Bikramshila Mahabihar
Simhakalpanagar
(Bhagwan Bahal, Thamel)
Compiled by
Damodar Pradhan
Monumental Guide
Buddha Era 2552 Nepal Era 1132
Bikram Era 2068, 2012 A.D
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which is described in simple steps and includes both physical and mental
treatment for getting a end of suffering. The goal of the Noble Eightfold
Path is to bring a true understanding of the Four Noble Truths and deliver
their ultimate Teaching - the end of suffering. The Path develops character
and personality by showing the way to live a virtuous life, develop wisdom
and finally to attain the highest qualities of a human being and develop the
Buddhahood. This is the ultimate goal of the Eightfold Path and all eight
ways of practice must be followed in order to attain it. The Path is
specifically aimed at developing behavior, mind and knowledge and the
eight steps are divided into those three ways of practice that is Good
Conduct, Mental Development and Wisdom. It is the Noble Eightfold Path
that helps to realize happiness by understanding the Right Speech, Right
Action, Right Livelihood, Right Effort, Right Mindfulness, Right
Concentration, Right Attitude and Right View.
Truth is found through the Middle Way by following Eightfold Noble Path as
stated below:
.
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Right speech deals with the way in which a Buddhist practitioner would
best make use of their words, and to get rid of divisive speech, abusive
speech, and lying.
4. Right action (samyak-karmanta, samma-kammanta)
Right action can also be translated as right conduct. As such, the
practitioner should train oneself to be morally upright in one's activities,
not acting in ways that would be corrupt or bring harm to oneself or to
others. Simple and healthy action, avoid action that would harm others,
avoid killing, stealing and sexual misconduct. Right Action is concerned
with what we do; avoiding actions that damage ourselves and others.
Simple and healthy action, avoid action that would harm others.
To understand the Law of Cause and Effect (Not to destroy any life, not to
steal or commit adultery) Simple and healthy action, avoid action that
would harm others, avoid killing, stealing and sexual misconduct. Right
Action is concerned with what we do; avoiding actions that damage
ourselves and others. Simple and healthy action, avoid action that would
harm others. Correct livelihood: try to make a living with the above attitude
of thought, speech and actions.
5) Right Livelihood: (samyag-ajiva, samma-ajiva)
Right Livelihood shows the way for a person to choose the best way to
become a useful, productive citizen and bring social and economic
progress. Buddhist Teachings advise against harmful professions such as
trading in weapons, living beings, flesh, intoxicants and poison.
Understanding and developing profession does not harm in any way
oneself nor others. Try to make a living with the above attitude of thought,
speech and actions to understand and develop genuine wisdom. Avoid
occupations that bring harm to oneself and others. Understanding and
developing profession and genuine wisdom, does not harm in any way
oneself nor others, directly or indirectly (to understand and develop
genuine wisdom). Avoid occupations of soldiering, fishing, hunting, and
teach against cunning, cheating and gambling. Understanding and
developing profession does not harm in any way oneself nor others. Try to
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make a living with the above attitude of thought, speech and actions to
understand and develop genuine wisdom. Avoid occupations that bring
harm to oneself and others.
This means that practitioners ought not to engage in trades or occupations
which, either directly or indirectly, result in harm for other living beings.
Samadhi: Samadhi is literally translated as mental concentration; it is
achieved through training in the higher consciousness which brings the
calm and collectedness needed to develop true wisdom by direct
experience.
(The following last three aspects refer mainly to the practice of meditation)
6) Right Effort: (samyag-vyayama, sammavayam)
Right effort can also be translated as right endeavor or try to do seriously
or continually.
In this factor, the practitioners should make a persisting effort to abandon
all the wrong and harmful thoughts, words, and deeds. The practitioner
should instead be persisting in giving rise to what would be good and
useful to themselves and others in their thoughts, words, and deeds,
without a thought for the difficulty or causing you to feel tired. Right Effort
is earnestly doing one's best in the right direction which is fourfold;
1. Avoid evil and unwholesome states of mind from arising
2. Overcome evil and unwholesome states of mind already present
3. Cause good and wholesome states of mind not yet present to arise
4. Develop and perfect such states of mind already present
Try again and again to make an effort to improve the belief
(To continue a joyful belief even though it is difficult - Perseverance)
7. Right mindfulness (samyak-smti, samma-sati)
The mind is deliberately kept at the level of bare attention, a detached
observation of what is happening within us and around us in the present
moment. In the practice of right mindfulness the mind is trained to remain
in the present, open, quiet, and alert, to look carefully at the present
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way to end the suffering is to choose middle path by balancing the luxury
and hardship, utilizing the minimum requirements to have the livelihood.
Middle Path, choosing and balancing the luxury and hardship is the
treatment for the problem of suffering in our lives. Noble Eightfold Path
can only work if a person chooses to apply it to their lives, and takes full
responsibility in following the steps. The Noble Eightfold Path is a very
systematic and methodical approach to solve the problem of suffering in
life, and achieving a state of wisdom, peace and Nirvana. The programmer
first develops character and personality and then develops ethical conduct
and restraint which promote concentration.
Concentration and mindfulness help make the mind free from ignorance
and blossom into wisdom (access higher knowledge). Wisdom brings a
clear under-standing of the truth about how things really are. This leads
craving and desire to end from the mind (detachment) that brings freedom
from suffering and the end of suffering brings Supreme Happiness. The
Noble Eightfold Path describes the teachings as a formula which is
described in simple steps and includes both physical and mental treatment
for getting a end of suffering. The goal of the Noble Eightfold Path is to
bring a true understanding of the Four Noble Truths and deliver their
ultimate Teaching - the end of suffering. The Path develops character and
personality by showing the way to live a virtuous life, develop wisdom and
finally to attain the highest qualities of a human being and develop the
Buddhahood. This is the ultimate goal of the Eightfold Path and all eight
ways of practice must be followed in order to attain it. The Path is
specifically aimed at developing behavior, mind and knowledge and the
eight steps are divided into those three ways of practice, which are Good
Conduct, Mental Development and Wisdom.
The eightfold Path is the teachings of the Prajnaparamita Sutra.
Prajnaparamita Sutra is believed to be the highest form of Buddhist
teaching. Prajnaparamita has been the subject of controversy since long
and scholars are not able to trace its origin. The Chinese traveler Faxian
described images of Prajnaparamita in India as early as 400 BC, but all
known existent images date from 800 or later. Buddhist scholars agree that
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the ancient manuscripts are in the collection of Museums around the world.
The following two collections are very important and authentic, The Heart
Sutra (smallest of its kind having only 14 Stanza in Sanskrit) is in New York
Museum and the Perfection of wisdom in Tibetan Script (having 8,000
stanzas / shloka) from Copenhagen Royal Library.
There are Prajnaparamita also written in other languages found in many
South Asian Countries, Japan, Korea, Hong Kong, China, Tibet, Myanmar,
Thailand, Vietnam, Cambodia, Java, Sumatra, Bali, India, Bangladesh, and
Sri Lanka, but most of the Scholars do believe the one from Sri Lanka is
the oldest and is called the authentic collection as it is written in Pali script.
(Pali is the oldest script among other used in Buddhist Text). In addition to
these, there is also other Prajnaparamita sutras such as the Heart Sutra
(Prajnaparamita Hridaya), which exists in both 14-line and 25-line versions.
Regarding the shorter texts, Edward Conze in his book "The Short
Prajnaparamita Texts - 1973" writes, according to merit the Diamond Sutra
and the Heart Sutra are renowned throughout the world. Both have been
translated into many languages and have often been commented upon.
There are more Prajnaparamita manuscripts in other languages found in
many South Asian Countries Tibet, China, Japan, Korea, Hong Kong,
Cambodia, Myanmar, Thailand, Vietnam, Java, Sumatra, Bali, India, Sri
Lanka, and Bangladesh. Most of the Scholars are of the opium that the
oldest and authentic one is from Sri Lanka.
The oldest Prajnaparamita manuscript (written during the period of
Manipaldeva the king of Bengal 1020 AD) from the collection of Cambridge
University is written in Ranjana script, highlights the origin of Ranjana
Script from India. --- From the collection of Indian Art Museum, Berlin Dr.
Regmi, Dinesh Chandra, Purlekhana Paricaya VS 2048/ 1991 (Nepalese
Paleography - in Nepali - Page 102)
There are many Vihars in and around Kathmandu Valley where they do
have collections of Buddhist manuscripts written by different scholars and
are displayed during the holy month GUNLA - August / September.
There is Prajnaparamita manuscript also in the collection of National
Achieve as well in Asha Saphu Kuthi, (Asha Archives), Kaiser Library and
.
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In this short article I am trying my best effort to high light some facts to
make understand a common reader about this ancient temple complex:
lots of investigation and research need to be conduct to identify its past
glory, as we are left with few documents.
Swayambhu Puran is one of the oldest manuscripts narrating the story of
the evolution of Kathmandu Valley. According to the legend Kathmandu
Valley was a lake surrounded by mountains. Kanakmuni Bodhisattva is
believed to have thrown a lotus seed in the lake. A big lotus with thousand
leaves blossomed in the center of lake that attracted visitors from around
the globe. Manjushree Bodhisattva is believed to have visited this place and
meditated in Phulchoki (Phullichho) and Jamachho (Jatamatroccho). He is
believed to have drained the valley by cutting the edge of the hill with the
divine sword. (Chovar being the only exit for all rivers in Kathmandu Valley
and the black soil found everywhere in Kathmandu Valley does testify it to
be a lake earlier). Manjushree is the Bodhisattva of Divine wisdom
representing the infinite and eternal wisdom of Buddha. Manjushree holds
a sword in his right hand and a book of perfection (Prajnaparamita) in the
left hand.
The first historical important evidence of Than Bahi is the visit of Pundit
Atisha Shrijana (982- 1054) and spent one year studying Buddhist
philosophy during 1041 - 42 AD. He was the head pundit (Principal) of
Nalanda University and was invited by Tibetan king to visit Tibet to teach
and revive Buddhism. On his way to Tibet he spent one year in Nepal
(1041 - 42), most of his time was spent in Than Bahi and is believed to
have studied the Buddhist philosophy and has written books in Sanskrit.
(But the name of Prajnaparamita is not mentioned by Atisha)
The Saharsha Prajnaparamita a rare collection of four volume of highest
Buddhist manuscript in this temple complex has a close relationship with
Manjushree. The legendary Caravan to Lhasa leaded by Simhala Sarthbaha
also does have main historical significance to its establishment.
Some of the travel record made by scholars from India Tibet and China
also did mention about the glory of this temple during 11th and 13th
century, still lots of real facts are missing.
.
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white cloth along with a metallic belt hangs down from the metallic mirror
(Lucke, John K. Karunamaya 1986 p 474)
Saharsha Prajnaparamita
The four volume of Saharsha Prajnaparamita manuscript in the collection of
Thambahi is dated Nepal Sambat 344 Margasira Pratipada (1223 AD) is
believed to have written by Jinashri Jnana and started by Manjushree.
Jinashri is supposed to get inspired by Manjushree and found an auspicious
moment to start writing the manuscript, but felt asleep; Manjushree is
believed to have started writing the first three pages with his finger.
(The first three pages do have big script different than the remaining page).
When he woke up, found the auspicious moment already passed and was
laminating; Manjushree came forward and instructed him to start writing
without any disturbances as he has already started writing from the
auspicious moment. This is a legend but we have no evidence regarding
how long it did took to write all the four volume. The date NS 344 (1223
AD) might be the date it was completed or the date mentioned by
someone else? King Pratap Mall and Queen Lalmati after visiting this
temple wrote three stanzas appreciating the holy manuscript
Prajnaparamita. (NS 780 /1658AD)
Pandit Hemraj Sakya in his Nepal Sanskritya Mulukha 1969 (Main entrance
of the culture of Nepal) did mentioned this manuscript as Laksavati
Prajnaparamita; this clearly indicate to have 100,000 stanza. It is believed
that there were in total five volumes of Manuscripts. Tibetans did invade
the temple and looted one volume which was recovered by the army and
was deposited in Hanumandhoka Palace during King Pratap Malls period.
Some people used to speak to have seen a manuscript having more
similarity in script, being used during rituals in Sweat Bhairav temple in
Hanumandhoka There are 54,864 total lines in the four Volumes, (27 lines
in one page - nine lines in three rows) four volume containing 2032 page
(517 pages in Vol.1, 506 in Vol. II, 512 in Vol. III and 497 in Vol. IV). We
have no idea regarding the total number of pages in the missing volume
kept in Hanumandhoka.
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If we guess 500 pages in the missing volume it will add 13,500 lines
making total 68,364 lines. It is very interesting facts about numerology in
both Hindu and Buddhist mythology that number nine plays a vital role,
this is clearly understood in the layout of the page with three row
containing nine lines totaling twenty seven lines, adding two and seven
makes nine so each and every volume also do have the same count ending
with nine. This does not happen if we have eight lines with three rows
even though nine lines with four rows do fulfill these criteria but the size do
not look nice. The size of the page is rectangular nine inches by eighteen
inches written in real golden ink, which looks like a print rather than a hand
written manuscript as the character looks uniform and looking at the nice
and bright prints, it is hard to believe it being written long ago.
During GUNLAA, the Buddhist holy months (ninth months of Lunar
Calendar) the four volumes are given to the Bajracharya of four renowned
Vihars of Kathmandu to recite from top to bottom and are paid for doing
so. During the last day of the display of the manuscript the National
(Royal) Kumari from Hanumandhoka is being carried on a chariot to
Thambhil for viewing the manuscript and the head Priest from
Hanumandhoka used to recite few lines from the first page and the last
page in the presence of Kumari marking the end of reciting the holy
manuscript Prajnaparamita. This used to be the only time when the
manuscript is able to be view by public. (Now a days one can easily see it
on paying fee that is used for the temple expenses). Many devotees from
China, Tibet, India, Sikkim and Bhutan come visit Thambahi to pay to view
and pay respect to this holy manuscript as it is believed to have written by
the divine lord of learning Manjushree.
.
page 454 55. Same quote is also given in Maryada No, 13 pages 69-71).
The Buddhist text Saddharma Pundarika, is also written by a Buddhist
Monk named Manjushree during the first century (Legendary History of
Kathmandu by John Luck page 412) and Late Bhuvan Lal Pradhan also did
mention the legendary Manjushree belong to the first century in the article
Manjushree Legendary or historical published in Nepali (Gorkhapatra
2048/2/11).
The holy Satashasrika Pranjaparamita (100,000 verses 12 volumes in the
Tibetan language) has been translated in ninth century by Jianshree Mitra,
Subrenbodieg and Tibetan Monk Ye-Se-sde, (Bibliotheca Indica 19021913). This clearly indicates Jianshree to belong to the ninth century
signifying his teacher Manjushree also to belong to this period. Edward
Conze in his book The Prajnaparamita Literature (Manton The Hague
1960) did mention that Jianmitra did translate this text in Tibetan language
during the early 9th century. The date 344 NS (1223AD) mentioned at the
end of the manuscript from Bhagwan Bahal, being written by Jianshri
indicates another historical Manjushree to belong to the thirteen century
(Jianshri was the disciple of Manjushree).There is some confusion
regarding the legendary and three historical Manjushree (The legendary
Manjushree from Mahachin (China), a scholar and Monk from India (1st
Century), Teacher of Jianmitra (Jinashri 9th Century) and teacher of
Jinashri (from the Prajna-paramita manuscript written in the 13th Century).
The date 1223 AD/ 344 NS mentioned at the end of the Prajnaparamita
manuscript from Vikramshila Mahavihar testify another historical
Manjushree (a monk from Nalanda University, India) the teacher of Jinashri
to belong to the 13th century. Jinashri is believed to have inspired from his
teacher Manjushree and found an auspicious moment to start writing the
manuscript. He felt asleep by the time and Manjushree is believed to start
writing the first three pages with his finger. (The first three pages do have
big script different than the remaining page). When he woke up, found the
auspicious moment already passed and was laminating; Manjushree came
forward and instructed him to start writing without any disturbances as he
has already started writing from the auspicious moment. This is a legend
.
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but we have no evidence regarding how long it did took to write all the
four volume. The date 1223 AD / 344 NS mentioned at the end of the
manuscript might be the date it was completed or the date mentioned by
someone else? King Pratap Mall and Queen Lalmati after visiting this
temple (NS 780/ 1658 AD) during the festival did wrote three stanzas
appreciating the holy manuscript Satashariska Prajnaparamita (Meaning
100,000 Stanza--Pundit Hem Raj Sakya, Nepal Sanskritya Mulukha 1969
(Main entrance of the culture of Nepal) We have no idea regarding the
total page in the missing volume kept in Hanumandhoka).
The Jataka Tales (Stories of the Buddha's Former Births)
Jataka (Buddhist Birth Stories - Jataka Tales), the story of the previous
birth of Buddha is the oldest, most complete, and most important collection
of folk-lore which contains a record of the everyday life, and everyday
thoughts of the people. (The Commentarial Introduction entitled Nidana
Katha - The Story of the linage, Translated from Pali text by Prof. V.
Fausboll).
The Jatakas so constituted were carried to Ceylon in the Pali language,
when Buddhism was first introduced into that island (a date that is not
quite certain, but may be taken provisionally as about 250 B.C.); and the
whole tales were translated into the Singhalese language. Mahinda, the
son of Asoka (in some text he is called on as the brother of Asoka), is
believed to have collected 550 Jataka stories in Pali which were composed
by the time of the council of Patna (held in about 250 BC), the five
hundred and fifty Jatakas being contained in the twenty-two Nipatas. A
Jataka Book is also found in the Anguttara Nikdya and in the Saddharma
Pundarika.
The memoirs of the famous Chinese traveler, Fah-hian who visited
Abhayagiri in Sri Lanka (412 AD) recorded 500 representations of
Bodhisattva in successive births.
The Jataka Atthavannand, is previously belonging to the third or fourth
century BC, and retold into its present form in Ceylon in the fifth century
AD in the Pali text has been edited by Prof. Fausboll of Copenhagen in
.
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In the travel account of the Chinese pilgrim Hiuen Tsang, who visited India
in the seventh century A. D. and stayed here for fifteen years (629-645
AD), did not mention about Ajanta cave. In 1819 British officers of the
Madras Army made a discovery of this magnificent site. They named it
Ajanta after the name of the nearest village. After a gap of twenty-five
years, James Fergusson presented a paper at the Royal Asiatic Society of
Great Britain and Ireland in 1843. This is the first scholarly study of the site
which drew the global attention. (Ajanta: Monumental Legacy by A.P.
Jamkhedkar).
Ajanta Cave No. 17 has the largest number of paintings and murals than
any of the other caves. It also contains more murals than any of the
others. One painting shows the pastimes of Prince Simhalas journey to Sri
Lanka. The mural paintings in Cave no. 17 of Ajanta Cave mention the
story of Bhalaha horse as a form of Avalokiteswora helping the group of
merchants from the Rakshisis. He is shipwrecked along with his men on an
island on which ogresses appear as beautiful women, but who eat their
victims. The prince escapes on a flying horse, then later returns to the
island to conquer it. (The Cave Temples of India: by James Burgess and
James Fergusson, 1895)
.
Illustrated Jataka & Other Stories of the Buddha by C.B. Varma and A
Jataka-Tale from the Tibetan by H. Wenzel (The Journal of the Royal
Asiatic Society of Great Britain and Ireland pp. 503511)
5) Goblin City (Jataka Story: the Flying White Horse)
In the Jataka: Stories of the Buddha's Former Births, Ceylon is mentioned
as the Goblin City and the leader of the group of merchant is mentioned as
Simhala who was the only member able to get back to the other shore
(The Jataka: Stories of the Buddha's Former Births edited by E. B. Cowell,
volumes 1 - 3. First published in 1895-1907 under the title - The Goblin
City page 164/166)
6) Jataka Tale from The Tibet by H. Wenzel (The Goblin City, Journal of
the Royal Asiatic Society of Great Britain & Ireland page 503-511)
7) Jataka Story from Ajanta Cave
Cave 17 has the largest number of paintings in its premises. Among the
finest are a vast panel depicting Simhalas shipwreck and encounter with a
man-eating ogress and also of a lady admiring herself as she gazes intently
into a mirror. (The Cave Temples of India by James Fergusson and James
Burgess 1895 and Ajanta and Ellora: Cave Temples of Ancient India
Pushpesh Pant)
.
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Thamel, during the holy months of Gunlaa narrates the legendary story of
the Voyage to Lhasa, being led by Simhala Sarthabaha. The hero of the
story is regarded as a bodhisattva and a large gilded image of him is
enshrined in one of the Kathmandu's oldest Buddhist temples in Thambahi,
dating back to the 11th century. (Puma Harsha Bajracarya, Than Bahil: An
Ancient Centre for Sanskrit Study, Indologica Taurinensia 7, 1979: 62-64).
The Legendary story of the Lhasa Caravan
A copy of ancient wall hanging (Poubha, Wilampau, Thangka painting,
Scroll painting) narrating the story of the legendary caravan to Lhasa is
being displayed in the main courtyard of Bhagwan Bahal during the festival
of the holy month Gunla the ninth months according to the Nepali Lunar
Calendar.
According to the legend (a non-historical or unverified story), a group of
five hundred young businessmen left for a caravan to Lhasa. The group did
selected Simhala, a merchant with rich knowledge, as their leader, this is
how he got a new name Simhala Sarthabaha, as Sarthabaha is called for
the leader of the group of merchant. Walking through dense forest they
came across river Brahmaputra. While crossing river the river they
encountered an accident and were being rescued by five hundred young
and exceptionally beautiful ladies. All members of the caravan were busy
doing business and were enjoying with the young ladies as their wife, they
did not thought of returning back home. Simhala sarthabaha used to
worship the family God Avalokiteshvara (Karunamaya) daily. One day
Simhala Sarthabaha was given the sight of Lord Avalokiteshwora
(Karunamaya) while in meditation and worship. In the dream the Devin
Lord Avalokiteshwora told him that they are being under captive of the
devils (The man eater) and told him to leave the city as soon as possible as
it was a bewitched Island. He was instructed to go to the north side of the
city to check a big compound surrounded by tall walls like a well, where
they used to throw the skeletons.
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Avalokiteshwora also did promise to help them cross the river. He went
there and was able to climb a tree, and saw lots of human skeletons
behind the tall walls, where they were not forbidden to visit. He got
convinced himself about the dream after visiting the northern side of the
city. He made the plan to get an escape from the evil eyes of the damsels
whom they mistakenly thought of their beloved wives. He was able to get
convinced his friends about the instruction of the divine Lord and made a
plan to live the bewitched land as soon as possible. They left their home in
the middle of the night when their wives were fast asleep and came close
to the Brahmaputra River. Simhala Sarthabaha did worship the divine Lord
and a flying horse appeared. The horse instructed all them to get a ride
and warned them not to look behind while crossing the river and enchant
the Triratna Mantra. When the she devils wok up, they could not find the
young merchants sleeping next to them. They were flying across the river
and started laminating and requesting them to return back home. All
members except Simhala Sarthabaha looked behind and were under the
captive of the she devils and were taken back to the other side of the river.
Simhala Sarthabaha was the only person who did not look behind, and did
not forget to enchant the Mantra of Triratna, so was able to get back home
leaving behind all his friends under the captive of the wretched women
(she devil). The chief devil, wife of Simhala Sarthabaha followed him and
disguised as a young and exceptionally beautiful lady came to the court
with a baby on her lap claiming herself to be the wife of Simhala
Sarthabaha. Simhala Sarthabaha did try to convince the king that she is a
man eater and denied to accept them as his wife and son.
The king then kept her in the palace as he was attracted with the
exceptional beauty of the lady. In the middle of the night she called all her
companions and started killing the members of the Royal family and the
staff. Next day when the palace door did not opened Simhala Sarthabaha
entered the palace climbing through a ladder. He was no more able to find
anybody but the human skeleton scattered all over the palace court yard.
He could not found any of the Royal family members in the palace as all
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were being killed and eaten by the she devils. He found the human
skeletons scattered around the palace and saw the she devils sleeping
around the courtyard. With the Devin sword he is believed to have killed all
the Dankinis except his wife who did beg pardon for her life.
After being pardoned from her life she is being ordered to make a solemn
vow to protect the entire community and in return she also made a
proposal to protect the community least there be no opening in the roof
top of the buildings. This is why even today the Pradhans from this locality
do not have open roof-tops in their houses. She was then asked which
portion of the rice she wants to have- the first, middle or the last. She
spoke to have the first one thinking herself as senior so this is how she got
the sticky water (Jati). This is how even today the sticky water (Jati) is
being poured to the image of Jatika Ajima, before reaching the rice bowl to
Garud Bhagwan. She has made a vow to protect the entire community;
she also made a proposal least there be no openings in the rooftops of the
buildings. This is why even today the Pradhans from the locality do not
have open rooftops in their houses. Simhala Sarthabaha was nominated as
the leader of the community as all members of the Royal family were killed
by the she devil. This is how he got a new name Garud literally meaning
army chief and later on was able to become the king and called Garudjuju.
(Pradhan, Bhuban Lal, 2047, Kathmandu Upatyeka ka Chirka Mirka, Page 82)
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The Poubha (scroll painting) being displayed in the main court of Thamel,
during the holy months of Gunlaa narrates the legendary story of the
Voyage to Lhasa, being led by Simhala Sarthabaha.
This is how Simhala the leader of the Caravan got a new name Simhala
Sarthabaha later called upon as Simhala Sarthabaha. The main image of
the Bhagwan Bahal is known as Garujuju or Garud Bhagwan, is believed to
be the image of Simhala Sarthabaha. After all royal family was killed he
became the leader or say chief of the Army so got a new name Garuda and
once he became the king again called Garudjuju. (Pradhan, Bhuvan Lal,
2047, Kathmandu Upatyakaka kehi sanskritic chhirka mirka -some notes on
the culture identity of Kathmandu valley in Nepali p. 72). Simhala
Sarthabaha is believed to have established Bhagwan Bahal and the entire
daily rituals and activities during the festival are being controlled by the
Pradhan family from Thamel, who believe themselves as the descendants
of Simhala Sarthabaha.
Simhala Sarthabaha is mentioned as one of the previous life of Buddha in
the 16th chapter of Gunakarandavyaha. In one of the chronological history
(Bansabali) from Kaiser Library the story of Lhasa caravan was mentioned
during the reign of King Gunakamadeva (NS 107-110/ 987-990 AD) and in
some writings he is mentioned as to belong to the period of Singhketu
descendent of Gunakamadeva.
Atisha the renowned scholar from Vikramshila Vihar did spent one year
(1041/42 AD) in Nepal before departing to Tibet, most of his time was
spent in Thambahi but he did not mentioned about Garud Bhagwan and
Prajnaparamita. The monastery in Itubahal is believed to have established
by Bhashkardeva (NS 165-167 / 1045-1047 AD) and later on got renovated
by Kesh Chandra brother in law of Simhsarthabahu (Bhaskardeva
sanskarita Kesh Chandra krita parabrata Mahavihar from the stone
inscription of Itumbahal).
We can thus conclude that Simhala Sarthabaha belong to a period after
Bhashkardeva (NS 165-167 / 1045-1047 AD) or after Kalidasa (early 11th
century)
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of devouring Simhala fled when he took out his sword. Simhala then
escaped from the island on a magic white horse.
From Tamradvipa, Simhala came to Jambudvipa. The rakshasi in the form
of a very beautiful young lady followed him. She met a merchant from
Madhya Desa. She promptly fell at his feet and said I am the daughter of
the king of Tamradvipa and was married to Simhala. While crossing the
ocean the ship encountered an accident. He left me as he thought me to
be inauspicious. The merchant was impressed by her story and promised to
help her. He blamed Simhala for not accepting the innocent girl. Simhala
then told him that she was a rakshasi. From Jambudvipa Simhala returned
to Simhakalpa. The rakshasi followed him there also. She came to the
house of Simhala with a very handsome child, greatly resembling Simhala.
She told Simhala's father the same old story. When Simhala came back
home, his parents requested him to forgive his wife. Simhala then revealed
the true nature of the innocent young girl. After being denied by Simhala,
the rakshasi went to the palace claiming her as the wife of Simhala and the
child as his son. The king of Simhakalpa, Simhakesari ordered Simhala to
accept her as his wife. Simhala told the king who she was and requested
him to expel her. But the king was attracted by her beauty and kept her in
the palace.
During diner the rakshasi mixed sleeping doses everyone including the king
felt asleep. She then invited her rakshasi friends to come and join in the
feast. She told them that they should stop claim over Simhala instead of
giving them one; she was giving them so may. The rakshasis entered the
palace and started killing the king and his family. In the morning people
saw vultures rooming around the place. Simhala entered the palace
climbing through a ladder. Then he searched the entire palace but could
not find any of the royal family members. The ministers and the people
decided to offer the crown to Simhala. The crown was then offered to
Simhala who accepted it on the condition that the people would obey him
without question. On assuming the throne, he raised a powerful army and
invaded Tamradvipa. When king Simhala with his army marched upon
.
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Legge, James in association with Max Muller prepared the scared books of
the East Series 50 volume published between 1879 and 1891
Locke, John K. S.
----- Karunamaya: The cult of Avaloketesvara 1980
----- Buddhist Monasteries of Nepal: A survey of the Baha and Bahis of
Kathmandu Valley
----- Legendary History of Kathmandu
Lienhard Siegfried, 1988. Nepalese Manuscripts Newari/ Sanskrit
Lopez, Don Jr. (edit) 1997. Atishas Journey to Tibet
Malalasekera, G P (Editor) 1963 Encyclopedia of Buddhism, Ceylon
Pal, Pratapaditya, 1974. The Arts of Nepal
Paul, Williams, 1989. Mahayana Buddhism
Ram, Dr. Rajendra; History of Buddhism in Nepal
Regmi Dilli Raman; Inscription of Ancient Nepal
Sakya Hem Raj,
---- Nepal Sanskritya Mulukha (Main entrance of Nepalese culture) 1969
---- Syambhu Maha Chaitya, 1098NS
Dr. Shrestha, Uma editor, Newa Vijnana: Journal of Newar Studies
Vaidya, Karunakar Buddhist tradition and Culture of Kathmandu Valley
Vajracharya, Dhana Vajra, Lichhavikalin Abhilekh, INAS Kathmandu 1973
Vajracharya, Gautam, 1987. Heritage of Kathmandu Valley
Vajracharya, Ratna Bahadur Gurumandalarachana va Prajnaparamitaya
artha sahitam (in Nepal Bhasha) NS 1095/1974 AD
Vajracharya,Ratna Kaji, Yen Deya Chaitya
Wright, Daniel ed. 1983
Nepal - History of the Country & People (1st edition 1877)
Yoshizaki Kasjumi, 1979
---- Study of Saddharmamala
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