In this tutorial you will learn how to create a complex abstract Armored Sphere scene in Cinema 4D.

You will use structure tools (such as Extrude and Extrude Inner), HyperNURBS, and the Danel shader to create the scene, and then render it with Advanced Render, and finally add some depth of field in Photoshop.

Step 1
Create a sphere object (Objects > Primitive > Sphere), and set the type to standard, and the radius to 96m (if m is your basic units). This sphere will be the core of the object.

Step 2
Create another sphere object, and set the type to standard, and the radius to a size larger than the previous (100m for example). Make it editable (C on the keyboard). This sphere will be the base object for modeling the first part of the armor.

Step 3
Select 1/8 of the sphere.

Step 4
Split (Functions > Split) the sphere into 2 objects (the whole sphere and the previously selected part). A new object with the same name will appear. Delete the selected polygons from the base object.

Step 5
Select the new object, then select all triangle polygons and melt them together (Functions > Melt).

Step 6
Select all of the polygons and extrude them (Structure > Extrude), with an offset value of about 2m, and the options Preserve Groups and Create Caps checked.

Step 7
Use extrude inner (Structure > Extrude Inner), with the offset near 3m and the preserve groups option checked, to make some sort of border at the sides of the object.

Step 8
Select the polygons at the center of the object and extrude with an offset of -1.2m and Create Caps unchecked.

Step 9
Use extrude inner with offset 0.3m.

Step 10
Duplicate and rotate this object to form a sphere, then add them to a null object (alt+G). This null object will be the core armor.

Step 11
Add a HyperNURBS object (Objects > NURBS > HyperNURBS) to the scene, and drag the core armor null object into the HyperNURBS object.

Step 12
Create a new sphere object with a radius of 104m , make it editable, and start making the next layer of armor by selecting some polygons.

Step 13
Delete the selected polygons and select all of the remaining polygons.

Step 14
Extrude the polygons with an offset of 3m and the create caps option checked.

Step 15
Create some more armor layers (3 or 4 will be enough). Group all of these armor objects and drop them into the HyperNURBS object.

Step 16
Create a new sphere with a radius of 115m, set the type to tetrahedron, and make it editable (Functions > Make Editable).

Step 17
Select 1/4 of the tetrahedron sphere.

Step 18
Split the selection (as in step 4).

Step 19
Repeat this action until you get 4 parts to the tetrahedron sphere.

Step 20
Select these 4 objects, then select all of the polygons in them (ctrl + a).

Step 21
Extrude the polygons with an offset of 3m and the Preserve Groups option checked.

Step 22
Group these 4 objects and drop them into the HyperNURBS. Now group all of the objects inside HyperNURBS object so they will all be subdivided. We will position all these objects later.

Step 23
Create a new plane object, scale it up to 5000m, and position it under the main object.

Step 24

Duplicate the null object (that contains the 4 parts of the tetrahedron sphere) 20 times without selecting mode (Functions > Duplicate).

Step 25
Select all of the duplicated null objects and randomize them (Functions > Randomize). Make sure that they are not intersecting.

Step 26
Group all of these null objects and add them to a new HyperNURBS object.

Step 27
Position and rotate all of the parts of the main object.

Step 28
Now for some materials. Create a new material (double click in the material manager).

Step 29
to Open the material editor (double click the new material), and change color to a dark grey (35, 35, 35).

Step 30
Under Diffusion, check Affect Specular and Affect Reflection, and for the texture use a noise shader (noise = turbulence; octaves = 5; global scale = 3500%).

Step 31
Under Reflection, change the brightness to 38%, the Blurriness to 10%, the Max samples to 20. Note: the more samples you have, the more accurate the blur will be, but we do not need accuracy at this time.

Step 32
Under Alpha, use a gradient (type = 2D circular) for the texture.

Step 33
Check Specular, and leave it as it is. Rename the material to Floor.

Step 34
Drag the Floor material onto the plane object.

Step 35
Create a new sky object (Objects > Scene > Sky). Create a new material and name it Sky.

Step 36
Use an HDR image with one bright spot, blur it using Blur Offset and Blur Scale, set the Mix Mode to Multiply, and adjust the Brightness. Apply the Sky material to the sky object.

Step 37
Create a new material, and make it orange by tweaking color settings and adjust brightness to 110%.

Step 38
Under Luminance, change the color to bright orange, and change the brightness to 200%. This material will be the core light.

Step 39
Create a new material, and change the color to white.

Step 40
Under Transparency change the Refractions to 1.4, the Blurriness to 3%, and the Max Samples to 20.

Step 41
Under Reflection, change the brightness to 80%. This material will be a glass layer.

Step 42
In the material manager, create a new Danel shader (File > Shader > Danel), and open it in the material editor.

Step 43
Under Diffuse, change the color to dark grey (43, 43, 43), and the Algorithm to Oren Nayar.

Step 44
Leave Specular 1 as is, but under Specular 2, change the color to light orange (255, 191, 127), and under Specular 3, change the color to orange (255, 144, 0). Leave Reflection as it is.

Step 45
Check Anisotropy. Change Roughness X to 1500%, Roughness Y to 50%, Length to 120%, and Attenuation to 850%. Check Specular 3.

Step 46
Assign the Danel shader material to the Hypernurbs objects (that contain the tetrahedron spheres) by dragging the material onto the object, or selecting object, right clicking on the material, and pressing apply.

Step 47
Assign the core light material to the core object (the sphere from step 1). Assign the glass layer to some of the layers, and the danel shader material to all of the other layers.

Step 48
Create a light (Objects > Scene > Light). Set the Type to Omni, and the Shadow to Area. Position it so it will be near the bright spot in the sky material.

Step 49
Choose a good position for the camera using the Editor Camera. Note: we dont need a scene Camera because we will use a Depth layer from Multi-Pass to create some Depth of Field.

Step 50
Go to the render settings (Render > Render Settings).

Step 51
Under the Output settings, change the Width and Height to match your needs (I used 24001800).

Step 52
Check Multi-Pass and add the image layers and a depth layer (you can do it by right clicking on Multi-Pass or pressing the Multi-Pass button).

Step 53
Under Anti-Aliasing settings, change Anti-Aliasing to Best, and the Filter to Still Image or Sinc.

Step 54
Click the Effect button, and add Global Illumination. Under the General settings, change the GI Mode to IR+QMC (Still Image).

Step 55
Under the Save settings, check Save in the Multi-Pass Image options, and choose where you want to save your multi-passes. Make sure that you will be saving in Photoshop format.

Step 56
Click Render > Render to Picture Viewer (shift+R), and open the rendered file in Photoshop.

Step 57
Now, because we used Multi-Pass, we can easily modify any part of the picture, and add some nice effects like glare or depth of field. To add depth of field, merge all of the layers (create a new layer and press ctrl+alt+shift+E), the click Filter > Blur > Lens Blur.

Step 58
Change the Source to Depth, and click the image to change the Blur Focal Distance according to Depth. Tweak the Iris settings until you get the desired result. Thats it! Youre done!!