The Personal Property of John Wayne Signature Auction - Heritage Auctions #7045

ThE pERSONAL pROpERTy Of JOhN WAyNE
OCTOBER 6-7, 2011 | LOS ANGELES AuCTiON LiVE & ONLiNE
COVER imAGES
Front Cover Lot: 44032 Back Cover Lot: 44134 Inside Front & Back Cover Lot: 44144
The Personal ProPerTy of
John Wayne
This Auction is presented and cataloged by Heritage Auctions. 2011 Heritage Auctioneers & Galleries, Inc.
Heritage Signature Auction #7045
The Personal ProPerTy of

October 6-7, 2011 | Los Angeles
LIVE AUCTION Signature Floor Session
(Floor, Telephone, HERITAGE Live!, Internet, Fax, and Mail)
John Wayne
PRELIMINARY LOT VIEWING
The Hyatt Regency Century Plaza 2025 Avenue of the Stars Los Angeles, California 90067 Session 1 Thursday, October 6 11:00 AM PT Lots 4400144612 HERITAGE Live!, Internet, Fax, & Mail only Session Session 2 Friday, October 7 1:00 PM CT Lots 4461344745 Heritage Auctions, Dallas 11th Floor 3500 Maple Avenue Dallas, Texas 75219 Friday, September 16 10:00 AM 4:00 PM CT Saturday, September 17 10:00 AM 5:00 PM CT Sunday September 18 10:00 AM 5:00 PM CT Ukrainian Institute of America at the Fletcher Sinclair Mansion 2 E. 79th Street New York, NY 10075 Friday, September 23 12:00 PM 4:00 PM ET Saturday September 24 10:00 AM 5:00 PM ET Sunday September 25 10:00 AM 5:00 PM ET
LOT VIEWING
LOT SETTLEMENT AND PICK-UP
Available immediately following session or: Friday October 7 9:00 AM 12:00 PM PT or at our Dallas office weekdays starting Tuesday October 10 9:00 AM- 5:00 PM CT by appointment only
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Lots are sold at an approximate rate of 100 lots per hour, but it is not uncommon to sell 125 lots or 150 lots in any given hour.
The Hyatt Regency Century Plaza 2025 Avenue of the Stars Los Angeles, California 90067 Monday October 3 10:00 AM 4:00 PM PT Tueday October 4 10:00 AM 7:00 PM PT Wednesday October 5 10:00 AM 7:00 PM PT View lots & auction results online at HA.com/7045
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This auction is subject to a 19.5% Buyers Premium.

Heritage Numismatic Auctions, Inc.: CA Bond #RSB2004175; CA Auctioneer Bonds: Samuel Foose #RSB2004178; Robert Korver #RSB2004179; Bob Merrill #RSB2004177; Leo Frese #RSB2004176; Jeff Engelken #RSB2004180; Jacob Walker #RSB2005394; Scott Peterson #RSB2005395; Shaunda Fry #RSB2005396; Mike Sadler #RSB2005412; Andrea Voss #RSB2004676; Teia Baber #RSB2005525; Cori Mikeals #RSB2005645; Carolyn Mani #RSB2005661; Chris Dykstra #RSB2005738; Alissa Ford #RSB2005920.
22202
Music & Entertainment Memorabilia Specialist
CEO Co-Chairman of the Board
Steve Ivy
Margaret Barrett
Director
Co-Chairman of the Board
Jim Halperin
Greg Rohan
President
Chief Operating Officer
Paul Minshull
3500 Maple Avenue Dallas, Texas 75219 Phone 214-528-3500 800-872-6467 HA.com/Entertainment
Consignment Director: Margaret Barrett
Executive Vice President
Todd Imhof
Cataloged by: Margaret Barrett Consultants: Rick and Cynthia Spector of Stairway to the Stars
The first time I walked into the California warehouse holding the personal property of John Wayne, I knew this was going to be a special event. After 32 years, Ethan Wayne called Heritage Auctions and told us the time was right. The Wayne family had items from the professional and private life of the legendary star locked away in storage since 1979 and they wanted to offer the collection to fans. When I visited the warehouse, it was like stepping back in time. It was Hollywood history. It was American history. And it all belonged to a remarkable man who left a huge mark on American culture. There were letters from world leaders and celebrities, movie costumes, cowboy hats, awards, personal jewelry and clothing, and paintings that hung on the wall of Waynes Newport Beach home. It was an unbelievable time capsule, with items meticulously labeled and preserved. It gave me the chills. In the following weeks, it was an incredible experience talking with Ethan about his father and the familys decision to make these wonderful items available to collectors. These incredible pieces of Hollywood and American history, the family decided, should no longer be locked away for no one to see. It was time to share Waynes legacy with the world. At the same time, the event will help the John Wayne Cancer Foundation, which brings courage, strength and grit to the fight against cancer, the disease that claimed Wayne, through catalog and DVD sales. Its a testament to the mans legacy that everyone I talk to about this auction young and old tells me how much they love John Wayne. He represented everything that was good about the American man being tough, rugged, adventurous, and loving your country. This American spirit will always be a part of John Waynes legacy. We know that any auction house would have been thrilled to host this historic event, so we feel especially privileged to have been selected by the family of John Wayne to present the Personal Property of John Wayne. Once-in-a-lifetime is a phrase thats often overused, but were sure youll agree that this really is once-in-a-lifetime. Never again will we see such an auction, and we are honored to be a part of it. If you are attending our previews in Dallas or New York, or if you are attending the exhibition and auction in Los Angeles, I look forward to personally welcoming you.
Greg Rohan President
Its been thirty-two years since my father died. I was with him. Ever since that day, people have asked me or my family if they could have something of John Waynes as a memento for a loved one who it would mean so much to or for themselves and for thirty-two years, we as a family have always said no. Well, let me tell you, to my father, his fans were just about as important as his family. They allowed him to do what he loved to do and they afforded him a great lifestyle for many decades. He always gave them his time and energy because he was grateful to them for their loyalty. He made this very clear to me when I was a young boy and then again as a young man. This is why I am so excited to finally be able to say to his fans, Yes, you can now get something of his. You liked him and it meant a hell of a lot to him that you did. For the first time ever, we will make available an extensive collection of John Waynes own personal property not items that he gave to someone, or that someone took, or that someone collected but the items that he himself owned and used. These are the pieces from his house in Newport Beach where he lived the last fifteen years of his life the things that he kept in his dresser drawers, his closet, his den, his office, his garage, his boat the items that he lived with on a daily basis. The lots being offered in this auction will include his film-worn costumes, his annotated scripts, his numerous awards and trophies, letters from friends, his personal wardrobe, and countless other pieces. Almost everything in this collection is something that my dad saved, moved with, and kept. These items were the fabric of his life, representing his career, friendships, and memories. I hope you will treasure my dads items as he did. I know he would be happy that his fans are getting a chance to have something from his life.
Ethan Wayne Newport Beach, CA August, 2011
Important Notes About this Auction

JW Inventory Sticker
These are small, white, rectangular-shaped stickers with numbers handwritten on them. Immediately after John Wayne passed away in June 1979, an inventory was made of the contents of his home in Newport Beach, CA. These are the stickers that were used and they now indicate what items Wayne was living with in his house. Heritage has decided to keep the stickers on the lots which you will see throughout this catalogue.
JW Blind Stamp
All of Waynes personal books were marked with a handheld embosser that reads John Wayne / Newport Beach / California 92663.
Cowboy Hats and Hatbands

Wayne had many identical cowboy hats that he used for each film and The label from Lot 44015 he also wore the same hats from film to film. With each new production, Waynes hats would be steam-cleaned and re-blocked (re-shaped) and the hatband might or might not be replaced. Please note with the cowboy hats offered in this auction, we have hats that were duplicate and extra copies, hats that were worn in numerous films, hats with their original hatbands, and hats with replaced hatbands. Heritage has decided to offer all the cowboy hats exactly as Wayne left them.
Costumes
Wayne famously wore the same costumes in most of his Western films from the 1960s and 1970s, therefore he had many exact duplicates of his red and blue shirts, tan pants, and stockade jackets, among other pieces. Heritage has identified the primary film associated with each costume, but Wayne could have easily worn any costume or costume piece in any number of films.
Western Costume Company Wardrobe Pieces

Some of the costumes offered in this auction were purchased from Western Costume Company by the John Wayne Estate in the 1990s. As was customary during the Golden Era of Hollywood filmmaking, the actor (in this case, John Wayne) would return his costumes to the studio or to Western Costume Company [a major costume house in Los Angeles, WCC for short] after production wrapped. The costumes would then be altered, sometimes dyed, or slightly re-made for another actors use in a different film. The WCC costumes in this sale were first used by Wayne, returned by him, then used by others for about thirty years until his family bought them when they became available. Please go to our website to see images of each label sewn inside the costume pieces.
The 26 Bar Ranch

This was Waynes cattle and cotton ranch in Casa Grande, Arizona that he owned with his business partner, Louis Johnson, in the 1960s until his death. He had many items made (or gifted to him) with the ranchs logo, some of which appear in this auction.
The Wild Goose

This was Waynes yacht that he owned in the 1960s until his death. He had many items made with the yachts logo, some of which appear in this auction. The Wild Goose was a converted YMS-1 class minesweeper originally built for the United States Navy. Wayne purchased it in 1962 from his good friend, Max Wyman, in Washington state, and completely renovated it. The yacht became Waynes sanctuary where he enjoyed spending time with family, friends, and colleagues while cruising the Pacific waters of California, Mexico, and the Northwest.
Newport Beach, California

This was where Wayne bought a house on Bayshore Drive in 1964 and where he lived the last fifteen years of his life. He and his third wife, Pilar, raised their three children there and it is where he docked his yacht, the Wild Goose.
Certificates of Authenticity
Please note that every lot in this auction will be accompanied by a COA from Ethan Wayne and Greg Rohan of Heritage Auctions. A special thank you to Rick and Cynthia Spector of Stairway of the Stars for their great help in identifying the costumes in this auction. A portion of the proceeds from the sales of the library edition catalogues and all profits from the sale of the DVD will benefit the John Wayne Cancer Foundation. Photos by Sam Shaw (c) 1979, Sam Shaw, Inc. Licensed by Shaw Family Archives, Ltd.
SESSION ONE
Floor, Telephone, Heritage Live!, Internet, Fax, and Mail SignatureAuction #7045 Thursday, October 6, 2011 | 11:00AM PT | Lots 44001 44612 Los Angeles
A 19.5% Buyer's Premium ($14 minimum) Will Be Added To All Lots To view full descriptions, enlargeable images and bid online, visit HA.com/7045
44001
A Pi t h hel me t, 1948
Of standard design, made of pith covered in tan cloth, brim is stenciled in green ink DUKE, inside stamp reads Hawley Products / December 31, 1948 / Cont No. QM 11-555, further handwritten annotation in black ink on inside reads Gunny / John / Wayne. estimate: $500-$700
Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT
44002
A Cos t ume f rom sA nds of iwo Jim A
Republic, 1949. Standard issue United States Marine Corps fatigues; consisting of an olive green heavy cotton jacket with three large front pockets, left breast pocket stenciled in black USMC, back further stenciled John M. Stryker, Western Costume Co. stamp on inside right sleeve; together with matching pants with a button fly and cut-off hems; worn as Wayne portrayed Sergeant John M. Stryker in various action scenes in the film, including the famous last shot as he lays face down, dead on the ground. (Please note both pieces are purposely distressed, have stitched repair work, and show rust and other stain marks.) This role garnered Wayne his first Academy Award nomination for Best Actor in a Leading Role, though he lost to Broderick Crawford for All the Kings Men. estimate: $20,000-$25,000
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To view full descriptions, enlargeable images and bid online, visit HA.com/7045
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44003 A CoAt A nd CAP f rom Publ iCi t y s t il l s for t he Quie t m A n Republic, 1952. A classic overcoat made of brown and rust-colored plaid houndstooth wool, four button front closure, with a buttoned fabric band on each sleeve, label in inside pocket reads John Wayne / 3/11/47; together with a black, green, and brown plaid wool cap; both pieces worn by Wayne in publicity photographs though not seen in the final version of the film; coat also seems to be the same one used in a brief scene from the 1953 Warner Bros. film, Trouble Along the Way. estimate: $2,000-$2,500
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44004
A s t e t son Cow boy h At f rom hondo
Warner Bros., 1953. Made of beige felt, with a black cord and bronze-colored acorn hatband, inside leather lining stamped with makers label, Stetson XXXXXXX, and M. Riskind, Inc. Eagle Pass, Texas; worn as Wayne portrayed Hondo Lane in the film that co-starred Geraldine Page and Ward Bond. (Please note this hat is heavily stained and is in worn condition.) estimate: $25,000-$30,000
15
44005
A Pilo t CAP f rom t he high A nd t he migh t y
Warner Bros., 1954. Of standard design, made of beige wool, navy blue elastic trim, brown leather strap rests on same color brim, metal insignia affixed to front reads T.O.P.A.C. [Trans-Orient-Pacific Airline Company, name of the fictitious airline in the film], inside has a name tag penned in blue ink reading Duke in Waynes own hand; worn as Wayne portrayed Dan Roman in the film that co-starred Claire Trevor and Robert Stack. (Please note this hat has many moth holes and the front strap is somewhat damaged.) estimate: $1,000-$1,500 44006 A PAir of PA n t s f rom t he Al A mo
United Artists, 1960. Made of rust-colored suede, button fly, two front pockets, Western Costume Co. label reads No. 2648-1 / John Wayne / Waist 39 / Inseam 32 1/2, further WCC stamps on inside waistband; worn as Wayne portrayed Colonel Davy Crockett in the film that he starred in, directed, and produced. (Please note these pants were altered for a later use, the side fringe was cut off, and they are stained, torn, and dirtied.) estimate: $4,000-$6,000
16
44007
A shir t f rom t he Com A nCheros, mc l in toCk!, A nd el dor Ado
20th Century Fox, 1961; United Artists, 1963; Paramount, 1966. Made of cotton in a navy blue and white gingham pattern, long sleeves, one breast pocket, tuck-in tab on placket, Western Costume Co. label reads No. 2354-3 / John Wayne #1 / Chest 46, further WCC stamp on inside shirt tail, red paper Paramount drycleaning tag stapled to hem; first worn as Wayne portrayed Ranger Captain Jake Cutter, then worn as George Washington McLintock in the chess scene with Chill Wills [as Drago] and Patrick Wayne [as Devlin Warren] (with the suit from Lot 44234) and then worn as Cole Thornton when he says goodbye to Charlene Holt [as Maudie] after his gun shot wound is healed. estimate: $4,000-$6,000
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44008
A bib shir t f rom t he m A n who sho t l iber t y VAl A nCe
Paramount, 1962. Made of navy blue cotton, long sleeves, ten button bib front, tuck-in tab on placket, Western Costume Co. label reads No. 2201-3 / John Wayne / Chest 46 / Collar 17; worn as Wayne portrayed Tom Doniphon in the film directed by John Ford and co-starring James Stewart, Vera Miles, and Lee Marvin; likely worn in other films as well; featured in the artwork for the films poster. Wayne wore this style shirt in many films but stopped wearing them after the 1965 Paramount release of The Sons of Katie Elder; this is the only one of its kind in the auction. estimate: $6,000-$8,000
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44009
t wo h At bA nds, 1960s
The first one made of four thin strips of brown leather, glued together onto black piping, appearing to be the one worn around the crown of Waynes cowboy hat as he portrayed John Elder in the 1965 Paramount release, The Sons of Katie Elder; the second made of sterling silver with decorative engravings and a buckle on the side, inside hallmark reads Bohlinmade / Calif. / Hollywood / Sterling [Edward H. Bohlin, the celebrated saddlemaker and silversmith to the stars]. estimate: $600-$800
44010
A hol s t er A nd gun belt f rom el dor Ado
Paramount, 1966. Both made of brown leather, belt with thirty cartridge loops and a silver metal square-shaped buckle, twine detailing on both holster and belt, with evident heavy wear; likely worn in other films as well. (Please note some loops are ripped, torn, and heavily scuffed.) Holster: 9 x 5; Belt: 44 x 2 1/2 estimate: $4,000-$6,000
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44011
A bere t f rom t he green bere t s
Warner Bros./Seven Arts, 1968. Of traditional design, made of green wool, striped military patch on front with added silver-colored metal eagle pin; worn as Wayne portrayed Colonel Mike Kirby in the film that he starred in and directed. estimate: $5,000-$7,000
44012 A PAir of CAmouf l Age fAt igue s f rom t he green bere t s Warner Bros./Seven Arts, 1968. Of standard military design, made of cotton with an olive green and black pattern; shirt has long sleeves, two button-down breast pockets, Western Costume Co. label reads No. 2066-1 / John Wayne / Chest 48 / Sleeve 19; together with a pair of matching pants, numerous front, back and side pockets, WCC label reads No. 2066 - 1 / John Wayne / Waist 40 / Inseam 33; worn as Wayne portrayed Colonel Mike Kirby in the film that co-starred David Janssen. estimate: $5,000-$7,000
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44013 A Cow boy h At f rom t he Com A nCheros A nd Pos sibly t rue gri t 20th Century Fox, 1961; Paramount, 1969. Made of black felt, brown leather braid and twine hatband, inside stamped W.C.C. 82 T [Western Costume Company]; worn as Wayne portrayed Ranger Captain Jake Cutter in the film directed by Michael Curtiz and co-starring Lee Marvin and Patrick Wayne. According to Luster Bayless [Waynes longtime costumer] in the 1996 book, Duke, Were Glad We Knew You, by Herb Fagen, Waynes hat [from True Grit] was the same one he used in The Comancheros and The Alamo. We just changed the block around. (Please note this hat is dusty and shows signs of wear.) The current hatband on this hat seems to be the one from True Grit but minus a ribbon. estimate: $20,000-$25,000
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44014
A n e y e PAtCh f rom t rue gri t
Paramount Pictures, 1969. Made of black leather with fine wire mesh covering a cut-out hole; makeup residue still evident on inside patch; one of many worn by Wayne throughout the film as he portrayed the iconic character, Rooster Cogburn. According to Luster Bayless [Waynes longtime costumer] in the 1996 book, Duke, Were Glad We Knew You by Herb Fagen, ...Duke...needed a fresh (eye) patch every day. Each morning hed check the thing to see if there was any makeup inside it. Length: 25 Please note that all the eye patches made for this film were slightly unique in shape since Bayless made them by hand. estimate: $4,000-$6,000
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44015
A s toCk Ade JACk e t f rom t rue gri t
Paramount, 1969. Made of heavy-weight tan cotton, four front flap pockets, four button front closure, tan corduroy collar and cuffs, inside lining stamped American [United American Costume/American Costume Corporation, Luster Bayless company], no other labels; worn as Wayne portrayed Rooster Cogburn in the film that won him an Academy Award for Best Actor in a Leading Role. (Please note jacket is stained and dirtied as it was not cleaned after production; there is also a hole on the back right shoulder.) This style of coat, known as a stockade jacket, became part of Waynes standard western costume for the rest of his career. It is first seen in the 1960 20th Century Fox release, North to Alaska (but with an added small pocket sewn on top of the larger left breast pocket) and then the design slightly changed to a three pocket version (which Wayne wore in three films) and then it changed again to a four pocket version (which Wayne wore in his last nine western films). It is believed that six of these stockade jackets were originally made: one for each of the Chucks [Roberson and Hayward, Waynes longtime stunt doubles] and four for Wayne himself. estimate: $10,000-$15,000
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44016
t he f il l your h A nd shir t f rom t rue gri t
Paramount, 1969. Made of faded navy blue/purplish cotton with white stitching, long sleeves, two breast pockets, ventilation holes under arms and on back, Western Costume Co. label reads No. 2456-2 / John Wayne #2 / Chest 48 1/2 / Sleeve 36 / Collar 17 5/8; worn by Wayne in the famous shoot-out scene where he yells to Robert Duvall [as Ned Pepper], Fill your hand, you son of a bitch; also worn in other scenes. (Please note shirt has faded in an uneven pattern where parts of it are lighter than others.) estimate: $10,000-$15,000
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44017
A V e s t f rom t rue gri t
Paramount, 1969. Made of brown leather with a burlaplike cotton back, four front pockets, two leather ties at base of lapels, Western Costume Co. label reads No. 2157-3 / John Wayne, further WCC stamp on inside lining; worn by Wayne in the film. (Please note entire vest is purposely distressed and stained.) estimate: $6,000-$8,000
28
44018
A shir t f rom t rue gri t
Paramount, 1969. Made of slate blue cotton with navy blue stitching, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2500-1 / John Wayne #2 / Chest 49 / Sleeve 36 / Collar 18 1/2, further WCC stamp on inside collar; worn by Wayne in the film. estimate: $2,000-$2,500
29
44019 A PAir of luCChe se Cowboy boot s l ik ely f rom t rue gri t A nd roos t er Cogburn Paramount, 1969; Universal, 1975. Made of brown leather with tan-colored traditional stitching, inside stamped with makers logo; inside right boot further stamped 495 while left boot notes 496 (indicating this is an unmatched pair and that another pair just like it exists elsewhere); heavily distressed; believed to be worn as Wayne portrayed Rooster Cogburn in both films as he had to walk through streams and raft down rivers where these boots would have gotten water damaged and cracked, their current condition. estimate: $8,000-$10,000
30
44020 A PAir of luCChe se Cow boy boo t s lik ely f rom t rue gri t A nd roos t er Cogburn Paramount, 1969 and Universal, 1975. Made of brown leather with tan-colored traditional stitching, inside stamped with makers logo, inside of both boots further stamped 170176; with further handwritten annotation in black felt tip ink reading J.W.; purposely distressed to look aged, actual wear also evident; believed to be worn by Wayne in early scenes of both or either film before the action got too rough. estimate: $5,000-$7,000
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44021 A CAVAl ry h At f rom t he horse sol diers, CirCus worl d, t he undef e At ed, A nd rio lobo United Artists, 1959; Paramount, 1964; 20th Century Fox, 1969; National General Pictures, 1970. Made of black felt, brown cord acorn hatband with further black ribbon detail, black velvet cavalry insignia on crown, inside has piece of tape with a handwritten annotation in pencil reading John Wayne #1; worn as Wayne portrayed Colonel John Marlowe, Matt Masters, Colonel John Henry Thomas, and Colonel Cord McNally in the four different films. (Please note this hat is dusty and shows signs of wear plus it has a hole at the top of the crown.) estimate: $30,000-$40,000
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44022 A union Arm y uniform f rom t he undef e At ed A nd rio lobo 20th Century Fox, 1969; National General Pictures, 1970. Three pieces; the first a navy blue wool coat, six button front closure, Colonels insignia on either shoulder, Western Costume Co. label reads No. 2869-1 / John Wayne #1 / Chest 48 1/2 / Sleeve 19; the second a faded navy blue raw silk shirt, two breast pockets, tuck-in tab on placket, Colonels insignia on either shoulder (though ones in film seem slightly different), WCC tag now illegible as shirt was dyed; the third a pair of uniform pants, made of faded navy blue wool, wide golden-yellow stripe down either leg, stirrups at hem, WCC label reads No. 2869-2 / John Wayne #1 / Waist 40 1/2, further WCC stamp on inside waistband; worn by Wayne as he portrayed Colonel John Henry Thomas in the opening battle sequence and in the resignation scene both at the beginning of The Undefeated which co-starred Rock Hudson; also worn as Wayne portrayed Colonel Cord McNally in Rio Lobo a year later. estimate: $10,000-$15,000
34
44023 A PAir of CAVAl ry riding boo t s f rom t he undef e At ed 20th Century Fox, 1969. Made of black leather, knee-high, simple stitched detail on top of shaft, wooden spur ridge on back of heel, resoled later; worn by Wayne in the film; Wayne likely wore these boots in other cavalry films such as The Horse Soldiers from 1959 or Rio Lobo from 1970 and he may have even used them as early as 1948-1950 in John Fords Cavalry Trilogy but because the boots were re-soled, it is impossible to know for certain. estimate: $3,000-$5,000
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44024 A Cow boy h At f rom big JAk e , t he Cow boys, A nd t he t r Ain robbers National General Pictures, 1971; Warner Bros., 1972; Warner Bros., 1973. Made of tan felt, colorful embroidery on leather hatband, inside has handwritten annotations in black felt tip ink reading J. Wayne #2 and Chuck Roberson 2 [Waynes longtime stunt double], stamps under inside band read W.C.C [Western Costume Company] and American [United American Costume Company/American Costume Corporation, Luster Bayless company]; worn by Wayne as he portrayed Jacob McCandles, Wil Andersen, and Lane in the three different films; also worn by Roberson in Big Jake as the two men frequently shared the same costume pieces. (Please note this hat is stained and shows signs of heavy wear.) estimate: $30,000-$40,000
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44025
A nudies Cowboy h At f rom roos t er Cogburn
Universal, 1975. Made of black felt, elaborate braided brown leather and twine hatband, leather twine chin strap, inside stamped Nudies / Rodeo Tailors / North Hollywood / California, inside crown reads Resistol SelfConforming Western, worn as Wayne portrayed the title character in the film that co-starred Katharine Hepburn. (Please note this hat is dusty and shows signs of wear.) estimate: $30,000-$40,000
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44026
t he de At h shir t f rom t he shoo t is t
Paramount, 1976. Made of off-white cotton, long sleeves, two front pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2102-2 / John Wayne / Chest 48 1/2 / Sleeve 36 / Collar 17 5/8, further WCC stamp on inside shirt lining; worn as Wayne portrayed J.B. Books on the Last Day January 29 (his characters birthday) when he goes to the bar for his final shoot-out. estimate: $2,000-$2,500
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44027
A Cos t ume f rom t he shoot is t
Paramount, 1976. Three pieces; the first a beige cotton shirt with faint red, yellow and gray stripes, long sleeves, one breast pocket, tuck-in tab on placket, Western Costume Co. label reads No. 2655-1/ John Wayne / Sleeve 34 / Collar 18 1/2, the second a black wool and cotton vest, four front pockets, seven button front closure, WCC label reads No. 2642-2 / John Wayne / Chest 50 / Triple; the third a pair of black and gray striped wool pants, WCC label reads No. 2643-2 / John Wayne / Waist 41 1/2 / Inseam F. 31 1/2 / Back 33 3/4; further WCC stamp on inside waistband; worn by Wayne in different scenes including at the boarding house, in the barber shop, and on the Last Day (with the white shirt from Lot 44026). estimate: $6,000-$8,000
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44028
t wo Cos t ume PieCe s f rom t he shoo t is t
Paramount, 1976. A greenish-gray polyester blend jacket, two front flap pockets, four button front closure, American Costume label reads Luster Bayless / Personal; together with a gray polyester blend vest with a mauve cotton back, four front pockets, six button front closure, Western Costume Co. label reads No. 2642-1 / John Wayne / Chest 50, further WCC stamp on inside lining; worn by Wayne in the opening sequences where he first encounters Ron Howard [as Gillom Rogers], finds out from Jimmy Stewart [as Dr. Hostetler] that he has a cancer, and then meets Lauren Bacall [as Bond Rogers] at her boarding house. estimate: $4,000-$6,000
41
44030
t hree w e s t ern belt s, 1950s-1970s
The first brown leather, with a square-shaped brass buckle, size 40, with evident heavy wear; the second brown leather with black stitched trim, with a square-shaped brass buckle, inside zip compartment for money, stamped McConnells Hawkeye, size 42; the third brown leather, with a rectangular-shaped brass buckle, size 40, with evident heavy wear; all possibly worn in films. estimate: $1,000-$1,500
44029
A PAir of Ch APs, 1950s-1960s
Of classic design; made of tan leather with darker brown leather trim; well used; not known if worn in films, but saved by Wayne for decades. Length: 39 estimate: $3,000-$5,000
44031
A PAir of nudies Cow boy boo t s, 1970s
Made of black leather with elaborate green, red, orange, and white stitching, inside of each boot has small leather label reading Nudies Rodeo Tailors / 5015 Lankershim Boulevard / Hollywood, Calif. 91601; with slight wear. estimate: $1,000-$1,500
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44032
A n oil PAin t ing by John deCk er, 1945
Rendered on board, depicting Wayne in cowboy garb, signed in the lower left corner John Decker 45 [the infamous Hollywood portrait artist and roustabout], in its original, elaborate wooden frame. (Please note the portrait needs to be professionally cleaned and the frame is somewhat damaged with missing pieces due to age.) Painting only: 21 x 18, Overall: 32 x 28 Wayne had this painting on display in his various homes for over thirty years. estimate: $4,000-$6,000
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44033
A n oil PAin t ing, CirCA 1940
Rendered on canvas, depicting a young Wayne as Olsen from his 1940 United Artist film, The Long Voyage Home, directed by John Ford. 31 x 40 estimate: $600-$800
44034
A he Adl iner of t he y e Ar dr Aw ing by k Arl huben t h Al , 1970
Rendered in charcoal and pen and ink on board; image depicts Wayne looking at his Oscar which is dressed up like Rooster Cogburn; signed in the lower right corner in black ink For / Duke / Wayne - / With My Congratulations / And Those of the / Greater / Los Angeles / Press Club / Karl Hubenthal / L.A. Herald-Examiner; included is the June 1970 issue of The 8 Ball [the Greater Los Angeles Press Clubs newsletter] featuring this same image on the cover. (Please note there is slight yellowing from when this piece was in a different frame.) Matted and Framed: 26 x 21; Work Only: 18 x 14 estimate: $1,000-$1,500
44035
A CAriCAt ure , 1970s
Gouache on paper, depicting Wayne being propped up by a wooden stand just like the building behind him, signed in the lower right corner Trog; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. Matted and Framed: 20 x 18; Work Only: 14 x 12 estimate: $600-$800
44
44036
A n A ndy wArhol limi t ed edi t ion signed Prin t f rom t he Cow boys A nd indi A ns serie s, 1986
Titled John Wayne, numbered and signed in pencil in the lower right hand corner 221/250 Andy Warhol, not examined out of frame. Framed: 36 x 36 A number of years after Waynes death, Andy Warhol used this image (a publicity still from The Man Who Shot Liberty Valance) without permission. To resolve this situation, the Warhol Foundation gifted this print, as well as the ones in the next seven lots, to Waynes family. estimate: $20,000-$25,000
45
44037 A n A ndy wArhol limi t ed edi t ion signed Prin t f rom t he Cow boys A nd indi A ns serie s, 1986 Titled General Custer, numbered and signed in pencil in the lower left hand corner 221/250 Andy Warhol, not examined out of frame. Framed: 36 x 36 estimate: $10,000-$15,000
44038 A n A ndy wArhol l imi t ed edi t ion signed Prin t f rom t he Cowboys A nd indi A ns serie s, 1986 Titled Teddy Roosevelt, numbered and signed in pencil in the lower right hand corner 63/250 Andy Warhol, not examined out of frame. Framed: 36 x 36 estimate: $7,000-$9,000
46
44039 A n A ndy wArhol limi t ed edi t ion signed Prin t f rom t he Cowboys A nd indi A ns serie s, 1986 Titled Annie Oakley, numbered and signed in pencil in the lower left hand corner 221/250 Andy Warhol, not examined out of frame. Framed: 36 x 36 estimate: $7,000-$9,000
44040 A n A ndy wArhol limi t ed edi t ion signed Prin t f rom t he Cow boys A nd indi A ns serie s, 1986 Titled Indian Head Nickel, numbered and signed in pencil in the lower left hand corner 63/250 Andy Warhol, not examined out of frame. Framed: 36 x 36 estimate: $10,000-$15,000
47
44041 A n A ndy wArhol limi t ed edi t ion signed Prin t f rom t he Cow boys A nd indi A ns serie s, 1986 Titled Kachina Dolls, numbered and signed in pencil in the lower left hand corner 221/250 Andy Warhol, not examined out of frame. Framed: 36 x 36 estimate: $4,000-$6,000
44042 A n A ndy wArhol l imi t ed edi t ion signed Prin t f rom t he Cowboys A nd indi A ns serie s, 1986 Titled Mother and Child, numbered and signed in pencil in the lower left hand corner 221/250 Andy Warhol, not examined out of frame. Framed: 36 x 36 estimate: $6,000-$8,000
44043 A n A ndy wArhol limi t ed edi t ion signed Prin t f rom t he Cow boys A nd indi A ns serie s, 1986 Titled Northwest Coast Mask, numbered and signed in pencil in the lower right hand corner 63/250 Andy Warhol, not examined out of frame. Framed: 36 x 36 (frame is cracked but artwork is not affected.) estimate: $4,000-$6,000
48
44044
A bron z e sCul P t ure by g Al l Agher rul e , 1979
A weighty piece, depicting a bust of Wayne in his heyday, signed on the back 79 Rule S 1/50, mounted to a wooden base, placard on front reads John Wayne / by / Gallagher Rule / 1979; included is a framed newspaper article (showing an image of Wayne standing next to this bust) describing how the artist presented this piece to the actor at his home in Newport Beach on Sunday, March 25 [1979] plus two letters: one from Rule to Wayne and a file copy of Waynes response. 16 x 11 x 7 estimate: $3,000-$5,000
44045
A bron z e sCul P t ure by bre t t- l i V ings tone s t rong, 1979
A weighty piece, depicting the front of Waynes face with the sides appearing to be abstract waves as if the actor were formed from the sea, small sharp bolts on the side and back indicate the piece was supposed to be fitted into something else (like a wall or larger artwork), lower left side engraved Life, Time, Light / In Honor of / John Wayne / May 1979 / Brett-Livingstone Strong / BLS 79 / A / 7/50 / North America / Life Time Light / The Million $ Rock, whole sculpture rests on a rotating base so it can be seen from any angle. Approximately 11 x 10 x 8 According to the artists Wikipedia page, in 1977 Strong carved a similar image of Wayne into a boulder that had fallen onto Pacific Coast Highway in Malibu. It was later sold for over $1 million and is now on display at Lubbock Christian University in Lubbock, Texas. This smaller piece appears to have been made to commemorate the larger work. Interestingly, Strong had a later collaboration with Michael Jackson, painting the pop stars famous portrait titled The Book. estimate: $3,000-$5,000
49
44046
A gol den globe AwArd for t rue gri t
Paramount, 1969. Made of gold-colored metal on a white marble base, front placard reads John Wayne / Best / Motion Picture Actor / Drama / 1969 / True Grit / Hollywood Foreign / Press Association / #3136; with a JW inventory sticker. 9 x 3 x 3 estimate: $50,000-$75,000
50
51
44047
A henrie t tA AwArd, 1952
In the form of a nude woman atop a semi-globe, made of ceramic painted gold, placard on front reads John Wayne / World Film Favorite / 1952 / Foreign Press Assn / of Hollywood, back signed by artist A. Katcha Makoff; included with a circular mirrored base that Wayne used for its display. (Please note the statuette shows repair work at the neck and ankles.) Height: 25 The Hollywood Foreign Press Association gave out these Henrietta awards from 1950 until they retired the category in 1979, though the design of the Henrietta had changed from this early female form to the more standard Golden Globe form many years beforehand. This style of the award is quite rare. estimate: $6,000-$8,000
52
44048
A PeoPl es ChoiCe AwArd, 1976
Presented to John Wayne; for Favorite Motion Picture Actor; with a JW inventory sticker. 13 x 3 1/2 x 4 According to Ethan Wayne, this was one of his fathers most treasured awards because it came directly from the fans. estimate: $2,000-$3,000
44049 A n ACAdem y of mot ion PiC t ure Ar t s A nd sCienCe s Cer t if iCAt e of nomin At ion for t rue gri t Paramount, 1969. Presented to John Wayne for acting in the film; text reads in part Be it known that / John Wayne / was nominated for an / Academy Award of Merit / for outstanding achievement / Best Actor in True Grit; an official PermaPlaque mounted to wood and shellacked; with a JW inventory sticker. 14 x 12 estimate: $3,000-$5,000
53
44050 A n ACAdem y of mot ion PiC t ure Ar t s A nd sCienCe s Cer t if iCAt e of nomin At ion for t he Al A mo United Artists, 1960. Presented to John Wayne as producer of the film; text reads in part Be it known that / The Alamo / was nominated for an Academy Award of Merit / for Outstanding Achievement / Best Motion Picture of 1960 / Batjac Production, United Artists / John Wayne, Producer; an official PermaPlaque mounted to wood and shellacked; with a JW inventory sticker; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. 14 x 12 estimate: $2,000-$3,000
44051
A n e x hibi tor l Aurel AwArd for sA nds of iwo Jim A , 195 3
Presented to John Wayne; from the Film Buyers of the Motion Picture Industry for Sands of Iwo Jima / Best Action Role by an Actor / A 5-Year Laurel Award for 1948-1953; with a JW inventory sticker; included are two reprinted color images showing this piece in situ in Waynes Newport Beach office. 9 x 7 estimate: $1,500-$2,500
44052
A n e x hibi tor l Aurel AwArd for t rue gri t, 1969
Presented to John Wayne; from the Film Buyers of the Motion Picture Industry for Top Ten Male Star / Best Action Role / True Grit in 1969; included are two reprinted color images showing this piece in situ in Waynes Newport Beach office. 9 x 7 x 1 estimate: $1,500-$2,500
54
44053
A t roPh y for t he Cowboys, 1971
Presented to John Wayne; from The National Cowboy Hall of Fame and Western Heritage Center for The Cowboys, Warner Bros. / Outstanding Western Motion Picture; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. 13 x 9 x 4 estimate: $3,000-$5,000
44055
t wo t roPhie s, 1950s
Both presented to John Wayne; both from the Canton, Ohio National Movie Poll group for Favorite Actor in 1952 and in 1953. (Please note the top of the 1953 piece is broken but can likely be repaired.) Height: 15 estimate: $2,000-$2,500
44054
A t roPh y, 1961
44056
A t roPh y, 1965
Presented to John Wayne; from the Motion Picture Costumers for Creative Artistry with Costumes; included is a Certificate of Nomination for this award plus some other related paperwork saved by Wayne. Height: 11 estimate: $600-$800
Presented to John Wayne; from the Downtown Long Beach Associates for All Time Box Office Champion; with a JW inventory sticker. 14 x 15 x 5 estimate: $1,000-$1,500
55
44341
44059
44051
44320
Lots shown in photograph.
John Waynes office in his Newport Beach home.
44067
44293
44058
44289
44057
A t roPh y, 1968
Presented to John Wayne; from the Francis X. Bushman Award committee for ...fine performances and for the excellent example of Americanism...; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. (Please note the top part of this piece is broken but can likely be fixed.) 30 x 9 x 8 estimate: $2,000-$3,000
44058
A t roPh y, CirCA 1970s
Presented to John Wayne; from The Dallas Marines for ...Helping Us to Tell the Marine Corps Story. 13 x 10 x 7 estimate: $1,000-$1,500
56
44061
t wo w w ii Cer t if iCAt e s, 1940s
Both presented to John Wayne; the first from the War Agencies of the Government of the United States for ...Outstanding Service in World War II; the second from William J. Donovan, Major General, U.S.A. Director, for Honorably Serv(ing) the United States of America as a Member of The Office of Strategic Services in 1945; both with JW inventory stickers. 44059 A reno silV er sPurs AwArd, 1949 Matted and Framed: 22 x 15 and smaller estimate: $1,000-$1,500 Presented to John Wayne; from the Reno Chamber of Commerce and the Motion Picture Critics of America for Outstanding Western Star of 1949; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. 18 x 15 estimate: $2,000-$2,500
44060
A n AwArd, 1971 44062 A n AwArd, 1972 Presented to John Wayne; from the Los Angeles Fire and Police Protective League for becoming ...an Honorary Member ...the first such membership given in the 47-year history of the Protection League; with a JW inventory sticker; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. 25 x 18 1/2 estimate: $3,000-$5,000
Presented to Our Duke; from the Stuntmans Association. (Please note one of the horses leather reins is broken.) 14 x 11 x 4 estimate: $500-$700
57
44063
A n AwArd, 1970
Presented to John Wayne; from The City of Los Angeles and Mayor Sam Yorty for Best Actor of 1969...Best Citizen of Every Year. 16 x 12 1/2 estimate: $1,000-$1,500
44064
A n AwArd, 1970
Presented to John Wayne; from The City of Los Angeles for ...his unswerving dedication to his country and its highest ideals. 23 x 17 estimate: $2,000-$2,500
44065
A signed dAl l As Cer t if iCAt e , 1970
Presented to John Wayne; from Bill Decker, Sheriff of Dallas County, Texas for becoming an Honorary Deputy Sheriff on the 24th day of June, 1970, signed in blue ballpoint ink in the lower right corner by Wayne. 11 x 8 1/2 estimate: $1,000-$1,200
58
44066
A n AwArd, 1961
Presented to John Wayne; from the Iowa Association of Southern California for being a Distinguished Iowan. [Wayne was born in Winterset, Iowa and lived there until he moved to California as a young boy.] 6 x 11 estimate: $500-$700
44067
A loV ing CuP AwArd, 1953
Silver-plated, presented to John Wayne; from the Modern Screen for Most Popular Star 1953; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. 11 x 10 x 7 estimate: $3,000-$5,000
44068
A loV ing CuP AwArd for t he Al A mo, 1960
Made of sterling silver, presented to John Wayne; from The National Society of the Children of the American Revolution for the film; together with a related framed certificate dated April 22, 1960. (Please note the certificate has water damage.) Height of Cup: 9 1/2; Certificate: 19 x 14 estimate: $1,000-$1,500
59
44069
A n AwArd A nd rel At ed oil PAin t ing, 196 3
Made of sterling silver, in the form of a large decorative bowl set atop a black base; presented to John Wayne at the Waldorf-Astoria in New York by The 1963 Lambs Gambol for being A Living Legend; together with a large painting, rendered on canvas, depicting Wayne wearing a tuxedo as he holds this award, signed in the lower right corner L[ajos]. Markos / 1963 / New York; included is a reprinted color image showing the bowl in situ in Waynes Newport Beach office. Award: 12 x 12 x 6; Painting: 47 x 35; With Frame: 55 x 43 estimate: $3,000-$5,000
60
61
44070
A Pl At t er AwArd for t he ConQueror, 1956
Made of sterling silver, of elaborate design, resting on four feet, backside engraved London Royal Premiere / The Conqueror / in the Presence of / H.R.H The Duchess of Gloucester / 2nd February 1956 / Odeon Theatre Marble Arch / Presented to John Wayne / with the admiration and grateful thanks of the / RKO Organisation / to mark the conclusion of his / European Tour / on behalf of the / Global Charity Premieres of The Conqueror; with a JW inventory sticker. Diameter: 22 estimate: $3,000-$5,000
44071
A n AwArd, 1955
Made of sterling sliver; presented to John Wayne; from The Office of the District Attorney of Los Angeles County for Distinguished Service. 2 x 3 1/4 estimate: $500-$700
44072
A n At ion Al foot bAl l foundAt ion A nd h Al l of fA me AwArd, 1973
Made of 14 karat gold; presented to John Wayne; in the form of a medallion; with the NFF logo on front and engraving on the back reading in part ...an outstanding patriot who competed on the nations athletic fields...; hallmark stamped on side reads Tiffany & Co.; housed in its own tan leather box also stamped Tiffany & Co; included are two reprinted color images showing this piece in situ in Waynes Newport Beach office. Diameter: 3 1/2 estimate: $4,000-$6,000
62
44073
A gr A mm y medAl l ion, 1971
Made of brass, with the NARAS logo on front and the back engraved In Appreciation / John Wayne / The Grammy Awards Show / Telecast 1971; housed in its own wooden box. Diameter: 3 John Wayne was a presenter at this 13th Grammy Awards show which took place on March 16, 1971. He announced the winner for Best Original Score Written for a Motion Picture or Television Special which was John Lennon, Paul McCartney and George Harrison for Let It Be; Wayne then handed the awards to Paul and Linda McCartney who accepted for the rest of the band. According to Ethan Wayne, the Let It Be album was played constantly aboard the Wild Goose. estimate: $1,000-$1,500
44074
t hree Pho toPl Ay m Ag A z ine AwArds, 1960s-1970s
All medallions; all presented to John Wayne; the first for Best Actor in 1969, housed in a wooden frame so both sides can be seen, placard on top reads in part U.K. Edition; the second for Actor of the Year in 1969-1970; and the third for Actor of the Year in 1971-1972, hallmarked 14K. Diameter: 2 1/2 estimate: $2,000-$2,500
63
44076
A usC -rel At ed AwArd, 1978
Presented to John Wayne; from a fan for a Welcome Home. 15 x 24 x 7 estimate: $500-$700
44075
A usC-rel At ed t roPh y, 1977
Presented to John Wayne; from the University of Southern California General Alumni Association for ASA v. Call Achievement; with a JW inventory sticker. 14 x 6 x 5 estimate: $1,000-$1,500 44077 A usC -rel At ed AwArd, 1970 Presented to John Wayne; from the Trojan Marching Band for being #32; with a JW inventory sticker. Approximately: 11 x 14 x 8 estimate: $500-$700
64
44078
A sCriP t f rom s tAgeCoACh
United Artists, 1939. Red covers, screen play by Dudley Nichols, not dated, marked Final Continuity, 122 pages, with numerous colored script change pages throughout, no annotations, was Waynes file copy. (Please note front cover is somewhat stained and wrinkled.) 11 x 8 1/2 estimate: $3,000-$5,000
44079
A sCriP t f rom sA nds of iwo Jim A
Republic, 1949. Yellow covers, screen play by Harry Brown, dated Started: May 17, 1949 / Finished: May 19, 1949, marked Estimating-Shooting Script, not annotated, was Waynes file copy. On the first page, the character of Sergeant John M. Stryker is described as Lithe, tense, cold-eyed; in his late twenties but Wayne, at age 42, got the part anyway which garnered him his first Academy Award nomination for Best Actor in a Leading Role. (Please note the covers are wrinkled and coming loose from the brads.) 13 x 9 estimate: $4,000-$6,000
65
44080
A sCriP t f rom t he Quie t m A n
Republic, 1952. Light gray covers, screen play by Maurice Walsh and Frank Nugent, dated Started: February 22, 1951 / Finished: April 30, 1951, marked Shooting Script, 146 pages, with a few colored script change pages throughout, was Waynes file copy. (Please note front cover is unattached from brads and is somewhat stained.) 13 x 9 estimate: $5,000-$7,000
44081
A work ing sCriP t f rom t he se ArChers
Warner Bros., 1956. Mint green covers, screen play by Frank Nugent, annotated in blue ballpoint ink on the upper right and lower left corners JW, not dated, marked Revised Final Screenplay, 142 pages, with many pages folded in half by Wayne as was his habit with scripts he used on set, not annotated. (Please note covers are somewhat stained and pages are wrinkled.) 11 x 9 estimate: $8,000-$10,000
66
44082
A work ing sCriP t f rom rio br AVo
Warner Bros., 1959. Yellow covers, screen play by Jules Furthman and Leigh Brackett, dated February 26, 1958, marked Final, 122 pages, every single page folded in half by Wayne (except the last three) as was his habit with scripts he used on set, not annotated. (Please note all pages are frayed and wrinkled.) With JWs Folding: 11 x 5; Unfolded: 11 x 9 estimate: $5,000-$7,000
44083
A n A nno tAt ed sCriP t f rom t he Al A mo
United Artists, 1960. Gray covers, no authorship noted, dated 5/19/59, 87 pages, with a few annotations by Wayne in pencil throughout, mainly slight revisions to the dialogue or short directions such as: page 4 Urgency / which / he / comes out of it; page 5 Give me / time / Hold men / together; page 47 Bowie / Hammer / Fist on / Head; page 55 Good / comedy / but / how / to shoot? plus a few other similar notes. 11 x 9 estimate: $3,000-$5,000
44084
A work ing sCriP t f rom rowA n & m A r t ins l Augh -in
NBC Television, 1967-1973. Housed in a psychedelic three-ring binder embossed on the cover Rowan & Martins / Laugh-In / John Wayne, written by head writer Paul W. Keyes, dated July 13, 1972, marked Second Draft, 261 pages, with numerous additional colored script change pages throughout, pages with Waynes lines are paper-clipped though not annotated. 11 1/2 x 10 x 2 Wayne appeared on Laugh-In many times, always being a good sport knowing that the liberal counter culture show was poking fun at him. estimate: $500-$700
67
44085
A l Augh -in grouP of Corre sPondenCe , 1960s-1970s
Including (in chronological order): 1) a letter typed on Laugh-In letterhead from Dan Rowan, not dated but from October, 1968, regarding some miscommunication between the shows producer, Paul Keyes, and Wayne that Rowan tried to clear up by writing in part I have never / met a man who admired and respected another as much as Paul admires and respects you. /...this is not an appeal for / further appearances on the show, but just / to let you know that I would personally / feel badly if in working for us, Paul had / weakened a friendship that means a great / deal to him, signed in black felt-tip ink in the lower left corner Dan; 2) a file copy of Waynes response, dated October 15, 1968, reading in part I sure as hell love Paul, and have enjoyed my / short and friendly acquaintanceship with / everyone on Laugh-In. / Ill try to find out why hes upset without / disclosing your note (the situation ultimately resolved as Keyes later produced two of Waynes television specials in the 1970s); 3) a funny fill in the blanks form letter on Rowan & Martin letterhead, dated August 16, 1973, facetiously thanking Wayne for his appearance on the show. 11 x 8 1/2 and smaller estimate: $500-$700
44086 A n A nno tAt ed sCriP t f rom t he green bere t s Warner Bros./Seven Arts, 1968. Green covers, screen play by James Lee Barrett, dated April 19, 1967, marked New Script, 142 pages, numerous annotations by Wayne in blue ballpoint ink throughout, mainly slight revisions to dialogue or notes to self such as: page 30 Ok Im always looking / at them but that wasnt / what is taking up my / thinking; page 31 As attractive / as possible / gay colored dresses / vital feeling / of an important / duty; page 41 I found that / out 10,000 miles / ago at 3:30 / in the morning / Collier / Must be / something / personal? / Peter / yeah; page 71 reaction; plus a few other similar notes. (Please note front cover is somewhat stained.) 11 1/2 x 9 estimate: $5,000-$7,000
68
44087 A n A nnotAt ed work ing sCriP t f rom t rue gri t Paramount, 1969. Covers removed, screen play by Charles Portis, dated July 26, 1968, marked Second Draft Screenplay, 145 pages (with pages 22 and 23 ripped out), every single page folded in half (or folded in half again) by Wayne as was his habit with scripts he used on set, numerous annotations by Wayne in pencil or black felt-tip pen throughout, mainly revisions to his dialogue such as: verso of page 47 There might be something / you say, Baby Sister, but I / dont propose to live near / people; page 52 Would you mind repeatin that, jaybird; verso of page 55 Cant you let / nobody reason with / out buttin in; and, most interestingly, on the verso of the very last page Fill yore hand / and meet your / maker / He ya!!! Bo. The scripted line is the famous one Wayne actually delivers [Fill your hand, you son of a bitch], though it appears that he was thinking about changing it. (Please note all pages are frayed and wrinkled.) With JWs Folding: 11 x 6; Unfolded: 11 x 8 1/2 estimate: $5,000-$7,000
44088
A n A nno tAt ed work ing sCriP t f rom t he shoo t is t, t he l As t f il m
Paramount, 1976. Covers removed, no authorship noted, dated 1/2/76, marked Rev., 338 pages, a number of pages folded in half by Wayne as was his habit with scripts he used on set, with numerous colored script change pages throughout, with numerous annotations by Wayne in black or green felt-tip ink throughout, mainly revisions or clarifications to his dialogue such as: verso of page 8 celebrate to[o] many b.d.s / In my profession / you trust too much / dont [have] too many birthdays / I like it around / here; verso of page 10 Doc - / youre dying; verso of page 31 Handling a gun / dont make you a / man...; verso of page 40 under new man / not a shred of regard / for human dignity or / anything else for the sake of / story; verso of page 80 Gillom I never really thought / you were. Emotion does strange / things to a man. It sure / messed me up...; and other like notes; script housed within a brown leather binder embossed on the front cover Duke and on inside cover Cahill U.S. Marshall / McQ / Brannigan / Rooster Cogburn. (Please note pages are frayed and wrinkled.) 11 x 9 1/2 x 1 estimate: $5,000-$7,000
69
44089
A signed doCumen t f rom A ngel A nd t he bAdm A n
Republic, 1947. One page, titled Summary of Detail Budget, listing the various costs of the production, signed in black fountain pen ink on the lower margin by Wayne (and three others) as he was producer of this film. (Please note the page is now somewhat tattered due to age.) 13 x 8 1/2 This was the first film produced by John Wayne himself. estimate: $500-$700
44090 A signed Con t r AC t for she wore A y el low ribbon RKO, 1949. Twelve pages, typed on onionskin, dated 23rd day of October 1948, outlining the agreement Wayne had with Argosy Pictures to star in the John Ford-directed film; a standard contract for an actor of Waynes stature with numerous paragraphs covering every detail of his agreement, including his compensation of $100,000, signed in black fountain pen ink on the last page by Wayne (and producer Donald A. Dewar); stapled to a light blue back cover. 11 x 8 1/2 She Wore A Yellow Ribbon was the second film of John Fords celebrated Cavalry Trilogy and many critics believe that Waynes portrayal of Captain Nathan Cutting Brittles was one of his best performances throughout his entire career. estimate: $6,000-$8,000
70
44091
A signed doCumen t rel At ing to sA nds of iwo Jim A , 1949
Typed on onionskin, dated July 22, 1949, from Republic Productions, Inc., regarding an advance of $25,000 Wayne received for services in Sands of Iwo Jima, Production #1769; signed by Wayne in blue fountain pen ink in the lower left corner; with a two-hole punch mark on top margin. 11 x 8 1/2 estimate: $1,000-$1,500
44092 A signed doCumen t reg Arding t he se A Ch Ase , 1954 Two pages typed on Warner Bros. letterhead, dated August 17, 1954, regarding a production agreement between the studio and Waynes company for him to portray the role of Captain Karl Erhlich...to commence September 20, 1954; signed on the second page in blue fountain pen ink by Wayne. (Please note the pages are somewhat wrinkled due to age.) 11 x 8 1/2 estimate: $1,000-$1,500
44093 A signed doCumen t rel At ed to t he Quie t m A n, 1955 Two pages, typed on onionskin, from Republic Productions, Inc., dated October 17, 1955, outlining an agreement for Waynes personal use of The Quiet Man, reading in part Said print may be shown only for non-profit, / private entertainment purpose in your own / home and may not be shown in any home other / than your own, signed in blue ballpoint ink by Wayne on second page; both pages with a two-hole punch mark on top margin. 11 x 8 1/2 estimate: $1,000-$1,500
71
44094
A signed Con t r AC t for t he se ArChers
Warner Bros., 1956. Eleven pages, typed on onionskin, dated June 9, 1955, outlining the agreement Wayne had with C.V. Whitney Pictures, Inc. to star in the John Ford-directed film, a standard contract for an actor of Waynes stature with numerous paragraphs covering every detail of his agreement, with paragraph 14 crossed out by Wayne and initialed by him JW, paragraph 7a outlines his compensation which was 10% of the gross receipts realized throughout the world in perpetuity, paragraph 8 mentions a $250,000 advance, signed on the last page in blue ballpoint ink by Wayne and in blue fountain pen ink by Merian C. Cooper [executive producer of the film]; all pages have a two-hole punch mark on top margins; also included is a note handwritten in blue fountain pen ink by Cooper reading in part Dear Duke: / Here is the / contract.../This is exactly the / verbal deal we made. / I know your word is / good as is mine...Coop. 11 x 8 1/2 Many film critics consider The Searchers to be the best Western ever made and it has consistently been rated the #1 Western by The American Film Institute for decades. estimate: $10,000-$15,000
72
73
44095
A h A ndwri t t en not e rel At ing to t he se ArChers, 1955
Penned in blue ballpoint ink by Wayne on a single sheet of lined yellow notepaper, reading in full I am very / happy that you / have decided on using / me for The Searchers / It is my unders. / that I will receive / 10% of the distributors gross returns in perpetuity. / I also understand that / the manner of payment / is dependent on your / releasing deal. / John Wayne; included is a typewritten letter dated June 15, 1955 from Mary St. John [Waynes longtime secretary] noting that Wayne handed this letter to Merian Cooper [executive producer of the film] and that the lawyers and tax men needed to get the final contract drawn up; both pieces have a two-hole punch mark on top margins. 11 x 8 estimate: $2,000-$2,500
44096
A se t of doCumen t s rel At ed to t he se ArChers, 1955
The first a nine page Cast List with the names, addresses, and telephone numbers of all the players including John Ford, Jeff Hunter, Natalie Wood, Vera Miles, and Ward Bond, among many others; the second a two page inter-office memo typed on goldenrod paper from Mary St. John [Waynes longtime secretary] to the C.V. Whitney Casting Office, dated October 10, 1955, reading in part ...the mugs, which Mr. Wayne gives out to the people / who worked on the picture with him, are now ready to be picked up at his / office. 11 x 8 1/2 estimate: $500-$700
44097
A signed doCumen t rel At ing to rio br AVo, 1958
Typed on onionskin, dated September 5, 1958, from Armada Productions, Inc., reading in part the following named artists may be co-starred with you above the title of the motion picture Rio Bravo: Dean Martin, Ricky / Nelson, Angie Dickinson, Walter Brennan, and Ward Bond; signed in blue ballpoint ink by Wayne in the lower left corner and by the director of the film, Howard W. Hawks, in the right corner. 11 x 8 1/2 estimate: $1,000-$1,500
74
44098
A n As sor t ed grouP of doCumen t s rel At ed to t rue gri t, 1969-1970
Including (in chronological order): 1) fourteen photocopied pages of the cast and crew address list dated 8-27-68; 2) a secretarys handwritten list noting Transportation with Waynes further annotations penned in black felt-tip ink; 3) a fascinating letter that Wayne himself typed to Hal Wallis [producer of the film], outlining in great detail (six paragraphs) his thoughts on how True Grit could be re-edited for maximum story flow, ending with I probably could have said all this in twelve words if I were in the room / with you, but trying to paint a true picture has made this seem very wordy to me. / I hope it is persuasive enough to cause you to give it a try, with a few of Waynes penciled corrections evident; 4) a photocopy of the final letter Wayne sent to Wallis (evidently typed by his secretary) dated January 28, 1969; 5) a telegram dated Mar 28, 1969 to Wayne from Bob Evans of Paramount Studios reading in part your best performance ever...all of us very excited about picture potential both critically and commercially; 6) a file copy of a letter Wayne sent to True Grit author, Charles Portis, dated May 16, 1969, reading in part I just saw True Grit.../ I saw those wonderful characters come / to life because of your writing...; 7) a telegram dated 1969 June 25 to Wayne from Denver Pile, reading in part ...I had an eye patch...I see that you now have one and are traveling right to an Academy (Award); 8) a file copy of a letter dated October 24, 1969 that Wayne sent to an upset female fan who thought there was too much obscenity and profanity in the film (Wayne responded in part: ...in my own way I try to keep pictures healthy enough for the whole family to see); 9) a half-page piece of paper with Waynes blue ballpoint ink handwritten response to Los Angeles Times film critic, Charles D. Champlin, reading in part It might be of interest for / you to know that I had to / learn to say aint upon entering / this business / ...anyway, I shall have a / drink to humor and a hope that / yours will be better analysis / and less rebuke in the future. / Your ever lovin victim / John Wayne; 10) a photocopy of the final typed version Wayne sent to Champlin dated July 22, 1970; and 11) the original letter from Champlin dated February 20, 1970 that got Wayne so riled [When John Wayne can be convincing as a Harvard / professor of international law, Ill agree that he is as good / an actor as [Jon] Voight]; overall, a compelling look at how True Grit affected a number of people, including its star. 11 x 8 1/2 and smaller estimate: $2,000-$2,500
44099 A grouP of r Adio sPo t s for gre At we s t ern bA nk , 1978 Approximately 20 pages, all photocopies from Dailey & Associates Advertising displaying Waynes lines for the series of radio advertisements he did for the California bank, two pages have his additions to the script penned in ballpoint ink, reading in part Ive thrown my / money around a lot of places / that didnt brighten my future and Folks, it sure / gets complicated today. Theres an / outfit I turn to for answers / and help... and the like; included is a small piece of notepad paper with Waynes annotation in black felt-tip ink reading Radio spots. 11 x 8 1/2 and smaller estimate: $500-$700
75
44100
A signed A mPAs Agreemen t, 1970
Typed on Academy of Motion Picture Arts and Sciences letterhead, outlining an agreement for Wayne to receive a kinescope of the 42nd Annual Academy Awards Program [April 7, 1970] solely for private screenings; signed by him in black felt-tip ink in the lower right corner; also included is a letter about the kinescope that noted librarian, Margaret Herrick, signed and sent to Wayne, plus a few other pieces of related paperwork. 11 x 8 1/2 estimate: $600-$800
44101 A grouP of shoot ing sChedul e s, 1950s-1970s The first from the 1956 RKO release The Conqueror, dated from June to July 1954, nine typed pages listing actor names, dates, and description of set or location; the second from the 1975 Universal release Rooster Cogburn, dated September 1974, approximately 50 pages, listing like information; the third from the 1976 Paramount release The Shootist, dated January to March 1976, 18 pages, listing like information. 13 x 9 and smaller estimate: $1,000-$1,500
44102
A JA me s s t e wAr t h A ndwri t t en le t t er, CirCA 1979
Penned in black felt-tip ink on personalized stationery, not dated but likely May 1979, sending Duke birthday wishes, signed in the lower right corner Gloria and Jim; a sweet note from a longtime colleague and friend. 8 1/2 x 6 1/2 estimate: $700-$900
76
44103
A gregory PeCk h A ndw ri t t en le t t er, 1979
Penned in black felt-tip ink on personalized stationery, dated 12 May 1979, reading in full Dear Duke, / Better get your / conservative ass out / of there in time to / pick up this medal / Love from / Greg Peck; with its original transmittal envelope; also included is a confirmation copy of a mailgram that Peck sent to Barry Goldwater, Jr., dated 05/11/79, regarding Pecks support of Wayne receiving the Congressional Gold Medal, reading in part I am pleased to lend my support to the movement for a special / Congressional Award for John Wayne, an honorable man who has / exemplified traditional American virtues in films for 50 years / ...John Wayne is loved the world over as a man who represents / independence, the love of freedom, and the hearty strength of / character which made our country great; a touching testament to Wayne, especially considering Peck was a well-known liberal. 10 1/2 x 7 1/2 estimate: $1,000-$1,500
44104
t wo f r A nk sin At r A signed l e t t ers, 1967
The first typed on personalized stationery, sent to JW in Burbank, CA, dated 25 July 1967, regarding a script for Wayne to read, with a clipping about the scripts plot stapled to lower margin, signed in orange felt-tip ink [Sinatras favorite color] Frank; the second typed on the same style stationery, dated October 2, 1967, reading in part The photograph is an absolute gas. It / really gave me a laugh, signed in same manner. 10 1/2 x 7 1/2 estimate: $1,000-$1,500
77
78
44105
t hree sA mm y dAV is, Jr. signed l e t t ers, 1960s-1970s
The first typed on plain stationery, sent to JW in Los Angeles, CA, dated August 29, 1961, a thank you note for the loan of a hat, reading in part Sargeants Three [sic] is now finished and I must, very / reluctantly, return your hat. /...Any success / I may have in the picture will be mainly due to your / generosity. / ...If I can ever do anything for you, a benefit for your / favourite charity, a walk-on in one of your films, lend / you my tuxedo, etc. you know you can count on me, signed in blue fountain pen ink in the lower right corner Sammy Davis, Jr., with its original transmittal envelope; 2) typed on personalized stationery, sent to JW in Durango, Mexico, dated Feb. 11, 1969, reading in part It has been a long search but I believe I have finally / found the screenplay for the two of us that we began / looking for six years ago, signed in blue fountain pen ink in the lower right corner Sammy (the two never made a film together); the third typed on personalized stationery, sent to JW in Beverly Hills, CA, dated June 24, 1977, reading in full Thank you for helping me help West Adams Community / Hospital. / Peace and love, signed in same manner. 11 x 8 1/2 and smaller estimate: $1,000-$1,500
44106
A bl ACk A nd whi t e Pho togr APh, 1961
Depicting the two friends together as Sammy Davis, Jr. wears Waynes lucky hat, signed by the photographer in the lower right corner Bernard Abramson 1961; with a JW inventory sticker. Framed: 14 x 11 estimate: $500-$700
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44107
A JAme s CAgne y grouP of signed l e t t ers, 1970 -1979
Including (in chronological order): 1) handwritten in blue ballpoint ink on personalized stationery, dated Nov. 30, 1970, reading in part The show was great and all the / Cagneys are sending along congratulations.../ You were everything that was required...; signed in the lower margin Jim Cagney; 2) typed on plain stationery, sent to JW in Santa Fe, NM, dated May 25, 1971, reading in part Good to hear from you. / Caught the Plimpton job and / am sure it will serve its purpose; signed in black ballpoint pen in the lower right corner Jim; 3) typed on personalized stationery, sent to JW at the UCLA Medical Center, Los Angeles, CA, dated January 19, 1979, reading in part Keep punching and keep adoing [sic] / We are all / pulling for you and I bring you regards from Frank McHugh, / with whom you worked many, many years ago [in the 1933 Warner Bros. film, The Telegraph Trail]. He remembers / you very warmly, signed in same manner; with its original transmittal envelope; 4) a confirmation copy of a mailgram Wayne sent to Cagney, dated 04/02/79, reading in part Dear Jimmy, / I hope your sciatic problem is not serious. It was probably caused by / bumping your buttocks along the basement floor in that exercise you / showed us years ago. Get healthy and come say hello. / Duke; nice letters between two old pals who never made a movie together. 11 x 8 1/2 and smaller estimate: $1,000-$1,200
80
44108 A s t e V e mc Queen grouP of Corre sPondenCe , 1960s-1970s Including (in chronological order): 1) a Western Union telegram sent to Wayne, dated 1966 Nov 27, inviting him to a party at McQueens Brentwood house; 2) typed on personalized stationery, sent to JW in Beverly Hills, CA, dated May 16, 1969, reading in part Sorry I couldnt make it to the Directors Guild to / honor you on the occasion of your 40th anniversary / in films and for the screening of True Grit. The / reports are great on the picture, signed in black felttip ink in the lower right corner Steve, with its original transmittal envelope; 3) typed on personalized stationery, sent to JW in North Hollywood, CA, dated June 12, 1970, reading in part ...because of you I ended up with a years / supply of Baskin & Robbins ice cream. I owe you one for / that. / Take it slow, signed in same manner; with its original transmittal envelope; 4) a file copy of a letter Wayne sent to McQueen, dated September 23, 1977, reading Would you please send him a picture of me/ from Bullitt. / I will be forever grateful; 5) a photocopy of a fan letter that a ten year old boy sent to Wayne reading in part Dear Mr. Wayne / I love the movie Bulit [sic] and / I thought your acting was great. I would like to know / if I could have a autograph- / ed picture of you; Wayne thinking this funny enough to send on to McQueen (who hopefully sent the confused kid a signed photo). 11 x 8 1/2 and smaller estimate: $1,000-$1,500
44109
A PAul ne w m A n signed l e t t er, 1961
Typed on two pages of white paper, sent to JW in Hollywood, CA, dated Dec 21 1961 (from postmark), regarding Newmans views on the geopolitical situation and books he thought Wayne should read [mainly On Thermonuclear Warfare by Herman Kahn], reading in part Maybe / we can have at it over a bottle of Jack Daniels. With / our combined brain power, there is no reason why we cant / set up a benevolent monarchy and then just arbitrarily / bomb out the entire area of Russia, except of course that / area which is responsible for caviar, signed in blue ballpoint ink Paul; with original transmittal envelope; an interesting association piece between two important actors. 11 x 8 1/2 estimate: $1,000-$1,500
Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT 81
44110 A JoA n Cr Awford grouP of signed l e t t ers, 1960s-1970s Three notes, all typed on personalized notepaper, including: 1) sent to JW and family in Encino, CA, dated January 4, 1965, reading in part I am / glad the past year is over and your / illness with it, signed in blue ballpoint ink in the lower right corner Joan, with original transmittal envelope; 2) sent to JW and Pilar in Newport Beach, CA, dated January 9, 1969, reading in part Thank you so much for the / lovely New Years telegram, signed in same manner; with original transmittal envelope; 3) sent to JW in Newport Beach, CA, dated February 3, 1970, reading in part Thank you so much for presenting me / with the Cecil B. de Mille Award last / night. / ...I was so touched by that / deliciously small-boy smile, signed in same manner; with original transmittal envelope; also included: 1) a small note handwritten in blue ballpoint ink by Crawford reading in part Duke - you are / a dream boat... / P.S. you are on / last page referring to the June 1969 issue of Pepsi-Cola World magazine where the note is paperclipped; 2) a program from the June 24, 1977 tribute to Crawford that Wayne took part in; and 3) a three page typed speech that Wayne gave at that tribute. Various Sizes estimate: $1,000-$1,500
82
44111 A k At h Arine hePburn grouP of h A ndw ri t t en l e t t ers, 1970s Three total; the first handwritten in black felt-tip ink on personalized stationery, not dated but likely 1975, reading in part Its very hard to / return to reality / when youve / been in the land / of the Giants / to send my / thanks & my love is to put / it mildly / Sister Kate / That was living; the second handwritten in black felt-tip ink on personalized stationery, sent to JW in Newport Beach, CA, dated II-14-1977, a thank you letter for a gift, reading in part I will be your / Valentine - anytime / Id wanted two things... / you sent / them both / ...I miss you / Affectionately / Eula [her characters name in Rooster Cogburn]; with its original transmittal envelope; the third typed on personalized stationery, dated V-3-1979, reading in part I did have such a lot of / fun doing that Rooster-Eula picture. You / are an extraordinary actorman-spirit-/creature. / ...Anyway, Eula / doesnt change - she just loves you you / know that. / Eula (Kate); sweet letters from one icon to another. 8 x 6 and smaller estimate: $1,000-$1,500
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44112
A l Auren be t t y bACAl l h A ndwri t t en l e t t er, 1979
Penned in blue felt-tip ink on personalized stationery, sent to JW in Newport Beach, CA, dated 7 May 1979 (from the postmark), reading in part I have never been able to / tell you how much your standing up / for me in Blood Alley days meant / to me. I wanted to say it on The / Shootist - never could somehow.../you have the guts of a lion.../ I want you to know how terrific / you are and how really glad I am / to know you - you give more than (you) know / I send you much love- / constant thoughts / Betty; with original transmittal envelope; a truly heartfelt note from a longtime colleague sent the month before Wayne passed away. 9 x 7 estimate: $1,000-$1,500
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44113
A r Aoul wAl sh se t of signed l e t t ers, 1974
The first typed on plain stationery, dated 5-1-74, sent to JW in Hollywood, CA, regarding a quote Walsh wanted from Wayne for his autobiography titled Each Man in His Time, signed in black felt-tip ink in the lower right corner Raoul; with its original transmittal envelope; the second typed on personalized stationery, dated 5-16-74, reading in part Duke my lad, / Thanks for your nice letter, and the good things / you had to say about the book, with a continuation of Walshs melancholy thoughts about the passage of time, signed in same manner; with its original transmittal envelope; also included is a file copy of Waynes response to Walsh, dated May 9, 1974, reading in part Enclosed is a suggested quote for your book.../Thanks for ... / snatching me from a possible legal career which / could have been nothing but hum-drum by comparison. 10 1/2 x 7 1/2 Raoul Walsh famously gave Wayne, a then unknown twenty-three year old bit player, his first starring role in a Hollywood film, the 1930 Fox release titled The Big Trail. estimate: $500-$700
44114
A howArd h Awks grouP of Corre sPondenCe , 1960s-1970s
Including (in chronological order): 1) a letter typed on Hatari! letterhead, sent to JW in Hollywood, CA, dated Nov. 13, 1961, regarding television commercials, signed in blue ballpoint ink in the lower right corner Howard; 2) a letter typed on personalized stationery, sent to JW in Los Angeles, CA, dated July 22, 1968, reading in part Am enclosing a script for you.../ Mitchum would work well with you... / Hope you like it as well as I do, signed in same manner; 3) a Batjac Productions, Inc. inter-office memo to Wayne from Joe Behm about a location issue; 4) a file copy of a letter from Wayne to Hawks, dated November 5, 1969 about same location issue; 5) a letter typed on CBS Films letterhead, dated November 14, 1969, sent to JW in Durango, Mexico, about the same location issue, signed in blue ballpoint ink in the lower right corner Howard; 6) a file copy of a letter Wayne sent to Hawks, dated November 18, 1969, still about the location issue; 6) a note handwritten in black ballpoint ink, given to JW in Mexico, dated 8-11-70, reading in part ...we can have / dinner here / the food / is good and the tequila / is better, signed in same manner; 7) a letter handwritten by Hawkes in red ballpoint ink on three pages of Campo Mexico Courts letterhead, not dated, given to JW in Mexico, still regarding the location issue, signed in same manner. (Please go to our website to see images of each piece.) 11 x 8 1/2 and smaller estimate: $2,000-$2,500
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44115
A PAul mc CAr t ne y t el egr A m, 1971
Dated March 19, 1971, sent to JW in Hollywood, CA, reading Thanks It was a Pleasure / Paul and Linda McCartney. 7 1/2 x 9 estimate: $600-$800
44116 A John f. k ennedy-rel At ed se t of Corre sPondenCe , 1960 -1961 Both typed file copies of telegrams Wayne sent; the first a single yellow page, to Peter Lawford in Hyannis Port, MA, dated November 9, 1960, reading in part Please congratulate the President-Elect for me. / ...Here is an American who will do anything he can / to be helpful; the second a half page of white paper, to President John Fitzgerald Kennedy at The White House, Washington, D.C., dated 4th February 1961, reading in part Congratulations Mr. President. It was thrilling / reading your inaugural speech here in / Tanganyika Stop It made us even prouder / that we are Americans. Regards / John Wayne. (Please note both pages have staple marks and are slightly yellowed due to age.) 11 x 8 1/2 and smaller estimate: $1,000-$1,500
44117
A rober t f. k ennedy form l e t t er, 1966
Printed on United States Senate letterhead, sent to JW in Hollywood, CA, dated April 27, 1966, regarding Vietnam, reading in part Thank you for your views concerning the war in Vietnam.../...the survival of any coalition government depends on the support each / faction receives from the outside and that the United States, / after any peaceful settlement, would have to exercise continued / vigilance...; included is Kennedys original enclosure to Wayne: a pamphlet outlining his views on the war. 10 x 8 estimate: $400-$600
86
44118 t hree t ed k ennedy signed l e t t ers, 1960s-1970s The first typed on United States Senate letterhead, sent to JW in Montrose, CO, dated September 24, 1968, regarding Abe Fortas [a Chief Justice], reading in part ...it is unfortunate / that the excerpt you sent me was the only information you were / able to get on Mr. Fortas... (it) is part of a scurrilous handout being spread throughout the country by / rightwing and anti-Semitic groups... signed in black felt-tip ink in the lower right corner Edward Kennedy; the second typed on same letterhead, sent to JW in Beverly Hills, CA, dated October 28, 1977, regarding the Panama Canal treaties, reading in part ...it would / be against our countrys best traditions not only to refuse to act in our national / interest, but to break the word of four Presidents, signed in blue felt-tip ink in the lower right corner Ted Kennedy; the third on same-style letterhead (but smaller), sent to JW in Boston, MA, dated April 17, 1978, reading in part ...I wish you a swift and complete recovery, signed in black felt-tip ink in lower right corner Ted Kennedy. 11 x 8 1/2 and smaller estimate: $1,000-$1,500
44119
t wo ly ndon b. Johnson signed l e t t ers, 1960s
The first typed on United States Senate letterhead, sent to JW in Hollywood, CA, dated February 16, 1960, reading in part ...we could use you on our side. / Let me know if you are ever up / my way and lets get together, signed in black fountain pen ink in the lower right corner Lyndon; the second typed on White House stationery, sent to JW in Encino, CA, dated November 12, 1964, reading in part Even during the campaign I never lost my / zest for John Wayne movies. You and I / have been in our respective fields movies / and public service for about the same time. / I can only hope that neither of us tries to / swap professions. / You are a good American..., signed in black fountain pen ink in the lower right corner Lyndon B. Johnson, with original transmittal envelope; also included is a receipt of a telegram Wayne sent to Johnson [Congratulations Mr President from one of your loyal / repeat loyal opposition], a telegram Johnson sent to Wayne [Congratulations. The Oscar recognizes your excellent contribution to the American screen...], and two file copies of letters Wayne sent to Johnson. 10 1/2 x 8 and smaller estimate: $1,000-$1,500
44120
A J. edg Ar hooV er signed l e t t er, 1970
Typed on FBI letterhead, sent to JW in Los Angeles, CA, dated April 8, 1970, reading in part Heartiest congratulations on your winning / an Oscar as best actor of 1969, signed in blue fountain pen ink in the lower right corner J. Edgar Hoover; included is a file copy of Waynes response. 9 1/2 x 7 estimate: $700-$900
87
44121
A ron Ald re Ag A n h A ndwri t t en l e t t er, CirCA 1977
Penned in black felt-tip ink on personalized stationery, dated May 15, reading in part We didnt know of a / sure way that an extra letter might / reach you. But as you can see we / found a way. Dont tip the messenger / he was happy to do it. / ...We can / handle the gasoline shortage, the anti- / nuclear freaks & even the crazy way / the admin. is dealing with the Russians - / we cant take much more of you being / out of action. / ...Duke you are not only in our / thoughts - you are in our prayers every / day. And those prayers are born / of our love & affection for you, signed in the lower right corner Nancy [in her hand] & Ron [in his hand]; with original transmittal envelope without a stamp or postmark since it was hand-delivered as noted above. 10 1/2 x 7 1/2 estimate: $1,000-$1,500
44122
A ron Al d re Ag A n h A ndw ri t t en le t t er, CirCA 1979
Penned in blue felt tip ink on personalized notepaper, dated 4/1, reading in part ...well keep on praying until they / decide you can get into a saloon / fight (on the studio back lot of course) or go fishing in Baja for real.../ Nancy sends her love - I would / too but there might be talk. (Please note this piece is somewhat wrinkled.) 10 1/7 x 7 1/2 estimate: $1,000-$1,500
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44123
t hree dwigh t d. eisenhower signed l e t t ers, 1950s-1960s
The first typed on The White House letterhead, sent to JW in Hollywood, CA, dated October 22, 1956, reading in part My visit to Los Angeles would not have been / so happy an occasion without your joining us / at the Hollywood Bowl, signed in black fountain pen ink in the lower right corner Dwight Eisenhower; the second typed on the same letterhead, sent to JW, dated June 10, 1959, reading in part ...I / want to thank you for acting as master / of ceremonies at the Testimonial Dinner / to honor Republicans in Congress, signed in same manner, with original transmittal envelope; the third typed on personalized stationery, to Friends, dated 14 October 1964, regarding Barry Goldwater for President, signed in same manner. 9 x 7 estimate: $600-$800
44124
A riCh Ard ni xon h A ndwri t t en l e t t er, 1976
Penned in black felt-tip ink on personalized notepaper, sent to JW in Beverly Hills, CA, dated December 15, 1976, reading in part Pat and I were / terribly distressed to hear / that you were in the / hospital. We hope / and pray you will / soon be back in the saddle.../ I thought / your T.V. tribute was / superb; signed in the lower right corner Dick Nixon; with original transmittal envelope. 10 1/2 x 7 1/2 estimate: $1,000-$1,500
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44125 eigh t ger Ald r. ford signed l e t t ers, 1960s-1970s Including: 1) typed on House of Representatives letterhead, sent to JW in Beverly Hills, CA, dated March 23, 1967, regarding the Republican Associates-Boosters Program, signed in black fountain pen ink in the lower corner Jerry Ford; 2) typed on White House letterhead, sent to JW in Beverly Hills, CA, dated November 4, 1974, reading in part I am glad to have a copy of On Being My Own Man / written by Leonard Read, signed in same manner; 3) typed on personalized stationery, sent to JW in Hollywood, CA, dated March 15, 1975, regarding the Republican Senate-House Dinner, signed in same manner; 4) typed on White House letterhead, sent to JW in Newport Beach, CA, dated October 2, 1976, regarding the Salute to the President Dinner, signed in same manner; 5) typed on White House letterhead, sent to JW in Newport Beach, CA, dated October 4, 1976, reading in part I very much appreciate having your views on the Explorer, / and I know we both look forward to the day when it again / sets sail, signed in same manner; 6) typed in White House letterhead, sent to JW in Beverly Hills, CA, dated December 3, 1976, regarding campaign help, signed in same manner; 7) typed on personalized stationery, sent to JW in Newport Beach, CA, dated October 14, 1977, reading in part Man! What a relief to hear the hoofbeats / of the big white horse and see a friendly / gun gallop into view, signed in blue felt-tip ink in the lower left side; and 8) handwritten in black felt-tip ink on personalized stationery, dated May 8, 1979, reading in full Betty and I are / pulling for you and praying / for you along with millions / upon millions around the world. / You have deepest affection / and admiration. / Jerry Ford; included are three transmittal envelopes, one note to self penned in black felt-tip ink in Waynes hand about how to file a letter, and one file copy of a 1977 letter Wayne wrote to Ford. (Please go to our website to see images of each piece.) 11 x 8 1/2 and smaller estimate: $1,000-$1,500
44126 A Jimm y CAr t er h A ndwri t t en l e t t er on t errorism, 1978 Penned in black felt-tip ink on White House stationery, sent to JW in Newport Beach, CA, dated 5-15-78, reading in full: Dear John Wayne, / One of my deepest com-/ mitments is to fight / terrorism, and my oath / of office requires me / to uphold the laws of / the United States. I do / not find the two to / be incompatible. / Jimmy / P.S. Were proud of your / quick recovery. J.; with original transmittal envelope. 9 x 7 estimate: $4,000-$6,000
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44127
A norm A n roCk w el l signed l e t t er, 1976
Typed on personalized stationery, sent to JW in Beverly Hills, CA, dated Jan. 13, 1976, reading in part It was good to hear from you, and I send my / very best wishes for a fine 1976, signed in blue ballpoint ink in the lower right corner Norman Rockwell; with original transmittal envelope; a nice association piece between two men who represented an ideal America to countless millions. 8 x 6 estimate: $600-$800
44128
A miCk e y sPil l A ne grouP of signed Corre sPondenCe , 1950s-1960s
Mostly typed on Mickey Spillane Productions letterhead and signed by him in green fountain pen ink; including (in chronological order): 1) not dated but around October 10, 1955, reading in part ...what a / great job you did on the Lucy show. / ...When you were getting the rubdown, Kathy said, I bet Pilar doesnt know shes doing that / to him. Great thinking...shes only six; 2) sent to JW in Hollywood, CA, dated March 3, 1956, reading in part I just thought a little note of encourage/ ment at this time might come in handy; 3) dated 11/15/61, reading in part I sent you a copy of The Beep, my new book, and its / doing fine. / Break loose from L.A. and join / me. Golden Host Motel and you can escape the pre-parental nonsense / that goes with being trapped in your own house during late / pregnancies; 4) a file copy of Waynes response to Spillanes letter, dated November 21, 1961, reading in part How much I would love to join you at the Golden / Host Motel.../I have to keep my nose to the grindstone!; 5) dated November 24, 61, reading in part So, thinking of Batjac and its Cessna, Im / dropping off a folder on what a dreamboat looks like. / In fact, after flying it again, Im buying one; 6) not dated, reading in part You and Bob [Fellows] are the only guys Ill do / business with in L.A.... / I got a whack on the ear (cut my lobe, by heck!) and / such is the news from Newburgh. When do we get to see you again? (Please go to our website to see images of each piece.) 11 x 8 1/2 When the Wayne-Fellows Productions company was still in existence, they hired the famous crime novelist to rewrite some scripts for them, and the three men hit it off. Wayne remained friends with Spillane after he started a different production company [Batjac Productions] and after Spillane and Fellows started their own production company together [Spillane-Fellows Productions]. estimate: $1,000-$1,500
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44129
A l is t of fAVori t e AC tors A nd f il ms, 1977
A letter sent to Wayne on July 8, 1977 by The Peoples Almanac asking him to participate in a poll of all living Academy Award winning actors on their opinion of who were and are the 5 best motion picture actors of all time...(and)...the 5 ...best motion pictures of all time; Waynes two photocopied responses are included (the originals obviously sent back to The Peoples Almanac) where he notes for actors: 1) Spencer Tracy 2) Elizabeth Taylor 3) Kathrine [sic] Hepburn 4) Laurence Olivier 5) Lionel Barrymore and for films 1) A Man for All Seasons 2) Gone with the Wind 3) The Four Horsemen of the Apocalypse 4) The Searchers 5) The Quiet Man; (the last two probably more of an homage to John Ford than to himself); interesting to know what Wayne liked just as a regular movie fan. 11 x 8 1/2 estimate: $500-$700
44130
A t wiCe-signed PAs sPor t, 1960
Standard American issue for the era, featuring a black and white photograph of Wayne (wearing one of his bib-front costume shirts), signed by Wayne in blue fountain pen ink on two separate pages, noting his Encino address and Pilar Wayne as the emergency contact, with numerous entry and exit stamps from around the world, ending in 1964 when the passport was canceled. 6 x 3 1/2 estimate: $1,000-$1,500
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44131
t he l As t dri V ers l iCense , 1977
Issued by the State of California on May 12, 1977, depicting a color photograph of Wayne in the lower left corner next to his name and other standard statistics, noting an expiration date of 1981. 2 1/4 x 3 1/2 estimate: $1,000-$1,500
44132
A n AmeriCA n e x Pre s s Credi t CArd, 1978
With Waynes name in the lower left corner, valid dates from 11/78 thru 10/79, member since 72; unsigned; included with the credit cards original backing noting Waynes name and Newport Beach address. 2 x 3 1/2 estimate: $800-$1,000
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44133
A m A rri Age Cer t if iCAt e , 1933
From Waynes first marriage to Josephine Alicia Saenz which took place on the 24th day of June 1933; appearing to be signed in Waynes hand in black fountain pen ink Marion Mitchell Morrison (though hard to tell definitively as writing is cramped) as well as by witness and maid of honor, Loretta Young, whose house the couple used for the ceremony. The union produced Waynes four oldest children: Michael, Toni, Patrick, and Melinda. (Please note there are two creases in the document and the paper is yellowed due to age.) 9 x 11 estimate: $3,000-$5,000
94
44134
A mo t ion PiC t ure s t udio meCh A niC s membershiP CArd, 1930
Issued to the twenty-two year old Duke Morrison on 1-11-30 when the young actor was still finding his place in Hollywood, doing stunt and extra work as well as being aMachine Operator as this card indicates. 4 x 2 3/4 estimate: $1,000-$1,200
44135
four sAg membershiP CArds, 1960s
Issued by the Screen Actors Guild, all with Waynes named typed on front, from the years 1961, 1963, 1965-1966, and 1969; included with four receipts showing that Wayne paid his dues. 2 1/2 x 3 1/2 estimate: $3,000-$5,000
95
44136
f i V e A mPAs membershiP CArds, 1960s
Issued by the Academy of Motion Picture Arts and Sciences, all with Waynes named typed on front, from the years 1963, 1966, 1967, 1968, and 1969; included with the cards original backings. 2 1/4 x 3 1/2 estimate: $3,000-$5,000
44137
A signed direC tors guil d of AmeriCA membershiP CArd, 1959-1960
With Waynes typed name above his blue fountain pen ink signature; also included is a second DGA card from 1967-1968 with Waynes typed name and his Paramount Studios address, though its unsigned. (Please note the first card has evident Scotch tape residue across its center.) 2 1/2 x 3 1/2 estimate: $1,000-$1,500
96
44138
A soCi Al seCuri t y CArd, 1937
Official government issue; with Waynes name typed on front above a date of 1-20-37 when the card was given to the then twenty-nine year old; still un-perforated with a typed address noting in part Trem Carr Inc., Carr being one of the co-founders of Monogram Pictures. 2 x 3 1/4 estimate: $1,000-$1,500
44139
A signed honolulu Pol iCe dePAr t men t honor Ary member id CArd, CirCA 1952
Featuring a black and white photograph of Wayne with his blue fountain pen ink signature on the lower margin, card laminated; likely presented to Wayne when he was in Hawaii filming Big Jim McLain. 2 1/2 x 4 estimate: $500-$700
97
44140
A t wiCe-signed dinos lodge membershiP CArd, 1962
With Waynes name and company [Batjac Productions, Inc.] typed on front above his blue fountain pen ink signature; the verso displays Dean Martins blue fountain pen ink signature reading simply Dino, the owner of what was surely an un-dull nightclub. 2 1/2 x 3 1/2 estimate: $1,000-$1,500
98
99
44141
A brow n derby membershiP CArd, 1955
With Waynes typed name on front and the facsimile signature of founder, Robert H. Cobb [inventor of the Cobb Salad], printed below; evidently a credit card issued for use at the four different locations of this most famous Hollywood restaurant chain. 2 x 3 1/2 estimate: $500-$700
44142 A grouP of Person Al bAtJAC busine s s CArds, 1970s Approximately 50; printed with John Waynes name, his companys logo, the address of 9570 Wilshire Boulevard, Suite 400 / Beverly Hills, Calif. 90212, and his direct telephone number of (213) 278-9870; still housed in their original onionskin wrapping (though its partially torn). 1 3/4 x 3 1/2 estimate: $1,000-$1,500
44143
si x usC-rel At ed membershiP CArds, 1950s-1970s
Including four Trojan Club cards, all printed with Waynes name on front from the years 1954-1955, 1961-1962, 1971, and 1977; one Presidents Circle card from 1966-67; and one retirement card, printed Prof John Wayne on front and noting it entitles holder to receive all services and benefits due a retired member of the university family on back. 2 1/2 x 3 1/2 estimate: $1,000-$1,500
100
44144
A n A meriCA n id CArd, 1970s
Text on front of card notes proud to be an American, embossed with Waynes name, Newport Beach address, and profession, text on back is the Pledge of Allegiance; included is the cards original backing; likely ordered from a catalogue as was Waynes habit. 2 x 3 1/2 estimate: $500-$700
44145
A n Addre s s book , CirCA 1974
Evidently once in a small three-ring binder, now loose-leaf, tabs from A to Z, with dozens of pages of typed names, addresses and telephone numbers of Waynes family, friends, and colleagues (as well as places of business) including (in alphabetical order): The Balboa Bay Club, Rona Barrett, Luster Bayless, Bayside Pharmacy, Edgar Bergen, Glen Campbell, Milton Caniff, Joan Crawford, Bing Crosby, Henry Fonda, Gerald Ford, Mary Ford, Zsa Zsa Gabor, Cary Grant, Henry Hathaway, Katharine Hepburn, the Make-Up Artists Guild, Robert Mitchum, Ricardo Montalban, Maureen OHara, Ronald Reagan, the Screen Actors Guild, Jules Stein, Jimmy Stewart, the Stuntmens Guild, Chill Wills, Hank Worden, and Sam Yorty, among countless others; many of Waynes own handwritten annotations and updates appear throughout, as do those of his secretaries; overall a fascinating glimpse into Waynes private and public worlds. 9 x 6 estimate: $1,000-$1,500
101
44146
A John wAy ne A nd John ford signed CheCk , 1949
A canceled check from an account held at the Studio City Branch of Bank of America, dated Sept. 1st 1949, typed to J. Ford in the amount of $86.00, signed in black fountain pen ink by Wayne, verso endorsed in black fountain pen ink John Ford; a nice association piece related to the two Johns. 2 1/2 x 5 1/2 estimate: $3,000-$5,000
102
44147
A John ford h A ndwri t t en le t t er, 1951
Written in pencil on three sheets of white paper, to Duke, dated 1/19/51 Korea, a newsy letter touching on a few different subjects with highlights including: ...just told me youre going into / immediate production... / How does this concern Quiet Man? Please give me / the dope and This is a piss-poor war- / enuff about war and Hows our favorite shit-head / Bond? Gawd - how I miss Eire, ending with Give my love to Ward.../ & take a big slice for / yourself, Junior cause / Im very fond of you / Affection / Coach; a great note showing how close the two were professionally and personally. 8 x 5 estimate: $3,000-$5,000
44148
A John ford h A ndwri t t en le t t er, 1953
Penned in blue fountain pen ink on three pages of special Metro-Goldwyn-Mayer Mogambo Production letterhead, to Duke, not dated but either 1952 or 1953, mainly regarding the day-to-day goings-on on the African set of Fords film, Mogambo that starred Clark Gable, Grace Kelly, and Ava Gardner, but also other funny subjects like: Hope you have fun with Bill / Wellman - great guy - tell him to keep / his bung-hole covered - it hurts - operations / I mean; and Frank S. [Sinatra, who may have been visiting wife Gardner on location] weighs only 125 lbs but / Gable says 25 lbs of that is pecker; and Duke - I wish you all the / luck in your new film... / Much affection; left unsigned; each page with a two-hole punch mark on the top margins. 10 12 x 8 estimate: $3,000-$5,000
103
44149 A John ford signed l e t t er, 1957 Typed on two pages of personalized stationery, to Duke, dated Jan. 25, 1957, a somewhat bawdy letter touching on a few different subjects with highlights including: Remember, this is Jack speaking, and youre / Duke. Youre the guy that makes commitments - at bars, lunch / tables, steam baths, airplanes, George(s) V Hotel, at Batjac, at / Romanoffs - oh, hell, the list is too long, and ...busy making passes at / your wop leading woman [Sophia Loren, Waynes co-star in Legend of the Lost], and I hope there are some equestrian / statues in Ghadames or at least a few Arab horses, so that we may / add to our valuable collection of Bondiana, among other choice bits; signed in green fountain pen ink in the lower right corner Jack; each page with a two-hole punch mark on the top margins. 10 1/2 x 7 1/2 estimate: $2,000-$2,500
44150
A John ford h A ndwri t t en l e t t er, CirCA 1958
Written in pencil on both sides of three pages of Batjac letterhead, to Duke, not dated, a sarcastic note about a snafu involving Ward Bond sabotaging Orson Welles for the lead role of Mayor Frank Skeffington in Fords 1958 film, The Last Hurrah; reading in part ...we (Cohn, Ford etc) made / tentative arrangement with / Orson Wells [sic] an actor of repute / & some disrepute to play the / part of Skeffington.../ The following morning Mr / Cohn & Mr. Kahane received on / their desks (messenger service) / a huge pile of documents / about Well(e)s Communistic or sub- / versive activities (alleged). / These were sent by an actor who had said all over town / that he was to play the part / a Ward Bond. Ford continues on with ....you also / know my integrity in making films & / also my ideas of justice you / are not guilty until proven so / (and the jury is not necessarily / Ward Bond). After a few more words on the subject, Ford ends the letter, complaining that Welles didnt make a meeting because the dear / boy had a slight fever, upset, etc / So fuck him / Coach / fuck Bond, too; overall, a funny letter, especially knowing the role ended up going to Spencer Tracy. (Please go to our website to see images of each piece.) 11 x 8 1/2 estimate: $3,000-$5,000
104
44151
A John ford insCribed m Ag A z ine , 1949
The July 23, 1949 issue of The Saturday Evening Post magazine featuring an article starting on page 25 about John Ford by Frank S. Nugent [screenwriter for many of Fords films], with Fords inscription handwritten in orange grease pencil over the first page of the article reading Nugent is a liar! / My favorite / actor / is / Fred Kennedy / John Ford, further signed in green fountain pen ink Witness: Pat Ford [Fords son] and Exception! F. Nugent; evidently the group having some fun, and Wayne saving the evidence of it. (Please note magazine has been folded open to this page for decades and has one center crease mark.) 14 x 10 estimate: $1,000-$1,500
44152
t wo John ford -rel At ed t el egr A m reCeiP t s, 1950s
Both file copies of telegrams that Wayne sent to Ford on two different birthdays; the first a Western Union document, dated January 30, 1951, reading in part Dear Coach: Crisis over. No retreat to hell for me / ...Happy birthday in all languages /...Love Duke; the second on a sheet of yellow copy paper, dated February 1954, reading in part Dear Coach: / This is an important date in my life because Im more / of a man for knowing a fellow who was born on it. / Happy Birthday / Duke; with a two-hole punch mark on top margin; touching documents showing how important Ford was to Wayne. 11 x 8 1/2 and smaller estimate: $800-$1,200
44153
A n imPor tA n t f il e CoP y l e t t er to John ford, 1955
Waynes yellow carbon copy of the original typed letter he sent to Pappy, dated Nov. 28, 1955, regarding Waynes feelings about The Searchers and his decision to close down his Wayne-Fellows Production Company; reading in part First: I think The Searchers is just plain wonderful, then changing the subject to his unhappiness with Bob Fellows [I find him incompetent, even when hes trying] and his uncertainly about Bob Morrison [his brother] and Andy McLaglen ((Ive) moved them up faster than I should have). Wayne ends by coming back to The Searchers mainly about its music which he is somewhat conflicted about, but he finishes on an upbeat note: Its just a wonderful picture. You got great / performances out of everyone, and it has a raw brutalness / without any pettiness or meanness. / All I can say is - Thanks again, Coach. / Your everloving; overall, some illuminating insights into Waynes thoughts on one of his most famous films. 11 x 8 1/2 estimate: $1,000-$1,500
105
44155 44154 A John ford Cer t if iCAt e , 1969 Presented to Ford by the Board of Directors of Peter Tare, Inc. for Honorary Membership on 11th day of September 1969; possibly gifted to Wayne by Fords widow or maybe by Ford himself. Framed: 9 x 12 estimate: $600-$800
A John ford h At, 1950s
Of standard design, made of brown felt, brown ribbon hatband, by Valentine the Hatter of Los Angeles, inside stamped Made especially for / John Ford / Hollywood Calif; evidently kept by Wayne as a souvenir of his mentor. (Please note this hat has a few moth holes.) estimate: $500-$700
44156
A John ford Prin t, 1970s
Depicting the director lighting a cigar, created by Fred Williams, with a JW inventory sticker; from Waynes office in the Newport Beach home. Matted and Framed: 21 x 17 Work Only: 14 x 11 estimate: $500-$700
44157 t he John ford memori Al medAl l ion AwArd, 1978 Presented to John Wayne; from the Utah U.S. Film Festival. (Please note this piece is a desktop display and does not get hung on a wall as it weighs approximately 40 pounds.) 9x 15 x 3 estimate: $3,000-$5,000
106
44158
A f irs t edi t ion of t he se ArChers
Hardcover, with dust jacket, by Alan Le May, printed in 1954, Harper & Brothers Publishers, Copyright by Curtis Publishing Company; with a JW blind stamp; the book that Wayne read before taking on his classic role of Ethan Edwards (though the character was named Amos Edwards in the novel). 8 1/2 x 5 1/2 x 1 estimate: $500-$700
44159
A f irs t edi t ion of t rue gri t
Hardcover, with dust jacket, by Charles Portis, printed in 1968, Simon and Schuster Publishers, with an ownership signature in pencil on the front free endpaper reading Pilar Wayne; with a JW blind stamp; the book that Wayne (and evidently his wife) read before taking on his Oscar-winning role of Rooster Cogburn. 8 x 5 x 1 estimate: $500-$700
44160
A book signed by Cl Aire t re Vor
Titled John Fords Stagecoach Starring John Wayne, hardcover, by Richard J. Anobile, published in 1975, signed on the front free end page in black felt-tip ink by the co-star of the film (and Waynes good friend); with a JW blind stamp. 11 x 9 estimate: $500-$700
107
44161
A humidor
Made of walnut, stained in a shade of amber, top of hinged cover is carved John Wayne, inside lid reads Tabacalera / The Finest Cigars since 1881 / Hand Made 100% Tobacco, green felt on bottom. 9 x 11 x 4 estimate: $4,000-$6,000
108
44162
A sm Al l br A nding iron, 1960s
A metal rod with the initials JW at the end; affixed to a wooden handle; used at Waynes 26 Bar Ranch in Casa Grande, Arizona where he raised cattle from the early 1960s until his death. Length: 12 estimate: $500-$550
44163
t wo CuPs, 1960s
Both silver-plated; the first small with the front engraved JW; the second a stein with the front engraved Duke. 5 and smaller estimate: $1,000-$1,500
44164
A gif t rel At ed to br A nnig A n
United Artists, 1975. A porcelain Royal Doulton figurine in the form of an English bulldog draped in a Union Jack; a cardboard sign hangs around the pups neck reading From the Unit and Crew / of / Brannigan / 1974, Waynes film that was shot on location in London; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. (Please note there are a few chips and nicks on dog.) 6 x 9 x 4 estimate: $500-$700
109
44165
A Cof f ee mug f rom t he shoo t is t
Paramount, 1976. Made of ceramic, front has image of Wayne as J.B. Books and film title, back has text reading Rick / from / Duke, bottom is stamped Ketchum Originals / 1105 Long Beach Blvd. / Long Beach, Cal. 90813; gifted by Wayne to Rick Lenz, but it was returned to sender for address unknown; still in original shipping box. Height: 3 1/2 estimate: $500-$550
44166
A guCCi de sk se t, 1960s
Four matching pieces all made of tan leather including: a desk pad with decorative wooden hinges so it can open; an ink blotter with a wooden handle; a rectangular tray with a glass inlay; and a pencil cup with a sterling silver bottom (designed to simulate the wooden parts of the pad and blotter); three of the four are stamped Gucci (blotter is not but is obviously part of same set); all in worn condition as Wayne used these on his desk. Pad: 14 x 20 when closed; rest of items smaller estimate: $2,000-$2,500
44167
A briefCAse , 1970s
Made of tan leather, with a combination lock, monogram embossed in gold on top reads JW, inside contents are as Wayne left them including: a list handwritten by him in red ballpoint ink of Location Supplies [for a trip to England related to Joe Battle], a typed copy of same list, autograph cards, stickers, and a few other items. 13 x 18 x 3 estimate: $600-$800
110
44168
A n oV ernigh t bAg, 1950s
Made of brown leather in an oblong shape, with a zip bottom for expansion, makers stamp on top reads Mark Cross / Italy, embossed in gold on front Duke, with a plastic tag affixed to handle with one of Waynes autograph cards inside. 19 x 13 x 6 estimate: $500-$700
44169
A sm Al l t r AV el t runk , 1960s-1970s
Made of wood, with a hinged lid and two metal handles on either side, painted canary yellow, stenciling on front reads John Wayne / Personal and on top J. Wayne / Personal (though partially obscured), with numerous John Wayne return address labels and customs stamps over entire surface, small handwritten sticker on top reads John Wayne / Breathing Machine; trunk evidently welltraveled as it transported an important item. (Please note this piece shows signs of heavy wear.) 11 x 18 1/2 x 18 estimate: $700-$900
44170
four wooden t runks, 1950s
All painted blue; with one stenciled in white paint Batjac Productions [Waynes film production company] on the front and top sides; another one stenciled in yellow US Property on top only; shipping labels and other stickers affixed to each one. (Please note these trunks are now in poor condition and show signs of heavy wear and use.) 32 x 12 16 estimate: $1,000-$1,200
111
44171
A red ri V er d belt, 1950s
A sterling silver buckle with a rope trim, with 14k gold details reading Red D River and JW plus two wavy lines and a tiny steer head; belt made of black leather, inside lining embossed Sy Devore, size 42, with evident heavy wear. Buckle: 1 x 2 12 This is a smaller version of Waynes famous Red River D belt buckle where the design was based on the cattle brand his character, Thomas Dunson, used in the 1948 United Artists film, Red River. Wayne wore the bigger buckle in countless films and kept it for the remainder of his life. After his death, it was stolen and has not surfaced since. He wore this smaller buckle in his personal life. estimate: $1,000-$1,500
44172
A n Al A mo belt, 1960s
A tan leather buckle featuring a hand-tooled image of the Alamo; belt made of same tan leather, size 42, with evident heavy wear. Buckle: 2 1/4 x 3 1/4 estimate: $500-$550
44173
A PAir of 14k gol d Al Amo Cuf f l inks, 1960
Designed with an image of the Alamo with two diamond-studded stars above and text below reading San Antonio, Texas, back engraved Remember the Alamo / To John Duke Wayne / From Hertzbergs Since 1878; evidently gifted to Wayne by a local jeweler when he was there making his 1960 film, The Alamo. 3/4 x 1 estimate: $1,000-$1,500
112
44174 A 12k gol d A nd s t erl ing silV er bohl in belt buCk l e rel At ed to t he Cow boys, 1971 With gold rope detailing and gold inlays reading Cow Boys / JW / SF / MR / 1971 [SF likely for Santa Fe where the movie was filmed, MR for director Mark Rydell], back is stamped Bohlinmade / Hollywood / Calif. / Sterling / 12-K [Edward H. Bohlin, famous saddlemaker and silversmith to Hollywood stars]. 2 x 3 1/2 estimate: $1,000-$1,500
44175
A duk e belt, 1978
A sterling silver and metal buckle featuring a 14K gold image of Wayne and his initials with engraving below reading John Wayne 1978, back is further engraved Sterling Gold 14K / Philip Kraczkowski; belt is brown leather, hand-tooled with flowers, inlaid with sterling silver letters reading Duke plus two stars engraved Sheriff Gates and 1978; size 41, with no wear, with a JW inventory sticker. Buckle: 3 x 4 estimate: $800-$1,200
44176
A belt buCk l e f rom br A nnig A n
United Artists, 1975. Made of brass, featuring an image of Tower Bridge (in London) in between the films title and stars name along with other relevant information about the production, back has placard reading Custom Made / Buckle for / Wayne, Levy & Gardner... / Made in England [Jules V. Levy and Arthur Gardner, co-producers of the film] next to Waynes facsimile signature; used in the opening credits of the film where it can be seen next to a hand gun as the producers names are shown; with its original case. 3 x 4 estimate: $600-$800
113
44177
A l Arge needl ePoin t Pil low, CirCA 1975
Rendered in shades of maroon, gold, and yellow, front reads McQ / Duke / Brannigan, with large yarn tassels on all four corners, maroon velour backing; likely gifted to Wayne by someone associated with both films. 17 x 19 x 3 estimate: $500-$550
44178
A s t erl ing silV er box , 1965
With a decorative lid reading John Wayne / DIC / 1965, bottom stamped C. Boler / Sterling / 0.925/1000, inside lined in wood. 4 x 6 x 1 1/2 estimate: $3,000-$5,000
44179
A 14k gold duk e br ACel e t, 1969
With a heavy curb chain, block letters readDuke, engraved on side The Undefeated / Durango Dgo 1969; likely gifted to Wayne by someone associated with the film. Length: 8 estimate: $4,000-$6,000
114
44180 Size: 13
A 14k gol d monogr A m ring, 1950s
Formed with the initials JW. estimate: $2,000-$3,000
44181
A 14k gold monogr Am belt buCk l e , 1950s
Rectangular with a fancy JW in the center, elaborate engravings on entire piece. 1 1/2 x 2 1/4 estimate: $2,000-$3,000
115
44182
A n 18k gold rol e x Cel l ini k ing midAs in t egr Al br ACel e t wris t wAtCh, CirCA 1967
The Case: 28mm, reference #9630 (No. 557); sticker still in place; Dial: solid gold with gold Baton hands, sapphire crystal; Movement: manual wind; Bracelet: 18K gold integral with deployant buckle; Gross weight: 193.5 grams; working order not known. Length: Approximately 8 Ethan Wayne remembers his dad wearing this watch in the late 1960s. estimate: $6,000-$8,000
44183
A 14k gol d mone y Cl iP, 1950s
In the form of a horseshoe with a horse head in the center, back engraved J. Gee! W., with its original box. 1 1/2 x 1 1/2 estimate: $700-$900
116
44184
A 14k gol d t e x As longhorn PendA n t, 1960s
With red stone eyes and a diamond on the right horn; likely gifted to Wayne because he owned the 26 Bar Ranch in Casa Grande, Arizona where he raised cattle. Length: 2 estimate: $500-$700
44185
t hree PAirs of 14k gol d Cuf f l inks, 1960s
The first with an inlaid image of the American flag; the second with inlaid black and white stone forming an eye (one shows Scotch tape repair work); the third in the form of a toilet lid engraved Tops / For / Bottoms. Various Sizes estimate: $1,000-$1,500
44186
A f unn y w ris t wAtCh, 1950s
With a square face reading Duke and each marking reading 5 PM, with a tan leather watch band that appears well worn. Length: 9 estimate: $500-$700
44187 A se t of Pre sen tAt ion sPurs, 1970s Made of silver-colored metal with a brass placard on each one engraved Duke, inside of each stamped Neiman Marcus, housed in their original wooden box, with a JW inventory sticker. Approximately: 2 1/2 x 4 estimate: $2,000-$3,000
117
44188
eigh t sherif f bAdge s, 1960s-1970s
Including: 1) a tin one reading Deputy Sheriff, 2) a silver metal one reading Winchester Museum / Cody, Wyoming / Dedication July 4, 1976; 3) a gold metal one reading Deputy Sheriff / Kern County / California / 332; 4) a silver metal one reading Deputy Sheriff / Harris County / Texas / John Wayne; 5) a gold metal money clip reading Deputy Marshal / Shreveport / LA; 6) a silver metal one reading Deputy Sheriff / Pitkin County / Colorado; 7) a gold metal one reading Sheriff / Pete Pitchess; and 8) a gold metal one reading Deputy Sheriff / El Paso County / Texas. Largest: 3 x 3 estimate: $600-$800
44189
t wo PieCe s of sl eeP w e Ar, 1970s
The first a robe made of blue terrycloth by Enro, size XL, with two front pockets, upper right side stitched in white Duke, with a matching self belt; the second a night shirt made of red flannel by Weldon, with three flap pockets on the left breast stitched with Yes, No, and Maybe. estimate: $600-$800
44190
t hree PAirs of guCCi shoe s, 1960s-1970s
Including: 1) a pair of brown suede loafers with gold metal detail on top, size 45; 2) a pair of brown leather ankle boots with a side buckle closure; and 3) a pair of cordovan leather loafers with gold metal detail on top; all marked Gucci either on inside or on sole; all with evident wear. estimate: $500-$700
118
44035
44595
44192
44193
44302
44057
44299
Lots shown in photograph.
44294 44195
John Waynes office in his Newport Beach home.
44191
44191
A n oA k de sk , 1950s
Enormous and table-like in appearance, with two front and one pencil drawers, decorative railing on top left and right sides, leather top, turned legs; from Waynes office in both his Encino and Newport Beach homes; used by him on a daily basis as his work desk; included with a reprinted color image showing the desk in situ. 42 x 74 x 32 estimate: $3,000-$5,000
119
44192
A boV ine de sk l A mP, 1960s
Made of ceramic, in the form of a resting cow atop an oval painted wooden base, with a tan-colored textured fabric lampshade, working condition unknown; used by Wayne as a desk lamp in both his Encino and Newport Beach homes for many years; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. (Please note the cow is not attached to the base and needs to be handled with care.) Height: 29 estimate: $500-$700
44193
A Prin t, 1960s
Based on a painting by Frederic Remington depicting a cowboy on horseback as he shoots his gun; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. Framed: 23 x 31; Work Only: 16 x 24 estimate: $500-$700
44194 A sPeCi Al biCen t enni Al A meriCA n f l Ag, 1976 Made of cotton, one of thirteen flags that was flown over the United States Capitol building on July 4, 1976; later given to Wayne who was voted one of the thirteen Americans to receive one of these thirteen flags by the 698th United States Army Reserve of Frederick, Maryland. (The others included Bob Hope, Roy Acuff, Kate Smith, Loretta Lynn, Jesse Owens, Johnny Cash, Joe Louis, and Ted Williams, among four others.) Also included are three other American flags owned and used by Wayne plus paperwork relating to the Bicentennial one. Please note three of the four flags are now in worn, tattered, and poor condition.) 31 x 56 and other sizes estimate: $1,000-$1,500
120
44195
A sm Al l liber t y bel l rePl iCA , 1969
Made of cast iron, mounted to a wooden base, placard on front notes piece was cast at the Whitechapel Bell Foundry in London, placard on back reads May our Nation offer Liberty and Justice / as long as you shall ring. / John Wayne; accompanied by a group of paperwork from 1969 relating to Waynes order of this piece, including the form where he handwrote in blue ballpoint ink his above quote which appears on this bell. Also included are two unrelated awards: both in the shape of miniature Liberty Bells, the first one from the U.S. Savings Bond Program, 1967; the second one from Mayor Frank L. Rizzo [of Philadelphia, PA], 1979; included is a reprinted color image showing the bell in situ in Waynes Newport Beach office. Approximately: 14 x 10 x 10; Smaller Ones: 8 x 5 x 4 estimate: $1,000-$1,500
44196
A Person Al iz ed n AVA Jo rug, 1960s
Made of wool, with a traditional pattern in hues of yellow, black, beige, and rusty-orange, both side borders read John Wayne / Duke, yellow and black yarn tassels on all four corners. 32 x 58 estimate: $800-$1,200
44197 A Col l eC t ion of roCks A nd miner Al s, 1950s-1970s Over 100 pieces; found, bought, and/or collected by Wayne for most of his adult life; a varied and colorful assortment including rocks, minerals, crystals, copper, marble, coral, and other organic materials; a few specimens have typed labels indicating where the piece was from; included is a 1970 book titled Prospecting for Gemstones and Minerals with a photocopied letter folded inside written by Wayne dated June 6, 1967, it reads in part ...I am sorry to say that at this time I have / no interest in acquiring additional rocks / as I already have more than I have room / for... (Please note some of these pieces are fragile and chipped and have sustained damage over the years.) Various Sizes estimate: $1,000-$1,500
Only a portion of the collection is illustrated here.
121
122
44198
A we s t ern sA ddl e A nd s tA nd, 1960s
Custom made for Wayne for both his professional and private use; rendered in high quality brown leather, hand-stitched detailing on seat, with a JW monogram embossed on back of cantle, conchos with leather tassels on front and back, rope affixed to right side, decorative rope belt affixed to front, either fender stamped Colorado Saddlery / Denver; appearing to be well-used; included with its custom dark-stained wooden display stand. Saddle: 26 x 21 x 17; Stand: 39 x 31 x 19 Patrick Wayne relays the following story about this saddle:
In 1964, my dad was moving from Encino down to Newport Beach. The movers were at his house, as was I, and my dad was concerned that his favorite saddle would get lost in the shuffle. He asked me to hold on to it for him, which I did by taking it to my house. About a year later, my dad was getting ready to make another Western, and he forgot that he had given me his saddle for safekeeping. Since he couldnt find it, he had another one made (the one that is now being offered in this lot). A few years after this new saddle was made, my dad asked me if I had his original one. I said, Yes, you asked me to hold on to it. He told me he had been looking for it and wanted it back so we made a trade I returned his original saddle and he gave me this newer one. This newer saddle has remained in my possession until now. I think my dad may have used this second saddle in a few Westerns in the immediate years after he moved to Newport Beach, before I gave his original one back to him, but Im not certain. I do know that he liked this saddle enough to have two made!
estimate: $40,000-$60,000
123
44199
A sAddl e s tA nd, 1960s
Made of wrought iron and wood, front reads 26 / Duke, bottom has handwritten inscription in red ink reading Made / for / John Wayne / An Original by / Al Belecky / Cheyenne, Wyoming; kept by Wayne at his 26 Bar Ranch in Casa Grande, Arizona. 34 x 25 x 19 estimate: $2,000-$2,500
44200
A horse Col l Ar mirror, 1950s
Of traditional design, made of tan leather, mirror housed in center with a decorative braided twine lining, side of collar stamped G. Kong / 20 / Bern and No 57 WEII Large. 28 x 15 x 6 . estimate: $500-$700
44201
A Col l eC t ion of w ine , 1970s
Twelve bottles of Cabernet Sauvignon from the Windsor Vineyards in Healdsburg, California, all with customized labels noting that the wine was Our Perfect Selection for the Table of / John Wayne, included with the original shipping box addressed to Waynes Newport Beach home. Each Bottle Height: 12 DISCLAIMER: This wine is being sold as a collectible only and it should NOT be consumed by humans or animals. estimate: $500-$700
124
44203 44202 A T hree-Piece Period Sui T f rom dArk comm A nd Republic, 1940. Made of navy blue wool with a black and gray striped pattern; jacket with three front pockets, four button front closure, Western Costume Co. label reads No. 24702 / John Wayne / Chest 46, further WCC stamps on inside lining; together with a matching vest and pair of pants, WCC label in both, further WCC stamps on inside linings; worn as Wayne portrayed Bob Seton in the courtroom scene of the film that co-starred Claire Trevor, Roy Rogers, and Walter Pidgeon. (Please note black velvet and piping were later added to collar of jacket.) estimate: $2,000-$2,500
A T ux edo f rom L Ady f rom LouiSi A n A
Republic, 1941. A black wool tailcoat, traditional cut, rounded lapels, Western Costume Co. label reads John Wayne #5, further WCC stamps on lining and inside sleeve; together with a pair of formal pants, WCC label reads John Wayne / Waist 30 1/2/ Inseam 34 1/2, further WCC stamps on inside waistband; worn as Wayne portrayed John Reynolds in the film that co-starred Ona Munson and Dorothy Dandridge. estimate: $500-$700
125
44204
A Period JAck e T f rom in oL d cAL iforni A
Republic, 1942. Made of black and white wool tweed, two front pockets, four button front closure, Western Costume Co. label reads John Wayne #7 / Chest 45, further WCC stamp on inside sleeve; worn as Wayne portrayed Tom Craig in the film that co-starred Albert Dekker. estimate: $600-$800
44205
A TAiLcoAT f rom L Ady for A nigh T
Republic, 1942. Made of navy blue wool, traditional cut, black satin lapels and buttons, Western Costume Co. label reads No. 26599 / John Wayne #1 / Chest 46, further WCC stamp on inside sleeve; worn as Wayne portrayed Jackson Morgan in the film that co-starred Joan Blondell. estimate: $500-$700
126
44206 A Pe A coAT f rom re AP T he W iL d W ind A nd WAk e of T he red W i Tch Paramount, 1942; Republic, 1948. Of traditional design, made of navy blue wool, two front pockets, double-breasted, metal buttons display image of an anchor, Western Costume Co. label reads No. 26323 / J. Wayne / Chest 46; worn as Wayne portrayed Captain Jack Stuart and Captain Ralls in the two different films. Interestingly, Wayne named his real life production company [Batjac Productions] after the fictitious shipping firm in Wake of the Red Witch, but because of a secretarys typo, it was spelled with a c at the end instead of a k, Wayne never having the heart to correct the error. estimate: $700-$900
44207
A Pi T h heL me T PoS SibLy f rom T he f igh T ing Se Abee S
Republic, 1944. Of standard design, made of pith covered in tan fabric, five decorative folds of fabric around crown, tan leather chin strap, inside stamp reads La Familiare; seeming to be the one worn as Wayne portrayed Lieutenant Commander Wedge Donovan in the film that co-starred Susan Hayward; also possibly worn as Wayne portrayed Bob Adams in the 1937 Universal film, I Cover the War. estimate: $500-$700
127
44208
A Shir T f rom T he f igh T ing Se Abee S rePubL ic, 194 4
Made of khaki cotton, long sleeves, two breast flap pockets, Western Costume Co. label reads John Wayne / Bust 45, further WCC stamp on inside shirt tail; worn (mostly unbuttoned) as Wayne portrayed Lieutenant Commander Wedge Donovan all throughout the heavy action scenes on the island; also possibly worn in Waynes 1945 Metro-Goldwyn-Mayer film, They Were Expendable; remnant of a circular patch appears on the upper left sleeve. estimate: $500-$700
44209
A Period JAck e T f rom f L Ame of bArbAry coAS T
Republic, 1945. Made of brown, yellow, and beige plaid wool; four button front closure with two large front pockets; inside Western Costume Co. label reads John Wayne #3 / No. 29675 C-46; further Western Costume Co. stamps on inside jacket and sleeve linings; worn as Wayne portrayed Duke Fergus in the scene where he plays poker with Marc Lawrence [as Joe Disko] and ends up shooting him. estimate: $800-$1,000
128
44210
T Wo Period coS T ume Piece S f rom f L Ame of bArbAry coAS T
Republic, 1945. A coat, made of gray wool, three front pockets, four button front closure, Western Costume Co. label reads John Wayne #1 / No. 296 / C-46, further WCC stamp on inside sleeve; together with a vest, made of a heavy tan cotton/wool blend, two front pockets, six button front closure, WCC label reads John Wayne / Chest 45, further WCC stamp on inside lining; worn by Wayne in the film. estimate: $2,000-$2,500
44211
A doughboy heL me T f rom bAck To bATA A n
RKO Radio Pictures, 1945. Of standard design, made of steel, painted olive green, inside has black and brown leather lining and chin strap; worn as Wayne portrayed Colonel Joseph Madden in the film that co-starred Anthony Quinn. estimate: $3,000-$5,000
129
44212
A PAir of SPAT S PoS SibLy f rom SA ndS of iWo Jim A
Republic, 1949. Made of tan canvas with metal hook and eye closures, inside stamped Ball A.L.; likely worn as Wayne portrayed Sergeant John M. Stryker. Length: 12 estimate: $500-$550
44213
A n Av y cAP f rom oPer AT ion PAcif ic
Warner Bros., 1951. Of standard design by Pancraft, made of tan cotton, black elastic trim, brown ribbon cord rests on small black brim, metal Navy insignia affixed to front, inside handwritten annotations in black ink read Wayne 3, Duke, and Wayne #3 (again); worn as Wayne portrayed Lieutenant Commander Duke E. Gifford in the film that co-starred Patricia Neal and Ward Bond. estimate: $1,000-$1,500
44214
A PAir of PA n T S f rom oPer AT ion PAcif ic
Warner Bros., 1951. Made of tan cotton, flat front, three front pockets, two back pockets, wide belt loops, Warner Bros. label reads 8-22-50 / Prod. 747 / John Wayne / 4643 / 4 Dbls.; worn by Wayne in the film. estimate: $500-$700
130
44215
A boW L er h AT PoS SibLy f rom T he Quie T m A n
Republic, 1952. Of standard design, made of black felt by Lincoln Bennett & Co. of London, inside stamped Duke; likely used in the scene where where Wayne [as Sean Thornton] and Maureen OHara [as Mary Kate Danaher] get their wedding photograph taken. (The one Wayne wears in the extended courting scene has a different lining which can be seen when he throws it to the hills.) estimate: $1,000-$1,500
131
44216
A WArd bond coWboy h AT f rom hondo
Warner Bros., 1953. Made of tan felt, tan leather twine hatband and chin strap, ventilation holes in crown, inside stamps read W.C.C. [Western Costume Company] and 5 G3 CF, handwritten annotation in black felt tip ink reads Hudson (likely used previously); worn as Bond portrayed Buffalo Baker. (Please note this hat is stained and shows signs of heavy wear.) estimate: $4,000-$6,000
132
44217
A WArd bond h AT, 1950s
Of standard design, made of brown felt with a black ribbon hatband by Phelps-Tenkel, called a Knox Stroller, inside embossed WEB [Wardell Edwin Bond]; kept by Wayne as a souvenir of his longtime friend who he met as an undergraduate when the two were on the football team at USC. (Please note hat is heavily worn.) estimate: $500-$700
44218
A PAir of PA n T S f rom T he conQueror
RKO Radio Pictures, 1956. Made of brown rayon, flat front, no pockets, Western Costume Co. label reads No. 73-2378-3 / John Wayne / Ch #3 / Waist 36 / Inseam 33 1/2, further WCC stamp on inside waist band; worn as Wayne portrayed Genghis Khan in the film that co-starred Susan Hayward and Agnes Moorehead. estimate: $500-$700
133
44219
A coWboy-L ik e h AT f rom L egend of T he LoS T
United Artists, 1957. Made of tan felt, beige ribbon hatband, inside has a faint handwritten annotation in blue ink reading J. Wayne / Dble; worn by Wayne as he portrayed Joe January in the adventure film that co-starred Sophia Loren. (Please note this hat is stained and shows signs of heavy wear plus a cigarette hole appears on the brim.) There is staining around the base of the crown where a different-style hatband was worn. estimate: $8,000-$10,000
44220
A v e S T f rom L egend of T he LoS T
United Artists, 1957. Made of heavy-weight tan cotton, two front flap pockets and epaulets, no labels; worn by Wayne throughout the film. (Please note piece is heavily stained, dirtied, and worn and its sleeves may have been altered.) estimate: $500-$700
134
44221
A kur T k AS z n Ar h AT f rom L egend of T he LoS T
United Artists, 1957. Made of tan felt, braided gold cord strap rests on black brim, decorative gold-colored appliqu on top, back neck protector flap; worn by the actor as he portrayed Prefect Dukas and evidently saved by Wayne as a souvenir from the film. (Please note this hat is stained and has moth holes.) estimate: $500-$550
135
136
44222
A hoo T gibSon cAvAL ry k ePi h AT f rom T he horSe SoL dierS
United Artists, 1959. Of standard design, made of navy blue wool, black leather band rests on small black brim, brass cavalry insignia affixed to front, inside has handwritten annotations in black ink reading John Wayne and Duke Wayne; appearing to be the one worn as Gibson portrayed Sergeant Brown in the film, though possibly also used by Patrick Wayne three years earlier in the 1956 Warner Bros. release of The Searchers in either case, Wayne kept it as a souvenir. estimate: $3,000-$5,000
137
44223
A coAT f rom nor T h To AL ASk A
20th Century Fox, 1960. Made of brown polyester, three front flap pockets, four button front closure, Western Costume Co. label reads No. 2571-1 / John Wayne #2 / Chest 46; worn as Wayne portrayed Sam McCord in the Seattle scenes with co-star Capucine [as Angel]. estimate: $600-$800
138
44224 A S Tock Ade JAck e T f rom nor T h To AL ASk A , mc L in Tock!, A nd T he SonS of k AT ie eL der 20th Century Fox, 1960; United Artists, 1963; Paramount, 1965. Made of heavy weight khaki-grayish cotton, three front pockets with a smaller pocket sewn on top of left breast one, four button front closure, tan corduroy collar and cuffs, Western Costume Co. label reads No. 2157-1 / John Wayne; worn by Wayne as he portrayed Sam McCord, George Washington McLintock, and John Elder in the three different films; though most remembered for being the one he wore in McLintock! in the funny mud pit scene with Leo Gordon [as Jones] where he says in part ...but Pilgrim, you caused a lot of trouble this morning... and somebody oughta belt you in the mouth, but I wont, I wont. The hell I wont... estimate: $5,000-$7,000
139
44225
A rich Ard boone PAir of PA n T S f rom T he A L A mo
United Artists, 1960. Made of brown wool with a wide black stripe down either leg, Western Costume Co. label reads No. 2618-4 / John Wayne #2/ Waist 38 1/2 / Inseam 34, further WCC stamps on inside waistband, handwritten annotation on lining reads Richard Boone; worn as the actor portrayed General Sam Houston in the film, though pants appear to have been originally made for Wayne. estimate: $1,000-$1,500
140
44226
A v e S T f rom T he com A ncheroS
20th Century Fox, 1961. Made of purposely distressed brown leather with a burlaplooking cotton back, four front pockets, two leather ties at base of lapels, Western Costume Co. label reads No. 2354-1 / John Wayne #1 / Chest 46; worn as Wayne portrayed Ranger Captain Jake Cutter in the film that co-starred his son, Patrick Wayne, and Lee Marvin. estimate: $4,000-$6,000
44227
A PAir of PA n T S f rom T he com A ncheroS
20th Century Fox, 1961. Made of light weight beige cotton, flat front, two front pockets, two back pockets, belt loops, Western Costume Co. label reads No. 2399-5 / John Wayne / Waist 38 1/2 / Inseam 33, further WCC stamp on inside waistband, altered for a later use; worn by Wayne in the film. (Please note these pants have a few holes and show signs of wear.) This style of pants, like the stockade jackets, were part of Waynes standard western costume for the remainder of his career. First seen in the 1959 release, Rio Bravo, he had them made in cotton, wool, and a stretch fabric that Pilar Wayne introduced to him in the 1960s it was the same material as her ski pants and Wayne liked how it gave when worn. The pants were always made in the same general shades of tan, khaki, or beige. estimate: $500-$700
141
142
44228
A S T e T Son coWboy h AT f rom T he m A n W ho Sho T L iber T y vAL A nce
Paramount, 1962. Made of tan felt, thin brown leather cord hatband, inside stamped with the Stetson logo and John Wayne; worn as Wayne portrayed Tom Doniphon in the film directed by John Ford and co-starring James Stewart. (Please note this hat shows a few moth holes throughout.) Wayne or Luster Bayless later replaced the hatband on this hat. estimate: $30,000-$40,000
143
144
44229
A coS T ume f rom T he Longe S T dAy
20th Century Fox, 1962. Four pieces; the first an army jacket, made of olivecolored cotton, four front snap pockets, zipper front closure, self belt, Western Costume Co. label reads No. 2845-1 / John Wayne / Chest 47 1/2 / Sleeve 18 3/4; the second another army jacket, same color, two front pockets, zip and five button front closure, American flag patch on left arm (possibly added later), 20th Century Fox stamp on inside sleeve; the third a beige cotton shirt, long sleeves, two breast pockets, tuck-in tab on placket, WCC label reads No. 2425-4 / John Wayne / Chest 43; the fourth a pair of brown polyester pants, WCC label reads No. 2636-1 / John Wayne / Waist 40 / Inseam 34, further WCC and Fox stamps on inside waistband; worn as Wayne portrayed Lieutenant Colonel Benjamin Vandervoort in the film with an all-star cast. estimate: $3,000-$5,000
145
44230
T Wo coS T ume Piece S f rom h ATA ri
Paramount, 1962. The first a tan corduroy jacket, collarless with a v-neck, three front pockets with elaborate detailing, three button front closure; the second a beige cotton vest, two front flap pockets and epaulets; no labels in either one; both worn as Wayne portrayed Sean Mercer in the film. (Please note both pieces are heavily worn and both appear to have been altered for a later use.) Interestingly, Wayne wears an almost identical jacket in Hellfighters. estimate: $600-$800
44231
A PAir of PA n T S f rom donovA nS reef
Paramount, 1963. Made of white cotton, flat front, two back pockets, Western Costume Co. label reads No. 2258-3 / John Wayne #2 / Waist 39 / Inseam 32 1/2, further WCC stamp on inside waistband; worn as Wayne portrayed Michael Patrick Guns Donovan in the film directed by John Ford. This was the last film that John Wayne and John Ford made together. estimate: $500-$700
146
147
44232
A coW boy h AT f rom mc L in Tock!, eL dor Ado, A nd T he WAr WAgon
United Artists, 1963; Paramount, 1966; Universal, 1967. Made of tan felt, tan ribbon-cord hatband, brown leather twine chin strap, red satin lining, inside stamped Frank Kandelin Saddlery / 5167 Lankershim Blvd. / No. Hollywood, Calif. and Resistol Self-Conforming XXXXX Beaver Laloo; worn as Wayne portrayed George Washington McLintock, Cole Thornton, and Taw Jackson in the three different films. (Please note this hat is stained and shows signs of heavy wear.) There is a slightly darker ring around the base of the crown of this hat where a different-style hatband was worn. estimate: $20,000-$25,000
148
149
44233 A coWboy h AT f rom mc L in Tock!, eL dor Ado, A nd T he WAr WAgon United Artists, 1963, Paramount, 1966, and Universal, 1967. Made of tan felt, no hatband, brown leather twine chin strap, inside stamped Frank Kandelin Saddlery / 5167 Lankershim Blvd. / No. Hollywood, Calif. and Resistol Self-Conforming XXXXX Beaver Laloo; worn as Wayne portrayed George Washington McLintock, Cole Thornton, and Taw Jackson in the three different films. This hat is identical to the one in the previous lot, though its hatband is missing. (Please note this hat is stained and shows signs of heavy wear.) There is a slightly darker ring around the base of the crown of this hat where a different-style hatband was worn. estimate: $20,000-$25,000
150
44234
A Period Sui T f rom mc L in Tock!
United Artists, 1963. A brown wool period-style jacket, two button front closure, rust-colored velvet trim on lapels and cuffs, inside Western Costume Co. label reads No. 2458-1 / John Wayne #1 / Chest 46, further WCC stamps on inside sleeve lining; together with a matching pair of pants, WCC label reads No. 2458-5 / John Wayne / Ch. 1A / Waist 40, further WCC stamps on inside waistband; worn by Wayne in the extended parlor scene where Stephanie Powers [as Becky McLintock] gets spanked by Patrick Wayne [as Devlin Warren]. (Please note the jackets hem was altered from box-shaped to rounded and the pants were shortened for a later use; the suit also shows signs of damage and wear.) estimate: $4,000-$6,000
151
152
44235
A n Av y cAP f rom in h ArmS WAy
Paramount, 1965. Of standard design by Wolf-Brown of Los Angeles, San Francisco, and San Diego, California, made of tan wool, black elastic trim, gold ribbon strap rests on appliqud black brim, metal Navy insignia affixed to front; worn as Wayne portrayed Captain Rockwell Torrey at the end of the film that co-starred Kirk Douglas and many other A-listers. (Please note this cap has a few moth holes.) estimate: $1,000-$1,200
153
44236
A coS T ume f rom eL dor Ado
44237
A coS T ume f rom eL dor Ado
Paramount, 1966. A faded navy blue cotton shirt, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2399-3 / John Wayne / Chest 46 / Sleeve 35 3/4; together with a pair of rust-colored cotton pants, WCC label reads No. 2795-3 / John Wayne / Waist 39 / Inseam 32 1/2, further WCC stamps on inside waistband; worn as Wayne portrayed Cole Thornton in the film that co-starred Robert Mitchum, James Caan, and Edward Asner. estimate: $3,000-$5,000
Paramount, 1966. A dusty red cotton shirt, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2399-2 / John Wayne / Chest 46 / Sleeve 35 3/4; together with a pair of tan cotton pants, WCC label reads No. 2795-3 / John Wayne / Waist 39 / Inseam 32 1/2; worn by Wayne in the film. estimate: $3,000-$5,000
154
44238
A n Arm y cAP f rom cAS T A gi A n T Sh AdoW
United Artists, 1966. Of standard design by Willis, called an Air Force Commander, made of olive green wool, black elastic trim, brown leather strap rests on same color brim, metal Army insignia affixed to front, inside stamp reads W.C.C. 28 [Western Costume Company]; worn as Wayne portrayed General Mike Randolph in the film that co-starred Kirk Douglas and Angie Dickinson. (Please note this cap has a few moth holes.) estimate: $800-$1,200
44239
A JAck e T f rom T he WAr WAgon
Universal, 1967. Made of brown corduroy, two front flap pockets, five button front closure, rust-colored suede collar, cuffs, and pockets, Western Costume Co. label reads No. 2795-1 / John Wayne / Chest 47 / Sleeve 18 1/2; worn as Wayne portrayed Taw Jackson in the scene where he holds Bruce Cabot [as Pierce] and Don Collier [as Shack] at gunpoint during the night time raid. estimate: $3,000-$5,000
155
44240
A coS T ume f rom T he WAr WAgon
Universal, 1967. A peach-colored cotton shirt, long sleeves, tuck-in tab on placket, Western Costume Co. label reads No. 2795-1 / John Wayne / Chest 47 / Sleeve 36 / Collar 17 1/2; together with a pair of tan pants, WCC label reads No. 2795-3 / John Wayne; worn by Wayne in the film. (Please note shirt has faded in an uneven pattern.) estimate: $3,000-$5,000
156
44242 A T ux edo f rom heL Lf igh T erS Universal, 1968. The coat made of black wool, three front pockets, one button front closure, black satin trim on lapels and pockets, Peppino of Los Angeles label reads Mr. John Wayne / Date 2/21/68 / Size 49; together with a pair of matching pants with similar label; worn by Wayne in the film. estimate: $600-$800
44243 A Sui T f rom heL L f igh T erS Universal, 1968. Made of polyester in a navy blue and black plaid pattern, three front pockets, two button front closure, Peppino of Los Angeles label reads Mr. John Wayne / Date 2/21/68 / Size 49; together with a pair of matching pants with similar label; worn by Wayne in the film. estimate: $600-$800
44241
A JAck e T f rom heL L f igh T erS
Universal, 1968. Made of tan corduroy, collarless with a v-neck, three front pockets with elaborate detailing, three button front closure, pink paper Universal drycleaning tag stapled to inside lining, no other labels; worn as Wayne portrayed Chance Buckman in the film that co-starred Vera Miles and Katharine Ross. Interestingly, Wayne wears an almost identical jacket in Hatari. estimate: $500-$700
157
44244
A SPor TcoAT f rom heL L f igh T erS
Universal, 1968. Made of black linen, three front pockets, two button front closure, Sy Devore of Hollywood, Las Vegas & Palm Springs label reads John Wayne / Date 7-19-67 / No. 13305; worn by Wayne in the film. estimate: $500-$700
44245
A cAP reL AT ed To T he green bere T S
Made of cotton with a camouflage pattern of brown and olive green; worn by Wayne behind the scenes when he directed the 1968 Warner Bros./ Seven Arts film that he also starred in. estimate: $800-$1,000
158
44246
A v e S T f rom T he undef e AT ed
20th Century Fox, 1969. Made of distressed tan leather with a tan suedelike back, four front pockets, two leather ties at end of lapels, Western Costume Co. label reads No. 2876-2 / John Wayne #2 / Chest 48 1/2; worn as Wayne portrayed Colonel John Henry Thomas in the film that co-starred Rock Hudson. estimate: $4,000-$6,000
159
44247
A Shir T f rom T he undef e AT ed
20th Century Fox, 1969. Made of tan corduroy, long sleeves, two breast pockets, Western Costume Co. label reads No. 2134-1 / John Wayne #3 / Chest 47 / Sleeve 36 / Collar 17 1/2, further WCC stamp on inside shirt tail; worn by Wayne in the film. estimate: $500-$700
44248
A coS T ume f rom T he undef e AT ed
20th Century Fox, 1969. A peach-colored cotton shirt, long sleeves, two breast pockets, a tuck-in tab on placket, Western Costume Co. label reads No. 2876-3 / John Wayne #2 / Chest 48 1/2 / Sleeve 36 / Collar 17 5/8, further WCC stamp on inside shirt tail; together with a pair of light brown cotton pants, WCC label reads No. 2876-4 / John Wayne #2 / Waist 40 1/2 / Inseam 33, further WCC stamps on inside waistband; worn by Wayne during the party scene with the Confederates that erupts into a riot. (Please note both pieces are faded and show signs of wear.) estimate: $3,000-$5,000
160 To view full descriptions, enlargeable images and bid online, visit HA.com/7045
44249
A coS T ume f rom rio Lobo
National General Pictures, 1970. A slate blue cotton shirt, long sleeves, Western Costume Co. label reads No. 2869-3 / John Wayne #1 / Chest 48 1/2 / Sleeve 36 / Collar 17 5/8; together with a pair of light brown cotton pants, WCC label reads No. 2466-2 / John Wayne / Waist 40 1/2 / Inseam 33; worn as Wayne portrayed Colonel Cord McNally in the film directed by Howard Hawks. estimate: $3,000-$5,000
44250
A coS T ume f rom rio Lobo
National General Pictures, 1970. A peach-colored cotton shirt (with a slightly rounded collar), long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2601-23 / John Wayne / Chest 48 1/2 / Sleeve 36 / Collar 17 5/8; together with a pair of tan cotton pants, WCC label reads No. 2795-3 / John Wayne / Waist 40 / Inseam 32 1/2; worn by Wayne in the film. estimate: $3,000-$5,000
161
162
44251
A v e S T f rom chiSum
Warner Bros., 1970. Made of tan leather with a burlap-looking cotton back, four front pockets, leather ties at end of lapels, Western Costume Co. label reads No. 2227-1 / John Wayne; worn as Wayne portrayed John Chisum in the film that won him a Laurel Award for Best Action Performance. estimate: $4,000-$6,000
163
164
44252
A coS T ume f rom chiSum
44253
A coS T ume f rom chiSum
Warner Bros., 1970. A mauve raw silk shirt, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2260-6 / John Wayne / Sleeve 36 / Collar 17 5/8, further WCC stamps on inside shirt tail; together with a pair of tan cotton pants, WCC label reads No. 2399-5 / John Wayne / Waist 38 1/2 / Inseam 33; worn by Wayne in the film. estimate: $3,000-$5,000
Warner Bros., 1970. A navy blue light-weight wool shirt, long sleeves, two breast pockets, Western Costume Co. label reads No. 2261-2 / John Wayne #2 / Sleeve 36 / Collar 17 5/8; together with a pair of tan cotton pants, WCC label reads No. 2499 / John Wayne / Waist 41 1/2 / Inseam 34 1/2, further WCC stamp on inside waistband; worn by Wayne in the film. estimate: $3,000-$5,000
165
44254
A JAck e T f rom chiSum
Warner Bros., 1970. Made of tan corduroy, two front flap pockets, three button front closure, Western Costume Co. label on inside pocket reads No. 2261-1 / John Wayne / Chest 48 1/2 / Sleeve 18 1/2; worn by Wayne in the party scene given for his daughters return from school. (Please note jacket is somewhat stained and yellowed due to age.) estimate: $3,000-$5,000
166
44255
A S Tock Ade JAck e T f rom big JAk e
National General Pictures, 1971. Made of heavy-weight tan cotton, four front flap pockets, four button front closure, tan corduroy collar and cuffs, Western Costume Co. label reads No. 2876-1 / John Wayne #2 / Chest 48 1/2 / Sleeve 19; worn as Wayne portrayed Jacob McCandles in the film that co-starred Maureen OHara and his sons, Patrick and Ethan Wayne. (Please note jacket is heavily stained and dirtied as it was not cleaned after production wrapped.) estimate: $5,000-$7,000
167
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44256
A coS T ume f rom big JAk e
National General Pictures, 1971. A faded red raw silk shirt, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2150-1 / John Wayne / Chest 48 1/2 / Sleeve 36 / Collar 17 5/8; together with a pair of tan cotton pants, WCC label reads No. 24994 / John Wayne #1 / Waist 40 1/2 / Inseam 34 1/2, further WCC stamp on inside waistband; included with a pair of tan-colored elastic suspenders with brown leather trim; worn by Wayne in his first scene of the film where he and Dog save the Scottish sheep farmer as portrayed by Bernard Fox. estimate: $3,000-$5,000
169
44257
A Shir T f rom big JAk e
National General Pictures, 1971. A cotton shirt with a brown and beige checkered pattern, long sleeves, two breast pockets, Western Costume Co. label reads No. 2680-5 / John Wayne #1 / Chest 45; worn by Wayne in the scene when he meets up with Maureen OHara [asMartha McCandles]. estimate: $600-$800
44258
A v e S T f rom T he Produc T ion of big JAk e
National General Pictures, 1971. Made of purposely distressed brown leather, two front pockets, decorative appliqu on lapels and trim, Western Costume Co. label reads No. 2101-1 / John Wayne / Chest 48 1/2. Though it was made for him, Wayne does not wear this exact vest in the film he wears an almost identical one but with a cotton back. estimate: $4,000-$6,000
170
44260
A coS T ume f rom T he coW boyS
Warner Bros., 1972. A faded blue raw silk shirt, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2364-4 / John Wayne #1 / Chest 46; together with a pair of tan cotton pants, WCC label reads No. 2795-3 / John Wayne / Waist 40 / Inseam 32 1/2; worn by Wayne as he portrayed Wil Andersen in the film that co-starred Roscoe Lee Browne, Bruce Dern, and Colleen Dewhurst. estimate: $3,000-$5,000
44259
A PAT rick WAy ne JAck e T f rom big JAk e
National General Pictures, 1971. Made of light brown wide wale corduroy, brown suede collar, two front flap pockets, five button front closure, Western Costume Co. label reads No. 2178-1 / Pat Wayne / Chest 43 / Sleeve 17 1/2; worn by the younger Wayne as he portrayed James McCandles in the film. estimate: $1,000-$1,500
171
44262 44261 T hree coS T ume Piece S f rom T he coWboyS
A coS T ume f rom T he T r Ain robberS
Warner Bros., 1972. The first a beige raw silk shirt, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2502-1 / John Wayne / Chest 49 / Sleeve 36 / Collar 18 1/2, further WCC stamps on inside shirt tail; the second a pair of olive green wool pants, WCC label reads No. 2500-5 / John Wayne #2 / Waist 41 1/2 / Inseam 33, further WCC stamp on inside waistband; the third a pair of brown wool pants with a faint green and white striped pattern, WCC label reads No. 2501-2 / John Wayne #3 / Waist 41 1/2 / Inseam 33; worn by Wayne in different scenes in the film. (Please note shirt is purposely distressed, dirtied, and shows many holes on either sleeve.) estimate: $3,000-$5,000
Warner Bros., 1973. A dusty brick red cotton shirt, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2499-2 / John Wayne #1 / Chest 49 / Sleeve 36 / Collar 18 1/2; together with a pair of tan polyester pants, WCC label reads No. 2528 / John Wayne / Waist 41 1/2 / Inseam 33; worn as Wayne portrayed Lane in the film that co-starred Ann-Margret and Ricardo Montalban. estimate: $3,000-$5,000
172
44263
A nudieS coWboy h AT f rom cAhiL L u.S. mArShALL
Warner Bros., 1973. Made of brown felt, braided tan leather hatband, inside stamp reads Nudies / Rodeo Tailors / North Hollywood / California, Resistol Self-Conforming / Hand Creased, and BR Westerns Special; worn as Wayne portrayed J.D. Cahill in the film that co-starred George Kennedy and Jackie Coogan. (Please note this hat is dusty and shows signs of wear.) Wayne replaced the hatband on this hat from the one he used in the film. estimate: $10,000-$15,000
173
44264
A coS T ume f rom cAhiL L u.S. mArShALL
Warner Bros., 1973. A navy blue heavy cotton shirt, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2249-1 / John Wayne / Chest 49 / Sleeve 36 / Collar 18 1/2, further WCC stamp on inside shirt tail; together with a pair of brown polyester pants with tan stitching, WCC label reads No. 2929-3 / John Wayne; worn by Wayne in the film. estimate: $3,000-$5,000
174
44265
A v e S T f rom cAhiL L u.S. mArShALL
Warner Bros., 1973. Made of olive green corduroy with a cotton back, four front pockets, seven button front closure, Western Costume Co. label reads 2929-2 / John Wayne, further stamped Double; worn by Wayne in the beginning of film and also featured in the artwork for the films poster; together with a pair of navy blue polyester pants with beige stitching, inside Western Costume Co. label reads Chuck Roberson / Waist 36 / Inseam 34; with further WCC stamp on inside waistband; Roberson being Waynes longtime stunt double, though pants were likely worn by Wayne as well. estimate: $3,000-$5,000
44266
A mc Q A nd bATJAc W indbre Ak er, 1974
Made of navy blue nylon, McQ printed in yellow on front left breast, Batjac logo printed in same yellow on back, by Jo-Lock Sportswear of Seattle, Wash, size XL; made for Wayne and rest of crew during production of the 1974 Warner Bros. film. estimate: $500-$700
175
44267 A S Tock Ade JAck e T f rom rooS T er cogburn Universal, 1975. Made of grayish-beige heavyweight cotton, with a tan corduroy collar and cuffs, four large front flap pockets, four button front closure, Western Costume Co. label reads No. 2795-2 / John Wayne / Chest 47 / Sleeve 18 1/2; worn as Wayne portrayed the title character in the film that co-starred Katharine Hepburn. estimate: $5,000-$7,000
176
44269
A Shir T f rom rooS T er cogburn
Universal, 1975. Made of mauve cotton, long sleeves, two breast pockets, tuck-in tab on placket, ventilation holes under arms on back, Western Costume Co. label reads No. 2318-2 / John Wayne / Chest 50 / Sleeve R 36 / L 35 1/2 / Neck 18 1/2, further WCC stamp on inside shirt tail; worn by Wayne in the film. (Please note shirt is very faded.) estimate: $600-$800
44268
A coS T ume f rom rooS T er cogburn
Universal, 1975. A shirt made of mauve cotton, long sleeves, two breast pockets, tuck-in tab on placket, ventilation holes under arms on back, Western Costume Co. label reads No. 2318-2 / John Wayne / Chest 50 / Sleeve R 36 / L 35 1/2 / Neck 18 1/2, further WCC stamp on inside shirt tail; together with a pair of black polyester pants with tan-colored stitching, WCC label reads No. 2475-1 / John Wayne / Waist 41 1/2 / Inseam 35; worn by Wayne in the film. estimate: $3,000-$5,000
44270
A Shir T f rom rooS T er cogburn
Universal, 1975. Made of beige raw silk, long sleeves, two breast pockets, tuck-in tab on placket, Western Costume Co. label reads No. 2318-1 / John Wayne / Chest 50 / Sleeve R 36 / L 35 1/2 / Neck 18 1/2, further WCC stamp on inside shirt tail; worn by Wayne in the beginning and end scenes, mostly when hes in the courtroom. estimate: $600-$800
177
44271
T Wo SPor TcoAT S f rom br A nnig A n
United Artists, 1975. The first made of wool in a brown, orange, and tan plaid, three front pockets, two button front closure, Sy Devore of Hollywood, Las Vegas & Palm Springs label reads Mr. John Wayne / 5-2-374 / No. 3041; the second almost identical but in a slightly darker plaid, John Galuppo of Beverly Hills label reads Mr. John Wayne / Date 2-16-73 / No. 1416; worn as Wayne portrayed the title character in the film that co-starred Richard Attenborough and Mel Ferrer. estimate: $600-$800
44272
A S Tock Ade JAck e T f rom A n unk noW n f iL m, 1960s
Made of brown heavy-weight cotton, with a corduroy collar and cuffs, four large flap front pockets (one pocket has two pin holes where a badge would have been), four button front closure (though one is missing), American Costume [Luster Bayless company] stamp on inside right sleeve (though no Western Costume Co. tag); dyed later likely for another actors use, though originally made for Wayne. This is the trademark stockade jacket that Wayne wore in nine of his last eleven films, including True Grit and Rooster Cogburn among many others, but because of the color change, it cannot be positively attributed to any specific film. estimate: $2,000-$2,500
178
44273 four PAirS of SuSPenderS f rom vAriouS f iL mS, 1940s-1970s All elastic with brown leather parts; two pairs identical yellow with light blue stripes, both stamped on inside Paramount Wardrobe; one pair brown with blue stripes, metal adjuster reads Police Brace; one pair green with blue stripes, same metal adjuster as brown pair; likely worn by Wayne in more than one film, but the yellow ones most prominently seen in the 1959 United Artists film, The Horse Soldiers; other pairs possibly worn by Harry Carey in the 1941 Paramount film, The Shepherd of the Hills, and by Dennis Weaver in the 1950s-1960s CBS television series, Gunsmoke. estimate: $1,000-$1,500
179
44274
T hree We S T ern beLT S, 1960s-1970s
Including: 1) a brown suede one, with a rectangular-shaped silver metal buckle, size 41, with evident wear; 2) a mustard yellow leather one with white stitching, with a square-shaped brass buckle, inside stamped Hereford Brand, size 40, with evident wear; and 3) a brown leather one, with a square-shaped brass buckle, size 42, handwritten annotation on inside reads J.W., with evident wear; some possibly worn in films. estimate: $600-$800
180
44275
A grouP of neck erchief S, 1950s-1970s
Ten total; all made of cotton, some with a geometric pattern on trim, others plain, in shades of mauve, yellow, white, beige, tan, and red; most likely used in films. All approximately 25 x 25 estimate: $500-$700
181
44276
A Whi T e nudieS coWboy h AT, 1970s
Of standard design, made of felt, no hatband, inside lining stamped Nudies Rodeo Tailors / North Hollywood, California and Resistol Self-Conforming; included with a Churchill Hats Ltd. hat box with a John Wayne return address label on lid. estimate: $1,000-$1,500
44277
A PAir of Lucche Se coW boy booT S, 1970s
Made of brown leather with tan-colored semi-fancy stitching, inside stamped with the makers logo, inside both boots further stamped 1077007; with evident wear. estimate: $3,000-$5,000
182
44278
A PAir of Lucche Se coW boy booT S, 1970s
Made of brown and red leather with tan-colored traditional stitching, inside stamped with makers logo, inside both boots further stamped 16325, with slight wear. estimate: $1,000-$1,500
44279
A PAir of coWboy booT S, 1960s-1970s
Made of brown leather with elaborate red and yellow stitching, no makers stamps, with evident wear. estimate: $3,000-$5,000
44280
A PAir of Lucche Se form AL coWboy booT S, 1970s
Made of brown leather with white fancy stitching only on top part of shaft, inside stamped with makers logo, inside both boots further stamped 676048; with evident wear. estimate: $3,000-$5,000
183
44282
A PAir of nudieS coW boy booT S, 1970s
Made of red leather with elaborate white, yellow, blue, orange, and green stitching, inside of each boot has a small cloth label reading Nudies Rodeo Tailor / North Hollywood, Calif., with no wear, still in their original shipping box with a Nudies return label addressed to John Wayne - Personal / c/o Batjac Productions / 9570 Wilshire Blvd. / Beverly Hills, Ca. 90212. estimate: $1,000-$1,500
44281
A PAir of boo T S, 1960s
Made of black leather, with slight cowboy-style detailing on the vamp, inside of both boots stamped 4110 9428 89, purposely distressed with dirt; with very slight wear; likely worn in films. estimate: $1,000-$1,500
44283
four boo T JAckS, 1960s-1970s
Three made of wood, one of wrought iron in the form of an insect; together with a Sunbeam-brand shoe polisher kit housed in its own wooden box. 5 x 18 x 10 and smaller estimate: $500-$700
184
44286 11 x 8
A gun hoL S T er, 1970s
Made of black leather, with large side flap; slight wear evident. estimate: $600-$800
44284
A ShouLder gun hoL S T er, 1950 -1960s
Made of brown leather, with a JW carved on backside; possibly used in films as its heavily worn and nicked. 10 x 7 estimate: $2,000-$2,500
44287
A k nif e A nd She AT h, 1960s-1970s
With a textured black metal handle, a 6 1/2-inch blade; sheath stamped US MA81 RM CO; attached to a tan-colored canvas belt with many utility pockets and an added olive green utility pouch stamped U.S.; possibly used in a film. Belt Length: 38 estimate: $1,000-$1,500
44285
A gun hoL S T er, 1960s-1970s
44288
A k nif e A nd She AT h, 1960s-1970s
Made of black leather, with a US stamp on side flap, back embossed Boyt 43, attached to a canvas belt; possibly used in a film. 10 x 5 estimate: $1,000-$1,500
With a textured black metal handle, a 6 1/2-inch blade; sheath stamped US M8 RM CO; attached to a canvas belt stamped U.S. with an added small utility pouch; possibly used in a film. Belt Length: 40 estimate: $1,000-$1,500
185
Many of the awards in this auction can be seen in these images of John Waynes office in his Newport Beach home.
186
44289
A T roPh y for T he A L Amo, 1960
44291
A T roPh y for T he WAr WAgon, 1967
Presented to John Wayne; from The National Cowboy Hall of Fame and Western Heritage Center for The Alamo / Outstanding Western Motion Picture. 11 x 7 x 4 estimate: $2,000-$3,000
Presented to John Wayne; from The National Cowboy Hall of Fame and Western Heritage Center for The War Wagon / Outstanding Western Motion Picture. 11 x 7 x 4 estimate: $2,000-$3,000
44292
T Wo T roPhie S, 1950s
44290
A T roPh y for T he com A ncheroS, 1961
Presented to John Wayne; from The National Cowboy Hall of Fame and Western Heritage Center for The Comancheros / Outstanding Western Motion Picture. 11 x 7 x 4 estimate: $2,000-$3,000
Both presented to John Wayne; the first from Wisdom Magazine for Significant Contributions to Knowledge in 1958, with a JW inventory sticker; the second from Womens Home Companion for Favorite Movie Actor in 1954; included is a reprinted color image showing one of these pieces in situ in Waynes Newport Beach office. (Please note both pieces show signs of age and wear.) 12 x 6 x 6 and smaller estimate: $1,000-$1,500
187
44293
A T roPh y, circA 1950s
Presented to John Wayne; placard on front reads Victoire du Cinema Francais / Referendum / Le Film Francais; included are two reprinted color images showing this piece in situ in Waynes Newport Beach office. Height: 7 estimate: $600-$800
44295
A h AWAii A n AcAdem y AWA rd for T rue gri T, 1969
A large piece of driftwood with the front portion sculpted into a face, placard on front reads Hawaiian Academy Award / To John Duke Wayne / A Performance in Excellence / True Grit / With Aloha / From / Hilo, Hawaii. Approximately 20 x 9 x 10 estimate: $500-$700
44296 44294 A T roPh y for T rue gri T, 1970 Presented to John Wayne; from KHJ-TV for ...Best Actor of 1969; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. 13 x 12 x 4 estimate: $1,000-$1,500
A Logie AWA rd, 1974
Presented to John Wayne; from the Australian television industry for being a Special Guest. 7 x 5 x 4 estimate: $500-$700
44299 44297 A T roPh y, 1970
A T roPh y, 1971
Presented to John Wayne; from the Tombstone, Arizona Restoration Commission for Man of the West / Man of the Year. 13 x 12 x 5 estimate: $1,000-$1,500
Presented to John Wayne; from the Veterans of Foreign Wars District #2 for being aPatriot; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. (Please note this piece has loose parts but can likely be fixed.) 21 x 13 x 7 estimate: $600-$800
44298
A T roPh y, 1977 44300 A T roPh y, 1960s
Presented to John Wayne; from CBC in Port Hueneme, CA for being The Seabees Seabee. 6 x 6 x 7 estimate: $800-$1,200
Presented to John Wayne; from BMC Nick Bruno USN and BUI Victor M. Asistio, USN Seabees, for being a great American. 15 x 18 x 4 estimate: $500-$700
189
44301
A T roPh y, 1973
Presented to John Wayne; from the Western States Museums, Inc. Nonprofit organization for ....Dedication to the Cause of Liberty, Freedom and Patriotism; included is a reprinted color image showing this piece in situ in Waynes Newport Beach office. (Please note this piece is somewhat tarnished.) 26 x 12 x 13 estimate: $2,000-$3,000
44302
A T roPh y, 1970s
Presented to John Wayne; from the Liga Central Campeon de Campeones Reservas likely for his sponsorship of a Latin American boys athletic team. 26 x 14 x 7 estimate: $1,000-$1,500
190
44305
T hree T roPhie S, 1960s
44303
A T roPh y, 1970
Presented to John Wayne; from himself for winning The John Wayne Bridge Tournament. 17 x 10 x 10 According to Pilar Wayne, Wayne was an avid Bridge player who often times arranged his own informal competitions amongst friends with prizes and trophies awarded for fun, such as this one that he evidently won from himself. estimate: $500-$700
All presented to John Wayne; the first from the Sherman Oaks National Little League for ...Sponsor[ship] of the Dukes in 1962; the second from The Baton Rouge International Speedway N.A.S.C.A.R. Drivers for being A Mans Man in 1969; the third from The Batjac Racing Team for a motorcycle win by Everett Creach in 1967. (Please note all pieces are tarnished and show signs of age.) (Please go to our website to see detailed images of each piece.) 24 x 6 x 7 and smaller estimate: $600-$800
44306 44304 T hree T roPhie S, 1960s
f i v e T roPhie S, 1960s-1970s
All presented to John Wayne; the first from the Encino Community Center for Citizens of the Year (for Pilar as well) in 1962; the second from an unknown group for Hollywoods Most Notable Pictures: The Barbarian and the Geisha, The Conqueror, and Donovans Reef; and the third from the Theatre Owners of America for Star of the Year in 1961; included is a reprinted color image showing one of these pieces in situ in Waynes Newport Beach office. (Please note some of these pieces are slightly damaged and show signs of age.) (Please go to our website to see detailed images of each piece.) 23 x 8 x 3 and smaller estimate: $500-$700
All presented to John Wayne; the first from the Orange Empire Area Council BSA for Citizen of the Year in 1969; the second from Dr. Alton Ochsner of INCA for Liberty in 1971; the third from Wayne Daniels for Congratulations, the fourth from The Boys Clubs of Orange County for Appreciation; and the fifth from Little Wayne Harvey for The Green Berets in 1967. (Please go to our website to see detailed images of each piece.) Height: 16 and smaller estimate: $500-$700
191
44307
four T roPhie S, 1970s
All presented to John Wayne; the first from Sarah Coventry, Inc. for ...dedication to his country in 1971; the second from Massachusetts General Hospital To Duke / From Your MGH Team in 1978; the third from The West Point Society of Los Angeles for Duty, Honor, Country in 1971; the fourth from August A. Busch, Jr. for ...Contribution to / Swing Out Sweet Land [Waynes 1970 NBC television special]; included is a reprinted color image showing one of these pieces in situ in Waynes Newport Beach office. (Please note the Sarah Coventry piece is broken but can likely be repaired.) (Please go to our website to see detailed images of each piece.) 15 x 6 x 6 and smaller estimate: $1,000-$1,500
44308
four cuPS, 1960s-1970s
Mostly silver-plated; including 1) a small chalice engraved Duke / Stay off our side / Nobody will believe it! / Affectionately / Mel / Rome, 1965; 2) a large chalice engraved El Dorado / Compliments of Ramada Inn / Tucson, Ariz.; 3) a sterling silver cup engraved From your X Brothers / at University of Kentucky / 102nd Kentucky Derby 1976, with a JW inventory sticker; and 4) a shot glass engraved PN / 1971 / Conso. (Please go to our website to see detailed images of each piece.) 7 x 5 and smaller estimate: $500-$700
44309
four e x hibi Tor L AureL AWA rdS, 1940s-1950s
All presented to John Wayne; from the Film Buyers of the Motion Picture Industry; including: 1) for Fourth Leading Male Star in 1948 (this is a certificate and not a plaque); 2) for Number Four Topliner Star in 1949; 2) for Number Two Laurel Screen Star in 1952-53; and 4) for Top Ten Star in 1955-56; included are two reprinted color images showing these pieces in situ in Waynes Newport Beach office. (Please note pieces are scratched and show signs of age.) (Please go to our website to see detailed images of each piece.) 10 1/2 x 10 1/2 and smaller estimate: $2,000-$2,500
192
44310
T Wo e x hibi Tor L AureL AWA rdS, 1960s
Both presented to John Wayne; from The Film Buyers of the Motion Picture Industry; the first for Number One Action Performance in 1963; the second for Number One Action Star in 1964; both with JW inventory stickers; included are two reprinted color images showing these pieces in situ in Waynes Newport Beach office. 12 x 8 estimate: $1,000-$1,500
44311
f i v e e x hibi Tor L AureL AWArdS, 1960s
All presented to John Wayne; from the Film Buyers of the Motion Picture Industry; including: 1) for Top Ten Name Power Screen Star in 1960; 2) for Top Ten Name Power Star in 1961; 3) for Top Five Action Performance in 1965; 4) for Top Ten World Boxoffice Star in 1966; and 5) for Top Five Action Stars in 1968; four with JW inventory stickers; included are two reprinted color images showing these pieces in situ in Waynes Newport Beach office. (Please go to our website to see detailed images of each piece.) 9 x 6 x 1 estimate: $2,500-$3,000
44312
T Wo AWA rdS, 1950s
Both presented to John Wayne; the first from The Interstate Circuit of Theatres for Big Jim McLain and The Quiet Man; the second from The Society of Hollywood Press Photographers for ...always availing himself to every photographer... in 1954; both with JW inventory stickers. 17 x 14 estimate: $1,000-$1,500
193
44315
T Wo AWA rdS, 1950S, 1970s
44313
T Wo AWA rdS, 1950s
Both presented to John Wayne; the first from the Independent Theatre Owners of Arkansas for ...Most Popular Movie Actor in 1953; the second from The United States Air Force Recruiting Service (to Cast and Crew of Blood Alley) for ...fine spirit and services rendered in 1955; one with a JW inventory sticker. (Please go to our website to see detailed images of each piece.) 10 x 15 estimate: $700-$900
Both presented to John Wayne; the first a P.A.T.S.Y. [Picture Animal Top Star of the Year] from the American Humane Association for Sam (Laddie) - Dog (from) Hondo in 1953 (award has serious damage); the second from The American Humane Association for ...Contribution to The Humane Cause in 1973. 18 x 11 and smaller estimate: $500-$700
44316 44314 four AWA rdS, 1950s All presented to John Wayne; all from The Independent Film Journal for Top Money Actor for the years 1951-1952, 1952-1953, 1953-1954, and 1954-1955; two with JW inventory stickers. (Please note these pieces are somewhat water damaged and moldy.) (Please go to our website to see detailed images of each piece.) Framed: 10 x 12 estimate: $1,000-$1,500
A n AWArd, 1956
Presented to John Wayne; from The Motion Picture Industry of Illinois for No. 1 Star in the State; with a JW inventory sticker. 16 x 14 estimate: $600-$800
194
44319
T Wo AWArdS, 1960s
Both presented to John Wayne; the first from Sigma Chi for Theatre Arts Honor, noting 29 (though not clear if piece was actually awarded in 1929); the second from the National Society Daughters of the American Revolution for The Alamo in 1960; one with a JW inventory sticker. 11 x 9 estimate: $500-$550
44317
A n AWArd for T he horSe SoL dierS, 1959
Presented to John Wayne; from Centenary College of Louisiana for the film. (Please note placard is heavily tarnished and scratched.) 15 x 10 estimate: $600-$800
44318
A n AWArd for T he A L Amo, 1960 44320 A n AWA rd, 1966 Presented to John Wayne; from Photoplay Magazine for The Worlds Outstanding Box Office Champion... in 1966; with a JW inventory sticker. (Please note this piece is tarnished and its finish worn off due to age.) 19 x 13 estimate: $1,000-$1,500
Presented to John Wayne; from Good Housekeeping Magazine for the film; with a JW inventory sticker. 15 x 14 estimate: $500-$700
195
44321
A n AWA rd, 1967
Presented to John Wayne; from the National Cowboy Hall of Fame and Western Heritage Center for becoming a Trustee. 11 x 8 1/2 estimate: $1,000-$1,500
44322
T Wo AWArdS, 1970s
Both presented to John Wayne; the first from The Greater Los Angeles Press Club for 1970 Headliner of the Year; the second from the National Sportscasters and Sportswriters Hall of Fame for Contributions to Life in 1979; with JW inventory stickers. 20 x 14 and smaller estimate: $1,000-$1,500
196
44323
four AWArdS, 1960s-1970s 44325 A gouAche PAin T ing/AWA rd f rom T he gre AT er LoS A ngeL e S Pre S S cLub, 1970 Rendered on board, depicting various vignettes relating to Waynes life such as an Oscar, an SC football player, a stagecoach, the Wild Goose, etc., a placard at the base notes in part Presented to / John Wayne / 1970 Headliner of the Year...June 3, 1970, signed in the lower center Ralph Warren 1970. Matted and Framed: 31 x 24; Work Only: 24 x 17 estimate: $500-$700
All presented to John Wayne; the first from Film TV Daily for True Grit in 1969; the second from the Motion Picture Herald for Top Money-Making Star in 1971; the third from The Council on International Nontheatrical Events for More Than A Paycheck in 1978; and the fourth from The National Film Society for Artistry in Cinema in 1978; all with JW inventory stickers. (Please go to our website to see detailed images of each lot.) 15 x 12 and smaller estimate: $500-$700
44324
Si x AWA rdS, 1960s-1970s 44326 A uSc -reL AT ed AWA rd, 1976
All presented to John Wayne; including: 1) from Family Weekly for Most Popular Movie Actor in 1974; 2) from AAFMPS for Welcome to the Movies; 3) from The International Film & TV Festival of New York for More Than a Paycheck in 1978; 4) from Family Weekly for Favorite Male Movie Star in 1973; 5) from the John Wayne Enthusiasts for ...50 Years of Entertainment... in 1977; and 6) a Limelight Award for The Alamo in 1961; all with JW inventory stickers. (Please go to our website to see detailed images of each piece.) 14 x 11 and smaller estimate: $500-$700
Presented to John Wayne; from the University of Southern Californias Town and Gown group for being ...Narrator of the Film, A Salute to Aviation. 12 x 10 estimate: $500-$700
197
44327
f i v e uSc- reL AT ed AWA rdS, 1940s-1960s
44329
T hree Air L ine S -reL AT ed AWA rdS, 1950s-1960s
All presented to John Wayne; including: 1) from The Sigma Chi Fraternity for being ...one of the most popular stars of the silver screen in 1948; 2) from the General Alumni Association for ...worthy achievement in 1963; 3) from the Oceanographic Associates for being a member in 1969; 4) a similar one from 1969; and 5) from the General Alumni Association for becoming Life Member 14, 601. (Please go to our website to see images of the other pieces.) 13 x 11 and smaller estimate: $1,000-$1,500
All presented to John Wayne; the first from Continental Air Lines, Inc. for becoming ...a Lifetime Member of the Presidents Club in 1965; the second from United Air Lines for becoming a member of...(the) Kamaaina Club in 1956; the third from United Air Lines for becoming a Member of... (the) 100,000 Mile Club circa 1950s; included is a reprinted black and white image showing one of these pieces in situ in Waynes Newport Beach office. (Please go to our website to see detailed images of each piece.) 9 x 11 and smaller estimate: $500-$700
44328
Si x uni v erSi T y AWA rdS, 1950s-1970s
44330
four AWA rdS, 1950s-1960s
All presented to John Wayne; including: 1) from Wayne State University for becoming An Honorary Member in 1956; 2) from Chapman College in 1969-70; 3) from Chapman College for ...Distinguished Service in 1970; 4) from the University of Arizona for becoming a Sigma Chi...Honorary Member in 1970; 5) from California Polytechnic State University for Honorary Life Membership in 1974; and 6) from Pepperdine University for being The Founding Four Hundred in 1977; two with JW inventory stickers. (Please go to our website to see images of the other pieces.) 15 x 19 and smaller estimate: $500-$700
198
All presented to John Wayne; the first from The Order of Lafayette for ... Leadership in Combating Communism in 1964; the second from the Encino Republican Womens Club for Uncommon Courage in 1964; the third from The White Mountain Community Hospital for being Elected Mayor of Round Valley, Ariz. in 1968; and the fourth from United Cerebral Palsy and Bob Hope for Distinguished Service in 1952; three with JW inventory stickers. (Please go to our website to see detailed images of each piece.) 12 x 10 and smaller estimate: $700-$900
44331
f i v e AWA rdS, 1950s-1970s
44333
T Wo T e x AS AWArdS, 1960s
All presented to John Wayne; including: 1) from Share Inc. for ...unselfish support in 1967; 2) from Share Inc. for ...generous support in 1970; 3) from the National Tuberculosis Association for ...outstanding participation in the fight against tuberculosis (awarded to Wayne and Cast and Crew of Blood Alley) in 1955; 4) from Field Photo Homes, Inc. for Honorary Life Membership; and 5) from the Golden Circle of California for ...inspirational & effective service; three with JW inventory stickers. (Please go to our website to see detailed images of each piece.) 16 x 13 and smaller estimate: $600-$800
Both presented to John Wayne; the first from The Houston Sales Association for being the ...most distinguished salesman of entertainment, of freedom and individual liberty in 1960; the second from The Houston Farm and Ranch Club for beingWesterner of the Year in 1964; both with JW inventory stickers; included are two reprinted color images showing the pieces in situ in Waynes Newport Beach office. 21 x 13 and smaller estimate: $600-$800
44334
T Wo T e x AS AWArdS, 1960s
Both presented to John Wayne; the first from Dallas Services for Blind Children for ...his generous contribution of The Alamo for a charity preview... in 1960; the second from The Department of Texas for ...his portrayal of Texas history in...The Alamo in 1961 (missing an adornment); both with JW inventory stickers. 16 x 11 and smaller 44332 f i v e k e y To T he ci T y AWA rdS, 1950s-1970s estimate: $600-$800 All presented to John Wayne; including: 1) from Mayor Anthony J. Celebrezze of Cleveland [Ohio] in 1956 (part of award now broken); 2) from the County of Kauai [Hawaii] in 1962; 3) from the City of Costa Mesa [California] in 1965; 4) from the City of Pagosa Springs [Colorado] in 1971; and 5) from the City of Natchez [Mississippi], circa 1960s; included is a reprinted black and white image showing one of these pieces in situ in Waynes Newport Beach office. (Please go to our website to see detailed images of each piece.) 20 x 14 and smaller estimate: $1,000-$1,500
199
44337
four boy ScouTS of AmericA AWArdS, 1950s-1970s
44335
T hree T e x AS AWA rdS, 1970s
All presented to John Wayne; the first from the San Antonio Police Officers Association for ...Appreciation of...True Grit in behalf of the Law Enforcement Officers of Our Nation in 1971; the second for ...Appreciation for...the Heritage and History of San Antonio, Texas in 1971; the third from NECAA of San Antonio, Texas for Star of the Century in 1977; two with JW inventory stickers. (Please go to our website to see detailed images of each piece.) 15 x 11 x 2 and smaller estimate: $600-$800
All presented to John Wayne; the first from the Los Angeles Area Council for ..Distinguished Service to Youth in 1980 (given to the Estate posthumously); the second from the Golden Eagle Club circa 1960s; the third from the Los Angeles Area Council for ...Exemplification of the Spirit of America in 1978; and the fourth from the Los Angeles Area Council for becoming a Century Club Member in 1959; one with a JW inventory sticker. (Please go to our website to see detailed images of each piece.) 10 x 13 and smaller estimate: $500-$700
44336
four AWArdS, 1960s
All presented to John Wayne; the first from the Encino Chamber of Commerce for becoming the Honorary Mayor of Encino in 1956; the second from the John Wayne Club of Suburban Philadelphia for ...Patriotic Services in 1962; the third from the Allied Post No. 302 for Americanism in 1966; and the fourth from Paul W. Keyes for Waynes 60th Birthday in 1967; three with JW inventory stickers. (Please go to our website to see detailed images of each piece.) 6 x 9 and smaller estimate: $500-$700
44338
f i v e L i T T L e L e Ague AWA rdS, 1960s-1970s
All presented to John Wayne for sponsorship; including: 1) from the Encino Little League, 1962; 2) from the Westbury American Little League in Houston, 1975; 3) from the Encino Baseball Inc. Giants, 1967; 4) from the Sherman Oaks National Little League Dukes, 1961; and 5) from the Encino Baseball Inc. Giants, 1966; one with a JW inventory sticker. (Please go to our website to see detailed images of each piece.) 11 x 9 and smaller estimate: $500-$700
200
44339
A n AWA rd, circA 1960 44340 four v ie T n A m AWA rdS, 1966
Presented to John Wayne; from President John F. Kennedys office, called The Green Beret awarded for ...the Fight for Freedom; with a JW inventory sticker. (Please note metal scroll is now unattached but can be fixed.) 13x 28 x 7 estimate: $500-$700
All presented to John Wayne; the first from IV Corps for ...Appreciation of... Visit; the second from III Corps Tactical Zone for ...Appreciation for Bringing Live Entertainment to the Fighting Men (improperly repaired with Scotch tape); the third from the First Marine Aircraft Wing FMF; and the fourth from 4 Air Commando Squadron for becoming an Honorary Member. (Please go to our website to see detailed images of each piece.) 12 x 10 and smaller estimate: $600-$800
44341
A n AWArd, 1968
Presented to John Wayne; from the Special Forces Decade Association for ...outstanding efforts in behalf of the U.S. Army Special Forces; included is the July 1968 issue of Veritas [a military newsletter] showing an image of Wayne accepting this piece which displays the unit crests of all the operational Special Forces. (Please note a few of the crests are un-attached but can be repaired.) 33 x 20 estimate: $700-$900
201
44342
T Wo AWA rdS, 1969
Both presented to John Wayne; the first from Rodeway Inn in Salt Lake City, Utah in commemoration of The Golden Spike Centennial in 1969; the second likely from same place for The Golden Spike Empire; both with JW inventory stickers. 10 x 8 estimate: $500-$550
44344
A n AWA rd, circA 1970s
Presented to John Wayne; from the Freedoms Foundation at Valley Forge For consistent, unabashed loyalty to America and its ideals...; with a JW inventory sticker. (Please note this piece weighs approximately 35 pounds.) 21 x 17 estimate: $1,000-$1,500
44343
A n AWArd, 1970
Presented to John Wayne; from the Campaign Chairman (for) Tom Hayden for Congress. (Please note the rifle is now un-attached from base but can be fixed.) 12 x 42 1/2 estimate: $500-$700
44345
T Wo AWA rdS, 1970s
Both presented to John Wayne; the first from the Orange County Press Club for Man of the Year in 1974; the second from the Advertising Club of Los Angeles for Advertising Personality of the Year in 1978; both with JW inventory stickers. 13 x 20 and smaller estimate: $600-$800
202
44348
four AWA rdS, 1970s
44346
T hree re SoLu T ion AWArdS, 1970s
All presented to John Wayne; the first from the Assembly of the State of California Legislature for Commending John Wayne in 1970; the second from the State of Tennessee for becoming an Honorary Citizen in 1973; and the third from the Joint Rules Committee of the Senate and the Assembly of the California Legislature for becoming the ...first honorary chairman of the American Agricultural Day in 1977. (Please go to our website to see images of the other pieces.) 20 x 13 and smaller estimate: $500-$700
All presented to John Wayne; the first from The Employees of the Great A&P Tea Company in Jackson, Mississippi for ...Patriotism; the second from the Super Night at the Super Bowl group for ...Major Contribution; the third from the Junior Rodeo Association of California for ...Support; and the fourth from the American Cause for becoming a Life Member. (Please go to our website to see detailed images of each piece.) 10 x 8 estimate: $500-$550
44349
four AWA rdS, 1970s
44347
four AWA rdS, 1970s
Presented to John Wayne; the first from Big Brothers of Orange County, California for Outstanding Service; the second from the American Cancer Society to commemorate the Astronaut Dinner in 1970; the third from the YMCAs Century Club for ...friendship and generous support; and the fourth from USAF Basic Military School for becoming an Honorary MT1; two with JW inventory stickers. 11 x 10 and smaller estimate: $600-$800
All presented to John Wayne; the first from The Independence Bowl Association of the Minuteman Club of Shreveport, Louisiana for Spirit of Independence in 1978; the second from the City of Montgomery, Alabama and The Air Force Association for American of the Year in 1973; the third from the Americanism Educational League for being an American Patriot in 1972; and the fourth from the People of Tennessee for being An Outstanding American in 1973; two with JW inventory stickers. (Please go to our website to see detailed images of each piece.) 14 x 9 and smaller estimate: $500-$700
203
44352 44350 T hree AWA rdS, 1970s All presented to John Wayne; the first from the US Army Sixth Recruiting District for being an Honorary Recruiter in 1972; the second from The New York City Hells Angels for being Head Honcho of the Old American West; and the third from The U.S. Marine Corps for Outstanding Support; two with JW inventory stickers; included is a reprinted color image showing one of these pieces in situ in Waynes Newport Beach office. (Please go to our website to see detailed images of each piece.) 5 x 13 x 1 and smaller estimate: $600-$800
T Wo AWArdS, 1970s
Both presented to John Wayne; both from The Balboa Bay Club [in Newport Beach, CA]; the first for being on the Board of Governors; the second for participation in the All-Star Celebrity Tennis Championship in 1972; both with JW inventory stickers. 6 x 8 and smaller estimate: $600-$800
44353
A n AWArd, 1978
Presented to John Wayne; from the Crew of Blazing Paddles Outrigger Canoe Club of Newport Beach for ...Past Support; with a JW inventory sticker. 19 x 15 44351 T hree AWA rdS, 1970s estimate: $500-$700
All presented to John Wayne; the first from Goldwater Associates and Bob Hope for ...promoting individual freedom and constitutional government in 1970; the second from the Outstanding American Handgunner Awards Foundation forTop Ten Outstanding American Handgunners in 1977; the third from Michael Fisher for Friendship in 1978; two with JW inventory stickers. (Please go to our website to see detailed images of each piece.) 8 x 11 and smaller estimate: $500-$700
204
44355
A n AWArd, 1979
44354
A n AWA rd, 1979
Presented to John Wayne; from the Los Angeles Police Department to Beat the Hell Out of Cancer. 14 x 29 estimate: $500-$700
Presented to John Wayne; from the Variety Childrens Hospital for being ...a Very Special Friend. (Please note this piece weighs approximately 30 pounds and parts of it are chipped.) 16 x 13 estimate: $500-$550
44356
A cer T if icAT e , 1950
Presented to John Wayne; from Photoplay Magazine for ...His Performance in Sands of Iwo Jima as one of Americas five most popular performances by a motion picture actor; with a JW inventory sticker. Matted and Framed: 17 x 18; Certificate Only: 10 x 12 estimate: $2,000-$2,500
44357
T hree AWA rd cer T if icAT e S, 1950s
All presented to John Wayne; each from the Motion Picture Herald for being ...the Top Money Making Star of 1950, 1951, and 1954; all framed together. Matted and Framed: 18 1/2 x 32; Certificates Only: 11 x 8 estimate: $500-$700
205
44360 44358 A T e x AS cer T if icAT e , 1960 Presented to John Wayne; from The Board of Directors of the Kinney County Chamber of Commerce for ...selecting Kinney County, Texas as the location for the filming of the motion picture The Alamo. (Please note the piece has come un-mounted from its mat inside the frame.) Matted and Framed: 19 x 16; Certificate Only: 13 x 9 estimate: $500-$700
Si x cer T if icAT e S, 1970s
All presented to John Wayne; including: 1) from The U.S. Armor Association for Honorary Life Membership; 2) from The State of Tennessee for becoming an Honorary Citizen of Tennessee in 1973; 3) from The Presidents Council on Physical Fitness and Sports for ...active support; 4) from the City of Tucson, Arizona for becoming an Honorary Citizen of Tucson in 1970; 5) from The Patton Society for being a ...Great American; and 6) from the Non Commissioned Officers Association of the United States of America for becoming anHonorary Member in 1971; two with JW inventory stickers. (Please go to our website to see detailed images of each piece.) 13 1/2 x 11 and smaller estimate: $600-$800
44359
A T e x AS cer T if icAT e , 1979
44361
A cer T if icAT e , 1979
Presented to John Wayne; from The State of Texas for becoming ...an Honorary Captain of the Texas Rangers. Matted and Framed: 24 x 27 estimate: $500-$700
Presented to John Wayne; from the City of Avalon, Santa Catalina Island for A Resolution...Honoring John Wayne; also included is a vintage red, white, and blue cotton scarf depicting various cartoon-like images of the famous island. Certificate; Matted and Framed: 13 x 11 estimate: $500-$700
206
44362
T Wo AWA rdS, 1950s-1960s
Both presented to John Wayne; the first from the International Actors Guild for Honorary Lifetime Membership in 1958, hallmarked sterling silver; the second a medallion, from Parents Magazine for The Alamo / The Movie / of the Month for Family Audiences in 1960, housed in a blue velvet stand; included is a reprinted color image showing one of these pieces in situ in Waynes Newport Beach office. 4 x 5 and smaller estimate: $1,000-$1,500
44363
A n AWA rd, 1968
A medallion; presented to John Wayne; from WSB Television for ...Unprecedented Devotion to America; housed in its own box embossed with Salute to America Award / John Wayne. Diameter: 3 1/2 estimate: $700-$900
207
44364
A n AWA rd, circA 1970s
A medallion; presented to John Wayne; from the Veterans of Foreign Wars of the U.S. for Distinguished Patriotic Service; housed in a wooden display case where both sides of the piece can be seen. Medallion Only: 2 1/2; Case: 7 x 8 x 2 estimate: $500-$700
44365
A germ A n AWArd, 1956
A vase made of white porcelain with the city of Berlins symbol on front, inscription on back in German reads (English translation): In fond remembrance of his visit to our Island City - Berlin Senat; presented to John Wayne on 28-1-1956 [January 28, 1956]. Height: 15 1/2 estimate: $500-$700
44366
T Wo AWArd PL AT T erS, 1960s-1970s
Both presented to John Wayne; the first silver-plated, from The Notre Dame Club of Chicago for ...Extraordinary Talent in 1976; the second brass, from the Cities of Dallas and Fort Worth for The War Wagon World Premiere in 1967; one with a JW inventory sticker. (Please go to our website to see detailed images of each piece.) Diameter: 16 and smaller estimate: $500-$700
208
44367
An AnnotAted Working Script from WAke of the red Witch
Republic, 1948. Goldenrod front cover (no back cover), screen play by Harry Brown, annotation likely in Waynes hand written in pencil on upper center reads J. Wayne, dated May 22, 1948, marked Estimating-Shooting Script, 109 pages, a few annotations by Wayne in pencil throughout, mainly very slight revisions to the dialogue such as: page 64 I dont know / I dont want to ever hurt (instead of I didnt want to hurt you); page 81 I dont blame, and similar minor changes, a few pages are dog-eared or have certain sentences underlined in pencil. (Please note cover is unattached from brads and margins of pages are somewhat frayed.) 13 x 9 estimate: $4,000-$6,000
44368
A Work ing Scrip t f rom t he horSe SoldierS
United Artists, 1959. Red covers, screen play by John Lee Mahin and Martin Rackin, dated September 9, 1958, marked Final, 155 pages, with numerous colored script change pages throughout, almost every single page is folded in half by Wayne as was his habit with scripts he used on set, one page of annotations by Wayne in blue ballpoint ink, on the verso of page 18 reading in full: An operation so / important the high / command will commit / a brigade knowing full well / there is little or no / chance of return / and that clown / can strip me of / personnel that I / feel is vital to / its success. (Please note covers and pages are wrinkled and somewhat frayed.) With JWs Folds: 11 x 5; Unfolded: 11 x 8 1/2 estimate: $4,000-$6,000
209
44369
A n A nno tAt ed Work ing Scrip t f rom hel l f igh t erS
Universal, 1968. Red covers, screen play by John Lee Mahin, handwritten annotations in black felt tip ink by Wayne on right side of cover reads Cheese cake / Camios / Sand pebble / 8 1/2 med, noting working title of The Hellfighters, dated February 27, 1968, marked Final Screenplay, with numerous colored script change pages throughout, most pages folded in half by Wayne as was his habit with scripts he used on set, with numerous annotations by Wayne in various colors of ink throughout, mainly revisions to the dialogue or notes to self such as: page 70 Why do you get all / upset? / I asked you / a simple question; page 124 I suppose we blunder / for the sake of photography / Are you sending a man / along with the / picture to explain? / give it to me 1st; page 128 Doesnt /make sense; verso of page 129 Somebody / wake me up; and many other like notes. (Please note covers are somewhat stained and pages are wrinkled.) 11 x 9 estimate: $3,000-$5,000
44370
A n A nno tAt ed Work ing Scrip t f rom t he t r Ain robberS
Warner Bros., 1973. No covers, set inside a tan leather script cover embossed John Wayne / 26 / 1969 [the 26 Bar Ranch logo], no authorship noted, not dated, 105 pages, with numerous colored script change pages throughout, almost every single page is folded in half (or folded in half again) by Wayne as was his habit with scripts he used on set, numerous annotations by Wayne in black felt-tip ink throughout, mainly minor revisions to the dialogue such as: page 38 The good lord / took care of that; page 41 Let me finish him / best horse ever owned; page 43 Maybe we / can get some / shut eye / before the sun / comes up; and many other similar notes. (Please note this script is heavily water damaged and the pages are brittle.) 11 1/2 x 9 estimate: $3,000-$5,000
210
44371
A n A nno tAt ed Work ing Scrip t f rom mc Q
Warner Bros., 1974. Mint green covers, screen play by Lawrence Roman, handwritten annotation is blue ballpoint ink on upper right corner reads Mr. Waynes Copy, dated May 12, 1973, marked Final, 121 pages, almost every single page folded in half (or folded in half again) by Wayne as was his habit with scripts he used on set, a small amount of annotations by Wayne in blue felt-tip ink throughout, mainly small revisions to the dialogue such as: page 32 Run it smooth / dont get anything / done /...Im a citizen / I can say / anything I / want; page 35 You were just out of pigtails, among a few others; with a JW inventory sticker. (Please note both covers are stained and coming unattached from the brads and all pages are frayed and wrinkled.) With JWs Folding: 11 x 5; Unfolded: 11 x 9 estimate: $4,000-$6,000
44372
A n A nno tAt ed Scrip t f rom circuS Worl d
Paramount, 1964. No covers, screen play by Frank Capra, dated March 29, 1963, noting working title of Circus, further noting Frank Capra Version, 212 pages, with numerous pages dog-eared and annotated by Wayne throughout in blue ballpoint ink while he was reading it, mainly outlining his complaints about the lead character such as: verso of page 85 Jesus Christ!; verso of page 93 Gab-Gab / Gab! and / an idiots plot point!; verso of page 107 Here is what / is really wrong / with this script / Capra has / Duke mixed / up with Gene / Autry or / Johnny Mack Brown; verso of page 125 this is typically / Jimmy Stewart and many other similar critiques. Wayne hated Capras version so intensely that he ended up hiring his long-time collaborator, James Edward Grant, to re-write it. (Please note a few pages are loose from the brads and most pages are somewhat wrinkled.) 11 1/2 x 8 1/2 x 1 1/2 estimate: $3,000-$5,000
44373 A n A nno tAt ed Scrip t f rom chiSum Warner Bros., 1970. Yellow covers, screen play by Andrew J. Fenady, not dated, marked 2nd Draft, 137 pages, with a small amount of annotations by Wayne in blue ballpoint pen throughout, mainly slight revisions to dialogue or notes to self such as: verso of page 5 Something of / carelessness on the / part of Madera warning / from Brady / Chisum didnt get that way / being soft; verso of page 17 Billy or Turnstall / Changed your mind, sire... Invitations an invitation / I invited him / Thanks John; plus a few doodles and other minor markings. (Please note front cover is somewhat stained.) 11 x 9 estimate: $3,000-$5,000
44374
A WArdrobe con t inui t y Scrip t f rom chiSum
Warner Bros., 1970. Goldenrod covers, set inside further manila covers, screen play by Andrew J. Fenady, various dates noted from September 1969 on, with countless pages added to the standard script for wardrobe and other continuity purposes, tabs affixed to side show individual character names, each page has a handwritten itemization of all articles of clothing for that character plus attached small color photographs showing the actor in costume; about seven never-beforeseen photos are of Wayne while others depict his co-stars including Forest Tucker, Christopher George, Ben Johnson, and Pamela McMyler, among others; extensive notes handwritten in pencil appear throughout as do other photographs showing the set and the actors; overall, this is a comprehensive and highly detailed look at the behind-the-scenes workings of this film. (Please note most photographs are now unglued from their original pages.) 11 x 9 x 2 estimate: $4,000-$6,000
212
44375
A n A nno tAt ed Scrip t f rom cAhil l u.S. mArShAll
Warner Bros., 1973. Goldenrod covers, screen play by Harry Julian Fink and Rita M. Fink, noting working title of Wednesday Morning, not dated, 118 pages, a few annotations by Wayne in black felt-tip ink throughout, mainly notes to himself on his initial reading such as: verso of page 11 Maybe Chinaman trying / to get kids out - no money till / bank opens; on page 37 No too / stagey; on page 49 and I was born impatient; and other like notes; with a JW inventory sticker. (Please note there is water damage and most pages are wrinkled.) 11 x 8 1/2 estimate: $2,000-$3,000
44376
A Work ing Scrip t f rom t roubl e Along t he WAy
Warner Bros., 1953. Goldenrod covers, screen play by Melville Shavelson and Jack Rose, ownership signature penned in upper left corner of cover reads John Wayne, noting working title of Alma Mater, dated Oct. 10, 1952, marked Final, 129 pages, with numerous colored script change pages throughout, a number of pages folded in half by Wayne as was his habit with scripts he used on set, no annotations. (Please note there is water damage to the covers but inside pages are not affected.) 11 x 9 estimate: $3,000-$5,000
213
44377
A Work ing Scrip t f rom donovA nS reef
Paramount, 1963. No covers, set inside a hardshell script cover featuring a handpainted image of an island with text below reading Donovans Reef / Duke, screen play by Frank Nugent and James Edward Grant, dated July 13, 1962, marked Shooting Script, 111 pages, with numerous colored script change pages throughout, almost every single page is folded in half by Wayne as was his habit with scripts he used on set, no annotations. (Please note pages are somewhat stained and tattered.) 11 1/2 x 9 1/2 This was the last film John Wayne and John Ford made together. estimate: $3,000-$5,000
44378
A Work ing Scrip t f rom t he SonS of k At ie elder
Paramount, 1965. Covers removed, dated December 24, 1964, marked Revised Final White Script, 141 pages, most pages folded in half by Wayne as was his habit with scripts he used on set, no annotations. (Please note all pages are frayed and wrinkled.) With JWs Folding: 11 x 6; Unfolded: 11 x 9 estimate: $3,000-$5,000
214
44379
A Working Script from John WAyneS tribute to AmericA
NBC Television, 1970. No covers, set inside a script cover embossed The John Wayne Special / John Wayne [aka Swing Out, Sweet Land], no authorship noted, dated 9-10-70, 153 pages, with numerous colored script change pages throughout, many pages are folded in half by Wayne as was his habit with scripts he used on set, not annotated. (Please note cover is somewhat stained.) 11 1/2 x 9 1/2 This made-for-television special, which originally aired on November 29, 1970, had an impressive all-star cast including (in alphabetical order): Ann-Margret, Lucille Ball, Jack Benny, Roscoe Lee Browne, George Burns, Glen Campbell, Johnny Cash, Bing Crosby, Phyllis Diller, Lorne Greene, Celeste Holm, Bob Hope, Michael Landon, Dean Martin, Ed McMahon, David and Ricky Nelson, William Shatner, and Red Skelton, among many others. estimate: $2,000-$4,000
44380
A Work ing Scrip t f rom t he coWboyS
Warner Bros., 1972. Light blue covers, screen play by Irving Ravetch and Harriet Frank, Jr., dated March 8, 1971, with numerous colored script change pages throughout, with most pages folded in half by Wayne as was his habit with scripts he used on set, no annotations, housed in a black binder with an image of a football and John Wayne embossed in white on the cover, a 25-page shooting schedule also enclosed in same binder, with a JW inventory sticker. (Please note all pages are frayed and wrinkled.) 11 x 9 x 2 estimate: $4,000-$6,000
215
44381
A Scrip t f rom tA l l in t he SAddl e
RKO, 1944. Pink cover (no back cover), screen play by Michael Hogan and Paul P. Fix, annotation (in unknown hand) in black fountain pen ink in the upper right corner reads John Wayne / Stage 3, dated March 6, 1944, marked Final Script, 94 pages (the last few pages are missing), with numerous colored script change pages throughout, was Waynes file copy. 11 x 8 1/2 estimate: $2,000-$3,000
44382
A Scrip t f rom t he y Were e x pendAbl e
Metro-Goldwyn-Mayer, 1945. Goldenrod covers, no authorship noted, front cover notes Script Okayed by: / Mr. John Ford, dated Feb 7, 1945, marked Complete Rerun, 139 pages, was Waynes file copy. 11 x 9 estimate: $4,000-$6,000
216
44383
A Scrip t f rom f l A me of t he bArbAry coAS t
Republic, 1945. Goldenrod covers, screen play by Borden Chase, dated June 19, 1944, marked Shooting Script, with ownership name in upper right corner (though not in Waynes hand), 101 pages, with a few colored script change pages throughout, one page annotated in pencil likely by Wayne, verso of page 100 Taxes? / I havent got a dime / Flaxen laughs. Interestingly, Wayne played a character named Duke in this film. (Please note covers are stained and wrinkled.) 13 x 8 1/2 estimate: $3,000-$5,000
44384
A Scrip t f rom W i t hou t re ServAt ionS
RKO, 1946. Pink covers, screen play by Andrew Solt, annotation in pencil by unknown hand on upper right corner reads John Wayne / Rusty, noting working title of Thanks, God! Ill Take It From Here, dated October 10, 1945, 138 pages, was Waynes file copy. (Please note covers are stained.) 11 x 8 1/2 estimate: $3,000-$5,000
217
44385
A Scrip t f rom A ngel A nd t he bAdm A n
Republic, 1947. Pink covers, screen play by James Edward Grant, noting working title of The Gun, dated March 19, 1946, marked Shooting Script, 81 pages, with numerous colored script change pages throughout, was Waynes file copy. (Please note the front cover is unattached from the brads and the interior pages are wrinkled.) 13 x 8 1/2 estimate: $3,000-$5,000
44386
A Scrip t f rom t ycoon
RKO, 1947. Light blue covers, screen play by John Twist, dated September 30, 1946, marked First Draft Continuity, 129 pages, was Waynes file copy. (Please note covers are somewhat stained.) 11 x 9 estimate: $2,000-$3,000
218
44387
A Scrip t f rom red ri v er
United Artists, 1948. Light blue covers, no authorship noted, noting working title of The Red River, dated August 23, 1946, marked First Final, 147 pages, was Waynes file copy. (Please note covers are stained and wrinkled.) 11 x 8 1/2 estimate: $3,000-$5,000
44388
A Scrip t f rom t he t hree godfAt herS
Metro-Goldwyn-Mayer, 1948. Light blue covers, dated February 27, 1948, marked Shooting Continuity, 116 pages, was Waynes file copy. (Please note the covers are somewhat stained.) 11 x 8 1/2 estimate: $2,000-$3,000
219
44389
A Scrip t f rom She Wore A y el loW ribbon
RKO, 1949. Yellow covers, screen play by Frank S. Nugent and Laurence Stallings, dated October 16, 1948, marked Shooting Script, 154 pages, was Waynes file copy. 11 x 9 estimate: $3,000-$5,000
44390
A Scrip t f rom t he f igh t ing k en t uck i A n
Republic, 1949. Light blue covers, screen play by George Waggner, noting working title of Eagles in Exile, dated January 21, 1949, marked Estimating-Shooting, 113 pages, not annotated, was Waynes file copy. 13 x 8 1/2 estimate: $3,000-$5,000
220
44391
A Scrip t f rom f ly ing le At herneckS
RKO, 1951. Tan covers, screen play by Beirne Lay, Jr. and James Edward Grant, annotation in unknown hand in pencil on upper margin reads Mr. John Wayne, dated October 19, 1950, marked Part I Revised Final Script, 114 pages, with numerous colored script change pages throughout, was Waynes file copy. 11 x 8 1/2 estimate: $3,000-$5,000
44392
A Scrip t f rom t he Se A ch ASe
Warner Bros., 1955. Goldenrod covers, screen play by John Twist, handwritten ownership signature in red ink on top center of cover reads Duke, dated September 27, 1954, marked Final, 106 pages, was Waynes file copy. 11 x 8 1/2 estimate: $2,000-$3,000
221
44393
A Scrip t f rom t he conQueror
RKO, 1956. Tan covers, screen play by Oscar Millard, dated May 14, 1954, marked Final Script, 138 pages, with numerous colored script change pages throughout, was Waynes file copy. 11 x 8 1/2 estimate: $3,000-$5,000
44394
A Scrip t f rom t he W ingS of t he e Agl e S
Metro-Goldwyn-Mayer, 1957. Goldenrod covers, screen play by Frank Fenton, dated 2-20-56 and Jun 29, 1956, marked Complete Rerun, 124 pages, was Waynes file copy. (Please note covers are somewhat stained.) 11 x 9 estimate: $3,000-$5,000
222
44395
A Scrip t f rom rio br Avo
Warner Bros., 1959. No covers, no authorship noted, not dated, marked Final Draft, annotated by an unknown hand in upper right corner in black felt-tip ink Mary St. John [Waynes longtime secretary] / Please save / J.W.s personal / script from Rio Lobo / Thanx, 155 pages, the first fourteen pages folded in half by Wayne as was his habit, was Waynes file copy, though possibly used on set. (Please note the title page is wrinkled and frayed.) 11 x 9 estimate: $3,000-$5,000
44396
A Scrip t f rom nor t h to Al ASk A
20th Century Fox, 1960. Tan covers, no authorship noted, noting working title of The Alaskans, not dated, marked Revised Screenplay, 160 pages, was Waynes file copy. 11 1/2 x 9 estimate: $2,000-$3,000
223
44397
A Scrip t f rom t he com A ncheroS
20th Century Fox, 1961. Light blue covers, screen play by James Edward Grant, dated May 3, 1961, marked Final, 128 pages, numerous colored script change pages throughout, was Waynes file copy. (Please note right margin of cover is wrinkled.) 11 1/2 x 9 1/2 estimate: $2,000-$3,000
44398
t hree Scrip t S f rom hoW t he We S t WAS Won
Metro-Goldwyn-Mayer, 1962. Goldenrod covers, screen play by James Webb and John Gay, each with a different date of 9-6-60, 1-31-61, or March 7, 1962, one marked Incomplete, 83 pages, 140 pages, and 166 pages, were Waynes various file copies. 11 x 9 estimate: $2,000-$3,000
224
44399
A Scrip t f rom t he longe S t dAy
20th Century Fox, 1962. Beige covers, screen play by Cornelius Ryan, dated August 31, 1961, marked 2nd Revised Screenplay, 219 pages, was Waynes file copy. (Please note covers are somewhat wrinkled.) 11 x 8 1/2 x 1 1/2 estimate: $2,000-$3,000
44400
A Scrip t f rom in h ArmS WAy
Paramount, 1965. White (with graphics) covers, not dated, with printed note paperclipped to cover reading With the Compliments / of / Otto Preminger, 241 pages, with numerous colored script change pages inserted in back of script, was Waynes file copy. 11 x 8 1/2 estimate: $3,000-$5,000
225
44401
A Scrip t f rom cAS t A gi A n t Sh AdoW
United Artists, 1966. Red covers, screen play by Melville Shavelson, dated October 20, 1964, marked Second Draft - Revised, 149 pages, was Waynes file copy. 11 x 8 1/2 estimate: $3,000-$5,000
44402
A Scrip t f rom el dor Ado
Paramount, 1967. No covers, screen play by Leigh Brackett, noting working title of Eldorado, dated September 23, 1965, marked Shooting Script, 139 pages, was Waynes file copy. (Please note some pages are wrinkled.) 11 x 8 1/2 estimate: $2,000-$3,000
226
44403
A Scrip t f rom t he undef e At ed
20th Century Fox, 1969. Pale yellow covers, screen play by James Lee Barrett, dated December 3, 1968, marked Second Revised Final, 165 pages, with numerous colored script change pages throughout, was Waynes file copy. (Please note covers are somewhat frayed.) 11 1/2 x 9 estimate: $2,000-$3,000
44404
A Scrip t f rom big JAk e
National General Pictures, 1971. Goldenrod covers, screen play by Harry Julian Fink and R.M. Fink, handwritten annotation in pencil on upper right corner reads Mary St. John 28, [Waynes longtime secretary], noting working title of The Million Dollar Kidnapping, not dated, 107 pages, with numerous colored script change pages throughout, was Waynes file copy. (Please note covers are somewhat stained.) 11 x 8 1/2 estimate: $3,000-$5,000
227
44405 t Wo bir t h record documen t S, 1950s-1970s The first an official document from the State of Iowa Department of Vital Statistics called an Authenticated Birth Record showing that Marion Robert Morrison was born on May 26, 1907 in Winterset, Iowa to Clyde Morrison and Mary A. Brown, notarized by an Iowan clerk on 11th day of March 1950; the second document almost identical but from 22 years later, notarized on 5th day of May 1972; included with a typed note reading in part I hereby state that I was born Marion Robert / Morrison.../ I also state that I have used the name John / Wayne for the past 43 years, signed in black felt-tip ink by Wayne in the lower right corner above a notarized stamp and date of 15th day of May 1972. 7 x 8 1/2 and smaller estimate: $1,000-$1,500
44406
A group of Signed re S tAur A n t receip t S, 1966
Fifteen total; all from a hotel restaurant in Durango, Mexico called Campo Mexico Courts where Wayne was staying from September to December 1966 while filming The War Wagon; each one outlining what was ordered and how much it cost (tequila shows up frequently); each one signed by Wayne in blue or black ballpoint ink either John Wayne or JWayne with just one initialed only. 6 1/4 x 4 estimate: $1,000-$1,500
228
44407
A Signed receip t, 1971
From Grants for Guns, Inc., a store famous in Costa Mesa, CA and still in existence; dated 6/16/1971, noting Waynes name and Newport Beach address plus the two Colt firearms and the 3 extra clips he purchased for a total of $299.25; signed by him in blue ballpoint ink in the lower margin. 9 x 5 1/2 estimate: $600-$800
44408
A col l ec t ion of Speeche S, 1970s
Including: 1) a speech seeming to be from when Wayne was honored by the National Football Foundation in 1973; twelve pages, handwritten in black felt-tip ink by Wayne on a mint green notepad [printed from the desk of Louis Jordan], heartfelt, inspirational, and very long about the importance of ball-playing, coaching, and being a good American; 2) a speech from the Golden Apple Awards ceremony that took place on January 19, 1976, two pages, typed with Waynes handwritten corrections in black fountain pen ink, reading in part ...you honor / me by even considering me with such talents as Dick Van Dyke / and Sir Laurence Olivier. I have been doing whatever it is I do for / over a half a century so this snarled and worry-worn mug is not exactly what you would call a / new face; 3) a speech from the Lucille Ball Friars Club Roast on November 4, 1977, typed on three half-sheets of paper [cheat sheets for the podium], reading in part Keep holding your torch on / high, Lucy there are a lot of us grateful people who love you / for what youve brought into our lives; also included are two small notepad pages [from Lermitage Hotel in Beverly Hills] penned by Wayne in black felt-tip ink reading in part So Lucy in the interest / of keeping this an early / evening, Ill wind it up / now. Im just going to / have a few dozen more / belts of tequila & then / get in my tank & drive home plus some other-related paperwork from same event; and 4) a speech from the Golden Apple Award Luncheon on December 11, 1977, typed on a single sheet of paper, relating to Jane Fonda who Wayne was presenting at that function. (Please go to our website to see images of each piece.) 11 x 8 1/2 and smaller estimate: $2,000-$2,500
229
44409
A h A ndWri t t en Speech, circA 1975
Penned in blue ballpoint ink by Wayne on lined yellow notepaper, reading in full If Spencer & Bogie / were around they / would be envying / me this experience. / This lady adds color & vitality / not only to the scene but to the day. Course / she(s) a little more / conservative than I, but / who isnt, with additional doodles and notes around the margins; evidently about Katharine Hepburn, but its purpose is not known; included with a file copy of a letter Wayne sent to Hepburn, dated May 26, 1978, reading in part I couldnt get enthused over the play. I dont / claim to qualify as a judge of the quality of this / material; but on material for John Wayne, my / instinct has been a little better than average. 11 x 8 1/2 estimate: $700-$900
44410
A h A ndW ri t t en miS Si v e , 1974
Penned by Wayne in black ballpoint ink on the verso of an unrelated letter sent to him; Waynes response to allegations by Senator Lowell P. Weicker that he received tax breaks because of his friendship with Nixon; reading in part Dear Wicker / For your information / I have never ask(ed) for nor / received IRS favors nor / have I needed them. / What I need / is protection from cheap / politicians like / you... / J. Wayne, with many cross-outs, edits, and doodles evident; included is a newspaper clipping sent to Wayne where this letter was quoted so he evidently mailed it and it got press. 11 x 8 1/2 estimate: $600-$800
44411
A t el egr Am to n At k ing col e , 196 4
Waynes Confirmation Copy, dated Dec 22, 1964, reading in part Sorry to hear youve joined the club but it can be / whipped...dont let it get you down. / Was just listening to the radio and heard a record of (your) / Christmas songs I want to thank you for the joy youve / brought me and my family keep punching; sadly Cole would die less than two months later, but this touching telegram likely brightened his day. 6 x 8 estimate: $600-$800
230
44412
A group of corre Spondence rel At ed to t he h A rvArd l Ampoon roAS t ing, 1973
Including: 1) a letter typed on three pages of The Harvard Lampoon letterhead, sent to JW in Hollywood, CA, dated December 5, 1973, regarding a challenge to Wayne to come to Harvard to premiere his new movie, reading in part Weve heard youre supposed to be some kind of legend. / Everybody talks about your he-man prowess...your / unsurpassed greatness in the guts department. But we at the / Harvard Lampoon tend to doubt it... / You think youre tough? Youre not so tough. Youve never / pored through dozens of critical volumes on imagist poetry.../ Youve never had to do three papers and a midterm all for / one course, and ending with And you better make up your mind fast, Wayne weve got / Maureen OHara tied up in our basement; 2) a file copy of Waynes response letter, dated December 11, 1973, reading in part I shall be most happy to stop by your campus on my way to / London to visit the original college whose name you have assumed / and whose breeding and manners you havent been able to buy; 3) seven pages of Suggested Remarks for John Wayne at Harvard from Paul W. Keyes, a comedy writer; and 4) a handful of newspaper clippings about the event [on January 15, 1973] which, by most accounts, was a success for the good-humored Wayne. (Please go to our website to see images of each piece.) 11 x 8 1/2 and smaller estimate: $700-$900
44413
A h ArvArd l A mpoon medAl l ion A nd bA nner, 1974
Made of metal with text reading Harvard Lampoon, attached to a purple and yellow ribbon; together with a banner, made of burlap with felt lettering reading John Wayne / duke / of / harvard / kent; both pieces gifted to Wayne during his infamous roasting at The Harvard Lampoon where he made national headlines for riding into Harvard Square on a tank supplied by the United States Army; also included is a hardcover book titled The Harvard Lampoon Centennial Celebration 18761973 with a JW blind stamp on the title page. 31 x 35 estimate: $500-$700
231
44414 f i v e rich Ard ni xon Signed l e t t erS, 1960s Including: 1) typed on personalized stationery, to JW in Newport Beach, CA, dated August 21, 1968, reading in part This year we are going to win!, signed in blue fountain pen ink in the lower right corner Dick, with original transmittal envelope; 2) typed on personalized letterhead, to JW in Hollywood, CA, dated December 10, 1968, reading in part ...we played a part in one of the critical turning / points in history in providing the new leadership / that America needed..., signed in black felt-tip ink in lower right corner Dick Nixon; 3) typed on White House stationery, to JW in Hollywood, CA, dated February 4, 1969, reading in part Pat joins me in the hope that it wont be too / long before we have an opportunity to welcome / you to the White House, signed in same manner, with original transmittal envelope; 4) typed on White House stationery, to JW in Hollywood, CA, dated July 9, 1969, reading in part I have been delighted to read the rave reviews on / True Grit. I saw it in the White House with my / family..., signed in black felt-tip ink in the lower right corner RN, with original transmittal envelope; 5) typed on White House stationery, to JW in Beverly Hills, CA, dated November 5, 1969, reading in part On this first anniversary of our campaign / victory last year, I am reminded once again / of how much your active and very effective / participation meant to our achievement of / that victory, signed in same manner; also included is a file copy of a 1969 congratulatory telegram Wayne sent to Nixon. (Please go to our website to see images of each piece.) 11 x 8 1/2 and smaller estimate: $1,000-$1,500
44415 f i v e rich Ard ni xon ini t i Al ed le t t erS, 1970s All typed on White House stationery, all sent to JW in Hollywood, CA, including: 1) dated January 5, 1973, reading in part ...have for-/warded the letter you enclosed to Secretary / of Agriculture Earl Butz, who has major / responsibility for our beef import policy, signed in black fountain pen ink RN; 2) dated April 12, 1973, reading in part I am sure you realize we have been negotiating / with the Panamanians for some years now... / I share your concerns and interest, and I will ask / Dr. Kissinger and his staff to take a fresh look..., signed in same manner, with original transmittal envelope; 3) dated June 5, 1973, reading in part I am confident that, working together, the / American people can achieve the great goals of / peace and progress which all of us seek, signed in same manner, with a transmittal envelope (though the postmark indicates it went with a different letter); 4) dated April 17, 1974, reading in part ...I had the opportunity to / read a copy of the speech you gave before / the National Football Foundations annual / awards dinner, and I personally thought it / was nothing less than superb, signed in same manner, with original transmittal envelope; and 5) datedJune 20, 1974, reading in part Word has reached me of your spirited words of / support during your visit to Athens. It looks / like we get better press abroad than we do here... signed in same manner. (Please go to our website to see images of each piece.) 10 1/2 x 7 and smaller estimate: $1,000-$1,500
232
44416 t Wo ron Al d re Ag A n Signed l e t t erS, 1970s Typed on State of California Governors Office stationery, to Duke and Pilar, dated August 4, 1972, reading in part Nancy and I would be very pleased if you could / join us for cocktails and buffet in Miami Beach..., signed in blue fountain pen ink in the lower right corner Ron; the second typed on similar letterhead, sent to JW in London, England, dated June 28, 1974, reading in part ...thank you for tipping me / off about Senator Helms speech. I know the / Senator very well and certainly approve of his / philosophy, signed in same manner. 11 x 8 1/2 estimate: $1,000-$1,500
44417
t hree Jimm y cAr t er Signed l e t t erS, 1970s
The first typed on personalized stationery, to JW in Newport Beach, CA, dated November 10, 1976, reading in part I trust the only area in which we will find our- / selves in opposition is that of Party loyalty, signed in blue fountain pen ink in the lower right corner Jimmy, with original transmittal envelope that Wayne annotated in black felt-tip ink on the verso; the second typed on White House stationery, to JW in Beverly Hills, CA, dated January 31, 1977, reading in part While my pardon of the Vietnam draft evaders / was, and is, a controversial issue, I feel / it is time to put the trauma of the Vietnam / War behind us, signed in same manner; the third typed on White House stationery, to JW in Beverly Hills, CA, dated June 22, 1978, reading in part You have my deep appreciation for your contribution / to the successful conclusion of the Panama Canal / Treaties, signed in same manner, with original transmittal envelope; also included is a 1977 telegram Carter sent to Wayne when he received the Star of the Century award and a file copy of a 1976 letter Wayne sent to Carter with his thoughts on the state of the Union. 10 1/2 x 7 1/2 and smaller estimate: $1,000-$1,500
233
44418
four pol i t ici A n Signed l e t t erS, 1970s
The first typed on United States Senate letterhead, to JW in Hollywood, CA, dated April 15, 1974, regarding campaign help, signed in black felt-tip ink in the lower right corner Bob [Dole]; the second typed on similar letterhead, to JW in Hollywood, dated June 7, 1974, regarding campaign help, signed in black felt-tip ink in the lower right corner Strom [Thurmond]; the third typed on Education for Democracy letterhead, to JW in Beverly Hills, CA, dated June 15, 1976, regarding a donation, signed in blue ballpoint ink in the lower right corner Ted [Spiro T. Agnew]; the fourth typed on United States Senate letterhead, to JW in Beverly Hills, CA, dated April 12, 1978, regarding the Panama Canal, signed in black felt-tip ink in the lower right corner Gary Hart; also included are two file copies of 1970s letters Wayne sent to Agnew and Dole. (Please go to our website to see images of each piece.) 11 x 8 1/2 and smaller estimate: $500-$700
44419
t Wo cAl iforni A pol i t ici A n Signed l e t t erS, 1970s
The first typed on City of Los Angeles letterhead, to JW in Beverly Hills, CA, dated September 29, 1975, regarding a function for the Emperor and Empress of Japan, reading in part I look forward to your being with Mrs. Bradley and me on / this historic event, signed in blue felt-tip ink in the lower right corner Tom Bradley; the second typed on personalized notepaper, to JW in Los Angeles, CA, dated January 15, 1979, reading in part ...the marvelous spirit and resilience / with which you have met serious illness has / been an inspiration to us all, signed in blue felt-tip ink in the lower right corner Jerry [Edmund G. Brown, Jr.]; included is a file copy of a 1975 telegram Wayne sent to Brown reading Governor congratulations from one of the loyal opposition. 11 x 8 1/2 and smaller estimate: $600-$800
44420
A mov ie S tAr group of h A ndWri t t en l e t t erS, 1950s-1970s
Seventeen total; mostly penned on personalized stationery, either thank you notes or get well wishes from his actor friends and co-stars including (in alphabetical order): Milton Bren, Walter Brennan, Red Buttons, Harry Carey, Jr., Irene Dunne, Dale Evans, Janet Leigh, Patricia Neal, George Peppard (who writes a very bawdy letter), Donna Reed, Rosalind Russell, Robert Stack (two), George Takei (two), Robert Wagner (who signed for wife Natalie Wood), and Keenan Wynn; some with original transmittal envelopes. (Please go to our website to see images of each piece.) 11 x 8 1/2 and smaller estimate: $3,000-$5,000
234
44421
A mov ie S tAr group of t y ped l e t t erS, 1950s-1970s
Nineteen total, all typed on various kinds of letterhead or personalized stationery, all hand-signed by the senders in various colors and types of ink, mainly short correspondence thanking or congratulating Wayne, though some are form letters regarding charities; from famous friends and co-stars such as (in alphabetical order): Gene Autry, Robert Blake, Pat Boone, George Burns, James Caan, Rory Calhoun, Johnny Cash, Tony Curtis, Phyllis Diller, Roy O. Disney, Kirk Douglas, Douglas Fairbanks, Jr., Jack Lemmon, Joel McCrea, Burgess Meredith, Ricky Nelson, Carroll OConnor, Gilbert Roland (unsigned), Randolph Scott, and Rod Taylor; some with original transmittal envelopes. (Please go to our website to see images for each piece.) 11 x 8 1/2 and smaller estimate: $3,000-$5,000
44422
A n el iz Abe t h tAy lor Signed form l e t t er, 1978
Typed on two pages of personalized stationery, dated October 16, 1978, regarding a televised event honoring Jimmy Stewart, signed on the second page in black felt tip ink Elizabeth Taylor Warner; with Waynes own black felt-tip ink annotations on the first page in the upper right corner; with original transmittal envelope. 10 1/2 x 7 estimate: $600-$800
235
44423
A de A n m A r t in A nd Jerry l e W iS group of corre Spondence , 1960s
Including (in chronological order): 1) a letter from Jerry Lewis, typed on personalized stationery, dated September 21, 1961, regarding thanks for contributions to the M.D.A., signed in red pencil in the lower left corner Jerry; 2) a file copy of a letter Wayne sent to Dean Martin, dated Nov. 17, 1966, reading in part From me and the whole cast, thanks for the / sumptuous feast; 3) a letter from Dean Martin typed on Beverly Hills Country Club stationery, sent to JW in Newport Beach, CA, dated May 8, 1967, regarding his new country club, signed in black felt-tip ink in the lower right corner Dino; 4) a 1968 invite for Martins daughters wedding; 5) a file copy of a letter Wayne sent to Martin, dated January 24, 1969, reading in full You werent very tall last night. Spiro Agnew / is Vice President of the United States of America; 6) a Western Union telegram that Martin sent to Wayne, dated 1969 Jan 28, reading in part ...we said nothing against Mr / Agnew or poked any fun at him. /...and this is something that / only a few people know, I voted for Mr Nixon and Mr / Agnew... 11 x 8 1/2 and smaller estimate: $1,000-$1,500
44424
A r Ay mil l A nd t el egr Am, 1970
Sent to Wayne in Newport Beach, CA, reading Congratulations from us both What took you so long / Mal and Jack [evidently nicknames for Mr. & Mrs. Ray Milland]; included is a file copy of Waynes response, dated July 15, 1970, reading in part You asked me what took so long? / There was some drunken bum on / a lost weekend ahead of me! 6 x 8 Wayne and Milland starred together in the 1942 Paramount release, Reap the Wild Wind. estimate: $500-$700
236
44425
A h A nk Worden group of cArdS, 1979
Approximately 15; mostly get well cards sent to Wayne by his longtime colleague who had memorable bit roles in a countless number of his films, signed in various ways such as The Deacon, Doctor Mose, Short Stomach, Curley, or simply Hank, its evident that Worden really loved Wayne and considered him to be a great friend. Also included are two cards from Luster Bayless, Waynes longtime costumer; all these cards deemed important enough for Wayne to save. Various 7 1/2 x 5 1/2 and smaller estimate: $500-$700
44426
A director & producer group of Signed correSpondence, 1950s-1970s
All typed on professional letterhead or personalized stationery, all signed by the senders in various types of ink; Including (in chronological order): 1) from Jerry Wald, sent to JW in Los Angeles, CA, dated March 28, 1958, thanking him for participation in the Academy Awards show; 2) from Aaron Spelling, dated 21 February 1963, regarding Waynes appearance on the Dick Powell Show, 3) from Otto Preminger, circa 1965, reading in full Love Otto; 4) from Robert Evans, sent to JW at the studio, dated March 16, 1967, regarding an invite to the Academy Awards; 5) a similar note from Robert Evans, dated January 22, 1968, 6) from Mervyn LeRoy, dated March 6, 1968, regarding thanks for a signed photograph; 6) from Mervyn LeRoy, circa 1968, regarding congratulations on Hellfighters; 7) from Jack L. Warner, dated November 24, 1969, regarding thanks for a wire; 8) from Jack L. Warner, dated January 5, 1972, regarding congratulations for being the No. 1 box office star of 1971; 9) from Otto Preminger, dated December 26, 1973, regarding a meeting with an academic; 10) a file copy of Waynes response to Preminger, dated January 2, 1974, stating hed talk to the academic; 11) from Norman Lear, dated September 11, 1974, regarding thanks; 12) from Leonard Maltin, dated June 27, 1977, regarding being a fan; an interesting selection showing how involved Wayne was in the film industry on many different levels. (Please go to our website to see images for each piece.) 11 x 8 1/2 and smaller estimate: $500-$700
237
44427 A pe t er bogdA nov ich group of Signed A nd/or h A ndWri t t en corre Spondence , 1970s Including: 1) typed on BBS letterhead, dated October 7, 1970, reading in part I really appreciate your cooperation. / I couldnt imagine my movie without this clip, signed in black felt-tip ink Peter; 2) typed on personalized stationery, sent to JW in Newport Beach, CA, dated January 8, 1971, reading in part Thanks so much for the / lovely present for our new daughter, signed in same manner; 3) typed on Warner Bros. letterhead, sent to JW in Newport Beach, CA, dated July 18, 1972, reading in part This can be a beautiful movie and not a downbeat one, / as you fear.../ Please dont pass it up, signed in same manner; 4) handwritten in blue ballpoint ink on personalized stationery, dated 8/2/76, reading in part What great movies youve done!, signed in same manner; 5) handwritten in black felt-tip ink on personalized stationery, dated May 25, 1979, reading in part I know youre surrounded by family, / but I want you to know Im at your / disposal, sir! / All my best wishes / and much love, signed in same manner. (Please go to our website to see images for each piece.) 11 x 8 1/2 and smaller estimate: $600-$800
44428
A roAl d dAhl h A ndWri t t en l e t t er, circA 1966
Handwritten in black fountain pen ink on personalized stationery, dated 1st April, reading in part Pat [Patricia Neal, his wife] sends you her / greetings and her love and has asked me / to tell you that those flowers are / absolutely beautiful.../We are so pleased that you, / also, are well now. But life is / a bit of a struggle, isnt it? signed in the lower right corner Roald Dahl; a nice thank you note from the celebrated author who was likely dealing with his own stress as Neal had just had a major stroke and had given birth to their fifth child while recovering. 11 x 8 1/2 estimate: $500-$700
44429 A JoA n didion Se t of corre Spondence , 1965 Including: 1) a letter dated September 25, 65 sent by Didion to Robert Goodfried at Paramount Pictures asking him to handle a fans request for a signed photograph of Wayne because the request made her too sad to / contemplate, signed in red felt-tip ink in the lower right corner Joan; 2) the fans sad letter to Didion asking for the Wayne signed photograph; 3) a file copy of a letter dated September 28, 1965 that Wayne sent to Didion thanking her for her article about Old Duke.../Having a woman write like that about a / fellow doesnt hurt his ego a bit; 4) a clipping of that article (possibly from Life magazine); and 5) a clipping of Didions movie review of The Alamo from The National Review who knew Duke and Didion were friendly? 13 x 10 and smaller estimate: $500-$700
238
44430
A george bArriS Signed l e t t er, 1971
Typed on Barris Kustom Industries, Inc. letterhead, sent to JW in Hollywood, CA, dated January 11, 1971, reading in part ...you stopped by the plant/ for a visit the other day. I am really sorry I missed you / ... we enjoy your personal interest in our cars.../ I would like to / get a photo of you and your wagon for my Personality Gallery, signed in black ballpoint ink in the lower left corner George Barris. 11 x 8 1/2 In the 1960s, Barris customized Waynes Pontiac station wagon by making the roof higher so he could comfortably wear a hat without it hitting the ceiling while driving. Known as the King of the Kustomizers, Barris was responsible for creating many of televisions most recognizable cars including the Batmobile, the Monkeemobile, the Beverly Hillbillies jalopy, the Munsters koach, and KITT to name just a few. estimate: $500-$700
44431
A pAt t y he ArS t Signed l e t t er, 1978
Typed on personalized stationery, sent to JW in Beverly Hills, CA, dated December 28, 1978, reading in part It is important that you know I / am grateful for your encouragement / and support. There was a time when / I thought no one would ever understand, signed by Hearst in blue ballpoint ink in the lower right corner with a handwritten postscript about being able to thank Wayne in person; with original transmittal envelope; also included is a receipt for a mailgram that Wayne sent to Barbara Walters, dated 11/23/78, reading in part how he believed that a ruthless group, the Symbionese Liberation Army, could (easily) brainwash one little girl by torture and degradation and confinement; plus two newspaper clippings about Waynes views on Hearst and a Help Patty Hearst pamphlet. 11 x 8 1/2 and smaller estimate: $500-$700
44432
A nudie cohn group of corre Spondence , 1970s
A number of documents related to the famous Rodeo Tailor including: 1) a photocopy of a 1977 note of thanks Wayne sent about a pair of boots; 2) an invitation for Nudies 75th birthday; 3) a receipt for a Mailgram that Wayne sent to Nudie reading Sorry I cant be with you. I am right behind you coming up fast. Hope you live forever and the last voice you hear is mine plus a small note typed with same message by Waynes secretary; 4) a 1978 note typed on letterhead that Nudie signed and sent to Wayne; 5) a file copy of 1978 note Wayne sent in response to Nudies note; 6) a 1978 note typed on letterhead that Nudie signed and sent to Wayne; 7) a receipt for a Mailgram that Wayne sent to Nudie reading A Golden Needle to you is appropriate. My compliments, plus a small note typed with same message by Waynes secretary; and 8) photocopied pages relating to the 1978 Masonic Mariners Night function honoring Nudie that Wayne did not attend. 11 x 8 1/2 and smaller estimate: $500-$700
239
44433 A t el e v iSion Journ Al iS t S group of corre Spondence , 1970s Including (in chronological order): 1) a letter from David Frost handwritten in black felt-tip ink on personalized stationery, sent to JW in Los Angeles, CA, dated October 7 [1971], regarding a taped interview; with original transmittal envelope; 2) a telegram from Frost, sent to JW in Durango, Mexico, dated Abr 27, 1972, reading in part Your legend is huge enough but you are ten times / bigger; 3) a letter from Dick Cavett typed on personalized stationery, dated Montauk March 26, 76, regarding author John Neihardt; 4) a mailgram from Tom Brokaw, sent to JW in Newport Beach, CA, dated 05/04/78, regarding a taped interview; 5) a telegram from Tom Brokaw, dated 05/15/78, regarding same interview; 6) a letter from Barbara Walters, typed on ABC News letterhead, sent to JW in Beverly Hills, CA, dated December 4, 1978, regarding Patty Hearst; 7) a letter from Barbara Walters, handwritten in black felttip ink on personalized stationery, sent to JW in Newport Beach, CA, dated January 22 [1979], regarding his heath; 8) a letter from Tom Brokaw handwritten in black felt-tip ink on NBC News letterhead, sent to JW in Newport Beach, CA, dated Feb 14 79, regarding his health; and 9) a mailgram from Wayne to Walters, dated 3/14/79, thanking her for treating me kind of special; with some original transmittal envelopes included. (Please go to our website to see images of each piece.) 11 x 8 1/2 and smaller estimate: $500-$700
44434 A milton cA nif f group of corre Spondence , 1960s-1970s Including (in chronological order): 1) a letter handwritten on personalized stationery in blue ballpoint ink, dated 10 July 1962, regarding seeing Wayne in Chicago; 2) a letter typed on personalized stationery, dated January 26th, 1968, reading in part I will be at the Balboa / Bay Club.../ to participate in a / National Cartoonist Society program / and would like very much to say hello..., signed in black felt-tip ink in the lower right corner Milton; 3) a file copy letter that Wayne sent to Caniff, dated January 30, 1968, reading in part ...I live practically next door to the / Balboa Bay Club, so please give me a / call when you are settled; 4) a letter typed on personalized stationery, dated February First 1968, reading in part It will be great to / see you... signed in blue felt-tip ink in the lower right corner Milton; and 5) a funny ink pen cartoon depicting two nurses not recognizing Wayne in the hospital, sent to Wayne in April 1978 when he was at Massachusetts General Hospital, signed in black felt-tip ink in the lower right corner Duke / Hang / in, Baby!! / In hoc, / Milton; with original transmittal envelope. 11 x 8 1/2 and smaller estimate: $700-$900
44435
t Wo gouAche A nd ink cA r toon dr AW ingS, 1947
Both rendered on standard mailing envelopes; the first one depicting a man swinging a cow, addressed to John Wayne / Republic Studios / 4024 Radford Ave. / N. Hollywood, Calif.; the second one depicting a football player kicking a huge football, addressed in the same manner; sadly no letters are enclosed, but Wayne evidently thought these envelopes worth saving. 4 x 9 1/2 estimate: $500-$700
240
44436 A l Arge group of t el egr AmS, 1970s Approximately 45, all Western Union, ranging in date from 1976 to 1979, mostly sent to Wayne at various hospitals (though some are congratulatory for his Congressional Gold Medal or birthday wishes) from his many famous friends who wished him well including (in alphabetical order): Spiro Agnew, Steve Allen, Gene Autry, Ernest Borgnine, George Burns, James Cagney, Rory Calhoun, Gloria De Haven, Glenn Ford, Barry Goldwater, Billy Graham, William Holden, Bob Hope, Patricia Neal, George Peppard, Martha Raye, Frank Sinatra, Red Skelton, Steven Spielberg, Rod Steiger, James Stewart, Elizabeth Taylor, Hal Wallis, Raoul Walsh, Barbara Walters, and Natalie Wood, among a few others; some in particular are very funny like the ones from Burns and Peppard; a wonderful record of correspondence amongst friends that sadly does not exist in todays digital era. (Please go to our website to see detailed images of each piece.) 5 1/2 x 8 1/2 estimate: $1,000-$1,500
44437
A group of m Ailgr A mS, 1978 -1979
Seven total; all get well wishes sent to Wayne at various hospitals from friends including (in alphabetical order): Carol Burnett, Virginia Grey, Denver Pyle, Sugar Ray Robinson, Jack Warner, Lew Wasserman, and Johnny Weissmuller; there were likely dozens more, but somehow this grouping was saved. 11 x 8 1/2 estimate: $500-$700
44438
A group of t el ephone me S SAge S, 1979
Eleven total; all yellow call slips, printed with University of CaliforniaLos Angeles on the top margin, with penciled notes taken for Wayne while he was in the hospital there, ranging in date from May to June, including messages from (in alphabetical order): Lauren Bacall, Jack Casey, Edwin Edwards, Ralph Edwards, Jack Haley, Henry Hathaway, Patricia Neal, Richard Pryor, Ronald Reagan (who called on June 9, two days before Wayne passed away), Sugar Ray Robinson, and Frank Smith; there were likely dozens more like this, but somehow this grouping was saved. 5 1/2 x 4 estimate: $500-$700
241
44439
A t Wice-Signed Signed me x icA n touriS t id cArd, 194 8
Featuring two black and white photographs of Wayne stapled to the left side, with his statistical information typed to the right noting Marion Mitchell Morrison [his second middle name] and an address at 4735 Tyrone, Van Nuys, Cal among other details, signed by Wayne in black fountain pen ink on left side Marion M. Morrison / John Wayne; stapled to another document typed in Spanish relating to Waynes immigration restrictions; used to travel to Mexico, possibly when he was filming Red River. 5 x 8 estimate: $1,000-$1,500
44440
A Signed colombi A n touriS t id cA rd, 1952
Featuring a black and white photograph of Wayne glued to the lower left corner, with his statistical information typed to the side noting Edad/Age 45 and an address of 4750 Louis(e) Avenue - Encino, California among other details, signed by Wayne in black fountain pen ink on the verso; still attached to this card is an identical one that Wayne never tore apart at the perforated line it also has the same photo of him and his signature. 4 x 5 1/2 estimate: $1,000-$1,500
242
44441 A t W ice-Signed me x icA n touriS t id cArd, 1972 Featuring a black and white photograph of Wayne stapled to the right corner, with his statistical information typed below noting 65 anos among other details, signed by Wayne in black ballpoint ink on both the top and bottom margins; used to travel to Durango, Mexico where he was filming The Train Robbers and Cahill U.S. Marshall. 8 1/2 x 6 1/2 estimate: $1,000-$1,500
44442
t Wo Af t r A memberShip cArdS, 1960s
Both issued by the American Federation of Television and Radio Artists; both with Waynes typed name on the front, the first from 1964, the second from 1968; included with two pink receipts showing that Wayne paid his dues. 2 1/2 x 3 3/4 estimate: $600-$800
243
44443
t Wo pl Ay boy club memberShip cArdS, 1970s
Both embossed with Waynes name on the front, one noting an expiration date of Jul 79; also included is one of the cards original backings noting Waynes Newport Beach address. 2 x 3 1/2 estimate: $1,000-$1,500
44444
A Soci Al Securi t y cArd, 1960s
Made of metal, engraved on front with Waynes name and his actual social security number; included with a miniature version for a key chain; both stamped Japan on the verso so likely not official United States-issue documents perhaps a novelty item Wayne ordered from a catalogue as was his habit. 2 x 3 1/2 and smaller estimate: $500-$700
44445
eigh t credi t cArdS, 1970s
Embossed either John Wayne, Batjac Productions, or Yacht Wild Goose (or variations of these); from Arco, Shell, Automobile Club of Southern California, Phillips 66, Air Travel, Gelsons, Hughes, and another from Hughes (with the back signed in black felt-tip ink by Wayne). 2 x 3 1/2 estimate: $700-$900
244
44448
four 26 bAr rAnch memberShip cArdS, 1960s-1970s
44446
f i v e credi t cArdS, 1970s
Issued by the Arizona Cattle Growers Association, all typed with Waynes name and his ranchs name on the front, for the years 1966, 1970, 1972, and 1976. 2 1/2 x 4 estimate: $500-$700
All embossed on front John Wayne, some signed by him, including ones from: Grants Surplus (a store famous in Costa Mesa, California), unsigned; Eddie Bauer, signed in black felt-tip ink; Penneys, signed in blue felt-tip ink; Sears, unsigned; and JC Penney, signed in black felt-tip ink. 2 x 3 1/2 and smaller estimate: $600-$800
44449 44447 f i v e credi t cArdS, 1960s
three republicAn pArty memberShip cArdS, 1960s-1970s
All but one embossed John Wayne on front; all from beloved, long-gone Southern California department stores including I. Magnin & Co., Buffums, Bullocks, the Broadway, and Robinsons the only one signed on back by Wayne in black felt-tip ink. 1 3/4 x 3 1/2 estimate: $600-$800
John Wayne was a card-carrying member of the Republican Party; the first from 1966 with Mr J Wayne and his Beverly Hills office address typed on the back non-perforated side; the second from 1973 with Mr J Wayne embossed on the front; the third from 1976 embossed in same manner. 2 x 3 1/4 estimate: $600-$800
245
44450
A Sigm A chi f r At erni t y memberShip cArd, 196 3
From the Los Angeles Alumni Chapter, card notes in part that Brother John Wayne has paid local alumni dues and is a member in good standing. 2 1/2 x 3 3/4 estimate: $500-$700
44451
eigh t Signed checkS, 1959
All drawn from Waynes business account at the Beverly Hills branch of Bank of America, all from January 1959, all signed in blue ballpoint ink by Wayne with some additionally endorsed by him on the verso, typed out to (in alphabetical order): Beverly Management Company (two), John Wayne (five, with four endorsed), and Josephine Wayne [first wife]. 3 x 8 1/2 estimate: $2,000-$2,500
246
44452
four Signed checkS, 196 8 -1971
All drawn from Waynes personal account at the Pershing Square Office [Los Angeles, CA] of Wells Fargo Bank but noting his Newport Beach address, all entirely penned in Waynes hand in various kinds of ink, written out to Smart & Final, Orange C C [Coast College] Foundation, Cash, and K-Mart. 2 3/4 x 5 1/2 estimate: $800-$1,200
44453
t Wo unuSed check bookS, 1960s
Both from Waynes personal account from the Pershing Square Office [Los Angeles, CA] of Wells Fargo Bank, noting his Newport Beach address, check #500 evidently used. 2 1/2 x 6 1/2 estimate: $600-$800
44454
t Wo pAirS of book endS, 1970s
The first in the form of Doric columns, made of metal, front of each reads Associate / University of Southern California; the second in the form of the Lincoln Memorial, made of metal and brass, stamped on the back JB 2440 / D.C. French. 7 x 6 x 3 and 7 x 5 x 4 estimate: $500-$700
247
44455
A SA n f r A nciSco chronicl e ne WSpAper, 1907
An actual vintage copy of the newspaper from May 26, 1907 [Waynes birthday], hardbound, front cover embossed with the newspapers logo, date, and Marion Robert Morrison [Waynes birth name]; inside cover displays two photocopies of documents pertaining to Waynes birth; with a JW inventory sticker. 22 x 17 estimate: $500-$700
44456
A cof f ee tAbl e book
Titled 50 Golden Years of Oscar: The Official History of the Academy of Motion Picture Arts and Sciences, hardcover, with dust jacket, by Robert Osborne, printed in 1979, with a special presentation page in front reading in part Personal Copy for John Wayne / Presented by Academy of Motion Picture Arts and Sciences; with a JW blind stamp. 12 x 10 x 1 estimate: $500-$700
44457
f i v e John WAy ne f il m -rel At ed bookS
All covering subjects that Wayne made movies about including: 1) Rendezvous at the Alamo, hardcover, no dust jacket, by Virgil E. Baugh, printed in 1960; 2) The Seabees in War and Peace, hardcover, with dust jacket, by Kimon Skordiles, printed in 1974, signed on the front free end paper in black felt-tip ink to Wayne by author in 1977; 3) A Glimpse of El Dorado, paperback, no dust jacket, by Marilyn Ferguson, printed in 1976, signed on the inside cover in blue ballpoint ink to Wayne by the Heritage Association of El Dorado County in 1977; 4) Texas Rangers Sesquicentennial Anniversary, hardcover, no dust jacket, by Roger N. Conger, printed in 1973; and 5) Iwo Jima, hardcover, no dust jacket, by Lt. Col. Whitman S. Bartley, printed in 1954, signed on the front free end paper in black fountain pen ink T.A. Wornham / Brig Gen USMC / Commander 27th Marines / at Iwo Jima; all with JW blind stamps. 11 x 9 and smaller estimate: $500-$700
248
44458
Si x hol ly Wood biogr Aphie S
Including: 1) Marilyn: A Biography, hardcover, with dust jacket, by Norman Mailer, printed in 1973; 2) Montgomery Clift: A Biography, hardcover, with dust jacket, by Patricia Bosworth, printed in 1978; 3) Spencer Tracy, hardcover, with dust jacket, by Larry Swindell, printed in 1969; 4) The Faces of Hollywood, hardcover, with dust jacket, by Clarence Sinclair Bull and Raymond Lee, printed in 1968; 5) Notes on a Cowardly Lion, hardcover, with dust jacket, by John Lahr, printed in 1969; and 6) Man in Black, hardcover, with dust jacket, by Johnny Cash, printed in 1975; all with JW blind stamps. 10 x 9 x 1 and smaller estimate: $600-$800
44459
four hol ly Wood induS t ry bookS
Including: 1) Its a Hell of a Life But Not a Bad Living, hardcover, with dust jacket, by Edward Dmytryk, printed in 1978; 2) Each Man in His Time: The Story of a Director, uncorrected page proof paperback, by Raoul Walsh, printed in 1974; 3) Dont Say Yes Until I Finish Talking: A Biography of Darryl F. Zanuck, hardcover, with dust jacket, by Mel Gussow, printed in 1971, signed on the title page in blue felt-tip ink by Zanuck to Wayne; and 4) Van Dyke and the Mythical City of Hollywood, hardcover, no dust jacket, by Robert C. Cannon, printed in 1948, signed on the front free end paper in black fountain pen ink by the author to Wayne in 1954; all have JW blind stamps. 9 1/2 x 6 1/2 x 1 and smaller estimate: $600-$800
44460
f i v e in t ern At ion Al mo t ion pic t ure Al m A n Ac S
All hardcover, by various editors, printed for the years 1967, 1969, 1970, 1973, and 1976, none have dust jackets, all have JW blind stamps. 9 1/2 x 7 x 2 estimate: $500-$700
249
44461
A cof f ee tAbl e book
Titled The Art of Walt Disney, hardcover, by Christopher Finch, published in 1973, signed on the title page in black felt-tip ink For the Duke / Best Wishes / Mickey / 4/29/75 (along with a small drawing of Mickey Mouse); with a JW blind stamp. 14 x 11 x 2 estimate: $500-$700
44462
four W e S t ern f il m bookS
Including: 1) A Pictorial History of Westerns, hardcover, with dust jacket, by Michael Parkinson and Clyde Jeavons, printed in 1972; 2) Movie Horses: Their Treatment and Training, hardcover, with dust jacket, by Anthony Amaral, printed in 1967, signed on the front free end paper in blue ballpoint ink by the author to Wayne; 3) The Filming of the West, hardcover, with dust jacket, by Jon Tuska, printed in 1976; and 4) The Hall of Fame of Western Film Stars, hardcover, with dust jacket, by Ernest N. Corneau, printed in 1969; all with JW blind stamps. 12 x 9 x 1 and smaller estimate: $500-$700
44463
Si x We S t ern bookS
Including: 1) Buffalo Bill and the Wild West, hardcover, with dust jacket, by Henry Blackman Sell and Victor Weybright, printed in 1955; 2) Jeff Milton: A Good Man with a Gun, hardcover, with dust jacket, by J. Evetts Haley, printed in 1953; 3) Cowboy Life: Reconstructing An American Myth, hardcover, with dust jacket, by William W. Savage, Jr., printed in 1975; 4) Cowboy Slang, hardcover, no dust jacket, by Edgar R. Potter, printed in 1971; 5) Big Men Leave Deep Tracks, hardcover, with dust jacket, by Harley Smith, printed in 1966, signed on the front free end paper in black felt-tip ink by the author to Wayne in 1966; and 6) It Happened in Cow Country, hardcover, with dust jacket, by W.S. Coker, printed in 1972, signed on the front free end paper in blue ballpoint ink by the author to Wayne; all with JW blind stamps. 10 x 8 x 1 and smaller estimate: $500-$700
250
44464 A Se t of bound copie S of Arizon A highWAyS m Ag A z ine S, 1950s-1960s Four volumes from 1956, 1957, 1958, and 1965; each consisting of the entire years issues bound together; brown leather covers embossed with Arizona imagery, the magazine title, and Duke in the lower right corner (except for 1965). 12 x 9 x 2 estimate: $600-$800
44466
f i v e eugene m A nlov e rhode S bookS
By the author known as the Cowboy Chronicler, including: 1) Good Men and True, hardcover, printed in 1910; 2) West is West, hardcover, printed in 1917; 3) Stepsons of Light, hardcover, printed in 1921; 4) Copper Streak Trail, hardcover, printed in 1922; and 5) The Proud Sheriff, hardcover, printed in 1935; none have dust jackets; all have JW blind stamps. 8 x 5 1/2 x 2 and smaller estimate: $600-$800
44467 44465 t hree cof f ee tA bl e We S t ern Ar t bookS
f i v e Adv en t ure bookS
Including: 1) Frederic Remington, hardcover, with dust jacket, by Peter Hassrick, printed in 1973; 2) XIT American Cowboy, hardcover, with dust jacket, by Caleb Pirtle, printed in 1975, signed on the inside cover by the author; and 3) The Sketches of Tom Phillips, hardcover, with dust jacket, by Tom Phillips, printed in 1971; all with JW blind stamps. 11 x 15 x 2 and smaller estimate: $500-$700
Including: 1) Pilgrims in Their Three Homes, hardcover, by William Elliot Griffis, printed in 1898, stamped Hollywood Public Library; 2) Maya, hardcover, by Ernest Boyd, printed in 1928, stamped Fox Studio Library; 3) The Mucker, hardcover, by Edgar Rice Burroughs, printed in 1921, handwritten annotation on front free end paper reads Property of / WayneFellows Prod.; 4) Tappans Burro, hardcover, by Zane Grey, printed in 1951, with sticker reading in part Peter Fleming Agency; and 5) Stories in Light and Shadow, hardcover, by Bret Harte, printed in 1898, with a bookplate reading H.H. Grove / Private Library / No. 276; none have dust jackets; all have JW blind stamps. 8 x 6 x 1 and smaller estimate: $500-$550
251
44468
Se v en modern f ic t ion bookS
Including: 1) Beyond the Forest, hardcover, with dust jacket, by Stuart Engstrand, printed in 1948; 2) Doctor Faustus, hardcover, with dust jacket, by Thomas Mann, printed in 1948; 3) Lolita, hardcover, with dust jacket, by Vladimir Nabokov, printed in 1955 (twelfth printing); 4) The Permanent Playboy, hardcover, with dust jacket, by Ray Russell, printed in 1959; 5) The Gods Themselves, hardcover, with dust jacket, by Isaac Asimov, printed in 1972; 6) Centennial, hardcover, with dust jacket, by James A. Michener, printed in 1974; and 7) Jaws, hardcover, with dust jacket, by Peter Benchley, printed in 1974; all with JW blind stamps. 9 x 7 x 2 and smaller estimate: $500-$700 44470 four J.r.r. tolkien bookS Including: 1) The Hobbit, hardcover, with dust jacket, printed in 1966; 2) The Fellowship of the Ring, hardcover, with dust jacket, printed in 1965; 3) The Two Towers, hardcover, with dust jacket, printed in 1965; and 4) The Return of the King, hardcover, with dust jacket, printed in 1965; all with JW blind stamps. 9 x 6 x 1 estimate: $500-$700
44469
t en pol i t icAl ly-rel At ed bookS
Including: 1) No Wonder We Are Losing, paperback, by Robert Morris, printed in 1958, signed on the front free end page in black felt-tip ink by the author to Wayne in 1964; 2) What Happened to Goldwater?, hardcover, with dust jacket, by Stephen Shadegg, printed in 1965; 3) Americans, You Die, hardcover, with dust jacket, by Robert L. Garcia and Edgar J. Beall, printed in 1968, signed in the front free end page in blue ballpoint ink by the author to Wayne; 4) Living with Terrorism, hardcover, with dust jacket, by Richard Clutterbuck, printed in 1975; 5) It Didnt Start with Watergate, hardcover, with dust jacket, by Victor Lasky, printed in 1977; 6) Robert F. Kennedy: The Myth and The Man, hardcover, with dust jacket, by Victor Lasky, printed in 1968; 7) The Rebirth of Liberty, hardcover, with dust jacket, by Clarence B. Carson, printed in 1973; 8) The Conservative Intellectual Movement in America Since 1945, hardcover, with dust jacket, by George H. Nash, printed in 1976; 9) How to Defend Yourself, Your Family, and Your Home, hardcover, with dust jacket, by George Hunter, printed in 1967; and 10) Richard Nixon: The Man Behind the Mask, hardcover, with dust jacket, by Gary Allen, printed in 1971; all with JW blind stamps. 9 x 6 x 1 and smaller estimate: $700-$900
252
44471 A uSc -rel At ed l i v ing WebS t er enc yclopedic dic t ion Ary Hardcover, embossed on front University of / Southern California / John Wayne, embossed on spine in part USC Associates, no dust jacket, by Dana F. Kellerman and others, printed in 1972; evidently given to Wayne as a gift; with a JW blind stamp. (Please note spine is torn and repaired with Scotch tape.) 11 x 9 x 4 estimate: $500-$550
44472
t hree ref erence bookS
Including: 1) The Tournament of Roses, hardcover, with dust jacket, by Joe Hendrickson, printed in 1971, signed on the front free end paper in green ballpoint ink by the author to Wayne; 2) The Encyclopedia of Sports, hardcover, no dust jacket, by Frank G. Menke, printed in 1953; and 3) College Football U.S.A. 1869-1971, hardcover, no dust jacket, printed in 1971; all with JW blind stamps. 11 x 9 x 2 and smaller estimate: $500-$550
44474
Se v en humor bookS
Including: 1) Captions Courageous, hard cover, with dust jacket, by Bob Reisner and Hal Kapplow, printed in 1958; 2) The Fly in the Martini, hardcover, with dust jacket, by Parke Cummings, printed in 1961; 3) The Complete Mother, hardcover, with dust jacket, by Phyllis Diller, printed in 1969, signed on the front free end paper in blue ballpoint ink by the author To / John Wayne / a BIG man in / every way Love! / Phyllis Diller; 4) The Lonely Ones, hardcover, no dust jacket, by William Steig, printed in 1942; 5) The Greater Los Angeles Press 8 Ball Final, hardcover, no dust jacket, by Lewis S. Young, printed in 1970; 6) The New Yorker Album of Sports & Games, hardcover, no dust jacket, by Carmen Peppe, printed in 1958; and 7) Man in the Shower, hardcover, no dust jacket, by Peter Arno, printed in 1944; all with JW blind stamps. 12 x 9 x 1/2 and smaller estimate: $600-$800
44473
t Wo cof f ee tA bl e Ar t bookS
Including: 1) Norman Rockwell Artist and Illustrator, hardcover, no dust jacket, by Thomas S. Buechner, printed in 1970; and 2) Edward Hopper, hardcover, with dust jacket, by Lloyd Goodrich, printed in 1972, with its original transmittal box addressed to Wayne; both with JW blind stamps. (Please note there is major damage to the spine and back cover of the Rockwell book.) Both: 16 x 14 x 2 estimate: $500-$550
44475
A group of m Ag A z ine S, 1960s-1970s
Approximately 20; most with address labels to John Wayne at his Newport Beach home or to Thomas J. Kane, the story editor, at Batjac Productions in Hollywood; titles include: Publishers Weekly (many issues), U.S. News & World Report, National Review, Fortune, Horse Illustrated, The Cavalry Journal, The American Home, Real West, and a few others. 12 x 10 and smaller estimate: $500-$700
253
44478
44476
eigh t m Ag A z ine S, 1960s-1970s
All kept by Wayne because they featured articles about him and/ or his family; including (in chronological order): 1) Cosmopolitan, March 1961; 2) Photoplay, December 1962; 3) Epoca, August 1964; 4) Good Housekeeping, October 1965; 5) West, January 1970; 6) Good Housekeeping, February 1973; 7) The Saturday Evening Post, March 1976; and 8) Good Housekeeping, June 1976. 13 x 10 and smaller estimate: $500-$700
A few lots in this auction can be seen in this image of John Waynes office in his Newport Beach home.
44477 t hree Screen direc torS guil d of A mericA pl Ace Se t t ingS, 1950s-1960s All made of metal; in the form of miniature directors chairs; the first from 1954; the second from 1960; the third from 1962 with an additional placard on base reading Frank Capra / Honored by Los Angeles Chamber of Commerce / and / Directors Guild of America. Inc. / May 12, 1962; all engraved John Wayne; two with JW inventory stickers. (Please note the 1960 piece is missing its back legs.) 4 x 3 x 2 and smaller estimate: $500-$700
44478
A memen to f rom t ycoon
RKO, 1947. In the form of a locomotive, made of steel, right side engraved Tycoon / 1947, left side engraved To / John / Siempre / Stephen, [Ames, producer of the film]; included with a small house, made of metal, placard on top reads 1864 Centennial 1964 / Prescott, Arizona / John Wayne / Presented by Mayor F.W. Tutt / Sponsor; included is a reprinted black and white image showing the locomotive in situ in Waynes Newport Beach office. 10 x 2 x 2 and 6 x 5 x 2 estimate: $600-$800
254
44480
A cof f ee mug f rom rooS t er cogburn
Universal, 1975. Made of ceramic, front has image of Wayne as main character and Katharine Hepburn as Eula Goodnight with film title, back has text reading Tom / from / Duke, bottom is stamped Ketchum Originals / 1105 Long Beach Blvd. / Long Beach, Cal. 90813; gifted by Wayne to Tom Roysden, but it was returned to sender for address unknown; still in original shipping box. Height: 3 1/2 estimate: $500-$550
44481
A cof f ee mug f rom cAhil l u.S. m A rSh Al l
44479
A cof f ee mug f rom t he Shoot iS t
Paramount, 1976. Made of ceramic, front has image of Wayne as J.B. Books and film title, back has text reading Eric / from / Duke, bottom is stamped Ketchum Originals / 1105 Long Beach Blvd. / Long Beach, Cal. 90813; gifted by Wayne to Eric Anderson, but it was returned to sender for address unknown; still in original shipping box. Height: 3 1/2 estimate: $500-$550
Warner Bros., 1973. Made of ceramic, front has image of a Western street scene and film title, back has text reading Ray / from / Duke, bottom is stamped Ketchum Originals / 1105 Long Beach Blvd. / Long Beach, Cal. 90813; gifted by Wayne to Ray Moyer, but it was returned to sender for address unknown; still in original shipping box. Height: 3 1/2 estimate: $500-$550
255
44482
A de Sk inS t rumen t, 1962
In the form of a ships helm, made of gold metal with five separate gauges for a thermometer, a barometer, a hygrometer, a clock, and a calendar; affixed to a white marble base with a placard on front reading Duke / From Rolly and Ralph / Christmas 1962 [Rolly Harper and Ralph Green, two caterers who worked on many Wayne film sets]; with a JW inventory sticker. (Working condition not known and placard on front affixed with Scotch tape.) 6 x 5 x 6 estimate: $500-$700
44483
t hree horSe f igurine S, 1970s
The first a metal sculpture affixed to a marble base, placard reads To Duke Wayne / With Fondest Regards / Tom E. Stanley, Sculptor; the second an award with placard reading John Wayne / Best Western Actor / 19701971 / Mustang Award / Elko, Nevada (placard affixed with Scotch tape); the third a desk pen holder with a placard reading To The / Duke / from / Joe Weinshenker / Steve Yach. 12 x 4 x 4 and smaller estimate: $600-$800
44484
four pA perW eigh t S, 1970s
All engraved John Wayne; the first from the City of Philadelphia; the second noting 552; the third from the State of Colorado; and the fourth from The American Film Institutes Salute to John Ford / March 31, 1973; two with JW inventory stickers. 5 x 3 x 1 and smaller estimate: $500-$700
256
44485
A group of de Sk Acce S Sorie S, 1950s-1960s
Six total; including: 1) a clipboard with a sterling silver clip engraved JW / HWPC 1964 [Hollywood Womens Press Club]; 2) a velour-covered box with a leather tag in its center reading Empty Pocket; 3) a Boston brand pencil sharpener; 4) a Swingline Cub brand stapler; 5) a hand-held embosser that prints John Wayne / Newport Beach / California 92663 when used; and 6) a plastic notepad/pen holder with personalized notepaper reading John Wayne; all used by Wayne in his office at the Newport Beach home. Various Sizes estimate: $1,000-$1,500
44486
four cig Are t t e l igh t erS, 1960s
All made of silver metal; the first by Scripto featuring an image of a military man; the second by Intelite with the 26 Bar Ranch logo on front, text on back reads Stolen From / Duke & Louie; the third by Zippo, text on front reads The Green Berets, text on back reads U.S. Army Special Forces / Stolen From / John Wayne; the fourth by Zippo, text on front reads in part Philadelphia / Ship Maintenance / Co., Inc. Various Sizes estimate: $500-$700 44487 Se v en ASh t r AyS, 1960s-1970s
Including: 1) a round one made of marble; 2) a square one made of porcelain with the Philadelphia Eagles logo in the center; 3) a round one made of amber-colored glass; 4) a round one made of glass painted red (heavily chipped now) with a scorpion in the center below text reading Recuerdo de Durango; 5) a round one similar to the fourth but in lime green; 6) a round one made of silver metal simulating a nickel with text around the brim reading The First Buffalo Nickel 1913 by Avon; and 7) a wooden and metal one in the shape of a horseshoe; all used by Wayne when he was a smoker. Various Sizes estimate: $500-$700
257
44488
A r At t l e Sn Ak e diSpl Ay, 1970s
Appearing to be a real one preserved in bronze, housed in its own knotty pine box; with a JW inventory sticker. (Please note the rattler has broken off but can likely be repaired.) Snake: 13 x 9 x 2; Box: 13 x 18 x 7 estimate: $500-$700
44489
A l Arge col l ec t ion of Au togr Aph cA rdS, 1960s-1970s
Approximately 200; designed to look like a standard business card, with John Wayne printed on the front and the actors facsimile signature on the back reading Good Luck / John Wayne in either blue, black, green, or red print. 1 1/2 x 3 Because Wayne was inundated with requests for his autograph every time he went out in public, he would hand out these cards instead. estimate: $2,000-$2,500
258
44490 A n enormouS col l ec t ion of buSine S S cA rdS, 1950s-1970s Approximately 500; from countless individuals who encountered or had business dealings with Wayne including titans of industry, movie studio personnel, police officers, military officers, journalists, photographers, veterinarians, doctors, janitors, hairdressers, yacht sellers, tailors, and personal stylists, to name just a few; cards also relate to hotels, restaurants, department stores, and retail shops that Wayne patronized; many are from the Los Angeles and Newport Beach areas, though others span the world as Wayne was well-traveled; none appear to be from famous or well-known people with the exception of a card from Robert F. Slatzer a Hollywood hanger-on infamous for claiming to have been married to Marilyn Monroe; all housed in an old box with a handwritten annotation on the side reading John Wayne / Misc. Business Cards; overall, a fascinating collection showing who Wayne was meeting with professionally and personally over the course of many decades. Mostly: 2 x 3 1/2 estimate: $600-$800
44491
A group of envelopeS And AddreSS lAbelS, 1960s-1970s
Including: a box of small stationery envelopes with the back flap engraved John Wayne; three stacks of different-sized envelopes (for photographs) with the lower left corner of most printed Photos / From / John Wayne / Hollywood, California / Return Postage Guaranteed; a stack of return address labels printed John Wayne / 9579 Wilshire Blvd. Suite 400 / Beverly Hills, CA 90212; and a stack of other return address labels printed John Wayne / 16591 Noyes Avenue / Irvine, California 92705; various quantities of each item. Largest Envelope: 11 1/2 x 14 1/2 estimate: $500-$700
44492
eigh t Sm Al l l e At her i t emS, 1960s-1970s
Including: 1) a black leather manicure kit with a handwritten tag safety-pinned inside reading J. Wayne; 2) a tan leather passport holder with Waynes own handwritten annotation in blue ballpoint ink on inside lining noting his social security number; 3) a black leather business card holder stamped Gucci; 4) a black alligator billfold; 5) a black leather wallet; 6) a brown leather manicure kit with a gold metal monogram reading JW; 7) a brown patent leather wallet; and 8) a brown leather datebook with the inside cover embossed JW; some with evident wear. 9 1/2 x 5 and smaller estimate: $500-$700
259
44493
A 26 bAr r A nch pre Sen tAt ion briefcASe , 1978
Made of tan leather, hand-tooled on the front and back sides with an elaborate leaf and acorn motif, embossed in the upper left corner with the 26 Bar logo [Waynes cattle ranch in Casa Grande, Arizona] and in the lower right corner Duke, sterling sliver placard on top engraved Presented to / John Wayne / By / Texas and Southwestern / Cattle Raisers Assn . 1978. 13 x 18 x 5 estimate: $500-$700
44494 t hree Sm Al l cArry ing cASe S, 1960s-1970s The first made of tan leather with green and red fabric stripes in center, oblong in shape, makers stamp on zipper reads Gucci, monogram of P.W. [Pilar Wayne] embossed on top side, original lining replaced, leather tag affixed to handle displays one of Waynes autograph cards, inside bag has contents left there by Wayne (who evidently borrowed his wifes bag) including a deck of cards, a bottle of Vitamin C, bars of mens soap, a tape measure, and a number of autograph cards, plus a few other items; the second made of black vinyl, stamped The Peninsula / Hong Kong on either side, inside has contents left there by Wayne including mouth wash, a bandanna, a deck of cards, a flashlight, hand cream, and receipts from the hotel; the third made of brown leather, inside tag reads Special Sports / Equipment / Gokey / St. Paul, Minn., appearing to be a fish tackle bag. (Please note all bags are well worn and somewhat stained due to use.) 18 x 8 x 7 and smaller estimate: $1,000-$1,500
44495
t hree cA n vAS tot e bAgS, 1970s
The first off-white with tan leather trim, brass tag affixed to handle reads John Wayne / Newport Beach, California 92663; the second khaki-colored with dark brown leather buckle straps, a label maker tag affixed to front reads John / Wayne, inside contents left there by Wayne include decks of cards, Alka-Seltzer, and a shoe horn, plus a few other items; the third tan with dark brown vinyl detailing, an American Airlines baggage ID tag has a handwritten annotation reading John Wayne, a label maker tag affixed to front also notes his name, inside contents left there by him include eye drops, a cigarette lighter, a Bible, and autograph cards. 11 x 21 x 6 and smaller estimate: $600-$800
260
44496
A group of cA n vAS bAgS, 1950s-1970s
Eleven total; some official U.S. military issue, in various shapes and sizes (such as duffle bags, messenger bags, knapsacks, etc.), all olive green or tan colored, two have handwritten annotations in black ink reading John Wayne; also included is a canteen, a first aid kit, a utility pocket flap/belt item, a utility vest, and three emergency blankets that Wayne ordered from Eddie Bauer which are still in their original transmittal envelope addressed to him. (Please note most bags are heavily stained and dirtied as they were evidently used often.) Various Sizes estimate: $2,000-$3,000
44497
A tool box , 1960s-1970s
Made of metal, painted army green, sticker on top reads Rolly Harper / Ralph Green / Motion Picture Caterers Inc. / Finest Food Served Anywhere, sticker on inside reads in part Pioneer Steel Co. / South Gate, Calif. / Model K-16; inside contains a wrench, a folding yardstick/ruler, a miniature crow bar, two 1 1/4 pound circle weights imprinted Healthways / Hollywood, small oil cans, and a number of loose nails and screws on the bottom of the box, among a few other like items. Tool Box: 7 x 16 x 6 1/2 estimate: $500-$700
261
44498 A coW boy h At lock er, 1960s-1970s Made of wood, painted egg-shell white, two metal handles on either side, a hinged front door opens to reveal four shelves for hat storage, front has annotations handwritten in black felt-tip ink reading Batjac Prod. / K-100 / New Hats / SA-6S14 / Hats. 33 x 15 1/2 x 17 estimate: $500-$700
44499
t Wo green t runkS, 1960s-1970s
The first one made of plastic, with masking tape reading JW in the upper left corner, with TWA and other travel-related stickers on surface, with attached leather tag having a handwritten annotation in black ballpoint ink reading John Wayne (likely in Waynes hand); the second piece similar but with added metal trim, no labels, tags, or stickers evident. Both: 30 x 16 x 12 estimate: $600-$800 44501 t Wo por tAbl e m AS SAge tAbl e S, 1950s-1970s Both with wooden frames that fold into a carrying case with handles on top; the first with a maroon padded vinyl top; the second with a black padded vinyl top and red-painted sides; included are twelve bottles of Lano Massage lotion still in their original shipping box. (Please note both tables show signs of wear and age.) Both: 72 x 24 x 31 Though these tables are not from the famous 1955 episode of I Love Lucy where Lucy gives Wayne a bad rub-down, they are similar to the one used in that still hysterical scene. estimate: $800-$1,200
44500
t Wo piece S of lugg Age , 1950s-1970s
The first a black plastic trunk with a wooden bottom, with numerous John Wayne return address labels affixed to surface, label on top has a handwritten annotation in black felt tip ink reading John Wayne / Personal Effects / Hairpieces, Blender, etc. and similar handwriting on bottom reading WB England / John Wayne, with an LAX flight sticker affixed to side; the second is a black leather suitcase. (Please note both pieces show signs of heavy use and wear.) Trunk: 18 x 27 x 13; Suitcase 18 x 31 x 10 estimate: $600-$800
262
44502
A red ri v er d belt buck l e , 1960s
Made of silver metal with a rope trim, raised details reading D River 194? (last number illegible) plus two wavy lines. 2x 3 1/2 This is a rough copy of Waynes famous Red River D belt buckle; perhaps it was worn by Wayne for stunt work or had another purpose altogether. estimate: $500-$700
44503
A S t erl ing Silv er 26 bAr r A nch belt buck l e , 1974
With a rope motif around the edge, a small steers head in lower left corner, a turquoise nugget in upper left corner, raised lettering reads Duke above the 26 Bar logo [Waynes cattle ranch in Casa Grande, Arizona], back engraved Wes Fleming / Joliet, Mont. 74. 2 x 3 1/2 estimate: $1,000-$1,500
44504
A 26 bAr r A nch belt, 1976
A large metal buckle featuring a steer head and the 26 Bar logo, back engraved To John Wayne / 1976 / Mike Flanagan / 1976; belt is tan leather, size 42; with evident wear. Buckle 3 x 4 estimate: $600-$800
263
44505
A S t erl ing Silv er go t e x A n belt buck l e , 196 4
With raised brass lettering reading John Wayne / Westerner of the Year / 1964 / Go Texan / Houston Farm & Ranch Club; the back engraved Presented To / Pat Wayne / For His Father John Wayne / By the Houston Farm & Ranch Club / Jan. 22., 1964 / Houston, Texas. 2 1/2 x 3 1/2 estimate: $1,000-$1,500
44506
A duk e belt, 1970s
A tan leather hand-tooled buckle reading Duke, with a white stitched border, belt is same tan leather, hand-tooled with horse and farm imagery with another Duke in center back, with same white stitched border, size 46, with no wear. Buckle: 3 x 4 1/2 estimate: $500-$700 44507 A duk e belt, 1970s
A sterling silver and metal buckle reading Duke; belt is brown leather with a hand-tooled leaf design, size 44, with no wear; with a JW inventory sticker. Buckle: 2 x 3 estimate: $500-$700
44508
t Wo duk e belt S, 1970s
The first made of tan leather, beautifully hand-tooled in a floral design with the back reading Duke, signed on the inside in black felt-tip ink Justin Beasley / Cody, Wyo., size 42, with no wear; the second also tan leather with a hand-stamped Duke on the back, size 42, with no wear. estimate: $500-$550
44509
t Wo S t erl ing Silv er e Agl e belt buck l e S, 1960s
The first with a raised eagle head; the second with inlaid black and white stones forming a flying eagle, back engraved To / Duke Wayne / Eagle for His Country / From Larry Kill. 2 1/2 x 3 1/4 and 2 x 3 estimate: $600-$800
264
44510
A group of neck tieS, 1960s-1970s
Approximately 40; mostly made of silk with traditional patterns (though there are a few funky ones), in various widths depending on what year they were bought, with tags from stores such as Neiman-Marcus, Talbotts, Horchow, Cable Car Clothiers, Sy Devore, and Harrods, among others. estimate: $500-$700
265
44511
A 14k gold 26 bAr r A nch medAl l ion, 1960s
Designed with a three-dimensional steer head with diamond eyes, engraving below reads 26 Bar Ranch, engraving on back reads Stolen from / John Wayne / Louis Johnson / Ken Reafsnyder, [Waynes partners at his cattle ranch in Casa Grande, Arizona], small chain affixed at top, though its broken. Diameter: 1 1/2 estimate: $3,000-$5,000
44512
A 14k gold ch Arm AWA rd, 1965
Possibly a watch fob, in the form of an apple and a horseshoe with a chain connecting the two; engraving on the back of apple reads John Wayne / HWPC / 1965 [Hollywood Womens Press Club]. The HWPC, which was founded by Louella Parsons in 1928, was responsible for giving Golden Apple awards to actors for good behavior, Wayne winning for this year. Length: 4 1/2 estimate: $500-$700
266
44513
A 14k gold WAtch fob by Wil l i A m ruSer, 1953
A St. Genesius [patron saint of actors] medal attached to a Milano rope chain, with an added plain oval charm attached by a smaller chain, back engraved Happy Birthday / 1953 / Love and Kisses / Billie and B [B Roos, Waynes onetime business manager from the Beverly Management Corporation], further hallmarked Copyright Ruser [the popular Beverly Hills jeweler]. Length: 20 estimate: $1,000-$1,500
44514
t Wo 14k gol d piece S, 1950s
The first an ID tag, front engraved Duke Wayne / Batjac / 1022 Palm Avenue / Hollywood, California, back engraved Duke / just in case you get lost / from / your pal B; the second a pendant in the form of a circular calendar with a green stone set at May and a 26 engraved in the center [Waynes birthday was May 26, 1907], back engraved An important / date to forget? / How many many more / Love Billie & / B [B Roos, Waynes onetime business manager from the Beverly Management Corporation]. 1/2 x 1; Diameter: 1 estimate: $500-$700
267
44515
A 14k gol d mone y cl ip, 1960s
A 1801-1947 50 Pesos gold coin affixed to a gold nugget clip, back engraved To Duke / From Ken. 2 1/2 x 1 According to Ethan Wayne, this was the money clip his dad used for decades. estimate: $3,000-$5,000
44516
f i v e 14k gol d i t emS, 1950s-1960s
Including: 1) a broken money clip engraved J.W.; 2) a key cover engraved JW; 3) a shoe charm; 4) a rectangular locket engraved J D W; and 5) a toothpick (for the man who has everything). Various Sizes estimate: $800-$1,000
268
44519
A 5 - ounce S t erl ing Silv er bAr, 1974
Front engraved 5 oz Troy / 999 Fine, back engraved Duke / Merry Christmas / 1974 / Ward & Pat. 1 x 2 x 1/2 estimate: $500-$700 44517 t Wo monogr A mmed bAdge S, 1960s
The first made of pewter engraved in center JW; the second made of goldcolored metal reading City of New York Police / Detective / JW. Largest: 3 x 3 estimate: $600-$800
44520
t Wo monogr A mmed mone y cl ipS, 1960s
The first made of black leather, embossed in gold J.W., with a JW inventory sticker; the second made of sterling silver, with raised initials reading JW. 44518 four bolo t ie S, 1960s-1970s 2 1/2 and 1 3/4 estimate: $500-$700 The first sterling silver and turquoise, back engraved To the Duke / From the Lippolds at / KK Rock & Silver Shop / Carson City, Nevada / Sterling, with a braided black and brown leather tie; the second sterling silver and turquoise, front stamped Wayne / John, with a braided tan and brown leather tie; the third silver metal with a Masonic emblem, with a black cord tie; the fourth a stone-like material with an etching of a Native American on horseback shooting a buffalo, back engraved To John Wayne / Herbert Dillon, with a braided black leather tie. Various Sizes estimate: $600-$800
269
44521
t Wo toil e t ry bAgS, 1960s-1970s
Both of standard design with a zip closure and a carrying handle; one made of olive green pleather, the other black pleather; both contain a number of Waynes personal care items such as combs, electric and regular razors, razor blades, lather shave cream, a shaving brush, a tooth brush, toothpaste, a small mirror, baby powder, a travel hair brush (printed on the back A Personal Gift from Cary Grant), hair tonic called Eau de Quinine, and after-shave lotion called Lilac Vegetal, among a few other manly grooming accoutrements. Various Sizes estimate: $600-$800
44522
t Wo pre Scrip t ion bot t l e S, 1966, 1978
The first for eye drops, label reads in part John Watne [sic] / 9-15-66, filled at Turner Drug Co. / 2542 W. Coast Highway / Newport Beach; the second for Penicillin tablets, label reads in part John Wayne / 6-1-78, filled at Bayside Pharmacy / 1016 Bayside Dr. / Newport Beach. Height: 3 and smaller DISCLAIMER: These bottles are sold as collectibles only; the contents or remnants thereof are NOT for human or animal consumption. estimate: $500-$700
44523
A pAir of e y e gl AS Se S, 1970s
Silver metal frames with artsy rectangular cut-outs on either arm, stamps on inside arms read Menrad / Frame Germany, slightly tinted bifocal lenses, housed in a black leather case; hard to imagine Wayne wearing spectacles, but he did. estimate: $600-$800
270
44524 A 14k gol d ShrinerS ring, 1960s Featuring a round brilliant-cut diamond measuring 7.00-6.90 x 4.18 mm and weighing approximately 1.20 carats, enhanced by full and single-cut diamonds, set in heavily textured 14K gold, having rhodium finished accents, total diamond weight is approximately 2.00 carats, gross weight 24.00 grams, with its original box; likely worn as a pinkie ring due to its size. Size: 9 Wayne was a member of Al Malaikah for many years whose headquarters was the Al Malaikah Shriners Ancients Arabic Order Nobles of Mystic Shrine better known as The Shrine Auditorium in Los Angeles. estimate: $2,000-$3,000
44525
t hree ShrinerS h At S, 1960s-1970s
All maroon felt with tassels and elaborate adornment spelling out Al Malaikah, the name of the Shriners division based in Los Angeles where Wayne was a member; one hat further notes Ambassador-at-Large on the front and John Wayne / December Class / 1970 on the inside; all accompanied by their original gray plastic cases. estimate: $500-$700
44526
t Wo ShrinerS cer t if icAt e S, 1970
Both presented to John Wayne; the first from the Anezeh Temple of Mexico City and Guatemala for becoming an Honorary Life Member; the second from the Tebala Temple of Rockford, Illinois for becoming an Honorary Member; with one JW inventory sticker. Matted and Framed: 14 x 16; Certificates Only: 12 x 9 estimate: $500-$700
271
44527
A group of ShrinerS iden t if icAt ion cA rdS, 1970s
Five total; all printed with Waynes name and Newport Beach address, from the Al Malaikah Temple of Los Angeles, from the years 1971, 1972, 1973 and 1978 (with added Ladys Courtesy Cards for those same years, some still un-perforated); plus one card from the Orange County chapter from 1973. Also included is a Royal Arch Mason of California card from 1972 and a Royal & Select Masters of California card from 1978; none are signed. 2 1/2 x 3 1/2 estimate: $600-$800
44528
t Wo ShrinerS bAdge S, 1960s-1970s
The first a red and black velvet badge reading Show Business Shrine Club / Mohs-AlMalaikah Temple - Los Angeles; the second blue plastic name tag reading John Wayne / Ambassador/ Al Malaikah Temple. All Approximately: 2 1/2 x 3 estimate: $500-$700
44529
A col l ec t ion of perSon Al iz ed And Au togr Aphed foo t bAl l S, 1960s-1970s
Nine total; including: 1) a Wilson ball stamped John Wayne / 1978 / The Duke; 2) a Wilson ball painted with the Fiesta Bowl logo, reading in part John Wayne / 1979 NBC Fiesta Frolic, signed by a few players; 3) a Wilson ball painted with To Duke / We admire your Grit / The LA Rams, signed by a number of players; 4) a Rawlings ball reading May 6, 1979 / Cardinal / and / Blue / Classic, signed by a number of players; 5) a Rawlings ball stamped New Orleans Saints / 1969, signed by a number of players; 6) a Wilson ball painted Thank you for Super Night at the Super Bowl / Pierre Cossette and Marty Pasetta; 7) a Wilson ball signed Best Wishes / to / John Wayne / from the / 1978 UCLA Bruins, signed by a number of players (most signatures very faded and smeared now); 8) a Spalding ball signed by a number of players (likely a USC team); and 9) a Rawlings ball signed by a number of players (team unknown); many with JW inventory stickers. estimate: $1,000-$1,500
272
44530
A perSonAlized louiSville Slugger bASebAll bAt, 1976
Of standard design, made of wood, side stamped with a Bicentennial logo next to text reading Genuine MC44 / John Duke Wayne / Louisville Slugger and Louisville Slugger / 125 / Hillerich & Bradsby Co / Made in U.S.A. / Louisville, K.Y., with a JW inventory sticker. Length: 35 estimate: $500-$700
44533
A collection of record AlbumS And 45s, 1950s-1970s
44531
A cer A mic che S S Se t, 1979
Over fifty pieces of vinyl, mostly of popular music from the era like Doris Day, Sammy Davis, Jr., Dean Martin, Peggy Lee, and Connie Francis, among many others; also included are records related to exercise, the holidays, politics, and other subjects, as well as a few that appear to be Waynes kids albums like The Doors, Iron Butterfly, Steppenwolf, and Three Dog Night; a number of copies of Waynes own recorded album [John Wayne: America, Why I Love Her] are also part of this grouping. Like most random family record collections, please note there are many records without jackets and many jackets without records; also, the condition of each record varies. 12 x 12 estimate: $600-$800
With a blue and white handpainted board, red and blue matching pieces, bottom of board reads Atlantic Molo / To Duke / Love Joyce 79. (Please note three pieces have been repaired.) 16 x 16 x 1 1/2 Wayne was an avid, lifelong chess player and had many sets throughout his life. estimate: $500-$700
44534 44532 A col l ec t ion of g Ame S, 1960s-1970s
A record pl Ay er A nd record cASe , 1950s
Including a Backgammon board (probably from the 1950s), a Japanese chess board, a Computer Football electronic game, a Cribbage board, a poker chip carousel, a bag and a box of poker chips, five decks of cards, two ping pong paddles, three books [How to Win at Bridge, How to Win at Backgammon, and Master Play], and two Bridge score books, both with the front covers reading Make Check / Payable to / John Wayne; some with JW inventory stickers. 20 x 26 x 3 and smaller estimate: $600-$800
A portable 45 rpm record player, built into its own dark brown plastic case, made by RCA-Victor/Victrola, Model Number 45-EY-3, Serial Number K 326378, working condition not known; together with a cardboard carrying case for 45 discs called an Amfile Platter-pak with numbered dividers inside to keep the records organized. (Please note the case is somewhat stained and damaged due to age and use.) Player: 7 x 11 x 11; Case: 8 x 8 x 8 estimate: $500-$700
273
44535
A group of AWArdS for bl Ack ie , John WAy neS dAchShund, 1958
Including: five certificates, all presented to Blackie from The American Humane Association, The American Society for the Prevention of Cruelty to Animals, The Quaker Oats Company (their Ken-L-Ration Award), The Richmond Dog Fanciers Club, and WSB Radio of Atlanta, Georgia. Also included are two medals; one from the ASPCA and one from Ken-L-Ration (both engraved Blackie); a group of correspondence related to Blackies awards; and four black and white photographs depicting Pilar Wayne and Blackie receiving the certificate from The American Humane Association. Various Sizes Blackie was honored with all these awards for his act of heroism when, in January 1958 at 3:00 AM, he started barking uncontrollably, alerting Pilar Wayne that the Encino house was on fire. Thankfully, Pilar, baby Aissa, and Blackie were able to escape in what was surely a traumatic experience, especially because John Wayne was thousands of miles away on location in Japan. estimate: $600-$800
44536
A group of dog Accou t remen t S, 1960s-1970s
Including: three leather leashes; a tiny leather collar with a blue metal tag reading Newport / Beach / Dog Tag / 7208 / Exp. 12-31-76; two metal food bowls with their own stand; and a catalogue page showing the bowls with Waynes black ink circle mark around it; all purchased for the Wayne family dogs: two Miniature Pinschers called Tembo and Simba who were named after the elephants in Hatari!; included are two reprinted images showing the pups hanging out in Waynes Newport Beach home. Bowl Stand: 11 x 3 x 6 estimate: $500-$700
274
44537
A chil dS W e S t ern SAddl e , 1960s
Standard in design, made of tan leather, with decorative elements like side bags, leather tassels, and a colorful Native American belt affixed to front; bought by Wayne for his youngest son, Ethan; with evident heavy wear. Approximately: 22 x 21 x 8 PLEASE NOTE: This saddle does NOT come with the wrought iron stand shown in our printed and online catalogues. estimate: $3,000-$5,000
44538
A horSe bridl e , 1960s
With decorative sterling silver and metal inlays on either side, inside twice-stamped EG; black leather reins. estimate: $500-$700
275
44539
t Wo color photogr AphS of t he Wil d gooSe , 1970s
Both depicting Waynes beloved yacht at sea; one with a JW inventory sticker. Matted and Framed: 14 x 17; Photographs Only: 7 x 9 estimate: $500-$700
276
44540
A col l ec t ion of Ship pl AQue S f rom t he Wil d gooSe , 1960s-1970s
Eleven total; all displayed aboard Waynes yacht; including: 1) U.S.S. Samuel B. Roberts DD-823; 2) 3rd Marine Division of Danang, Vietnam; 3) USS Chas. S. Sperry DD-697; 4) The Deans Aviation Company (many adornments missing from plaque); 5) Marine Aircraft Group 11; 6) USS Saint Paul with added placard reading in part John Wayne...Aug 1964; 7) USS Robison DDC-12; 8) U.S.S. Hancock; 9) U.S.S. Lockwood FF-1064 with added placard reading in part Presented to John Wayne; 10) USS Canon PG-90 and 11) an Honorary Seabee plaque reading John Wayne / In appreciation / Chief Petty Officers Club / Seabees 25th Anniversary / 4 March 1967; included is the Summer 1978 issue of International Yachtsman magazine showing a number of these plaques as Wayne had them displayed aboard the Wild Goose. (See opposite page.) 14 x 11 and smaller estimate: $1,000-$1,500
44541
tWo frAmed time mAgAzine coverS, 1950s-1960s
Both depicting Wayne; the first the March 3, 1952 issue; the second the August 8, 1969 issue; both with drilled holes in the frames for display aboard the Wild Goose. Matted and Framed: 18 x 15: Magazine Covers Only: 11 x 8 estimate: $500-$700
277
44544
A greener l igh t model h Arpoon gun, 1960s
With all its parts, still housed in its original green wooden box, with instruction pamphlets; kept on board the Wild Goose though never used. 44542 t hree f l AgS f rom t he Wil d gooSe , 1960s-1970s Box Size: 15 x 22 x 5 Interestingly, this is the same type of harpoon gun that Robert Shaw [as Sam Quint] used to shoot the shark in the 1975 Universal film, Jaws. estimate: $1,000-$1,500 The first black nylon with a gold lam goose [the yachts logo], tag on back reads Nikkis Flag Shop / Custom Made Flags / Newport Beach, Calif.; the second blue and yellow nylon with an N logo [for the Newport Harbor Yacht Club], the third a nylon American flag. (Please note the last two flags are tattered and torn as they were flown on board the Wild Goose.) 45 x 72 and smaller estimate: $600-$800
44543
A k elv in Whi t e conS t el l At ion compAS S, 1950s
Made of iron with a glass dome, seeming to be the 8-inch size, appearing to still be in working order; with a JW inventory sticker. Approximately: 8 x 17 x 11 estimate: $500-$700 44545 A u.S. nAvy diving helmet, 1941 Made of copper, placard on bottom front reads in part Mark V / Morse Diving Equipment Co., Inc. / Boston, Mass. / Date: 8-29-41, with an JW inventory sticker. Approximately 18 x 14 x 16 estimate: $500-$550
278
44548 44546 nine cof f ee mugS f rom t he Wil d gooSe , 1960s
A collection of Wine from the Wild gooSe, 1970s
Made of ceramic, front has image of a goose with text reading M.V. / Wild Goose, back has different image of the yacht with text below reading The Wild Goose / in Alaskan Waters, bottom is stamped This mug was stolen from / The Wild Goose / John Wayne / Mugs by / Ketchum Originals / 1105 Long Beach Blvd. / Long Beach, Calif. / 90813. Height:3 1/2 estimate: $600-$800
Eighteen bottles from the Windsor Vineyards in Healdsburg, California, various types including Cabernet Sauvignon, Pinot Noir, Petite Syrah, and Zinfandel among others, all with customized labels noting the wine was Selected by John Wayne / for Hospitality Aboard / The Wild Goose and other similar type labels (though all with slightly different verbiage). Each Bottle Height: 12 or shorter DISCLAIMER: This wine is being sold as a collectible only and it should NOT be consumed by humans or animals. estimate: $500-$700
44549
A collection of Wine from the Wild gooSe, 1970s
44547
A group of plAStic cupS from the Wild gooSe, 1960s
Eighteen bottles from the Windsor Vineyards in Healdsburg, California, various types including Cabernet Sauvignon, Pinot Noir, Petite Syrah, and Zinfandel among others, all with customized labels noting the wine was Selected by John Wayne / for Hospitality Aboard / The Wild Goose and other similar type labels (though all with slightly different verbiage). Each Bottle Height: 12 or shorter DISCLAIMER: This wine is being sold as a collectible only and it should NOT be consumed by humans or animals. estimate: $600-$800
Approximately 90; printed with an image of a flying yellow goose above text reading Wild Goose, in water and cocktail glass sizes. Height: 4 1/2 and 3 estimate: $25-$50
279
44550
A col l ec t ion of Wine f rom t he Wil d gooSe , 1970s
Twelve bottles of Cabernet Sauvignon from the Windsor Vineyards in Healdsburg, California, all with customized labels noting the wine was Selected by John Wayne / for Hospitality Aboard / The Wild Goose and other similar type labels (though all with slightly different verbiage); included with the original shipping box addressed to Waynes Newport Beach home. Each Bottle Height: 12 DISCLAIMER: This wine is being sold as a collectible only and it should NOT be consumed by humans or animals. estimate: $500-$700
44551
t Wo W il d gooSe W indbre Ak erS, 1970s
The first made of navy blue nylon, Duke and the Wild Goose logo printed in yellow on either breast, a different style Wild Goose logo also printed on back in same yellow, by West Wind, size XL; the second made of tan cotton with the Wild Goose logo stitched on the front left breast; pockets of both jackets contain a number of Waynes autograph cards; included is the Summer 1978 issue of International Yachtsman magazine featuring Wayne on the cover (as well as on inside pages) wearing the tan windbreaker. estimate: $700-$900
280
44552
A SAilor cAp, 1950s
Of standard design, made of navy blue wool by Mattsons of Hollywood, anchor insignia stitched to front, gold ribbon band affixed above a small brim, gold-painted notation on front reads Capt. Marion [Waynes given first name], inside stamped Mattsons / Sport Wear Hollywood / 6626 Hollywood Blvd; likely a gift to Wayne. (Please note this hat has a few moth holes.) estimate: $500-$700
44553
A SAilor cAp, 1960s
Of standard design, made of navy blue wool, goldcolored anchor insignia affixed to front; likely worn by Wayne on his yacht, the Wild Goose. estimate: $500-$700
44554
A n Av y cAp, 1940s
Of standard design, made of navy blue wool, black satin band stamped in front U.S. Navy, inside blue and white gingham lining. estimate: $500-$700
281
44555
Si x pAirS of boAt Shoe S, 1960s-1970s
Including two pairs of identical navy blue canvas slip-ons, inside stamp and back heel stamp reads Sperry / Top Sider, size 11W; a pair of brown suede Wallabee-style shoes which Wayne added a rubber sole to so he could wear them on board the Wild Goose, size 10 1/2; a pair of tan leather sandals, inside stamps reads Neiman-Marcus / Made in Italy, size 11/12L; a pair beige leather deck shoes, inside stamp reads Sperry Top Sider, size 11; and a pair of 1970s-era rubber flip flops, inside stamp reads Warrants / Made in Formosa, size L; most with evident wear. estimate: $400-$600
44556 t Wo ne Wpor t be Ach memberShip cArdS, 1960s Both with Waynes typed name; the first for the Newport Harbor Yacht Club in 1964; the second for the Balboa Bay Club in 1966-1967; also included is a fancy Governor lapel badge from the BBC where Wayne served in that capacity. 2 x 3 1/2 estimate: $600-$800
44557
t Wo yAch t ing regiS t erS
Including: 1) American Yacht Register, hardcover, no dust jacket, by the Yachting Club of America, printed in 1965; and 2) Whos Who in Yachting & Yacht Register: The Bluebook of Yachtsmen, hardcover, no dust jacket, by the Yachting Club of America, printed in 1968, Waynes Wild Goose entry appears on page 285; both with JW blind stamps. 10 x 8 1/2 x 1 estimate: $500-$700
282
44559
A n ov ercoAt, 1951
Made of navy blue wool, double breasted, peaked lapels, three front pockets, Eddie Schmidt, Inc. label on inside pocket reads Mr. John Wayne / 9-27-51 / No. 16160; possibly worn in a film, but more likely from Waynes personal wardrobe. estimate: $600-$800 44558 A t ux edo, 1950s
A traditionally-cut tailcoat, made of black wool, Schmidt & Galuppo, Inc. of Beverly HIlls label reads Mr. John Wayne / Date 9/14/55 / No. 236; together with a pair of formal black wool pants, Brioni Roma label reads Sig. J. Wayne / G Gosto / 1954; possibly one or the other (or both together) worn by Wayne at a 1950s Academy Award ceremony. estimate: $2,000-$2,500
44560
t hree Sui t S, 1971
All custom made by Sy Devore of Hollywood, Las Vegas & Palm Springs; the first a navy blue polyester blazer, single breasted, three front pockets, three button front closure, tag on inside pocket reads John Wayne / 7/12/71 / No. 14036, with matching slacks; the second a dark gray polyester blazer of same design with same tag but No. 14035, also with matching slacks; the third a gray, white and brown plaid polyester blazer of same design, tag on inside pocket reads John Wayne / 10/27/71 / No. 1622, with solid gray slacks. estimate: $1,000-$1,200
44561
A bAl boA bAy club Spor tcoAt, 1970s 44562 A cASuAl ov ercoAt, 1970s Made of tan-colored corduroy, by Gucci of Roma, with three front pockets, a five button front closure, and button-cuff sleeves, inside lining red and black plaid wool, size 54; a Holiday Inn key from Casper, Wyoming still in a pocket. (Please note this jacket shows repair work and signs of heavy wear.) estimate: $600-$800
Made of teal blue polyester by Croston of Boston, three front pockets, three button front closure, (the gold-colored metal buttons display the Balboa Bay Club logo), decorative patch affixed to breast pocket reading BBC Governor, worn by Wayne when he was a member of this prestigious club located on Pacific Coast Highway in Newport Beach. estimate: $500-$700
284
44565
four dre S S Shir t S, 1970s
44563
A Sigm A chi l e t t erm A n JAck e t, 1970s
Of classic design with a navy blue wool body and yellow leather sleeves, with X patch on left breast, made by Butwin, size 50. Wayne was a member of this fraternity when he was an undergraduate at the University of Southern California and he maintained a relationship with the organization for the remainder of his life. estimate: $500-$700
All made of Oxford cloth in same design with one left breast pocket and a button-down collar; the first light blue, by Sy Devore of Hollywood, Las Vegas & Palm Springs, with small JW initials sewn in collar; the second a darker blue, by Machin Shirtmaker of Los Angeles, typed notation on tag reads Tailored Especially For / John Wayne / May 1974; the third beige with exact same label as previous one; the fourth a light brown with only a small JW initial sewn in collar. estimate: $500-$700
44566
t hree monogr A mmed Shir t S, 1960s
All of the same design with short sleeves and two button-down breast pockets with the left one stitched JW; custom made by K. Tani of Tokyo, Japan; the first light blue and white striped cotton; the second beige silk; the third red and white striped cotton. 44564 t Wo col l ege Windbre Ak erS, 1970s estimate: $500-$700
The first made of red nylon, printed in white on the back Coast Crew [Orange Coast College in Costa Mesa, CA], by Maple Athletic Sportswear, size XL; since the 1950s, OCC has been renowned for their rowing team which Wayne helped to sponsor over the years; the second made of sky blue nylon, printed in red and white on the left breast Louisiana Tech / Duke, by West Wind, size XL. estimate: $500-$700
285
44569
f i v e guAyAber A Shir t S, 1960s-1970s
44567
t hree SWe At erS, 1970s
All of the classic design, made of cotton or a cotton blend; including: 1) a tan one with a drycleaning stamp on inside collar reading 20Wayn; 2) a beige one with metal peace sign buttons; 3) an off-white one with a drycleaning stamp in the inside collar reading Wayne; 4) a white one with a drycleaning stamp in same place reading J-Way; and 5) a mustard yellow one by Creaciones Perez of Acapulco. Wayne spent much time south of the border and enjoyed wearing this style of shirt. estimate: $500-$700
The first navy blue cashmere with beige and brown striped details, by Jack Taylor of Beverly Hills & La Costa, Italy, with long sleeves and a v-neck, inside tag reads John Wayne; the second hand woven beige, brown and white heavy wool in a traditional Mexican/South American pattern with a zip-up front; the third navy blue wool in a cardigan style with a collar, inside label reads Hand Made / By / Claire Bren [actress Claire Trevors married name, Waynes co-star in Stagecoach and his good friend.] estimate: $600-$800
44568
t hree John WAy ne t enniS club topS, 1970s
The first a white velour sweater with navy blue accents, with long sleeves and a v-neck, by Ultrasport Ltd./Ruth Brahms, with a John Wayne Tennis Club logo on the upper left breast; the second a polo shirt made of white cotton, by Pickering Active Sportswear/The Kimberton Co., size L, stitched with a similar JWTC logo; the third a navy blue wool sweater, with long sleeves and a v-neck, also by Pickering Active Sportswear/The Kimberton Co., size XL, also with similar JWTC logo. (Please note the velour sweater is heavily stained and the other pieces show signs of wear and age.) Wayne, along with partners, opened this upscale tennis club on Jamboree Road in Newport Beach in 1974 where it maintained his name until as recently as 1995. estimate: $500-$700
44570
four re Sor t Shir t S, 1960s-1970s
All made in Mexico; the first made of off-white cotton, collarless with long sleeves, by Rita Tillett of Yelapa, Jalisco; the second a guayabera made of a white Dacron blend with long sleeves, by Chichen-Itza of Merida, Yucatan; the third made of beige nubby cotton with a collar and short sleeves, by Like a Bath Originals of Acapulco, size L; and the fourth made of grayish-black cotton with a collar and short sleeves, stitched with black, red, and white fish on the front, by Coral of Acapulco; all purchased and worn by Wayne during his many visits to Mexico on the Wild Goose; included is a copy of the Orange County Chronicle (Newport Beach Edition) newspaper from September 29, 1976 showing Wayne wearing the fourth fish shirt. estimate: $500-$700
286
44571
t hree cASuAl Shir t S, 1970s
The first made of a cotton/polyester blend with a brown print depicting scenes of Newport Beach, with short sleeves and a button front, by North Shore, size XL, accompanied by a handwritten letter to Wayne from the shirtmaker; the second a white cotton polo shirt, stitched Yachting on the left breast, by Hallidays of Newport Beach, Calif., size XL; the third made of navy blue cotton, with short sleeves, a button front, and two breast pockets with the left one stitched JW, by Zenith Custom Shirts of Los Angeles, Calif. estimate: $500-$700
44574
t Wo JApA ne Se robe S, 1950s
44572
eigh t polo -S t y l e Shir t S, 1960s-1970s
All of the same design, made of cotton with a single left breast pocket, by Hang Ten, in various hues including blue (four different shades), brown, white, mint green, and red and white striped; one of Waynes preferred brands, Hang Ten was the consummate 1960s Southern California surfer shirt so it makes sense that he would have worn these in and around Newport Beach. estimate: $500-$700
Both made of cotton and silk in a kimono style, with large butterfly sleeves and self-belts; the first with a bluish-gray print depicting people and mountains; the second with a brownish-green print depicting people and cow-driven carriages; likely purchased by Wayne when he was on location in Japan making the 1958 20th Century Fox film, The Barbarian and the Geisha. (Please note both garments are torn and stained due to age.) estimate: $500-$700
44575
Se v en pAirS of cASuAl pA n t S, 1960s-1970s
Including: 1) a pair made of blue, red, yellow, and white striped cotton; 2) a pair made of brown and white striped polyester by Creaciones Perez of Acapulco: 3) a pair made of gray and white striped polyester by same designer; 4) a pair made of blue and white striped polyester by Erendira of Acapulco; 5) a pair made of white polyester by Creaciones Perez of Acapulco; 6) a pair made of navy blue polyester by Erendira of Acapulco; and 7) a pair made of white cotton by same designer; all bought by Wayne when he traveled to Mexico on his yacht, the Wild Goose. 44573 t Wo monogr A mmed robe S, 1960s estimate: $500-$700
The first made of navy blue cotton by Charvet & Fils, Inc. of Paris and New York, with two side pockets and one breast pocket stitched in red JW, with matching self belt; the second identical in design but in forest green and the monogram stitched in lime green. (Please note both robes have holes and stains and show signs of wear.) estimate: $600-$800
287
44576 A n oil pA in t ing by WAlt er emerSon bAum, circA 1925 Rendered on canvas, depicting the Delaware River Canal, signed in the lower right corner W.E. Baum, the noted Pennsylvania Impressionist painter who died in 1956; with a JW inventory sticker. (Please note the canvas needs to be re-stretched.) Framed: 33 x 39; Work Only: 29 x 36 estimate: $3,000-$5,000
44577
t Wo oil pAin t ingS, 1960s
Rendered on canvas, both depict Kachina dancers, one with a reddish-yellow background, the other with a greenish-blue background; both signed in lower right corner Rubbelke. Framed: 29 x 24; Work Only: 19 x 15 Wayne had an impressive collection of Kachina dolls which he donated to the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma before his death. estimate: $600-$800
288
44578
A n oil pAin t ing, 1960s
Rendered on canvas, depicting five men wearing sombreros, signed in the lower left corner E.E. Lamdaran. 39 x 32 estimate: $600-$800
44579
f i v e WorkS of Ar t, 1960s-1970s
Including: 1) an oil on canvas depicting a young boy; 2) a print based on an Old Master painting; 3) an oil on canvas depicting a praying monk; 4) an oil on canvas depicting a mother and son; and 5) an oil on canvas depicting a girl in a daisy field; four signed. (Please go to our website to see images of the other pieces.) Framed: 38 x 32 and smaller estimate: $600-$800
44580
t Wo monumen t vA l l e y oil pAin t ingS, 1970s
Both rendered on canvas, each depicting a different view of the Utah site where Wayne and John Ford made many movies such as Stagecoach in 1939 and The Searchers in 1956, the first signed in the lower right corner A.J. Manzo 72, the second signed in the lower right corner Earlene Pochatks 76. Framed: 13 x 19 and smaller estimate: $600-$800
289
44581
Rendered on canvas, depicting three sailboats, signed in the lower left corner Boopne. Framed: 13 x 15; Work Only: 8 x 10 estimate: $300-$500
44582
t Wo norm A n rock Wel l Signed prin t S, 1970s
The first depicting a winter street scene, inscribed in black ballpoint ink (now faded) in in the lower right corner To my friend John Wayne, an imposing figure and great (word illegible) / Sincerely / Norman Rockwell; the second depicting a Western scene, inscribed in back ballpoint ink in the lower right corner My best wishes to John Wayne / a grand person / Cordially / Norman Rockwell. 12 x 29; 11 x 25 estimate: $2,000-$2,500
290
44583
el e v en one-Shee t f il m poS t erS, 1940s-1970s
Titles include (in alphabetical order): Circus World (1964), Conflict (1950s re-release), El Dorado (1966), Flying Tigers (1950s re-release), The Green Berets (1968), In Harms Way (1965), Jet Pilot (1957), Sagebrush Trail (1950s re-release), The Sea Chase (1955), They Were Expendable (1950s re-release), and War of the Wildcats (aka In Old Oklahoma) (1950s re-release); all were on display in the mens locker room at the former John Wayne Tennis Club located on Jamboree Road in Newport Beach. (Please note all posters are trimmed, mounted to boards, and in poor condition.) (Please go to our website to see images of the other pieces.) Framed (except two); All Approximately 41 x 27 estimate: $3,000-$5,000
44584 A group of poS t erS f rom A muSeum of modern Ar t e x hibi t, 1977-1978 Approximately 500; all identical, depicting an image of John Wayne and Marlene Dietrich from their 1940 film, Seven Sinners, with text on the top margin reading Universal Pictures: 65 Years / June 9, 1977 - January 29, 1978 / The Museum of Modern Art; still housed in the original wooden crate that was shipped to Wayne so he could have his own copies of the poster. (Please note only the poster stapled to the top of the crate is in poor condition; the other 500+ are in excellent condition.) Posters: 24 x 17; Crate: 10 x 26 x 20 estimate: $500-$550
291
44585
four color photogr AphS, 1970s
44587
f i v e f r A med l e t t erS, 1940s-1970s
Including: 1) an image of Wayne holding his Oscar the night he won it, signed on the lower right side David Sutton 70, with drilled holes in the frame indicating it was displayed aboard the Wild Goose; 2) an image of Wayne and a steer at his 26 Bar Ranch; 3) an image of Wayne, the steer, and others also at the ranch; and 4) an image of Wayne, Pilar, and their children in a convertible when he was the Grand Marshal at the 1973 Tournament of Roses Parade in Pasadena; three with JW inventory stickers. (Please go to our website to see images of the other pieces.) Matted and Framed: 30 x 22 and smaller estimate: $600-$800
All written to John Wayne; including: 1) a 1947 typed letter from a soldier from Troop G-112th Cavalry Association; 2) a 1953 typed letter from the VP of the Air Force Association; 3) a 1956 memo from the Captain of the U.S. Navy; 4) 1970 typed letter from Guns Magazine; and 5) a 1977 handwritten letter from a man associated with USS Oliver Hazard Perry FFG-7; most with JW inventory stickers. (Please go to our website to see images of other pieces.) Framed: 22 x 11 and smaller estimate: $500-$700
44588 44586 A n i bel ie v e decl Ar At ion, 1970
f i v e f r A med l e t t erS, 1970s
A printed copy of Waynes famous speech that he delivered to the American public via his NBC television special titled Swing Out, Sweet Land that aired on November 29, 1970, mounted to board and shellacked by the PermaPlaque Corporation in Hollywood; with a JW inventory sticker. 22 1/2 x 16 1/2 estimate: $500-$700
Including: 1) a 1975 typed letter from the Secretary of the Treasury; 2) a 1975 typed letter from members of the Apollo crew; 3) a 1978 typed letter from the United States Marshal of Boston; 4) an undated typed letter from the President of the University of Notre Dame; and 5) an undated typed letter from the Governor of the State of Washington; most with JW inventory stickers. (Please go to our website to see images of other pieces.) Framed: 12 x 10 and smaller estimate: $500-$700
292
44589 A John ford -rel At ed l imi t ed edi t ion Se t of prin t S, 1973 From an edition of 500 titled John Ford Presents Cowboy Kings of Western Fame: The Famous Western Stars Series; with 24 color prints of major cowboy stars including (in alphabetical order): Warner Baxter, Wallace Beery, Ward Bond, William Boyd, Johnny Mack Brown, Harry Carey, Leo Carillo, Gary Cooper, Bill Elliott, Hoot Gibson, William S. Hart, Gabby Hayes, Buck Jones, Tom Keene, Ken Maynard, Tim McCoy, Joel McCrea, Tom Mix, George OBrien, Will Rogers, Randolph Scott, Bob Steele, James Stewart, and John Wayne; with an included certificate issued to John Duke Wayne, signed in blue felt-tip ink in the lower right side To Duke / With gratitude and affection / Mary Ford [Johns wife]; all prints housed in a custom-made blue leatherette case embossed on the cover with an image of Ford and the title of the series. Each Print: 16 x 11 estimate: $600-$800
44590
A Signed poS t er, 1976
From the Hopalong Cassidy Film Festival that took place in Laguna Beach in November 1976; featuring an image of William Boyd as Hoppy; signed in purple felt-tip ink on the left side Loving arms / around you always / Duke / Keep warm / Grace Boyd [Boyds widow]; with a JW inventory sticker; also included are three identical posters, though none are signed. 27 x 22 estimate: $500-$550
44591
A group of collectible frederic remington medAllion diSplAyS, 1971
Ten total, from a series based on the artists Western-themed works, all depicting a different image on a round metal disc matted above a smaller disc which shows a likeness of Remington himself, titles of each are The Outlaw, Bronco Buster, The Sergeant, The Scalp, The Fallen Rider, The Mountain Man, The Rattlesnake, The Norther, The Cheyenne, and Coming Through the Rye; all are mounted to a lime green velvet background in a silver wooden frame; most have JW inventory stickers. Matted and Framed: 13 x 10; Disc Only: 5 estimate: $500-$700
293
44592
Si x JApA ne Se dol l S, 1950s
All made of cloth and decorative fabric, mounted to wooden stands, hand-painted faces, dressed in traditional kimonos, three are female and housed in glass display boxes (one box has broken glass panels), three are male (two are mounted together on one stand); included with the original Japanese shipping box; purchased by Wayne when he visited Japan, on display in the living room in the Newport Beach home. Dolls: 24 and smaller; Cases: 28 x 15 x 12 and smaller estimate: $600-$800
44593
A n e Agl e Scul p t ure , 1960s
Made of cement and composite, painted brown to simulate a wood carving, with a JW inventory sticker. (Please note the tips of both wings have broken off; pieces of the wings are included for possible repair work.) Approximately: 47 x 11 x 4 estimate: $1,000-$1,200
44594
A pAir of Af ricA n A n t elope Skul l A nd hornS
Not mounted; obtained by Wayne when he was on location in Tanzania filming the 1962 Paramount film, Hatari! Length: 27 estimate: $500-$700
294
44595
A Wooden Scul p t ure , 1960s
Appearing to be Jesus, carved in the round from a log, signed on the lower right side Eugenio, further stamped on the bottom Eugenio / Escultor; included is a reprinted image showing this piece in situ in Waynes Newport Beach office. Approximately: 18 x 9 x 6 estimate: $1,000-$1,500
44596
t hree n At i v e A mericA n rugS, 1960s
All made of wool; the first in hues of black, brown, and tan, woven with square-shaped patterns and lines resembling a W; the second in hues of brown, beige, and red, woven with diamond-shaped patterns; the third brown, tan, and beige, woven with zig zag-shaped patterns; together with an Alpaca wool blanket made in Peru, in hues of beige, brown, gray, and white, featuring an image of two lamas in center, never used as original tag is still attached. 56 x 89 and smaller estimate: $600-$800
295
44597
A pen A nd ink dr AW ing, circA 1979
Rendered on paper, depicting an image of Wayne titled Another Major Battle for The Duke; created by cartoonist/illustrator Bob Dix to run in the Manchester Union Leader newspaper, likely sometime in 1979 when Waynes cancer resurfaced. 11 x 8 1/2 estimate: $500-$700
44599
four dr AWingS, 1960s-1970s
44598
A pen A nd ink dr AW ing, 1979
Rendered on paper, depicting Wayne on a bucking horse, stamping out The Big C, signed in the lower right corner Conrad / The Los Angeles Times 1979, mounted above is the original newspaper cut-out of the cartoon which ran on Sunday, January 21, 1979; with a JW inventory sticker. Framed: 25 x 15; Work Only: 13 x 10 estimate: $1,000-$1,200
Including: 1) a pen and ink on paper depicting a caricature of Wayne by noted cartoonist Bill Mauldin, signed in the lower left side For Squint / Wayne from / a fan / Cinema / Division / Bill Mauldin, with a JW inventory sticker; 2) a color print depicting Wayne in character from a Western; 3) an oil on board painting depicting Wayne in character from a Western; and 4) a print depicting Wayne in character from a Western, with a JW inventory sticker; all signed. (Please go to our website to see images of the other pieces.) Mostly Matted and Framed: 16 x 14 Work Only: 10 x 8 and smaller estimate: $300-$350
296
44602
A pen A nd ink dr AWing, 1977
44600
Rendered on paper, depicting a highly detailed image of Wayne in character from The Shootist, lower margin is annotated in pencil John Wayne from Don Siegels The Shootist / Mike Lamb 7/24/24/77, in an elaborate wooden frame. Matted and Framed: 33 x 27; Work Only: 24 x 18 estimate: $500-$700
Rendered on board, depicting a good likeness of Wayne in character from a Western, signed in the lower left corner Toni Trevanne, in a rustic wood frame. Framed: 25 x 21; Work Only: 20 x 17 estimate: $1,000-$1,500
44603 44601 A n oil pAin t ing, 1970s
A n AirbruShed pAin t ing, 1970s
Rendered on canvas, depicting a good likeness of Wayne as Rooster Cogburn from True Grit, signed in the lower right corner Flower, with a rustic wooden frame. Framed: 23 x 20; Work Only: 18 x 14 estimate: $500-$700
Rendered on board, depicting a good likeness of Wayne in character from Big Jake, signed in the lower right corner D.C. Toldeo. (Please note there are a few scratches and dirt on the surface but overall condition is still good.) Matted: 36 x 30; Work Only: 29 x 23 estimate: $600-$800
297
44604
A n oil pAin t ing, 1970s 44606 A n oil pAin t ing, 1970s
Rendered on canvas, depicting a good likeness of Wayne in character from Cahill U.S. Marshall, signed on the lower right corner Lawrence. Framed: 21 x 25; Work Only: 16 x 20 estimate: $500-$700
Rendered on board, depicting a good likeness of Wayne in the classic John Wayne, American pose, signed in the lower left corner Roy Hampton / A.I.C.A., in a rustic wood frame. Matted and Framed: 35 x 31 Work Only: 25 x 22 estimate: $500-$700
44607 44605 A pAS t el por t r Ai t, 1978 Rendered on paper, depicting a good likeness of Wayne in the classic John Wayne, American pose, signed in the lower right corner For Duke / with love / Marilyn McCracken 78, in a rustic wood frame. Matted and Framed: 41 x 29; Work Only: 27 x 16 estimate: $500-$700
A h A nd -tool ed le At her por t r Ai t, 1979
Depicting a good likeness of Wayne in character from The Man Who Shot Liberty Valance, signed in the lower right corner Tom Wolfe / 79, nailed to a rustic piece of wood. Overall: 23 x 20; Work Only: 18 x 15 estimate: $500-$550
298
44608 t Wo needl epoin t S rel At ed to t rue gri t, 1969 The first depicting Wayne as Rooster Cogburn; the second depicting a poem reading in full Duke / For everyone / Both Young and Old / His Deeds / to all the world unfold / the Lamp of Goodness / He has lit / To him we say / You Have TRUE GRIT; with the remnant of a JW inventory sticker. Framed: 14 x 11 estimate: $500-$700
44609
A pumice Scul p t ure , 1970s
Depicting Waynes head in three-dimension, mounted to a rectangular wooden base; gifted to Wayne by a fan. Approximately: 13 x 8 x 9 estimate: $500-$700
44610
Rendered on board, depicting a good impressionistic likeness of Wayne in character from a Western, set against a vivid turquoise background, signed in the lower right corner Pike; purchased by the family after Waynes death. Framed: 54 x 43; Work Only: 49 x 39 estimate: $600-$800
299
44611
A group of JApA ne Se t ime poS t erS, 1980s
Approximately 150; all identical, featuring a mock image of a Time Magazine cover depicting Wayne using a water pistol to put out his cigarette, text in lower left corner reads This poster called for the cooperation of the subway passengers in Tokyo during the nonsmoking time; all posters are gently folded twice in a big stack; gifted to the Wayne Estate as they allowed his image to be used for this anti-smoking campaign. 40 x 28 1/2 estimate: $1,000-$1,500
44612
A group of JApAneSe le viS poSterS, 1980s
Approximately 150, all identical, featuring the famous shot from Stagecoach when we are first introduced to the Ringo Kid the scene that made John Wayne an instant movie star (though he had already made eighty-odd films); text on the left side reads Heroes Wear Levis above Japanese characters and the Levis logo; gifted to the Wayne Estate as they allowed his image to be used for this advertising campaign. 23 1/2 x 33 estimate: $500-$550
ENd Of SESSiON ONE
300
SESSION TWO
Heritage Live!, Internet, Fax, and Mail Only Session Friday, October 7, 2011 | 1:00PM CT | Dallas | Lots 44613 44745
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44613
A F elt H At, 1950s
44614
t Hree Wool WAl k ing H At s, 1950s-1960s
Of traditional design, tan-colored, made by James Oviatt of Los Angeles called an Oviatt Model, with evident wear. (Please note there is slight staining on the rim and hatband.) estimate: $400-$600
All of traditional design; the first beige tweed by Herbert Johnson of London; the second gray and white with colored speckles by Grafton Street of Southern California; the third black and white with colored speckles by Millars of Connemara, Ireland. estimate: $300-$500
Session Two, Auction #7045 | Friday, October 7, 2011 | 1:00PM CT
301
44615 t Hree Wool CAps, 1950s All of classic design with a small brim, all by Ayres and Smith of England (but bought at Oviatts in Los Angeles); the first black and white houndstooth; the second beige tweed (heavily worn and stained); and the third brown plaid. estimate: $200-$300 44618 el e v en bAsebAl l CAps, 1960s-1970s All with various logos and/or patches such as UCLA, USC, American Coal, The Shriners, AAD, Duke (not the university), Eldorado (with an affixed Nixon-Lodge lapel button), and the Los Altos International Mens Club; last two the only ones worn, all others likely gifted to Wayne. estimate: $300-$500
44616
t Hree s t r AW H At s, 1960s-1970s
In various styles; the first a cowboy hat with a white cotton braid hatband by Nudies Rodeo Tailors of North Hollywood, California called a Resistol Self-Conforming (never worn); the second a Panama hat by Robinsons Mens Store of Los Angeles (heavily worn with many holes and rips); and the third an Ecuadorian Panama hat with a black tie hatband by Paul Bonds of Nogales called a Donhoy (worn and heavily stained). estimate: $300-$500
44619
F i v e CAsuAl CAps, 1960s-1970s
All made of cotton; including: 1) a navy blue one with an anchor patch; 2) a light blue one with a patch reading Honorary / Commodore / Port of Stockton / Calif.; 3) a white one with a ribbon band and a patch reading Bellevue; 4) a tan one with a ribbon band by Eddie Bauer; and 5) a white one with a ribbon band; most appear well worn. estimate: $200-$300
44617
A s t r AW sombrero, 1960s
Of traditional design, with a thick red and black striped hatband and a tan suede chin strap, made by Elegante Sombrero Nacional, further stamped on inside lining Extra Fino; with evident wear. (Please note hat is somewhat damaged due to use and age.) estimate: $200-$300
302
44620
F i v e CAsuAl CAps, 1960s-1970s
Including: 1) a khaki cotton one by L.L. Bean; 2) a red felt one; 3) a tan fishing one by Orvis; 4) a red vinyl one by Ted Williams for Sears, Roebuck and Co.; and 5) an olive green cotton one; two well worn. estimate: $200-$300 44623 t Hree pAirs oF loAF ers, 1960s-1970s
All made of leather; the first brown; the second brown with a gold metal embellishment on top, inside label reads Made for Simpson Piccadilly / by Bally of Switzerland, size 11E; the third cordovan, classic penny loafer style, inside stamped Weejuns / G.H. Bass & Co.; size 10 1/2E; all with evident heavy wear. estimate: $400-$600
44621
F i v e W HimsiCAl H At s, 1950s-1970s
All of varying design; the first a maroon and yellow wool Tam OShanter made in Scotland; the second a black British bobby hat by Christys of London (with a JW inventory sticker); the third a collapsible black silk top hat by Dobbs of New York (bought at Desmonds); the fourth a green felt top hat by Schwartz Hat Co. of Los Angeles (moth holes apparent); and the fifth a maroon velvet sombrero with decorative gold ribbon accents. estimate: $300-$500
44624
t Wo pAirs oF ADiDAs At Hl e t iC sHoe s, 1960s-1970s
Including a pair of white leather Robert Haillet tennis shoes with evident wear and a pair of white leather with green stripes Country running shoes. estimate: $400-$600
44625
Four pAirs oF De ser t boo t s, 1960s-1970s
44622
t Wo pAirs oF Dre s s sHoe s, 1960s-1970s
The first a pair of black leather Oxfords, inside stamp reads Wing by Bally of Switzerland, size 10 1/2D; the second a pair of black leather loafers, inside stamps reads Carroll & Co. Beverly Hills, size 11; both with evident wear. estimate: $200-$300
Including: 1) a pair of tan suede ones, inside stamp reads After Hours, size 10 1/2W; 2) another identical pair; 3) a pair of tan canvas ones, stamp on heel reads L.L. Bean, Inc,; size 11; and 4) a pair of tan suede ones, inside sticker reads Kiffe Voyager Boot-Spain, size 11; some with evident wear. estimate: $400-$600
303
44626
Four pAirs oF CAsuAl sHoe s, 1960s-1970s 44628 t en pAirs oF sl ippers, 1960s-1970s
Including: 1) a pair of brown faux leather ankle boots with a buckle closure, size 10 1/2; 2) a pair of brown suede casual Oxfords, inside stamp reads in part by Bass; 3) a pair of tan suede lace-up ankle boots, inside stamp reads Hitchcock / Hingham, Mass., size 10 1/2; and 4) a pair of brown leather deck shoes, inside stamp reads Sperry Top Sider; all with evident wear. estimate: $400-$600
Including: 1) a pair of gray nylon Mukluks, inside tag reads Eddie Bauer / Premium Quality Goose Down, size L; 2) a pair of beige wool and leather Mukluk slippers, bottom stamp reads Eddie Bauer, size ML; 3) a pair of tan leather slippers with dark brown faux fur lining; 4) a pair of rust-colored leather slippers, inside stamp reads Pantuflas Hogar / Hecho en Mexico; 5) a pair of cordovan leather slippers, inside stamp reads Evans / Baronet, size 11; 6) a pair of tan leather slipper/loafers, inside stamp reads Royal Crest by Herley, size 11; 7) a pair of tan leather slippers, inside stamp reads Hide-Aways by Manistee, size 11; 8) a pair of tan suede slippers with sheepskin lining, bottom stamped Hand Turned / Hand Lasted / Made in England, size 11; 9) a pair of white terry cloth and blue elastic slippers, bottom stamped Van Huesen; and 10) a pair of light blue and navy blue velour slippers, bottom stamped Sundowners, size 11-12; all with evident wear. estimate: $300-$500
44627
F i v e pA irs oF ou t Doors boot s, 1960s-1970s
Including: 1) a pair of olive green rubber fishing boots, front stamp reads Troller, size 12; 2) a pair of tan suede custom-made work boots; 3) another identical pair 4) a pair of black rubber rain boots, size 11; 5) a pair of olive green rubber and tan leather hunting boots, stamp on heel reads Eddie Bauer / Hunting Pacs, size 11M; most with evident wear. estimate: $400-$600
44629
A Duk e belt buCk l e , 1960s
Made of tan leather, hand-tooled lettering reads Duke. 2 1/2 x 4 1/4 estimate: $400-$600
304
44630
t Hree m A nly belt s, 1960s-1970s
The first with a brass Wells Fargo buckle, back stamped Tiffany New York; belt made of brown leather, size 38, with evident heavy wear; the second with a metal Montezuma Tequila buckle; belt made of black leather, size 42, with no wear; the third with a brass Marlboro buckle; belt made of brown leather, size 38, with no wear. Buckles: 2 1/2 x 3 1/2 estimate: $400-$600
44633
A lobby CArD F rom t He y W ere e x penDAbl e
Metro-Goldwyn-Mayer, 1945. Card #5 depicting Ward Bond, Wayne, and Robert Montgomery in a scene from the John Ford-directed film; with a JW inventory sticker. Matted and Framed: 17 x 20; Card Only: 11 x 14 estimate: $100-$150
44631
Four bA nDA n As, 1960s-1970s
Three made of cotton with traditional red or blue bandana print fabric; one made of silk by Eddie Bauer. Various Sizes estimate: $300-$500
44632 A t r Av el t runk , 1960s-1970s Made of black plastic, with two John Wayne return address labels and three freight stickers on surface. 24 x 40 x 11 estimate: $400-$600
44634
A pos t er, 1946
Depicting an oversized facsimile of a First Day of Issue envelope for the Iowa Statehood Centennial 3-cent postage stamp; addressee section reads in part Mr. John Wayne / RKO Radio Pictures Studios; likely sent to Wayne from the United States Postal Service since he was a famous Iowa native. Framed: 14 x 25; Poster Only: 13 x 22 estimate: $200-$300
305
44635
A group oF pAmpHle ts rel AteD to tHe Al Amo, 1960
Sixteen total; called a Statement of Principle that Life Magazine printed to advertise their publication as well as the film, interior pages feature an image of Wayne along with text about the history of The Alamo; these being Waynes extra file copies. 14 x 11 estimate: $25-$50
44637
t Wo bl A nk pieCe s oF l e t t erHe AD F rom H AtAri!
Paramount, 1962. Featuring the films logo and other relevant information with a cute elephant in the center; both pages folded twice, but not used otherwise. 11 x 8 1/2 estimate: $25-$50
44636
A pAperW eigH t rel At eD to H AtAri!
44638
t Wo l Apel bu t tons, 1969-1971
Paramount, 1962. A clear Lucite block with a miniature gold-colored Jeep suspended inside, text on the front reads Hatari / John Wayne, with a partial JW inventory sticker; likely a gift from a cast or crew member. 2 1/2 x 2 1/2 x 1 1/2 estimate: $200-$300
The first likely a promotional piece related to Waynes 1969 film, True Grit; the second from The Jolly Roger restaurant (an old Southern California chain); both housed in a box reading Hollywood Diamond / Exchange / 1612 North Vine Street / Hollywood, California with a JW inventory sticker. Diameter: 3 1/2 and smaller estimate: $25-$50
306
44639
A WAl l H A nging, 1970s
Made of burlap, with orange and blue yarn hand-stitched in an uplifting message; gifted to Wayne by a fan when he was in the hospital. 36 x 10 estimate: $25-$50 44641 A group oF me tAl giF t pl ACArDs, 1970s Ten total; all identical with text reading Best Wishes / Duke, adhesive strip on back, evidently used to affix to gifts. 1x 2 1/2 estimate: $50-$75
44642
A bumper s t iCk er, 1970s
Neon yellow with black text, never used. (Please note piece is somewhat wrinkled and has fold marks.) 4 x 15 estimate: $20-$25
44640
t Hree pHo togr ApHiC pieCe s, 1960s-1970s
Including: 1) a black and white photograph of Wayne with another man, housed within an elaborate wooden frame reading April 6, 1975 / Duke / Thanks for the great / inspiration. / Always Burt; 2) a color photographic image of Wayne with text below reading God made him an American / Raymond Willie made him a Texan / You made him a legend, with a JW inventory sticker; and 3) an interesting, oversized, gold-colored publicity photograph of Wayne from North to Alaska issued by 20th Century Fox to promote the film. (Please go to our website to see images of other pieces.) Matted and Framed: 20 x 16; Work Only: 15 x 12 estimate: $300-$350
44643
t Wo Commemor At i v e l iCense pl At e s, 1973
Both identical, text reads District of Columbia / JW / Inauguration 1973; given to Wayne as a memento of his friend Richard Nixons second inauguration which took place on January 20, 1973. 6 x 12 estimate: $50-$100
307
44646 44644 A group oF v ie t n A m - rel At eD giF t s, 1960s
A usC -rel At eD t ri v e t, 1960s
Four items all gifted to Wayne from soldiers; the first a satin flag reading Ho Chi Minh / Kiss My Ass; the second a red, white, and blue cotton banner with a handwritten note reading in part 5th Special Forces / Vietnam; the third a non-live grenade with a handwritten note reading To / John / Wayne / Marine E.O.D. / Danang / Jun. 66 / F.L.F.; and the fourth a nonlive grenade with a handwritten note reading To / John / Wayne / From / 632CM / Binh / Huy / Viet. Various Sizes estimate: $200-$300
Made of ceramic, octagonal in shape, text on front reads in part The Presidents Circle / Alumni Fund / John Wayne / Investor, bottom printed with makers mark Franciscan Hermosa. 6 1/2 x 6 1/2 estimate: $25-$50
44647
A mini At ure moDel oF A DC -10 Airpl A ne , 1972
Made of wood, painted, side of plane reads John Wayne Airline, affixed to base with placard reading Duke / Here is your own DC-10 / Ken Boucher / May 1972, housed in its own wooden box. Model: 13 x 12 x 5; Box: 9 x 15 x 14 estimate: $200-$300
44645
A group oF guiDepos t s pAmpHl e t s, 1974
Approximately 30; all the same issue from January 1974, featuring Wayne on the cover and an inside article written by him about True Courage; housed in their original shipping box addressed to Wayne. Pamphlet: 7 1/2 x 5 Box: 4 x 8 x 5 estimate: $100-$150
44648
A t ropH y A nD pen Hol Der, 1970s
The first presented to John Wayne; from the Bob McGrath Invitational Bridge Tournament for being a Runner-Up; the second a desk pen holder set with attached placard reading Compliments of / American Coal Company / Its Great to be an American. 8 x 12 x 6 and smaller estimate: $200-$300
308
44651 t Hree WAl k ing s t iCks, 1950s-1970s 44649 A group oF goggl e s, 1950s-1970s Four total; including: three pairs of Polaroid All-Purpose goggles with their original cloth cases and one pair of swim goggles; together with a pair of binoculars with their black leather case; some possibly used in films. Various Sizes estimate: $400-$600 All made of wood; including a dark brown Shillelagh (missing its end tip), a cane with a brass end tip, and a black Shillelagh with a brass end tip. Length: 42 and shorter estimate: $200-$250
44650
A l Arge CA n t een, CirCA 1950s
44652
A k nigH t F igurine , 1960s
Made of metal, with a blue, brown, and yellow striped fabric covering and a canvas strap, screw top reads Boyco; possibly used in a film. Diameter: 11 estimate: $200-$300
Made of metal, painted black, helmet has moveable parts, shield reads 4025 TH, mounted to a square-shaped base. (Please note two parts are now unattached but can likely be repaired.) 17 x 5 x 5 estimate: $25-$50
309
44653
A group oF moDel s, 1960s-1970s
The first a tin locomotive with an attached music box that plays Ive Been Working on the Railroad; the second styled as an old-fashioned wooden British cannon; the third a wooden stagecoach with a JW inventory sticker; the fourth a metal Big Bang Major Field Cannon that actually fires when loaded, included with its original box. Various Sizes estimate: $500-$700 44656 t Wo Cu t e F igurine s, 1970s
Made of ceramic; the first a boy cowboy, signed on the bottom To Duke / Love Joyce; the second a boy aviator with text on his goggles reading John / I Love You and on his propeller Flying Leathernecks. Height: 11 estimate: $25-$50
44654
t Wo F un WAl l H A ngings, 1960s
The first made of painted metal in the form of a 1920s-era automobile, stamped on the back Sexton / USA, included with a photocopied page showing how Wayne ordered this piece from Creative House of Kansas City, MO on July 21, 1969; the second made of pewter and colored glass in the form of a locomotive. 6 x 11 and smaller estimate: $25-$50
44657
A se Agul l sCul p t ure , 1960s
Two birds made of resin, affixed to a piece of driftwood by metal rods, each bird signed Terry; from the family room in the Newport Beach home. (Please note one of the wings shows obvious repair work.) Approximately: 16 x 14 x 7 x 6 44655 A boWl A nD pl At e Displ Ay, 1973 estimate: $50-$75
Made of porcelain, painted with cobalt and 24 karat gold highlights, bowl displays an eagle in center and two on either side as handles, plate displays an American flag in center with text reading The United States of America / One Nation Under God, back of plate reads in part Plate No. 0840...of 3000...Made in Western Germany...H.H. Lihs Imports / Long Beach, Calif.; included with small wooden plate stand. Bowl: 9 1/2 x 11 x 9; Plate: 9 1/2 estimate: $200-$300
44658
A Col l eC t ion oF se A sHel l s, 1960s
A variety of different kinds included with a few marble eggs and rocks; all housed within a marble bowl in the form of a large cockleshell. Bowl: 11 x 10 x 2 estimate: $20-$40 44661 A l Arge Cer A miC v e s sel , 1970s
In the form of two whimsical bird-like creatures, with a white glaze, sticker on side reads Neiman-Marcus / Made in Italy. Approximately: 17 x 18 x 14 estimate: $100-$150
44659
t Wo F rog F igurine s, 1970s
The first one large, made of ceramic, painted lime green; the second one small, made of porcelain, sticker on bottom reads FF / Japan, still in its original box. 10 x 15 x 11 and smaller estimate: $100-$150
44662
A t rue gri t mouse orn A men t, 1970s
Hand-made of felt and fabric, depicting the tiny creature wearing Western garb and an eye patch, attached is a handwritten tag reading True Grits / of / all about christmas / la mesa, ca. Height: 3 estimate: $10-$15 44660 t Wo pieCe s oF t urquoise , 1960s
The first one in the form of a frog; the second in its natural state. 5 x 3 x 1 1/2 and smaller estimate: $100-$150
311
44665
A Col l eC t ion oF tCHo tCHk e s, 1960s
44663
A n ugly el F Dol l , 1960s
Made of rubber with fabric clothing and cap. Height: 17 estimate: $25-$50
Eleven small items collected by or given to Wayne including: 1) a brown ceramic Native American piggy bank; 2) a brass anchor paperweight; 3) a Lucite box displaying miniature cowboy figurines; 4) a wooden and metal crucifix; 5) a papier-mch figurine of a boy and dog; 6) a ceramic creamer; 7) a matching ceramic sugar bowl; 8) a Lucite block paperweight with text engraved inside reading The Super Comedy Bowl / American Motors-Wells, Rich Greene; 9) a marble paperweight with a placard reading Agnew / Associates; 10) a ceramic bridge (for a fish tank); and 11) a miniature toy gun. Various Sizes estimate: $25-$50
44664
A Col l eC t ion oF A nim Al F igurine s, 1960s-1970s
Sixteen total; including: 1) a bronze Doberman Pinscher; 2) another identical one; 3) a wooden lion; 4) a terra cotta bull; 5) a cloisonn fish; 6) a marble owl head; 7) a metal mouse on a Lucite block of cheese; 8) a binder clip with a rooster image on it; 9) a resin duck on a wooden stand; 10) a resin seagull on a piece of driftwood; 11) another similar one; 12) another similar one; 13) another similar one; 14) a metal can opener in the form of a fish; 15) a metal duck head letter clip; and 16) another similar one; included is the original catalogue page where Wayne circled the duck head letter clip and wrote 3, as well as the photocopied order form showing what else he bought that day of January 22, 1969. Various Sizes estimate: $300-$500
44666
si x Col l eC t ibl e s, 1960s-1970s
Including: 1) a ceramic beer stein made in West Germany; 2) a whimsical ceramic vase made in Japan; 3) a glass ship in a bottle; 4) a ceramic Queen Elizabeth Silver Jubilee coffee cup; 5) a ceramic San Gabriel Valley Council/Tournament of Roses coffee cup; and 6) a small clay vase made in Greece. 16 and smaller estimate: $200-$300
312
44669
A group oF WAl l H A ngings, 1970s
44667
t Hree me tAl Col l eC t ibl e s, 1960s
The first a three-dimensional wall hanging depicting an outdoor cafe; the second a free-standing sculpture depicting a windmill with an attached music box that plays Windmills of Your Mind; the third a two-dimensional wall hanging that reads A Kind Word. 15 x 19 x 7 and smaller estimate: $100-$150
Six total; including: 1) a circular wooden plaque gifted from the Royal Canadian Mounted Police in 1977 (as indicated on the back); 2) a bronze plate called Landing of Columbus framed in a shadowbox, included with a Certificate of Authenticity dated 1972; 3) an oval-shaped wood carving depicting a pastoral scene gifted by its artist in 1974; 4) a wooden and metal work depicting The Last Supper; 5) a clay piece depicting two ancient Egyptian figures; and 6) a wooden box with metal letters spelling out Trust Everyone / But Cut / The Cards. 11 x 16 x 5 and smaller estimate: $200-$250
44668
se v en DeCor At i v e boWl s A nD pl At e s, 1960s-1970s
Including: 1) a ceramic bowl painted with a Virgo symbol [Pilar Waynes sign]; 2) a ceramic bowl painted with a Gemini symbol [Waynes sign]; 3) a porcelain platter painted with a fish; 4) a square-shaped copper and tile plate depicting four figures; 5) a porcelain plate painted with Toucans; 6) a square-shaped ceramic dish painted in hues of green and brown; and 7) a rectangular-shaped wooden plate with images of birds. 13 x 8 and smaller estimate: $300-$500
44670
A group oF HouseHolD i t ems, 1960s
Four total; a metal coffee urn; a bar lamp in the form of a traffic light (still in its original box); a metal ice bucket; and a brass magazine rack in the form of a shopping bag with handles. 16 x 13 x 7 and smaller estimate: $200-$300
313
44671
Four pieCe s oF equipmen t, 1960s-1970s
Including: an electric hot plate, a digital world time clock, a green metal cartridge case, and a portable electric space heater still in its original shipping box. 6 x 12 x 12 and smaller estimate: $200-$300
44674
A FA nC y porCel Ain JAr, 1950s
Depicting three-dimensional nude figurines frolicking around the base while a female and angel figurine rest on the lid; from a bedroom in the Newport Beach home. Approximately: 12 x 7 x 6 estimate: $300-$500
44672
A group oF rus t iC boW l s, 1960s
Including: a large bowl with a metal rim, fifteen smaller bowls, and a miniature barrel with a metal handle; together with a more refined bowl in the form of an oversized leaf. 14 x 14 x 6 and smaller estimate: $300-$500
44675 44673 t Hree Cer AmiC v e s sel s, 1960s The first an oblong orange dish with decorative detailing on the sides; the second a round yellow bowl; the third a rectangular mauve dish stamped on the bottom Made in Japan. 16 x 9 x 3 and smaller estimate: $200-$300
A s t erl ing silv er ro tAry Di Al t el epHone , 1920s
A Bakelite telephone made by Kellogg Switchboard & Supply Company of Chicago, with a decorative sterling silver overlay featuring engraved flowers and red and green rhinestones (some now missing), not in working condition but could likely be repaired, #9 on dial chipped away, with a JW inventory sticker. Approximately: 5 x 6 x 9 estimate: $400-$600
314
44676
A Col l eC t ion oF Dime s, 1940s-196 4 44678 A group oF v in tAge Clo t He s H A ngers, 1950s-1970s
Approximately $300 worth of dimes from the years when they were made of 90% silver and 10% copper; most of them rolled in $5 coin wrappers. estimate: $300-$325
Sixteen total, all made of wood (except one), from various places patronized by Wayne including (in alphabetical order): Academy Award Clothes-Los Angeles, The Ambassador Hotel-Los Angeles, The Beverly Hills Hotel, Douart Company-Los Angeles, Eddie Schmidt [tailor to the stars], Hotel BamerMexico City, Hotel Ritz-Barcelona, Klopfensteins-Seattle-Tacoma-Anchorage, The Pierre, and six from Sy Devore [tailor to the stars]. 8 x 16 estimate: $25-$50
44677
t Hree k no t t y pine k l eene x box e s, 1950s
All are hand-made; two are inscribed on the bottom Merry Xmas / from Rennicks / 1954; one is inscribed Made by / Rennick / LA, Calif / May 18, 1955 / HC. 5 1/2 x 10 1/2 x 4 Wayne had many pieces of furniture in his house that were made by Rennicks. estimate: $100-$150 44679 A se t oF kentuCk y Derby e ArtHenWAre, 1975-1976 Made to commemorate the famous horse race; pieces include a decanter, a water pitcher, and ten drinking glasses; each piece is handpainted with different images of either a race horse, the Belle of Louisville steamship, a Pegasus horse, or hot air balloons; each piece also stamped on bottom in part Louisville Stoneware Co. / Made in Kentucky / U.S.A. 12 and smaller estimate: $300-$500
315
44683 44680 F i v e pieCe s oF green gl As s/e Ar t Hen WA re , 1960s
A group oF loW bAl l CoCk tAil gl As se s, 1960s
Sixteen total; with a white plastic removable bottom stamped Designer Collection / by David Douglas / Made of Genuine Accalac. Height: 4 estimate: $50-$75
Including two identical goblets, a vase (ceramic), a wine decanter, and another vase with decorative white and gold-painted accents; included is a photocopied document showing how Wayne ordered the decanter on July 29, 1969. 14 and smaller estimate: $100-$200
44684
A Col l eC t ion oF perrier, 1970s
Ten bottles of the fancy water, four with customized labels reading 20 Year Old / Perrier / Selected for the Holiday Pleasure / of / John Wayne / by / Mr. and Mrs. Joseph DeFranco; evidently a joke from one of Waynes friends. Each Bottle Height: 10 DISCLAIMER: 44681 F i v e pieCe s oF gl As sWA re , 1950s-1970s This water is being sold as a collectible and it should NOT be consumed by humans or animals. estimate: $100-$150
Including: a milk bottle, a decanter, a wine carafe from Giumarra Vineyards [in central CA], a vase, and an oversized goblet. Height: 11 and smaller estimate: $100-$200
44685
A mini At ure Horse CAr AvA n sCul p t ure , 1970s
Made of resin and other materials, depicting twenty horses pulling three cargo wagons as a lone cowboy controls the team. (Please note one horse needs to be re-affixed to base.) Approximately: 41 x 5 x 6 estimate: $300-$500 44682 A set oF CHristmAs loWbAll CoCktAil glAsses, 1960s Twelve total; with each one having a different etched depiction and text on the front relating to the Twelve Days of Christmas carol. Height: 4 estimate: $100-$150
316
44686
A Horse CAr AvA n sCul p t ure , 1979
Made of wood, hand-painted, depicting two cowboys driving a stagecoach with a team of six horses; placard on front reads Special Wood Carving for / John Duke Wayne / with Great Admiration / By Oscar M. Cortes April 23, 1979; gifted to Wayne by a fan. 49 x 12 x 15 estimate: $300-$500 44689 se v en misCel l A neous F r AmeD i t ems, 1960s-1970s
Including: 1) a print of the raising of the flag at Iwo Jima; 2) a letter/poem by A.C. Fifield; 3) a print of a man and a goat; 4) a print of a drawing/poem; 5) an 1864 handwritten letter from a prisoner to his sister; 6) a page of original sheet music from Song of the Bombardiers signed to Bob Fellows [Waynes one-time business partner] by the composers Jack Schell and M.K. Jerome; and 7) a page torn out of a magazine showing a woman, a Boxer dog, and the back of a horse with Waynes handwritten annotation in pencil reading Jack / I thought Ward / raised Chesapeakes this last piece related to a running joke between Wayne and John Ford where they would send each other images of horses asses with a funny remark about Ward Bond. (Please go to our website to see images of the other pieces.) Framed (With Some Matted): 20 x 17 and smaller 44687 t Wo Works oF Ar t, 1970s estimate: $300-$500
The first a print of Norman Rockwells painting titled Stagecoach; the second a glass etching created by another artist based on Rockwells work; both gifted to Wayne by fans. (Please go to our website to see images of the other piece.) Framed: 19 x 32; Work Only: 12 x 25 and smaller estimate: $300-$500
44690 44688 A n enormous prin t, 1970s
Four n At i v e A meriCA n -t HemeD prin t s, 1960s
Rendered on board to simulate an oil painting, depicting a stagecoach with cowboys and horses, printed in lower left corner W.M. Verdult [a Laguna Beach, California artist], further information about artist glued to the back. Matted and Framed: 32 x 56; Work Only: 24 x 48 estimate: $300-$500
All reproduction prints of works by turn-of-the-century Western artist, C.M. Russell; each depicts Native Americans and their horses out in nature with one showing cowboys on their horses; all frames have drilled holes which indicate they were displayed aboard the Wild Goose. (Please go to our website to see images of the other pieces.) Matted and Framed: 16 x 20; Works Only: 9 x 13 estimate: $200-$250
317
44693
Four Horse-rel At eD Works oF Ar t, 1970s
Including: 1) a print depicting horses in the mountains; 2) a horses head composed of actual quarters dating from the 1960s-1970s; 3) a pencil on paper drawing of a horse; and 4) a hand-tooled leather piece depicting two horses fighting; all signed. (Please go to our website to see images of the other pieces.) Framed: 17 x 31 and smaller 44691 F i v e n At i v e AmeriCA n -t HemeD pieCe s oF Ar t, 1970s Including: 1) an acrylic on leather painting of Sioux Chief Crazy Horse; 2) a print of a Native American; 3) a drawing of a Native American; 4) a print of Native Americans on horses; and 5) a drawing of a Native American; all signed by the artists. (Please go to our website to see images of the other pieces.) All Framed: 31 x 26 and smaller estimate: $200-$250 estimate: $300-$500
44694
se v en A meriCA n -t HemeD pieCe s oF Ar t, 1970s
44692
A prin t, 1960s
Depicting a cowboy in repose, artist name in lower right corner illegible, in an elaborate gilt frame. Framed: 38 x 49; Work Only: 29 x 40 estimate: $400-$600
Including: 1) Sheet music for the song She Was One of the Early Birds; 2) a poster of U.S. flags; 3) a reproduction of the New York Herald from 1865 regarding Lincolns assassination; 4) an artistic partial copy of the Gettysburg Address; 5) an artistic partial copy of the Constitution; 6) a sheet of stamps from 1976; and 7) a copy of the Declaration of Independence. (Please go to our website to see images of the other pieces.) All Framed: 30 x 25 and smaller estimate: $300-$500
318
44695
A se t oF mil i tAry-t HemeD prin t s, 1970s
Six total; all depicting various images of Vietnam-era soldiers (or their gear) next to text relating to the imagery, signed in the lower right corner George T. Ehypech 9/10; together with one similar print by same artist but appearing to be from a different series. (Please go to our website to see images of the other pieces.) Matted and Framed: 20 x 14 1/2; Work Only: 15 x 11 estimate: $300-$500 44697 t Wo prin t s, 1960s
The first depicts two men at sea using instruments; the second depicts two men in a fishing boat with the days catch. Framed: 24 x 30; Work Only: 18 x 24 and smaller estimate: $400-$600
44696
Rendered on canvas, depicting a PT Boat of WWII, signed in the lower right corner William Lundgren, placard on front reads in part Presented to / John Duke Wayne.../ 1969, with a JW inventory sticker; together with a print of a sailboat and a black and white photograph of a boat called Shenandoah. (Please go to our website to see images of the other pieces.) Matted and Framed: 17 x 24; Work Only: 11 1/2 x 18 1/2 (other two smaller) estimate: $300-$500
44698
Four gov ernmen t- rel At eD Works oF Ar t, 1970s
Including: 1) a print related to the CIA with a JW inventory sticker; 2) a print of a fighter plane gifted to Wayne from the U.S. Air Force Class of 1979; 3) another similar print; and 4) a photo-collage gifted to Wayne from the VMAT 102. (Please go to our website to see images of the other pieces.) Framed: 35 x 41 and smaller estimate: $300-$500
319
44700 44699 Four Works oF Ar t, 1960s-1970s
t Hree pAin t ings, 1960s
Including: 1) a watercolor on paper painting depicting a stormy sky; 2) a print of a bridge; 3) an oil on board painting depicting children in a field of flowers; and 4) a reproduction print of Andrew Wyeths famous painting Christinas World; two signed. (Please go to our website to see images of the other pieces.) Framed: 22 x 29 and smaller estimate: $300-$500
Including: 1) an oil on canvas depicting abstract yellow images 2) an oil on canvas depicting an impressionistic port scene; and 3) a gouache on board depicting white and brown images; all signed. (Please go to our website to see images of the other pieces.) Framed: 25 x 36 and smaller estimate: $300-$500
44701
t Wo oil pAin t ings, 1962
Both rendered on canvas; the first depicts a still life, signed in the lower right corner Marchand, back of frame stamped Galerie de Ville / 9018 Beverly Boulevard / Los Angeles, 48, California / CRestview 5-373; the second depicts trees in a field, unsigned but appearing to be by same artist; included is a reprinted color image of Waynes youngest daughter, Marisa, standing next to the still life in the living room of the Newport Beach home. 10 x 8 estimate: $200-$300
320
44704 44702 t Hree Works oF Ar t s, 1960s-1970s
t Hree Air bAl loon prin t s, 1960s
Reproductions from the original 1785 images. (Please go to our website to see images of the other pieces.) Framed: 10 x 8 estimate: $100-$150
Including: 1) an oil on canvas painting depicting a pull cart in a field, signed in the lower right corner G.C. Stuart 79; 2) a print depicting ducks on a pond by J. Van Howd; and 3) a still life, signed in the upper right corner Marchand; all from the Newport Beach home. (Please go to our website to see images of the other pieces.) Framed: 32 x 45; Work Only: 23 x 37 and smaller estimate: $400-$600
44703
F i v e pieCe s oF Ar t, 1960s-1970s
Including: 1) an oil on canvas painting of a tropical setting; 2) an oil on board of a barn; 3) a print of two figures; 4) a pen and ink drawing of a mother and her daughters; and 5) an oil on board of a street scene; four signed. (Please go to our website to see images of the other pieces.) Framed: 14 x 21 and smaller estimate: $200-$250
44705
A JApA ne se pAin t ing, er A unk noW n
Rendered on silk, depicting a Japanese man wearing a red kimono; from the living room in the Newport Beach home. (Please note this piece is now fragile and sustains water damage.) Framed: 72 x 43 estimate: $300-$500
321
44708
eigH t JApA ne se WooDen squAre s, 1950s
Painted black with Japanese characters carved on both the front and back sides, use unknown; likely purchased by Wayne while visiting Japan. (Please note there is termite damage and chipping on most.) Each One: 11 x 13 estimate: $100-$150
44706
A t H Ai m A l e F igurine
Made of wood, with remnants of colored glass inlays and paint. (Please note this piece is now in fragile condition.) 38 x 19 x 3 estimate: $300-$500
44707
A group oF DeCor At i v e Asi A n i t ems, 1950s
44709 t Wo JApA ne se DeCor At i v e Fol Ding sCreens, CirCA l At e 1800s The first in six separate panels, framed in wood, painted with beautiful images of cranes and white, red and pink flowers; the second similar but painted with images of mountains, a house, flowers, trees, and small birds; both sets bought by Wayne on a trip to Japan and displayed in his dining room in the Newport Beach home. (Please note both screens have paint chips, slight water damage, tears, and nicks due to age.) 66 x 144 (when individual panels are unfolded) estimate: $400-$600
Including: a painted wooden box that opens to reveal a wooden statuette appearing to be the Madonna and Child; a small wooden footed box with a handpainted pastoral scene on all sides; and four handpainted paper fans with wooden handles; all likely purchased by Wayne while visiting Japan. (Please note the two wooden items are in very poor condition and need repair work.) Various Sizes estimate: $100-$200
322
44710
A WooDen enD tA bl e , 1900s
44713
A n oAk tAbl e , 1960s
Probably Japanese, top is painted with an interior scene, bottom is ornately carved. (Please note piece is in very distressed condition now.) 28 x 24 x 16 estimate: $100-$150
Circular, somewhat rustic in design, with decorative scalloped edges around the top, resting on three legs. Diameter: 57; Height: 30 This is the table that Wayne used when answering his fan mail. estimate: $500-$700
44711
A WooDen CHe s t A nD tA bl e se t, CirCA 1920s
The chest with seventeen small drawers (some pulls missing), painted with Egyptian (or Greek) figures and symbols on front, sides, and top, with a JW inventory sticker; together with a matching table. (Please note both pieces are in very fragile condition now.) Chest: 33 x 24 x 16; Table: 38 x 20 x 27 estimate: $300-$500
44714
A k no t t y pine CHin A CAbine t, 1960s
In two parts, the top with three shelves and four glass panels, with a decorative top trim; the bottom with eight drawers and two cupboards; back of both pieces note By Drexel. Top: 47 x 56 x 11 1/2; Bottom: 55 x 36 x 14 44712 t Wo unique m AHog A n y benCHe s, 1960s estimate: $500-$700
Both identical, extremely long and low to the ground, with interesting curved legs; purchased for the the Encino home and then moved down to Newport Beach. (Please go to our website to see images of the other piece.) 148 x 20 x 18 estimate: $600-$800
Session Two, Auction #7045 | Friday, October 7, 2011 | 1:00PM CT 323
44715
A pine siDe tA bl e , 1950s
Standard in design, with two front drawers, back has handwritten annotation reading Made by Rennick / L.A., Calif. / No. 1310 / William / 7/54 / L.O. 69 x 18 1/2 x 28 estimate: $200-$300
44717
t Hree Dining room CH Airs, 1960s
Box-shaped with dark wooden frames, same Asian motif carved on back rest of two, third one is different, all with bright yellow fabric cushions; from the dining room in the Newport Beach home; included with a reprinted color image showing Tembo and Simba [Waynes Miniature Pinschers named after the elephants in Hatari!] sitting on one of the chairs. 31 x 27 x 21 estimate: $200-$300
44716
A DArk WooD CHe s t, 1960s 44718 t Wo CH Airs, 1960s The first a club chair, upholstered in pea green leather; the second an arm chair with legs and a high rounded back, upholstered in pea green nubby fabric, somewhat stained; from the family room in the Newport Beach home; included with a reprinted color image showing the arm chair in situ. (Please note club chair is heavily damaged.) 33 x 34 x 33; 36 x 43 x 20 estimate: $200-$300
Two front doors adorned with cherubs and foliage, one small front drawer, cabinet affixed to four legs; from the dining room in the Newport Beach home. 65 x 35 x 17 estimate: $300-$500
324
44719
t Wo CH Airs, 1960s
The first a side chair, with a wooden frame, upholstered in beige Naugahyde; the second a club chair, upholstered in beige fabric with a brown geometric pattern; from the family room in the Newport Beach home; included with a reprinted color image showing the club chair in situ. 24 x 30 x 18; 36 x 30 x 34 estimate: $200-$300
44721
A mirror, 1960s
Housed in an arch-shaped carved and painted wooden frame, mounted to a same-shaped beige linen backing. (Please note mirror portion is somewhat stained due to age.) 35 x 19 x 5 estimate: $200-$250
44725
44718
44719
44720
A m AtCHing CouCH se t, 1960s
44720
Both of contemporary design with the same beige and rust-colored floral upholstery; the first piece with three cushions, the second with two cushions; included with two reprinted color images showing the couches in situ. 107 x 33x 31; 69 x 30 x 32 These couches were in the movie room (or family room) of the Newport Beach home where Wayne would sit at the end of the bigger sofa to watch films with the family. estimate: $300-$500 Waynes family room in the Newport Beach home.
325
44722
A Home mov ie pro JeC tor, 1960s
44723
A Home mov ie pro JeC tor, 1960s
Labeled Projector A by Wayne; four distinct pieces including: 1) a Simplex Electric Changeover Projector, Model SA5, Serial Number 77D; 2) a Xenon Projector Lamphouse, Model 1600, Serial Number 16288-0791L; (which is attached to the projector) 3) a Xenon Power Supply, Model RPS-1600, Serial Number 16288-0791P; and 4) a matching teal blue metal stand with additional wooden blocks affixed to the bottom that Wayne added. Projector: 34 x 36 x 13; Power Supply: 19 x 16 x 10; Stand: 34 x 30 x 17 Wayne had a collection of his own films (plus many others) that he would screen frequently for family and friends in the family room of the Newport Beach home, using this projector and the one in the next lot. estimate: $400-$600
Labeled Projector B by Wayne; four distinct pieces including: 1) a Simplex Electric Changeover Projector, Model SA5, Serial Number 79D; 2) a Xenon Projector Lamphouse, Model 1600, Serial Number 16287-0791L (which is attached to the projector); 3) a Xenon Power Supply, Model RPS-1600, Serial Number 16287-0791P; and 4) a matching teal blue metal stand with additional wooden blocks affixed to the bottom that Wayne added. Projector: 34 x 36 x 13; Power Supply: 19 x 16 x 10; Stand: 34 x 30 x 17 estimate: $400-$600
44724
A mo toriz eD e x erCise biC yCl e , 1960s
Called an Exercycle Model 50X, made of metal, painted gray, small motor rests on back, working condition not known. Approximately 44 x 25 x 15 estimate: $300-$500
326
44727
t Wo m AtCHing tAbl e l A mps, 1960s
44725
t Wo br As s tA bl e l Amps, 1960s
Both bright yellow, made of ceramic, ovoid in shape, resting on circular carved wooden bases, with beige yarn lampshades, working condition not known. Height: 30 estimate: $100-$150
Both of similar globular design (though one is smaller) resting on small black wood bases, with matching beige yarn lampshades, working condition not known; from the family room in the Newport Beach home; included is a reprinted color image showing these lamps in situ. Height: 34 and 30 estimate: $100-$150
44728
t Wo el eC t riCAl br As s l A n t erns, 1970s
Square shaped, glass panels on three sides, glass hurricanes rest inside, working condition not known. 20 x 11 x 8 estimate: $200-$300
44726
t Hree tAbl e l Amps, 1960s
The first red, made of wood, oblong in shape, with a Japanese woman motif around the entire base; the second green, made of metal, somewhat ovoid in shape; the third black, made of metal, cylindrical in shape, with the number 37 painted on the front; working condition not known; none have lampshades; from various rooms in the Newport Beach home. Height: 36, 34 and 27 estimate: $200-$250 Wayne sitting next to the green lamp.
327
44731
t Wo oil pAin t ings, 1970s
44729
A bl ACk s tone WA re v e s sel
With three globular feet; from the back patio of the Newport Beach home. Height: 16 estimate: $300-$500
Both rendered on canvas; the first looks like outsider art depicting Wayne in character from a Western, signed in the lower right corner Ike Hunter; the second shows Wayne in character as three different military officers, signed on the lower right side Kemet 79; gifted to Wayne by fans. (Please go to our website to see an image of the other piece.) Both: 40 x 30 estimate: $400-$600
44730
t Wo oil pAin t ings, 1970s 44732 t Hree pAin t ings, 1970s The first oil on canvas, a good likeness depicting Wayne in character from the Big Jake era, signed in the lower left corner Darrieu 77; the second an oil on canvas, depicting Wayne in same fashion, signed on the lower right side Joan Alston 78; the third a watercolor on paper, a good likeness depicting Wayne in character from the same era, signed on the lower right side P.G. Thompson; all gifted to Wayne by fans. (Please go to our website to see images of the other pieces.) All Framed: 28 x 24; Works Only: 23 x 16 estimate: $300-$500
Both rendered on canvas; the first a good likeness depicting Wayne and Walter Brennen in character from Red River, signed in the right corner Brian K. Hamilton; the second depicting Wayne in character from The Cowboys, signed in the lower right corner 79 Weizel, both gifted to Wayne by fans. (Please go to our website to see an image of the other piece.) 16 x 20 and smaller estimate: $200-$250
328
44733
Four oil pAin t ings, 1970s 44735 t Hree prin t s, 1970s Each depicting Wayne from a different Western, all in rustic wooden frames; all gifted to Wayne by fans. (Please go to our website to see images of the other pieces.) Framed: 14 x 12 estimate: $100-$150
All rendered on canvas; including: 1) an image of Wayne in character from a Western set against a turquoise background; 2) an image of Wayne that has come to be known as John Wayne, American; 3) an image of Wayne in character from a Western with horses behind him; and 4) an image of Wayne in character from a Western; all signed; all gifted to Wayne by fans. (Please go to our website to see images of the other pieces.) 30 x 18 and smaller estimate: $300-$500
44736
Four prin t s, 1970s
44734
A n oil pAin t ing, 1979
Rendered on canvas, depicting Wayne as Rooster Cogburn, signed in the lower left corner Gary Saderup 79, gifted to Wayne by a fan. Framed: 14 x 11; Work Only: 12 x 9 estimate: $200-$250
Including: 1) one of Wayne in character from Big Jake; 2) one of Wayne in character from three different films Rio Bravo, Hondo, and El Dorado; 3) one of Wayne from four different films including The Man Who Shot Liberty Valance and True Grit among others; and 4) another similar one; all signed; all gifted to Wayne by fans. (Please go to our website to see images of the other pieces.) Matted and Framed: 17 x 19; Work Only: 11 x 14 and smaller estimate: $300-$500
329
44737
Four Works oF Ar t, 1970s
Including: 1) a pencil on paper drawing depicting Wayne in character from The Shootist; 2) a print depicting Wayne in character from Hondo, Rio Bravo, and El Dorado; 3) an identical print but in a smaller format; and 4) a pencil on paper drawing depicting Wayne in profile; all signed; all gifted to Wayne by fans. (Please go to our website to see images of the other pieces.) Matted and Framed: 32 x 27; Work Only: 19 x 14 and smaller estimate: $300-$500
44739
A prin t, 1970s
Depicting Wayne in character from six different films. Matted and Framed: 28 x 24; Work Only: 24 x 18 estimate: $200-$250
44740
Four Works oF Ar t, 1970s
44738
A prin t, 1975
Rendered on paper, depicting a montage of images of Wayne, signed in the lower right corner Banse 75; gifted to Wayne by a fan. Matted and Framed: 30 x 24; Work Only: 26 x 18 estimate: $200-$250
Including: 1) a decoupage depicting an image of Wayne from the cover of The Saturday Evening Post glued to a board, with a JW inventory sticker; 2) a two-dimensional wood carving depicting Wayne in character from a Western; 3) a key holder featuring an image from Sands of Iwo Jima glued to a board and 4) an image of Wayne as Rooster Cogburn glued to a board; all gifted to Wayne by fans. (Please go to our website to see images of the other pieces.) 16 x 13 and smaller estimate: $300-$500
330
44741
Four Works oF Ar t, 1970s 44742 Four l e At Her por t r Ai t s, 1970s Including: 1) a hand-tooled leather image depicting Wayne in character from a Western; 2) another similar work; 3) another similar work; and 4) a print on suede depicting Wayne in character from a Western; all signed, all in rustic wooden frames; all gifted to Wayne by fans. (Please go to our website to see images of the other pieces.) Framed: 18 x 15; Work Only: 12 x 8 and smaller estimate: $200-$250
Including: 1) an oil on paper depicting Wayne in character from a Western; 2) a print depicting Wayne in character from a Western; 3) a print depicting multiple images of Wayne in character from his best known films; and 4) a print depicting Wayne in character from one of the Cavalry Trilogy films; three signed; all gifted to Wayne by fans. (Please go to our website to see images of the other pieces.) Framed: 28 x 19 and smaller estimate: $300-$350
44743
A n enormous pen A nD ink Dr AW ing, 1970s
Rendered on board, depicting multiple highly detailed images relating to Waynes films which radiate out from a central image of the actor as his Oscar for True Grit looms above, inscription on the bottom reads Over fifty years on the screen / Orgulloso, Fuerte y Formal / Over two hundred movies made; gifted to Wayne by a fan. Matted and Framed: 37 x 68; Drawing Only: 29 x 59 estimate: $400-$600
331
44744
Four l e At Her i t ems, 1970s
The first a birthday card featuring a hand-tooled image of Wayne on the front and a Kachina dancer on the back, signed on the inside by students from California State University at Fullerton; the second a scrapbook featuring hand-tooled images of Wayne on the front and back with text reading To Duke / Our Hero / Our Idol / Our Friend / Jesse & Fred / Brown; the third a small piece of leather with elaborate hand-tooling reading John Duke Wayne / The Alamo; and the fourth a wall hanging embossed Duke; all gifted to Wayne by fans. 15 x 11 and smaller estimate: $300-$500
44745
A WAl l H A nging, CirCA 1970s
Rendered in yellow leather and mounted to board, in a rough form of the state of California, hand-tooled text displays the Code of the Cow Country while Waynes film titles appear on the margins, signed in the lower right corner Raymond Shook / Odessa, Texas; gifted to Wayne by a fan. 55 x 25 According to Ethan Wayne, his dad had this piece displayed outside his office in the Newport Beach home. estimate: $200-$250
END OF AUCTION
332
Terms and Conditions of Auction

Auctioneer and Auction: 1. This Auction is presented by Heritage Auction Galleries, a d/b/a/ of Heritage Auctions, Inc., or its affiliates Heritage Numismatic Auctions, Inc., or Heritage Vintage Sports Auctions, Inc., or Currency Auctions of America, Inc., as identified with the applicable licensing information on the title page of the catalog or on the HA.com Internet site (the Auctioneer). The Auction is conducted under these Terms and Conditions of Auction and applicable state and local law. Announcements and corrections from the podium and those made through the Terms and Conditions of Auctions appearing on the Internet at HA.com supersede those in the printed catalog. Buyers Premium: 2. On bids placed through Auctioneer, a Buyers Premium of fifteen percent (15%) will be added to the successful hammer price bid on lots in Coin, Currency, and Firearms Auctions or nineteen and one-half percent (19.5%) on lots in all other Auctions. There is a minimum Buyers Premium of $14.00 per lot. In Gallery Auctions (sealed bid auctions of mostly bulk numismatic material), the Buyers Premium is 19.5%. Auction Venues: 3. The following Auctions are conducted solely on the Internet: Heritage Weekly Internet Auctions (Coin, Currency, Comics, Rare Books, Jewelry & Watches, Guitars & Musical Instruments, and Vintage Movie Posters); Heritage Monthly Internet Auctions (Sports, World Coins and Rare Wine). Signature Auctions and Grand Format Auctions accept bids from the Internet, telephone, fax, or mail first, followed by a floor bidding session; HeritageLive! and real- time telephone bidding are available to registered clients during these auctions. Bidders: 4. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions of Auction (Bidder(s)). 5. All Bidders must meet Auctioneers qualifications to bid. Any Bidder who is not a client in good standing of the Auctioneer may be disqualified at Auctioneers sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction. 6. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid. Credit: 7. Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) well in advance of the Auction or supply valid credit card information. Bids placed through our Interactive Internet program will only be accepted from pre-registered Bidders; Bidders who are not members of HA.com or affiliates should pre-register at least 48 hours before the start of the first session (exclusive of holidays or weekends) to allow adequate time to contact references. Credit may be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof to us so a credit check may be performed prior to Auctioneers acceptance of a bid. Bidding Options: 8. Bids in Signature Auctions or Grand Format Auctions may be placed as set forth in the printed catalog section entitled Choose your bidding method. For auctions held solely on the Internet, see the alternatives on HA.com. Review at HA.com/common/howtobid.php. 9. Presentment of Bids: Non-Internet bids (including but not limited to podium, fax, phone and mail bids) are treated similar to floor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, fax, phone, or mail bids that do not conform to a full or half increment will be rounded up or down to the nearest full or half increment and this revised amount will be considered your high bid. 10. Auctioneers Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail or FAX bids are submitted, preference is given to the first received. To ensure the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneers place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids or FAX bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the internet may not be withdrawn until your written request is received and acknowledged by Auctioneer (FAX: 214-443-8425); such requests must state the reason, and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged. 11. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Please see: How can I lose by less than an increment? on our website. Bids will be accepted in whole dollar amounts only. No buy or unlimited bids will be accepted. The following chart governs current bidding increments. Current Bid .....................Bid Increment <$10 .................................... $1 $10 - $29 ............................. $2 $30 - $49 ............................. $3 $50 - $99 ............................. $5 $100 - $199 ......................... $10 $200 - $299 ......................... $20 $300 - $499 ......................... $25 $500 - $999 ......................... $50 $1,000 - $1,999 ................... $100 $2,000 - $2,999 ................... $200 $3,000 - $4,999 ................... $250 $5,000 - $9,999 ................... $500 $10,000 - $19,999 ............... $1,000 Current Bid.......................Bid Increment $20,000 - $29,999 .................$2,000 $30,000 - $49,999 .................$2,500 $50,000 - $99,999 .................$5,000 $100,000 - $199,999 .............$10,000 $200,000 - $299,999 .............$20,000 $300,000 - $499,999 .............$25,000 $500,000 - $999,999 .............$50,000 $1,000,000 - $1,999,999 .......$100,000 $2,000,000 - $2,999,999 .......$200,000 $3,000,000 - $4,999,999 .......$250,000 $5,000,000 - $9,999,999 .......$500,000 >$10,000,000 ........................$1,000,000 MAY PAY A REDUCED COMMISSION ON THOSE LOTS. Minimum Bids are generally posted online several days prior to the Auction closing. For any successful bid placed by a consignor on his Property on the Auction floor, or by any means during the live session, or after the Minimum Bid for an Auction have been posted, we will require the consignor to pay full Buyers Premium and Sellers Commissions on such lot. 14. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneers decision and declaration of the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. 15. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in Good Faith when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in Good Faith. Any person apparently appearing on the OFAC list is not eligible to bid. 16. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 4060% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor. 17. Lots bearing bidding estimates shall open at Auctioneers discretion (approximately 50%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold. 18. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction. 19. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneers clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneers sole discretion. In cases of nonpayment, Auctioneers election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (sellers and buyers premium) and any other damages or expenses pertaining to the lot. 20. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact Client Services at 1-800-872-6467. 21. The Auctioneer, its affiliates, or their employees consign items to be sold in the Auction, and may bid on those lots or any other lots. Auctioneer or affiliates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its affiliates. The Auctioneer may extend advances, guarantees, or loans to certain consignors. 22. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyers Premium, return rights, and disclaimers. Payment: 23. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, travelers checks, eChecks, and bank money orders, all subject to reporting requirements). All are subject to clearing and funds being received in Auctioneers account before delivery of the purchases. Auctioneer reserves the right to determine if a check constitutes good funds when drawn on a U.S. bank for ten days, and thirty days when drawn on an international bank. 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In cases of nonpayment, Auctioneers election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (sellers and buyers premium) on the lot and any other damages pertaining to the lot. 25. Lots delivered to you, or your representative in the States of Texas, California, New York, or other states where the Auction may be held, are subject to all applicable state and local taxes, unless appropriate permits are on file with Auctioneer. (Note: Coins are only subject to sales tax in California on invoices under $1500 and in Texas on invoices under $1000. Check the Web site at: http://coins.ha.com/c/ref/sales-tax.zx for more details.) Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at and verified by Auctioneer five days prior to Auction or tax must be paid; only if such form or certificate is received by Auctioneer within 4 days after the Auction can a refund of tax paid be made. Lots from different Auctions may not be aggregated for sales tax purposes. 26. In the event that a Bidders payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via eCheck and your financial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using your credit card on file. 27. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount or three percent (3%) of any installment that is past due. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorneys fees, court costs, and other collection costs incurred by Auctioneer. If Auctioneer assigns collection to its in-house legal staff, such attorneys time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys. 28. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any underbidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 10% sellers commission, if consigned to an auction conducted by Auctioneer). The defaulting Bidder is liable to pay any difference between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 10% sellers commissions, if sold at an Auctioneers auction. 29. Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise.
12. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (Cut Bid) only once per lot. After offering a Cut Bid, bidders may continue to participate only at full increments. Off-increment bids may be accepted by the Auctioneer at Signature Auctions and Grand Format Auctions. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids. Conducting the Auction: 13. Notice of the consignors liberty to place bids on his lots in the Auction is hereby made in accordance with Article 2 of the Texas Business and Commercial Code. A Minimum Bid is an amount below which the lot will not sell. THE CONSIGNOR OF PROPERTY MAY PLACE WRITTEN Minimum Bids ON HIS LOTS IN ADVANCE OF THE AUCTION; ON SUCH LOTS, IF THE HAMMER PRICE DOES NOT MEET THE Minimum Bid, THE CONSIGNOR

30. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of offset he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidders property in their possession. 31. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper. Delivery; Shipping; and Handling Charges: 32. Buyer is liable for shipping and handling. Please refer to Auctioneers website www.HA.com/ common/shipping.php for the latest charges or call Auctioneer. Auctioneer is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. 33. Successful international Bidders shall provide written shipping instructions, including specified customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item(s) hammer price together with its buyers premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs. 34. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by Heritage until the shipping carriers confirmation of delivery to the address of record in Auctioneers file (carriers confirmation is conclusive to prove delivery to Bidder; if the client has a Signature release on file with the carrier, the package is considered delivered without Signature) or delivery by Heritage to Bidders selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneers delivery to the Bidders designated common carrier or third-party shipper. 35. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due storage or moving fees, including a 10% Sellers Commission. 36. The laws of various countries regulate the import or export of certain plant and animal properties, including (but not limited to) items made of (or including) ivory, whalebone, turtleshell, coral, crocodile, or other wildlife. Transport of such lots may require special licenses for export, import, or both. Bidder is responsible for: 1) obtaining all information on such restricted items for both export and import; 2) obtaining all such licenses and/or permits. Delay or failure to obtain any such license or permit does not relieve the buyer of timely compliance with standard payment terms. For further information, please contact Ron Brackemyre at 800-872-6467 ext. 1312. 37. Any request for shipping verification for undelivered packages must be made within 30 days of shipment by Auctioneer. Cataloging, Warranties and Disclaimers: 38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer, in specified auction venues, for example, Fine Art, may have express written warranties and you are referred to those specific terms and conditions. . 39. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate. 40. Translations of foreign language documents may be provided as a convenience to interested parties. Auctioneer makes no representation as to the accuracy of those translations and will not be held responsible for errors in bidding arising from inaccuracies in translation. 41. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any benefit of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void. 42. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price. Release: 43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions of Auction or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as specifically declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer. 44. Notice: Some Property sold by Auctioneer are inherently dangerous e.g. firearms, cannons, and small items that may be swallowed or ingested or may have latent defects all of which may cause harm to a person. Purchaser accepts all risk of loss or damage from its purchase of these items and Auctioneer disclaims any liability whether under contract or tort for damages and losses, direct or inconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold. Dispute Resolution and Arbitration Provision: 45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions of Auction, and specifically agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial. 46. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneers maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneers maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot. 47. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyers purchase price without further obligation. 48. Dispute Resolution for Consumers and Non-Consumers: Any claim, dispute, or controversy in connection with, relating to and /or arising out of the Auction, participation in the Auction, award of lots, damages of claims to lots, descriptions, condition reports, provenance, estimates, return and warranty rights, any interpretation of these Terms and Conditions, any alleged verbal modification of these Terms and Conditions and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation shall or any other matter: a) if presented by a consumer, be exclusively heard by, and the parties consent to, exclusive in personam jurisdiction in the State District Courts of Dallas County, Texas. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TO TRIAL BY JURY. Any appeals shall be solely pursued in the appellate courts of the State of Texas; or b) for any claimant other than a consumer, the claim shall be presented in confidential binding arbitration before a single arbitrator, that the parties may agree upon, selected from the JAMS list of Texas arbitrators. The case is not to be administrated by JAMS; however, if the parties cannot agree on an arbitrator, then JAMS shall appoint the arbitrator and it shall be conducted under JAMS rules. The locale shall be Dallas Texas. The arbitrators award may be enforced in any court of competent jurisdiction. Any party on any claim involving the purchase or sale of numismatic or related items may elect arbitration through binding PNG arbitration. Any claim must be brought within one (1) year of the alleged breach, default or misrepresentation or the claim is waived. This agreement and any claims shall be determined and construed under Texas law. The prevailing party (party that is awarded substantial and material relief on its claim or defense) may be awarded its reasonable attorneys fees and costs. 49. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer. 50. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas. 51. These Terms & Conditions provide specific remedies for occurrences in the auction and delivery process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneers maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. Miscellaneous: 52. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneers Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyers Premium and consignor a Sellers Commission as determined for each auction venue and by the terms of the sellers agreement. 53. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by Heritage in the future. In conformity with do-not-call regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. Heritage may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through Heritage and its affiliates and subsidiaries. 54. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Terms and Conditions of Auction by these additional rules and shall be construed to give force and effect to the rules in their entirety. State Notices: Notice as to an Auction in California. Auctioneer has in compliance with Title 2.95 of the California Civil Code as amended October 11, 1993 Sec. 1812.600, posted with the California Secretary of State its bonds for it and its employees, and the auction is being conducted in compliance with Sec. 2338 of the Commercial Code and Sec. 535 of the Penal Code. Notice as to an Auction in New York City. These Terms and Conditions of Sale are designed to conform to the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations as Amended. This sale is a Public Auction Sale conducted by Heritage Auction Galleries, Inc. #41513036. The New York City licensed auctioneers are: Sam Foose, #095260; Kathleen Guzman, #0762165; Nicholas Dawes, #1304724; Ed Beardsley, #1183220; Scott Peterson, #1306933; Andrea Voss, #1320558, who will conduct the Sale on behalf of Heritage Numismatic Auctions, Inc. (for Coins and Currency) and Heritage Auction Galleries Inc. (for other items). All lots are subject to: the consignors rights to bid thereon in accord with these Terms and Conditions of Sale, consignors option to receive advances on their consignments, and Auctioneer, in its sole discretion, may offer limited extended financing to registered bidders, in accord with Auctioneers internal credit standards. A registered bidder may inquire whether a lot is subject to an advance or a reserve. Auctioneer has made advances to various consignors in this sale. On lots bearing an estimate, the term refers to a value range placed on an item by the Auctioneer in its sole opinion but the final price is determined by the bidders. Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address. Notice as to an Auction in Ohio: Auction firm and Auctioneer are licensed by the Dept. of Agriculture, and either the licensee is bonded in favor of the state or an aggrieved person may initiate a claim against the auction recovery fund created in Section 4707.25 of the Revised Code as a result of the licensees actions, whichever is applicable.
Rev. 7-25-11

Additional Terms & Conditions: MEMORABILIA & HISTORICAL AUCTIONS
MEMORABILIA & HISTORICAL TERM A: Signature and Grand Format Auctions of Autographs, Sports Collectibles, Music, Entertainment, Political, Americana, Vintage Movie Posters and Pop Culture memorabilia are not on approval. When the lot is accompanied by a Certificate of Authenticity (or its equivalent) from an third-party authentication provider, buyer has no right of return. On lots not accompanied by third-party authentication or under extremely limited circumstances not including authenticity (e.g. gross cataloging error), a purchaser who did not bid from the floor may request Auctioneer to evaluate voiding a sale; such request must be made in writing detailing the alleged gross error, and submission of the lot to Auctioneer must be pre-approved by Auctioneer. A Bidder must notify the appropriate department head (check the inside front cover of the catalog or our website for a listing of department heads) in writing of the Bidders request within three (3) days of the non-floor bidders receipt of the lot. Any lot that is to be evaluated for return must be received in our offices within 35 days after Auction. AFTER THAT 35 DAY PERIOD, NO LOT MAY BE RETURNED FOR ANY REASONS. Lots returned must be in the same condition as when sold and must include any Certificate of Authenticity. No lots purchased by floor bidders (including those bidders acting as agents for others) may be returned. Late remittance for purchases may be considered just cause to revoke all return privileges. MEMORABILIA & HISTORICAL TERM B: On any lot presented with a Letter of Authenticity (LOA) issued by Auctioneer or its Heritage affiliates, that warranty inures only to the original purchaser (as shown in Auctioneers records) Purchaser. Purchaser may not transfer the rights afforded under the LOA and it is null and void when Purchaser transfers or attempts to transfer the lot. The LOA warranty is valid from date of the auction in which Purchaser was awarded the lot to four (4) years after its purchase. The LOA warranty is valid as to its attribution to the person or entity described or to the lots usage, e.g. game worn. Claim procedure: Purchaser must contact the Auctioneer prior to submission of the lot as to his intent to make a claim and arrange secure shipment. If a lots authenticity is questioned by Purchaser within the warranty period, Purchaser must present with the claim, authoritative written evidence that the lot is not authentic as determined by a known expert in the sports field. If Auctioneer concurs that the lot is not as represented, Purchaser shall be refunded their purchase price. If the Auctioneer denies the claim, the Purchaser may file the dispute with the American Arbitration Association with locale in Dallas, Texas, before a single arbitration under expedited rules. The LOA does not provide for incidental or consequential damages or other indirect damages. Any lot sold with a certificate of authenticity or other warranty from an entity other than Auctioneer or Heritages affiliates is subject to such issuing entitys rules and such conditions are the sole remedy afforded to purchaser. For information as to third party authentication warranties the bidder is directed to: PSA/DNA, P.O. Box 6180 Newport Beach, CA 92658 (800) 325-1121. James Spence Authentication (JSA), 2 Sylvan Way, Suite 102 Parsippany, NJ 07054 (888) 457-7362; or as otherwise noted on the Certificate. MEMORABILIA & HISTORICAL TERM C: As authenticity and provenance are not warranted, if a Bidder intends to challenge, authenticity or provenance of a lot he must notify Auctioneer in writing within thirty-five (35) days of the Auctions conclusion. Any claim as to provenance or authenticity must be first transmitted to Auctioneer by credible and definitive evidence or the opine of a qualified third party expert and there is no assurance after such presentment that Auctioneer will validate the claim. Authentication is not an exact science and contrary opinions may not be recognized by Auctioneer. Even if Auctioneer agrees with the contrary opinion of such authentication and validates the claim, Auctioneers liability for reimbursement for any opine by Bidders expert shall not exceed $500. Acceptance of a claim under this provision shall be limited to rescission of the sale and refund of purchase price; in no case shall Auctioneers maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. While every effort is made to determine provenance and authenticity, it is the responsibility of the Bidder to arrive at their own conclusion prior to bidding. MEMORABILIA & HISTORICAL TERM D: In the event Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, Auctioneers liability shall be limited to rescission of sale and refund of purchase price; in no case shall Auctioneers maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed from the close of the Auction, Auctioneers maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot. MEMORABILIA & HISTORICAL TERM E: On the fall of Auctioneers hammer, buyer assumes full risk and responsibility for lot, including shipment by common carrier, and must provide their own insurance coverage for shipments. MEMORABILIA & HISTORICAL TERM F: Auctioneer complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A purchaser is required to provide appropriate documents and the payment of associated fees, if any. Purchaser is responsible for providing a shipping address that is suitable for the receipt of a firearm. MEMORABILIA AND HISTORICAL TERM G -SCREEN SHOT. Screen shots included in the catalog or on the Heritage Internet are provided for reference only. Important Notice: Many identical versions of props and costumes are created for film and television productions in the normal course of a production. Heritage does not warrant or represent that the screen shots referenced are exact images of the offered item (unless specifically noted in the written description). Use of a screen shot does not constitute a warranty or representation of authenticity or provenance. There is not a right of return or refund based upon a claim arising out of or pertaining to any reference to a screen shot. SPECIAL TERM H GUITARS: Bidders are urged to make a personal inspection of any guitar that they intend to bid on as there is a limited right of return. Heritage makes a visual inspection of the guitars to determine whether there are patent defects and whether the date and manufacturer corresponds to the description. Returns are not accepted for latent defects, structural issues, or mechanical and sound reproduction issues. It should be assumed that set up, adjustments and normal maintenance are necessary. For wiring instructions call the Credit department at 1-800-872-6467 or e-mail: CreditDept@HA.com
These Terms and Conditions of Sale are designed to conform to the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations as Amended. This sale is a Public Auction Sale conducted by Heritage Auction Galleries, Inc. #41513036. The New York City licensed auctioneers are: Sam Foose, #095260; Kathleen Guzman, #0762165; Nicholas Dawes, #1304724; Ed Beardsley, #1183220; Scott Peterson, #1306933; Andrea Voss, #1320558, who will conduct the Sale on behalf of Heritage Numismatic Auctions, Inc. (for Coins and Currency) and Heritage Auction Galleries Inc. (for other items). All lots are subject to: the consignors rights to bid thereon in accord with these Terms and Conditions of Auction, consignors option to receive advances on their consignments, and Auctioneer, in its sole discretion, may offer limited extended financing to registered bidders, in accord with Auctioneers internal credit standards. A registered bidder may inquire whether a lot is subject to an advance or a reserve. Auctioneer has made advances to various consignors in this sale. On lots bearing an estimate, the term refers to a value range placed on an item by the Auctioneer in its sole opinion but the final price is determined by the bidders.
Rev. 1-21-11
New York State Auctions Only
How to Ship Your Purchases

Heritage Auction Galleries requires Third Party Shipping for certain items in this auction not picked up in person by the buyer. It shall be the responsibility of the successful bidder to arrange pick up and shipping through a third party; as to such items auctioneer shall have no liability. Steps to follow: 1. Select a shipping company from the list below or a company of your choosing. 2. Complete, sign, and return an Agent Shipping Release Authorization form to Heritage (this form will automatically be emailed to you along with your winning bid(s) notice or may be obtained by calling Client Services at 866-835-3243). The completed form may be faxed to 214-409-1425. 3. Heritage Auctions shipping department will coordinate with the shipping company you have selected to pick up your purchases.
Agent Shipping Release Authorization form
Shippers that Heritage has used are listed below. However, you are not obligated to choose from the following and may provide Heritage with information of your preferred shipper.
Navis Pack & Ship
161 Pittsburgh St Dallas, TX 75207 Ph: 972-870-1212 Fax: 214-409-9001 Navis.Dallas@GoNavis.com
The Packing & Moving Center

2040 E. Arkansas Lane, Ste #222 Arlington, TX 76011 Ph: 817-795-1999 Fax: 214-409-9000 thepackman@sbcglobal.net
Craters & Freighters

2220 Merritt Drive, Suite 200 Garland, TX 75041 Ph: 972-840-8147 Fax: 214-780-5674 dallas@cratersandfreighters.com
It is the Third Party Shippers responsibility to pack (or crate) and ship (or freight) your purchase to you. Please make all payment arrangements for shipping with your Shipper of choice. Any questions concerning Third Party Shipping can be addressed through our Client Services Department at 1-866-835-3243. Successful bidders are advised that pick-up or shipping arrangements should be made within ten (10) days of the auction or they may be subject to storage fees as stated in Heritages Terms & Conditions of Auction, item 35.
MUSIC & ENTERTAINMENT MEMORABILIA

DECEMBER 2-3 | DALLAS | LIvE & ONLINE
Consignments Now Invited

Consignment Deadline: October 10, 2011
A Paul Newman Shirt from Butch Cassidy and the Sundance Kid. 20th Century Fox, 1969. Sold For: $8,962 HA.com/7038-46091 For more information, please contact: Margaret Barrett Director, Music & Entertainment 310-492-8631 MargaretB@HA.com Kristen Painter Manager, Music & Entertainment 214-409-1149 KristenP@HA.com
Free catalog and The Collector's Handbook ($65 value) for new clients. Please submit auction invoices of $1,000+ in this category, from any source. Include your contact information and mail to Heritage, fax 214-409-1425, email catalogorders@HA.com, or call 866-835-3243. For more details, go to HA.com/FCO.
Annual Sales Exceed $700 Million | 600,000+ Online Bidder-Members 3500 Maple Avenue | Dallas, Texas 75219 | 800-872-6467 | HA.com
D A L L A S | N E W Y O R K | B E V E R LY H I L L S | S A N F R A N C I S C O | PA R I S | G E N E VA
TX Auctioneer licenses: Samuel Foose 11727; Robert Korver 13754; Andrea Voss 16406. This auction is subject to a 19.5% buyers premium. 22254
JANUARy 2012 | ORLANDO
BENEFIT AUCTION SUPPORT THE SMITHSONIANS NATIONAL NUMISMATIC COLLECTION

HOW YOU CAN HELP
In January 2012, Heritage will host an auction of coins and notes donated by collectors to create an endowment for the National Numismatic Collection. This special auction will feature no sellers commissions and no buyers premiums. Heritage is donating all of our commissions and services, so 100% of your numismatic or cash donation will go directly to the Smithsonian.
Heres how it will work: 1. Call 800-872-6467 to speak with a Consignment Director. 2. Consign a coin/currency valued over $500 or a group of coins/currency valued over $1,000. Or, designate the proceeds of an existing consignment toward the NNC Endowment Fund. 3. After the auction, receive a gift receipt from the Smithsonian for the sale price of your consignment. 4. All proceeds raised benefitting the NNC Endowment will be transferred to the National Museum of American History after each auction. Visit HA.com/Smithsonian for more information.
No coins from the Smithsonian or the NNC will be auctioned and the consigned coins are not intended for acquisition by the Smithsonian or the NNC. Neither the NNC nor the Smithsonian makes any representation or warranty as to the provenance, condition, grading, or value of any coin for auction.
Annual Sales Exceed $700 Million | 600,000+ Online Bidder-Members

3500 MAPLE AVE DALLAS, TExAS 75219 800-872-6467 HA.com
Steve Ivy Jim Halperin Greg Rohan Leo Frese Warren Tucker Todd Imhof Michael Moline
FL licenses: Heritage Numismatic Auctions, Inc.: AB665; Currency Auctions of America: AB2218; FL Auctioneer licenses: Samuel Foose AU3244; Mike Sadler AU3795; Andrea Voss AU4034. This auction subject to a 15% buyers premium.
21509OTH
DALLAS | new york | beverLy hiLLS | SAn FrAnCiSCo | PAriS | GenevA
ThE ESTATE AUCTION

SEpTEMBER 27, 2011 | DALLAS | LIvE & ONLINE
Including property from the private collection of Whoopi Goldberg
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heritage presents The estate Auction, a multi-category fine and decorative art auction offering a great variety of quality property for every taste and budget coming directly from estates and private collections.
1. A KPM PORCELAIN PLAQUE DEPICTING OTHELLO berlin, German, circa 1900 11-1/8 x 12-7/8 in. estimate: $12,000 - $16,000 hA.com/5078-65001 2. ANTOINE BLANCHARD Place de la rpublique, circa 1970s oil on canvas 13 x 18 in. estimate: $4,000 - $6,000 hA.com/5078-38001 3. A GEORGE NAKASHIMA WALNUT SLAB COFFEE TABLE new hope, Pennsylvania, circa 1970 13 x 42 x 31 in. estimate: $6,000 - $9,000 hA.com/5078-19011 4. A BERLIN PORCELAIN TUREEN AND COVER royal Factory, berlin, Germany, circa 1870 13-1/2 in. high From a large selection of tableware from the Private Collection of whoopi Goldberg estimate: $700 - $900 hA.com/5078-70001 5. A PAIR OF MONUMENTAL CONTINENTAL MARBLE COLUMNS WITH URNS Probably italy, 20th century 92 in. high estimate: $7,000 - $10,000 hA.com/5078-44001
For a free auction catalog in any category, plus a copy of The Collector's Handbook (combined value $65), visit HA.com/CATC22202 or call 866-835-3243 and reference code CATC22202.
Annual Sales Exceed $700 Million | 600,000+ Online Bidder-Members 3500 Maple Avenue | Dallas, Texas 75219 | 800-872-6467 | HA.com/FineArt
DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | PARIS | GENEVA
TX Auctioneer licenses: Samuel Foose 11727; robert korver 13754; Scott Peterson 13256; bob Merrill 13408; Mike Sadler 16129; Andrea voss 16406. This auction subject to a 19.5% buyers premium.
Live AUCTion: noveMber 19 LoT viewinG: noveMber 17-19
vINTAgE & CONTEMpORARy phOTOgRAphy

NOvEMBER 19, 2011 | NEw yORk | LIvE & ONLINE
ALFRED EISENSTAEDT (American, 1898-1995) Sophia Loren in Madame, 1961 Gelatin silver, printed later 16-3/4 x 11-1/4 in. ed. 3/250 estimate: $4,000 - $6,000 hA.com/5077-26006 inquiries: 800-872-6467 ed Jaster, ext. 1288 edJ@hA.com rachel Peart, ext. 1625 rPeart@hA.com
For a free auction catalog in any category, plus a copy of The Collector's Handbook (combined value $65), visit HA.com/CATB22202 or call 866-835-3243 and reference code CATB22202.
Annual Sales Exceed $700 Million | 600,000+ Online Bidder-Members 3500 Maple Avenue | Dallas, Texas 75219 | 800-872-6467 | HA.com/FineArt
DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | PARIS | GENEVA
TX & ny Auctioneer license: Samuel Foose 11727 & 0952360. heritage Auction Galleries CA bond #rSb2004175; CA Auctioneer bond: Leo Frese #rSb2004176. Auctions are subject to a 19.5% buyers premium.
ThE pERSONAL pROpERTy Of JOhN WAyNE

OCTOBER 6-7, 2011 | LOS ANGELES AuCTiON LiVE & ONLiNE
1978 David Sutton/mptvimages.com
For the First Time, from the Family of an American Icon

Over 750 of John Wayne's costumes, scripts, awards, personal items and manuscripts are being made available by the Wayne family to collectors and fans worldwide.
To pre-order your auction catalog and commemorative DVD, visit HA.com/JohnWayne

A n n u a l S a l e s E xc e e d $70 0 M illi o n | 6 0 0,0 0 0 + O n li n e B i d d e r- M e m b e r s 3 5 0 0 M a p l e Av e n u e | D a ll a s, Tex a s 75219 | 8 0 0 - 872 - 6 4 67 | H A .c o m
DALL AS | NE W YORK | BE VERLY HILLS | SA N F R A N CISCO | PARIS | GENE VA
TX & NY Auctioneer license: Samuel Foose 11727 & 0952360. Heritage Auction Galleries CA Bond #RSB2004175; CA Auctioneer Bond: Leo Frese #RSB2004176. This auction is subject to a 19.5% buyers premium. 21556
Department Specialists
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Comics & Comic Art

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Auction Dates September 7-11, 2011 October 13-16, 2011 November 15-16, 2011 December 8-9, 2011 Auction Dates Sept. 7-10 & 12, 2011 January 1-2, 2012 January 10, 2012 Auction Dates Sept. 7-10 & 12, 2011 January 4-9, 2012 Auction Dates September 26, 2011 September 27, 2011 October 22, 2011 October 26, 2011 November 5, 2011 November 5, 2011 November 8, 2011 November 19, 2011 November 19, 2011 December 7, 2011 Auction Dates November 18, 2011 December 5, 2011 December 6, 2011 Auction Dates November 18-19, 2011 Auction Dates August 17-19, 2011 November 10-12, 2011 Auction Dates August 19-21, 2011 October 3-6, 2011 October 21-22, 2011 December 2-4, 2011 December 16-17, 2011 Auction Dates August 21, 2011 September 12, 2011 September 12-14, 2011 September 12-14, 2011 September 16-17, 2011 September 18, 2011 November 12, 2011 November 12, 2011 November 30, 2011 December 8-9, 2011 December 8-9, 2011 March 10, 2012 Spring 2012 Auction Dates November 10-11, 2011 April 26-27, 2012 Auction Dates January 8, 2012 Auction Dates September 23-24, 2011
Consignment Deadline Closed September 2, 2011 October 2, 2011 October 17, 2011 Consignment Deadline Closed November 5, 2011 November 5, 2011 Consignment Deadline Closed November 19, 2011 Consignment Deadline Closed Closed August 19, 2011 August 24, 2011 September 3, 2011 September 3, 2011 September 6, 2011 September 17, 2011 September 17, 2011 October 5, 2011 Consignment Deadline September 17, 2011 September 26, 2011 October 3, 2011 Consignment Deadline September 27, 2011 Consignment Deadline Closed September 27, 2011 Consignment Deadline Closed Closed August 30, 2011 October 10, 2011 October 25, 2011 Consignment Deadline Closed Closed Closed Closed Closed Closed September 21, 2011 September 21, 2011 October 9, 2011 October 17, 2011 October 17, 2011 January 18, 2012 January 12, 2012 Consignment Deadline September 19, 2011 March 5, 2012 Consignment Deadline October 1, 2011 Consignment Deadline Closed
HA.com/Consign Consignment Hotline 800-872-6467 All dates and auctions subject to change after press time. Go to HA.com for updates.
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Auctioneers: Samuel Foose: TX 11727; CA Bond #RSB2004178; FL AU3244; GA AUNR3029; IL 441001482; NC 8373; OH 2006000048; MA 03015; PA AU005443; TN 6093; WI 2230-052; NYC 0952360; Denver 1021450; Phoenix 07006332. Robert Korver: TX 13754; CA Bond #RSB2004179; FL AU2916; GA AUNR003023; IL 441001421; MA 03014; NC 8363; OH 2006000049; TN 6439; WI 2412-52; Phoenix 07102049; NYC 1096338; Denver 1021446. Teia Baber: TX 16624; CA Bond #RSB2005525. Ed Beardsley: TX Associate 16632; NYC 1183220. Nicholas Dawes: NYC 1304724. Marsha Dixey: TX 16493. Chris Dykstra: TX 16601; FL AU4069; WI 2566-052; TN 6463; IL 441001788; CA #RSB2005738. Jeff Engelken: CA Bond #RSB2004180. Alissa Ford: CA Bond #RSB2005920. Leo Frese: CA Bond #RSB2004176; NYC 1094963. Shaunda Fry: TX 16448; FL AU3915; WI 2577-52; CA Bond #RSB2005396. Kathleen Guzman: NYC 0762165. Stewart Huckaby: TX 16590. Cindy Isennock, participating auctioneer: Baltimore Auctioneer license #AU10. Carolyn Mani: CA Bond #RSB2005661; Bob Merrill: TX 13408; MA 03022; WI 2557-052; FL AU4043; IL 441001683; CA Bond #RSB2004177. Cori Mikeals: TX 16582; CA #RSB2005645. Scott Peterson: TX 13256; NYC 1306933; IL 441001659; WI 2431-052; CA Bond #RSB2005395. Tim Rigdon: TX 16519. Michael J. Sadler: TX 16129; FL AU3795; IL 441001478; MA 03021; TN 6487; WI 2581-052; NYC 1304630; CA Bond #RSB2005412. Eric Thomas: TX 16421; PA AU005574; TN 6515. Andrea Voss: TX 16406; FL AU4034; MA 03019; WI 2576-052; CA Bond #RSB2004676; NYC #1320558. Jacob Walker: TX 16413; FL AU4031; WI 2567-052; IL 441001677; CA Bond #RSB2005394. Peter Wiggins: TX 16635. (Rev. 5-15-11)
Upcoming Auctions
8-2-11
PRICE | $50
2011 Heritage Auctioneers & Galleries, Inc.

The Personal Property of John Wayne Signature Auction - Heritage Auctions #7045

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The Personal Property of John Wayne Signature Auction - Heritage Auctions #7045

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ThE pERSONAL pROpERTy Of JOhN WAyNE

OCTOBER 6-7, 2011 | LOS ANGELES AuCTiON LiVE & ONLiNE

The Personal ProPerTy of

Heritage Signature Auction #7045

The Personal ProPerTy of

LOT SETTLEMENT AND PICK-UP

This auction is subject to a 19.5% Buyers Premium.

Music & Entertainment Memorabilia Specialist

CEO Co-Chairman of the Board

Co-Chairman of the Board

Chief Operating Officer

Consignment Director: Margaret Barrett

Executive Vice President

Greg Rohan President

Ethan Wayne Newport Beach, CA August, 2011

Important Notes About this Auction

Cowboy Hats and Hatbands

Western Costume Company Wardrobe Pieces

The 26 Bar Ranch

The Wild Goose

Newport Beach, California

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A Cos t ume f rom sA nds of iwo Jim A

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A s t e t son Cow boy h At f rom hondo

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A Pilo t CAP f rom t he high A nd t he migh t y

A shir t f rom t he Com A nCheros, mc l in toCk!, A nd el dor Ado

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A bib shir t f rom t he m A n who sho t l iber t y VAl A nCe

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A hol s t er A nd gun belt f rom el dor Ado

A bere t f rom t he green bere t s

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A n e y e PAtCh f rom t rue gri t

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A s toCk Ade JACk e t f rom t rue gri t

t he f il l your h A nd shir t f rom t rue gri t

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A V e s t f rom t rue gri t

A shir t f rom t rue gri t

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A nudies Cowboy h At f rom roos t er Cogburn

t he de At h shir t f rom t he shoo t is t

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A Cos t ume f rom t he shoot is t

t wo Cos t ume PieCe s f rom t he shoo t is t

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

t hree w e s t ern belt s, 1950s-1970s

A PAir of Ch APs, 1950s-1960s

A PAir of nudies Cow boy boo t s, 1970s

A n oil PAin t ing by John deCk er, 1945

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

A n oil PAin t ing, CirCA 1940

A he Adl iner of t he y e Ar dr Aw ing by k Arl huben t h Al , 1970

A CAriCAt ure , 1970s

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT

Session One, Auction #7045 | Thursday, October 6, 2011 | 11:00AM PT