Niemeyer studied architecture at the National School of Fine Arts, Rio de Janeiro. In 1934, he entered the office of Lucio Costa, a leader of the Modernist movement in Brazilian architecture. He worked with Costa from 1937 to 1943 on the design for the Ministry of Education and Health building, considered by many to be Brazils first masterpiece of modern architecture. The design reveals the influence of architect Le Corbusier, who was a consultant on the construction. Niemeyer also worked with Costa on the plans for the Brazilian Pavilion at the New York Worlds Fair of 193940.
BIOGRAPHY
Niemeyer received the Pritzker Architecture Prize in 1988, the highest award in the profession, for his Cathedral of Brasilia. His design philosophy is - architecture followed the old examplesbeauty prevailing over the limitations of the constructive logic. His designs were noted for their free-flowing forms.
I D E O LO G I E S A N D P H I LO S O P H I E S
Niemeyer is most famous for his use of abstract forms and curves that specifically characterize every one of his works. He didnt stick to traditional straight lines. He is not attracted to straight angles or lines but rather he is captured by FREE FLOWING, SENSUAL CURVES. He designed and built curved architecture through his revolutionary usage of concrete.
BIOGRAPHY
His designs were daring buildings were characterized by being SPACIOUS and EXPOSED, mixing volumes and empty space to create unconventional patterns and often propped up by Piloti. Niemeyer was able to connect the Baroque style with modern architecture leading to a new form of architecture, which had never been built in Brazil before. He believed that Architecture, technology and nature be integrated by with natural elements.
WO R KS
Niemeyers first solo project was the plan for a complex within Pampulha, a new suburb of Belo Horizonte, Brazil. the scheme included a church, casino, dance hall, restaurant, yacht club, golf club, and the mayors weekend retreat, all situated around an artificial lake. The complexs buildings are notable for their free-flowing forms. In 1947 Niemeyer represented Brazil in the planning of the United Nations buildings in New York City.
WO R KS
Among the Brasilia buildings designed by Niemeyer are the Presidents Palace, the Brasilia Palace Hotel, the Ministry of Justice building, the presidential chapel, and the cathedral. In 1961 Niemeyer returned to private practice and for a time lived in Paris and Israel. In 1966 he designed an urban area in Grasse, near Nice, France, and a building for the French Communist Party in Paris.
WO R KS
From 1968 he lectured at the University of Rio de Janeiro. Niemeyers other architectural projects include the Ministry of Defense building in Braslia in 1968 and Constantine University (now Mentouri University) in Constantine, Algeria, in 1969. In the mid-1980s he began rethinking and renovating some of his former designs in Braslia. He changed the shape of the exterior arches on the Ministry of Justice building and replaced the windows of the cathedral with stained-glass panels. He continued to design new buildings, including the Museum of Contemporary Art in Niteroi, Brazil, which opened in 1996.
A LV O R A DA PA L AC E
The Alvorada Palace, or Palace of Dawn, is the official residence of the President of Brazil. The palace was designed by Oscar Niemeyer and inaugurated on June 30, 1958.
One of the first structures built in the Republic's new capital city, the "Alvorada" lies on a peninsula at the margins of Lake Parano. The principles of simplicity and modernity, that in the past characterized the great works of architecture, oriented Niemeyer's project. The viewer has an impression of looking at a glass box, softly landed on the ground with the support of thin external columns.
A LV O R A DA PA L AC E The building has an area of 7,000 square meters (75,000 sq ft.) distributed along three floors: basement, landing and second floor. Located in adjacent buildings within palace grounds are the chapel and the heliport. The basement level houses the movie theater, game room, kitchen, laundry, medical center, and the building's administration.
A LV O R A DA PA L AC E
The ground floor houses the state rooms used by the presidency for official receptions. It is made up of the Entrance Hall, Waiting Room, State Room, Library, Mezzanine, Dining Room, Noble Room, Music Room and Banquet Room.
The second floor is the residential part of the palace, with the presidential apartment consisting of four suites, two guest apartments and other private rooms.
The semi-sphere on the left is the seat of the Senate, and the semisphere on the right is the seat of the Chamber of the Deputies. Between them are two vertical office towers. The Congress also occupies other surrounding office buildings, some of them interconnected by a tunnel. The building is located in the middle of the Monumental Axis , main street of Brasilia.
Cathedral of Brasilia
The Cathedral of Brasilia is a Roman Catholic cathedral in Brazil. The concrete- framed hyperboloid structure, seems with its glass roof to be reaching up, open, to heaven. In the square access to the inside are four bronze sculptures with 3ft tall representing the evangelists.
Cathedral of Brasilia
Inside the nave are the sculptures of 3 angels suspended by steel cables. Niemeyer saw a compact and clean concept, a volume occurring with the same purity from any perspective and for times of deep religious expression.
Cathedral of Brasilia
In the air born outside the structure of the earth is a cry of faith and hope, then, the gallery is located in semi-darkness to prepare the faithful to show religious order in the contrast of light and the external effects; the faithful depart from the world and are projected between the cathedral and the infinite spaces. The Cathedral of Brasilia is 40 meters high and holds up to four thousand people. The base of the building is circular and about 60 m in diameter. Its glass ceiling, begins at the floor and is supported by 16 curved columns. Its circular structure prevents the existence of a facade. Its nave is over 70 meters in diameter, so long, despite the circular from the Cathedral. Its interior is decorated with stained glass. The structure itself is the result of 16 identical columns. These columns, which have a hyperbolic section and weigh 90 tonnes, are pointing both hands to the sky.
Cathedral of Brasilia
Furniture Design