Note: This is an incredible follow up to our previous post:Nazca Lines Enigma of the SunStar and Cross (Mandala) Nestled

d in the mysterious reaches of the Peruvian desert in the Palpa Mountains is one of the most precise geometric configurations known to man: The Sun-Star, and its satellite the Sun-Cross. This famed Geoglyph has for centuries remained an obscure earthly reflection of ancient calibration an astronomical wonderment depicting something far and beyond the immediate reach of human understanding if the Great Pyramid of Giza, Egypt, is to metrologists the Seventh Wonder of the World (still standing) in the Northern Hemisphere then the Sun-Star of Peru is the Eighth World Wonder whose measurements may claim the Southern Hemisphere. Its checkerboard indentations so incredibly precise and measurable (Considered as a *Class 1 Geoglyph the highest degree of precision in construction resulting in straight lines and evenly spaced and proportional symbol elements most pronounced of the seven categories) its octagonal shape and massive square overlays its wheel within the wheel and additional circles both in view and imagined and its dynamic interior so enigmatic, peculiar, riveting to the attention of astronomer, mathematician, and especially, geometer let alone archeologist, cosmologist and numerators throughout the world bring us to conclude, as the late and dedicated Geoglyph researcher, Maria Reiche, did: These earthly objects echoed heavenly realitiesthey were designed as astronomical calibrations observed in the celestial realms. (*Tim McGuinness, Ph.D. for NazcaMystery.com). More specifically, these peculiarities of antiquity mirror not only those dimensions of the Great Pyramid of Giza, the Sun and Moon but those of the New Jerusalem! Who could have envisioned such geometric calculations etched into Earths most barren plateau to have lasted centuries some say since 900 BC. Yes, who but more importantly, why? Why was the design of this Geoglyph so indelible even mesmerizing to the professional eye, elevated to view its magnificence and possible message? Its difference from all other peculiar PalpaNazca Geoglyph is striking the closest glyph to the Museum of Maria Reichealong the costal route of the Pan American Highway some 200 miles south of Lima, Peru is there for a reason. The ancients who determined its dimensions used metrologies far and beyond our wildest imagination their precisions astound use of measuring instruments calculating heavenly movement and beyondthey, we affirm, saw into the prophetic knew time and space and somehow, some way, were aware of the Dimensions of Paradise for the Sun-Stars duodecimal (12) imprint is so well integrated into their system. We are left in utter wonderment that something of this magnitude could not have been left to happenstance. Yes, we conjecture, most certainly, however: Could the designers have known that its reflection magnified the Revelation of the New Jerusalem of John the Beloved, and mirrored the very ratios of the Great Pyramid of Giza? Could it be that the same genius whose architecture has survived as the last Wonder of the World its Seventh saw the need for an Eighth an octagonal Geoglyph to match the octahedron or half octahedron of the Great Pyramid of Giza?

This is not fiction the Sun-Star/Sun-Cross was chiseled/carved/dug out of the most arid and windless plateau on earth . . . preserving their impress unto the posterity of our time . . . making this most ancient glyph, and the hundreds of others found in the region, a most unique feature of Earths antiquities: The Nazca Lines (Nasca Lines), are a set of zoomorphic, phytomorphic and geometric figures (lines, triangles, trapezoids, circles, spirals, birds, a spider, a monkey, flowers) that appear engraved in the surface of the Nazca desert, a high arid plateau that stretches 37 miles between the towns of Nazca and Palpa on a large flat area of southern Peru. The Nazca Lines are one of the mysteries of the ancient world. They are the most outstanding group of geoglyphs (drawings on the ground) in the world. Lines and figures appear in an area of over 300 square miles. How did the ancient people of the Nazca desert (between 900 BC and 600 AD) achieve such geometrical precision, and what is the meaning of the drawings of giant spiders and birds? Decades of exploration and study by German-born mathematician Maria Reiche led her to see the Nazca lines as a sophisticated astronomical observatory, created to mark risings and settings of the sun, moon and stars. (Nazca Lines) Decades, yes, centuries peering into this autostereogram designed to create the visual illusion of a three-dimensional (3D) scene from a two-dimensional image in the human brain. In order to perceive 3D shapes in these autostereograms, the brain must overcome the normally automatic coordination between focusing and vergence. (Wikipedia)yet, we never could make out the incredible features found in the Sun-Star which bespeak the dimensions of Paradise: The New Jerusalem. There are many Nazca Lines Theories to their origins abound guess which one I prefer? The circles of the Sun-Star and adjacent Cross found in the Palpa Mountains of Peru are far more than a drab and arid affair for when you realize what the architects had in mind, the color spectrum to match that of the rainbow and the Solar System, ah, then you discover a marvelous geometric design of stunning beauty. Light refracted the Sun illuminates the color spectrum with hues of optical beauty enhancing Earths astonishing variety, bringing pleasure and creativity to the human eye. Never has there ever been such a kaleidoscope discovered in antiquity made with awesome coloration in the mind of the designers for when the Sun bursts upon the scene a plethora of brilliance bedazzling the human imagination is painted upon Earths surface as never before imagined. My poor, puny effort to portray the most sacred of art is tragically inadequate would to God that someone(s) would step forward especially among the peoples of South America and do artistic justice to this divine expression of cosmic elegance and perfection of beauty! Imagine that the Almighty would concentrate such a heavenly object to be wrought upon the Earth, giving credence to the Creators inspiration within the heart of man to express the very Purpose of the Almighty with all the colorful distinctions known to humankind coalescing in one celestial object chiseled upon Earths surface for all to see and admire!

Click to Enlarge. For years people have been making theories about who made the giant figures, how they were made and especially why they were made. A review of these theories follows.Perhaps even more interesting than the figures of animals and the zig-zag lines is one unusual image known as the mandala. This image is extremely remote and sits atop an arid mountain plateau.

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