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Lesson #6 The Sermon on the Mount, Part 1.

(Matthew 5: 1-16)

In Lesson #5 Jesus moved from his familiar village of Nazareth, relocating to Capernaum 40 miles away on the northwest shore of the Sea of Galilee. At Capernaum Jesus chose his first disciples: Peter, Andrew, James and Johnthree of whom (Peter, James and John) become is inner circle, his most intimate companions. Making Capernaum his headquarters, Jesus began his quest, traveling throughout Galilee teaching, preaching and healing.

In Lesson #6 we sit with the crowd on the hillside of the Mt. of Beatitudes and we experience an example of Jesus teaching: The Sermon on the Mount (Matthew 5-7). The first of five Great Discourses that comprise the core of Matthews narrative architecture, the Sermon on the Mount is a brilliant, 4-part teaching: 1. 2. 3. 4. A clever and memorable introduction (5: 2-16) Six propositions that exceed the law (5: 17-48) Six concrete actions to implement the Law (6: 1 7: 6) A dramatic call to action (7: 7-29).

In Lesson #6 we examine Part 1, the introduction.

Jesus uses three distinct methods in his teaching:


1. Expository teaching 2. Didactic teaching and 3. Parables The Sermon on the Mount is an outstanding example of his Expository teaching.

The Sermon on the Mount consists of a 4-part structure: 1. 2. 3. 4. A clever and memorable introduction (5: 2-16) Six propositions that exceed the law (5: 17-48) Six concrete actions to implement the Law (6: 1 7: 6) A dramatic call to action (7: 7-29).

In this lesson we examine Part 1, the clever and memorable introduction.

Fra Angelico. Sermon on the Mount (fresco), c. 1440-1450. Monastery of San Marco (cell 32), Florence.

A Quick Note on Fra Angelicos Fresco


This very stylized fresco is fraught with symbolism!

1.

2. 3.

4. 5.

Notice that Jesus is teaching on a rock mountain. As Moses delivered the message of the Law on Mt. Sinai, so Jesus delivers the message of Grace on a rock mountain. Jesus is dressed in a red under garment with a blue garment on top. Red suggests his shed blood on the cross, blue his heavenly origin. Light in the fresco moves from bottom to top, drawing our eyes from earth to heaven. In addition, Jesus points upward, reinforcing this movement of light, and the circle of the disciples draws our eyes upward as well. Jesus seems to be addressing Peter on the left, reinforcing Jesus later statement, on this rock I will build my church. Judas sits 2nd from the right. His halo is black, appropriate for the betrayer.

Mt. of Beatitudes

Capernaum Capernaum

Nazareth

Mt. of Beatitudes.
Photography by Ana Maria Vargas

The hillside forms a natural amphitheater with excellent acoustics.


Photography by Ana Maria Vargas

Church of the Beatitudes, 1938.


Photography by Ana Maria Vargas

A beautiful place to celebrate Mass.


Photography by Ana Maria Vargas

A B C D E F

Blessed are the poor in spirit, for theirs is the kingdom of heaven. Blessed are those who mourn, for they shall be comforted. Blessed are the meek, for they shall inherit the land. and so on . . .

You are the salt of the earth (5: 13) You are the light of the world (5: 14)

A Traditional Earthen Oven for baking bread in Cairo, Egypt.


Photography by Ana Maria Vargas

The Decapolis

1. We read in Matthew 4: 24 that Jesus fame spread throughout Galilee, the Decapolis, Jerusalem and from beyond the Jordan. To what do you attribute this? 2. The Beatitudes begin with: Blessed are the poor in spirit. Why do you think Jesus added the qualifier, in spirit? 3. Are the Beatitudes a random list of statements, or do they follow a logical sequence? If not random, what is the organizing principle? 4. With blessedness comes responsibilities? In the Beatitudes, what are they? 5. God has blessed each of us abundantly. What responsibilities do you bear as a result?

Copyright 2014 by William C. Creasy


All rights reserved. No part of this courseaudio, video, photography, maps, timelines or other mediamay be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying, recording or by any information storage or retrieval devices without permission in writing or a licensing agreement from the copyright holder.

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