These your soft ripplmgtresses.

m p=^
k*=*
'!

ur.

-V

AhL
Ah!-

the bowers )

fcs=

BF

5E

^f f^gp
^
==

ges p^^

fll
J:
g^=

m Wf F=P
(The curtain
falls slowly.)

W @g
FP-

.^^

aaZjUl
CHORETIDS.

_L

ff

ES

=i

5
'

FTP

=ITW
(behind the curtain.)
rTN

wrf c/.-W

/K

46355

234

Epilogue.
FAUST: Flying moment
\hou art lovely

Stay,

THE DEATH OF
FAUST'S
laboratory as in

FAUST.
Magic
voices in the air.

1? Act, but here

and. there

dilapidated by time.

FAUST

meditates, huddled in a large chair.

MEPH.

stands behind him like an Incubus. Night.

lamp burns dimly.

The

holy volume

is

open as in 1 SJ Act.

Andante.

J =59.
J

I S
Piano.

}
'

|r pp legatissima

?^
M.

"Tcr

gE

goo

w ^^
Z777.

Trr

^9tiS-

?
dim.

ftVl-dUrT w
.

^
=

sempre pianissima
e legatissima
=

'fro

ZH

W^
^
b^

'

&

f^=T

i ^ ^Tr ^r-r
:

'?g
i

,''' =E*p

>^H^^ r^S
i=
te"
5

^1 asse
~rv-

^^ gg

*M* raj
a
cur Saerises,n
i

EE

"p-

te

^^^
1

st

P
!

=3=
Z7uf

Fed

:*

m
dim.

.->.-

PPPP

^
Amoroso: J =

n
52

tHrfrn

?T>7C>

5^
rinf.

1
c-

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1

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: fcfcc

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_?

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^=^i '

H*

pczaf

ii

32

46S5

r u

V3
(Starting up as
,

if

seized by an ecstatic vision.)

FAUST-

&B
MEPH.
(Fixing a sinister expression on FAUST.) satto voce <

ri

men
of

bran

Pcm-er

mem'

fBir
(CAM -MI
-NA, cam
come
I
, i

#
mi -na,
j J
su

per

bo
ment

pen
is

(COME

QXWARD,

on-ieard, the

mo

mt

r
-na,

M^
/ E> su -per -bo
the

E pen

^
ro.)

ju

bi-tant
i

sie hour.}.

&B
A/77.

g;

b*

IS

w
5^550 movimento.
Cor
All
- si

m H=3
A
i

g f^ I

;*=*=

FAUST.

IS
gjl

L#

at - traver things have I

p
P

p
p
o

r
-

so il ex

mon
-

m
e
l

i
suoi

*
_
'

do
red

.'J' mi rag
-

pio

a//

&r

de

tee

g I g ghermii pel crine il fed, and caught each fan-cy


g!

t P"

jg

f>
-

l $m
rie d'incan-ti
ries

^3-

fefe
te
in
-

^

a
to

(O

can-ti!

.memo
sto

di

glo
glo

ne,
ries

(0 tne-mo-ries and

Lo

Of plea -sure and

gui - da Come, lead

ru

my

stesso movimento.

46955

236

EppHn mm
de-si-derioa-laby
its

ee
-to!
-

fly - ing fea

thers.

-i

j p ? na queH'a-ni
i i

Ji

1 mo

;
al

'
i

tu4
p <r
bra-ma
p'

'

tier.)Hai

-to, gio

r P i-toe poi bra-ma -to no-vel-la


sire

i-FFFf
long
with great -er

paw

er This spi -rit

proud and

highJThouhastfoundthy de

But

to

ijiipip tJ

W
9
f=
i

^m gpfp

men-te
fire
6-**~.

p p p nancordi And never

p p p fug -gen ce -stial-l'at-ti -mo fugr-een


i

g *p

(ironically.)
0.

6S
IE

S
f

fe: te:

dosi

fhou say, Oh.' fly

ing

no

ment

^
'7

I ^ir
1

S
Li.
fi-

PS

S
I

re -sta -ti, sei Stay, stav For thou art


-

Ar

^3E fcMJ *fc *


#
rr

as

=5

1
f

1H
j
i

FAUST

I
to'"

>
-

;|

V' |

|
stai,

i J^
il

O-gni mor-tal mi-ster gu


All mor-tal

^
Re -al,
real

j
l'I

|
-de
th'i

a
de
-

r
- le,

>

a p f p l'A-mo-re dei-la

|
bel
love

g
lo!
ly.

myst'ry have I

provd, both the

and

al,

tie love of simple

yr

H^

B&Ig a^
I

ff-.^J:^
r
!

r.

l'A-mo-re del -la ver-gi-ne, la maidenhood, the love of the great queen,

f^ 4 ^^ ?W ^^
But
r>T

&
jncj
l

[i

q mi mh
fe
:

f v g Dea D S. Mail Re-ai fu do

k r h
.

3=
?-*

P P

*-

g
i

the real was but

so-gno. Io-re e PI-de-al fu sorrow, and th'i -de-al but dreaming.

gg

fPP^
46S5

=**

237

Andante

sostenuto. J=t2.
*i

?Pfe
Giunto

* *

Andante

la sul passo e - stre-mo della pi estrema e - t Nearing the extreme limit Oflifesmost ex-treme goal sostenuto. Jzi2.
,

^~jT p

m ^^
i>
in

^ A dream

su-premely

pp legando assai

sm b

i
"fai.

^^ *
p p
i

r^
p
gi,
soul.

IMYt
-pre-mo

HHhr ]|i
-

-m
in

,^
un

si bea l'a lore -ly Still shines with

ni in

ma
my

gi,
soul,

ni -ma still shines with-in my


si

bea Ta-

so-gno su-

dream su - premely

tinSM

^m
dim.

gig

,i

IE
emazia ne
nten.
jn

rail, can

tempo

immmi
-premo
si

>?

(j-gir

p/p p?
I

fc

bea l'a-ni-magi: hnvly Still shines upon my soul.

Re
A"m-

d'unpla-ci - do mon-do, d'u-na landain-fiof some pia - cid re-gion Unhnovm to care and

Hi

j
fo/ canto

t= Vaccompagnamento sempre
dolce e tranquillo

g#ii
hii jjg

>

1
-^

nm

fe
-ni li
-

WM
)

pi
n
^=fe

.'1

#v

^^
strife

^
ri
-

fa aunpo-po-lo f - con-do voglio de do-nar la Un -lo a fe-cund pea-pe_ I vould give peace and

ta.

life.

MEPH.

wi^y

mM^
Pt
(Spi -ar voglio
il

suo

(What s passing

thro' his

1*1
P

fell

JT^
46855

I j

238

Sot -to
See
-

u-na
a
-

iffg

sa -via round me,

leg" -

ge vo'che sur-ga-noa mil


sed

le

a mil-lee gen-tie

bles

By clement

laws and

wise,_

Men and their flocks

by

gig
'

cor.)
heart.)

WSek

can forza

^s
'

fJr

!>|Jy

^ 0aamL^n r*
EC

p
P'

*m
i

pa
w$&

J
greg ereg"
thou
-

r
ge ere
sands,

g
vii
-

=|*
le.

ca-see cam-pi e e ca - se e cam-pie Where peaceful towns a

AhL

rise.

r
(Ah!
(Ah!

ji^

P'

P^
-

Ah!-

al-1'er-ta

ten -ta
thine

tor.)

then, tempter, try

W-*
.Si gjg
to bV
g'

e
j

.'

ti

1
P

[0

P
f

3B P

Mm ^ ^

zn=
teneramente

art.)

r"r
Voglio

P che que -sto


that
this sweet
,

ir

so-gno

^p
sia

la

Wovld then

vi-sion

Could be
,

p e san-ta poe -sia my latest dream, The

J7
l'ul
-

JtJiJi'
of

ti-mobimy de
-

last
,

JL.

cresc.

(Sf
sire

v
si
-

ft

T'

P
-

V
w

['

^M

-so-gnodel-l'e-

sten -za

mia,

de]-l'e-si

sten -za

mia,
scheme.

P vo-giio che que-sto


then, that this

^^
sweet

And of my Ma-ker's

scheme, and of

my Ma-ker's

Would

PP. znz

46S">

B
23a

fig
so-gno
sia la santa poe-sia dream, vi- sion Could be my la-fest

M^

del -l'e-si-sten - za! could be my latest dream.

Wb ta-l

>

^
si.
-

pro
.

j ii 7*

in
i

.'M

rw/.

>

>

r
J = 100

t
*.._

Iff 1i

jj

B E

Un foco pi mosso.
c_ Ec
See

co:

la

iL

nuova

now

the hat>~py

MEPH.

SS!
/

tur- baal

~. : guardo mio
1

_:

crowd

We

meet

on

ei

ther

sre hand!

_.'_

r la!

35*
100.

m
(Ah!

tefe
qual
"d'hat

^
conof

/wo

_^>/fi

mosso. =

(Ah!

baglior fell gleam

gtsri #
h

-9

=*=

^T
3

=-

*i..

*.

^
^

<yrf

sS3 1 'i:

^Ff u^;
f

'

li

~r.

S3 M'^
ij

4(3 So 5

240

iAf

ciel.

^P
-

rh\
ti-coia of the

r
ciel.

>

S ode un can
Azr ft^ songs

iferf,

Med.

All'

er-

tal
ter!

all'

er

tal

ten
thy

ta

and

show

mb^
5=

m h=M
cresc.

^imuij
Mvw
Si
if-

m
i

<r

i
e
is

*
p

Bj ^B *
:

mosso. J =76.

r
-

.p

r~

p
-

Gi mi beo
The in-ef

m
-tor!) might.)

nel -l'au-gu-sto rag- fa -Me ivst,Wkerekea largamente

-giodi tan-taTau -ro-ra!gi ta at


veil's

|p

* i
nel-1'

g^

long day

beaming 1

seem

i-dea pre to fore -

m
Aleno mosso. J =76.

rail.

Pih twosso. *=i62. m


jRrTi
I

p
taste

1
-

8 B P S
ta i-nef-fa-bil derful ho-ly

-gusto l' alIntzon

p=E^
o
-

ra!

dreaming.

gE
l

tJQt\iVfit
(All' er
-

JttU
f
la battaglia in 'T^ixt heaven and the

ta!

all'

er-ta!
tempter!

(Up! tempter!

up!

Pill mOSSO. = 152.


rail

T*Tf: m
rapidissima

4BS55

241

Largo.

=50.

3E

U
cer
-

g
ta
0/7^

II

ff

g
il

^SEJ
ciel
.

S
)
vi-

fra

Sa-ta-naed
is

p-tiV

un -cer -tain

the

rail,

moltissimo

Lorgo.

J = 50.

3E
pesante

If:
(

ffP
o

TT

^'

|5l

Trumpets and

celestial echoes.)

FAUST.

4ft

as

J-= 58.

3
Cie-

Heav
MEPH."^ FAUST spreading
i
his cloak as in the

1 act

<^Awrh ? pt
Vieni io
di
-

rp f
i

&
e

sten
but

do que - sto
to

ComeI have

man spread out my

tei

vo-le-rem

#
-

I
sul

J31
the

cloak,

and

we can fly up

on

242

Tempo

del Prologo. ^ , 6o.

O X D
J

m
0P:, T 1
-

-l'a.-ria!
off.

Faust!
Frnre*.'

Faust!
Fobs/.'

Faust! Faust!

"7
Ah!
--=

rr

A
A

*r
-

ve

Si

ir~p gnor cuor


an

SE

e
,

/fai'/,

^E
-

figM

Ah!

mm
ve
Si of
-

o/

Si - gnor i g-nor /* ana*

PPM
de

Ten.I.

^;
--

gnor

Hail,

light

de an -gels,

W J w

ff

m
Ten.II

HI t Ah!
--

m
A
-

ve
light

Si

gnor
an

PCM
Si
g-e/s

Ah!

Hail,

of

-gnor tnf

de
e

r
-

g
Si
-

m
gnor
an
-

ve
light

de
gels

Hail,

of

Tempo

del Prologo. J = eo.

S
i.

E
J>

~*T^T

^T^

r
#
i

si
4t &%* 1
8
)

(Casting spells toward the alcove where the sirens appear ina warm light.) fflt' f-

O
-

gJJJSBS

>t
-gli

an
-

^
ge
,

di

il

srr
-

=^=
san an
ti,

Her

the

can - to da pas - si -nate

$h$
sfe
-

mm
'mm

li,

dei

del- le

re_

ter

nal

heav'n,

of

gels

and of

^J

gli

g an- ge

3
-

J
dei -li, heaven, of
>-

j
-

J,

i
sfe

Mate g
hea
re. ven.

Hail,

light

of

san an

ti, del- le gels and of

gli'an
-

s
Si
-

ge
nal

li,

gnor
an
-

M s

ter

heav'n,

of

dei gels

gli

an

ge
of

m
Si -gnor dei Si-

san and-

f
hea ven
ti.

*3t

Sfer fi
san
hea
ven.

li,

Si

^m
PS
=<fcg

Bassi, and

heaz'n,

of

gnor, an

gels and of

O
light

Si

gnor,
heav'n.

ve

^m P
tt

Si

gnor.
ven.

of

hea

&

=fc

SS

e W^f
-

i_J.

J_i
*f=Ff

rs

4CS55

TT

^T

^m WB

*
Come
nell'Atto quarto. J 52.

2-13

I
tuo that once had fired your strains. Come nell'A tto quarto J<= 52
il
.

mor.

che un di

be

cor!
veins!

3^^5 *
Vie
-ni
-

^
le

a ineb-briar
ali

??ay

sor

rm?

ve
fling'

ne
ing,

sul sen be -fore

mm
^g ^
S
-*

cresc.

^-^a

aa

m
del
the
-

le

si

re

ne! Vie
ine,

ni!

si-rens'

sing--

ro me

then!

il:

r-i

jF3 3 J

ttnxJ
'

^ H
FAUST/ecstatically.)

cnl canto

mm
T

FAUST.
s 63.

SS
Ar
re
.r/rt

(the sirens vanish.)

%p f
sta -ti, sei yr l'Ara art

^feW
CHERUBIN.del Boys. an<f
Tenori.

Soprani.

1y
-

sfe
-

l>g J

^'
dei
-

le

re,

m
vo
-

:zr:
-

^$
e
dei

vo
an fly
-

lan

ti

ti

che-ru
che
-

A^a

ven and

the fly

ing,

and

the

ing

ru

ffc
|)^fii>p
del it\
I3assi
-

f=
ve,
light,
'
i

Hail,

p
le

g
sfe
-

J
re
gels

J y
vo
-

i^
lan
*>-

p g
- ti

p
dei

p
vo
the
-

m
mi

dei

la lan

^ g ^#
&> * <J' ggro^T 9

Ughi of

an

and

SE
de
an

V
of
stri

hea-ven,
ne-

and

of

fiy

gliagels
in

'

in -

no

-lan lan
-

ciel,

light

of

and

heav'n!

J =63.

j E3

a
33
fa

I 3 3
r

tew*

T f
ten

ffWVW

S=2

K=

ppTrT^i

M m M #^
and
fly
s.
..

dei

vo

ti che- ni che-ru ing che - ni

of

the

Jt

*Ff
cresc.

lJ:

44

I MEPH

*fe
tov " Yapproaching FAUST.)
'

##
lo!.

3*
guardo,
gtances,
torci
il

Torci il Turn your

guardo!
glances.

turn your

(With a powerful gesture going

to seize the sacred

volume.)

40855

245
J = 69.
(

He falls leaning on the sacred volume and murmurs a pray er. The heavenly vision appears to him.)

jj
MEPH

jiJiM-h

.mu'-l'-l'-li-l'-l-h-'t

-lo!

Hon!

Dio clemen-tem'allon-ta-na dal de-mo-nio mio beffardo, Lead me not in-to temptation^stay the demoni ex-ior-ta-tion,

^^
gold
-ve!

Torci il giiardo torci il guardo! TUrnymir glances,turn your glances

&*
Dal From
-

W^
l'

ter

naar-rnory 0/ /A?

the

m
<\

ggftj

=&:
dor.
Keaifn.

DaJ

l'

ter

na

From

ft*

jggj |
dor.

F
Dal From
J =
-

le

ter

na

69.

1*
jBj

-ev-

dii'ii
e
J 7 J
<

t t t t
J j

I >>+

'(STTwrz.p cresr.gradatamenfe sino alla

massima sonorit dellafine)

1^

7
r

tf<

j-,

jwj-,
in

11

>'".
1

non indur-mi
hea-ven-ly

ten -ta -zio -ne!

Vo

la

il

can

^
is

* *~*~
ticoar-den
-

te
er

del

an -gels help inspire. shile the hymn

gr airing high

from the

dal
their

m /m m
3 3
3

^ffi^TT
T

flj71 =?

BeS = =

numn
su

--

IGS55

216
J =80.

ce
heav'n

-le
-

stial

drap
-

pel

lo!

ly

arm

ed

choir(

SA Sa

CRO CREO

MEPH.

sempre pi agitata )

4685

i!47

xtr^

(AM
BEL LOVE
LO!
'ft

r
i

^
ter
ter

AT
Thro

me

ni

flf.

fi
| |

yo - lo.Gi l'opra del ma - le distrug-ge Id-dio col suostol - to perdon.col suostol-toperTvinging.TMs blitnd- ring remis- sion hassaxed all per-di- tion,andheav'n once again puts the de-vil to

fill

P P P

PPP

I P#P^

1 mor,
[ove

su su

P
-

m
e

pre

mo

a mest

& WE

&
d'a

-mor,
lore.

mor,

da-

p| mor,
lore.

fee4
a

is.
mor,
love.

d'a
fl
i

^VlgEf Fgjffij j| g iTffffffffffr


j

^ r sempre J7T1 J J J
r*sr.
i

J7T3 44^4tf W"f


,

"T

w"

(He

dies.)

taT

^W jfe P
i
i

don!

mor;
(

^m
/<wr,

a shower of roses

fall s

on the bodv of

HERUBS.

^F^
jij-i
ji

Spargiamo un pro-flu -vio

m m m Wb
di

^T"

^T~^

FAUST j

i i

ro-se,

unnem-bo

m s-mor;
feVfc-

sprinkle STveet ro-ses in showers, a cloud of

di foglie odorose, un ef-flu-vio di the o - do-rousflow-ers of gardens a

a1 1aa

^p M
love.

mor;
love.

mi ffffff

fffffff5 5

*mm
-^

~i

"#

5
40S3

TTtg
"?

S-

248
MEPHiCCnder the beams and
rain of roses he

sinks into the earth, struggling and sparkling.)

i-lu-Yan le ro - se suH'ar-sa mia te-sta, A-gainstsuch a shoTs-er I'm losing my pera- er,

le

membra ho corro-se

dai rag-gi e dai

my

limbs are cor-roding be -lorn

and a-

^
e

I*

BB

s'er

i
g a
/i
-

soars

fior

wm
and

bove

s'er

gea
a

^ft

soars

--

mm
fior.
-

4H

tm

bove.

bo7'e

msM w lapo-ve-ra O-ma -ma


riamo,
sal

sin- vo

la,

We

co -ver the bo-dy, for-giv- en, the spi-rit

is

re-den- ta quell' al nel mi-stico asoaring to heaven in mys - ti - cai

46S-55

249

?'<;>

p
-

le

|i

I'

i'

rr

f r

rrfT
repro-bo
e -vii one

Massa

la

mischia di

/ sfrug-gle in

win nith

mil -le angiolet-ti,tri-on-fanglie-Iet-tirnail a crcrxdsuch as this is, the blessed pre -vail but the

5empr,ff_

-mor
love

s er

gea

te

fAro'

Ay

@5^
s'er

g a

te

per

thro'

to

^m
+

*
fi
-

schia!
-

AJ5

ses

Itm
-

f
re

1
-

fe an

pi

Spargiamo un

pTp
ai
-

pu
lu-vio fu -no i

We sprin-Me

the ro-szs

ro - se sul mc-stro, le g - lide e ir - se sue membra co mo-stro, re conin show- ers, he fails at the touch of the flowers, his limbs are all

pT) ^Tp pTp pTp eTe

46S55

250

&&
Tri tri
-

on
bles

fail

Si

gnor ffnor
vail,

mail
the

The

sed

pre

re e

pro
vii

bo
one

fi

his

schia! sehir ses

&=U.a

1 m

a 3E
in

suon
-eth.

i
so
the

soar

-tor
twis

m
V

ca
ting

fu

and

m
in

suon

so

^NP
in

suon
-

so
the

soar

eth

Wf
4hM
s

mm

Eh!!! Eh.'H

te.
<2rt.

I p a gfemezzo

-ren-te in al-la piog-g-iarovente,al-lapioggia roven-te che spargono i che-ru-bi turn-ing a-mid the buds blushing and hirniitgandUushingaTidbuming^'tie gath-er in heaven -ly

Hi ffl^ffi'ffi ft ffl

1GS86

251

m
V

SE
AA
-

ve
ve

bib
dbbor&*rst z;e

n hiiMfiin^yr
- bi vo-lan-ti dai lim-bi,nei san-ti splendo - ri vag:an-ti,siamco- ri, siam douds ev - er fly-inland voi-ces re-ply-ing of souls nev-er dy -ingrceYe dorrlike and

ro.Siam nim
are

M wm

m
v
f

m
p

m w^m
gggg

siam co -ri ai bim - bi dalovelike,zve're clouds ev-er fly -ing.and voi-ces re-ply-ing of souls nev - er dv-ing, in light -ness, in
nim-bi
dai lim-bi, nei san-ti splen-dori

p P

P p vo-lan-u

P P

I?

p f p

p p p P

Taguan-

J?

p p p p

^P^

ti,

-e*-

_Q_

a
a

469"

252

ttiht

I
<r
P
f

Im r
y

p -mo

.P P P P P P P P p P P P P P P P P P p P P P - ri, siam nim -bi volan-ti dai lirn-bi nei san-ti splendo-ri vag-an-ti, nei san-ti splenbrightness nre clouds ev-er fly-ing,of soul nev-er dy-ing,z:eredoTeltkeandlarflike 'Wrredai elik^ -nere
y

MS

Largo.
zz:

r
ve:

<

re.'

*$*

IH
-dor!
love!
.

^^
g
r
j

u.

m
-

-ve!
tv.'

ggjjj

j
ve!

^^a
j
1

Largo.

pMjg
con

u
3

tutta forza

p *"^

&*

f\

m
46S55

ME 5H
.

* -T

g^

3^
# S 7%*
.**.

p-

r,