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Plagues two, three, four--the frogs, gnats and flies--destroyed Egypt. With plague five god got serious, killing all the livestock in Egypt with a virulent pestilence. In Lesson #6 the plagues intensify, culminating in the slaughter of all the firstborn children.
Plagues two, three, four--the frogs, gnats and flies--destroyed Egypt. With plague five god got serious, killing all the livestock in Egypt with a virulent pestilence. In Lesson #6 the plagues intensify, culminating in the slaughter of all the firstborn children.
Plagues two, three, four--the frogs, gnats and flies--destroyed Egypt. With plague five god got serious, killing all the livestock in Egypt with a virulent pestilence. In Lesson #6 the plagues intensify, culminating in the slaughter of all the firstborn children.
(Exodus 9: 8 12: 36) In Lesson #5 God unleashed the first five of ten plagues on Egypt. With each plague Pharaoh became ever-more stubborn and recalcitrant. The first plague, turning the waters of the Nile into blood, devastated Egypt, and it was a direct frontal attack on the Egyptian god, Osiris, one of the primary gods in the Egyptian pantheon.
In plagues two, three and fourthe frogs, gnats and fliesGod seemingly toyed with the Egyptians and their gods, subjecting them to maddening afflictions and discomfort: a sort of divine gloating before dropping the hammer.
With plague five God got serious, killing all the livestock in Egypt with a virulent pestilence, perhaps anthrax or murrain, setting an ominous tone for a series of five ever-more lethal plagues, culminating in the slaughter of all the firstborn children in Egypt.
In Lesson #6 the plagues intensify, finally crippling Egypt and bringing Pharaoh to his knees. Hearing the cries and moans of his people as the angel of death stalks the night, while holding the cold, lifeless body of his own first-born son, Pharaoh commands Moses: Leave my people at once, you and the Israelites! (Exodus 12: 32).
Convinced that if they dont get out of Dodge fast the Egyptians would slaughter them all, the Israelites plunder and loot their Egyptian neighbors, pull up stakes and leave en masse.
Golden Haggadah (MS 27210), c. 1320. British Library, London. One of the finest surviving Haggadahs of medieval Spain containing sumptuous illuminations against gold-tooled backgrounds. Produced near Barcelona in French Gothic style.
Scooping up a handful of soot from a kiln and casting it skyward has the ominous look and feel of magic. As the soot disperses in the wind, it spreads mysteriously throughout Egypt, infecting man and beast alike with repulsive epidermal boils.
The Hebrew shehin (boils), from the root that means to be hot, refers to a variety of painful, burning skin diseases. That the soot is taken from a hot kiln reinforces the imagery of the burning heat of boils.
In Leviticus 13: 18, a person who has such a boil must present himself to a priest, who will determine if the condition is infectious.
In Deuteronomy 28: 35, such boils are a punishment from God: The Lord will strike you with malignant boils of which you cannot be cured, on your knees and legs, and from the soles of your feet to the crown of your head.
In 2 Kings 20: 1-7, King Hezekiah suffers from a such terminal condition and is miraculously healed when Isaiah brings him a poultice of figs to apply to the boil.
An Egyptian priest performs the Opening of the Mouth ceremony, part of the burial rites for a dead Pharaoh. An Egyptian priest with an infectious skin disease could not serve the gods; he must be pure.
Because of the boils the magicians could not stand in Moses presence, for there were boils on the magicians as well as on the rest of the Egyptians (9: 11).
Plague #6 deprives all the Egyptian gods of service from their priests.
In addition, the solar goddess Sekhmet, daughter of Ra and the warrior-protector of Pharaoh, was believed to have the power of both creating epidemics and ending them. Sekhmet is unable to protect Pharaoh as the plague rages on, affecting even her own group of priests called the Sunu.
Relief of the warrior-goddess Sekhmet, Kom Ombo Temple, Egypt.
John Martin. The Seventh Plague (oil on canvas), 1823. Museum of Fine Arts, Boston.
The plague of hail and fire outpaces all the other plagues combined. In a thunderous, pyrotechnic display of Gods power, the hail and fire devastate what remains of the Egyptian economy, splintering the crops and setting the fields ablaze as lightning races across the ground.
Instead of disaster welling up from the Nile or mysteriously permeating the air, in the hail and fire God launches a violent assault from above.
Nut, goddess of the sky, and her husband Geb, god of the earth. Nut, the goddess of the sky (and mother of Osiris) who brings the blessing of the the sun and the crops, is powerless. One can only imagine the anguish and desperation as thousands of people lift their voices in prayer to Nut, and the prayers go unanswered.
Thus says the Lord, the God of the Hebrews: Let my people go to serve me, for this time I will unleash all my blows upon you and your servants and your people, so that you may know that there is none like me anywhere on earth . . . this is why I have let you survive: to show you my power and to make my name resound throughout the earth! (9: 13-14; 16).
I am going to rain down such fierce hail as there has never been in Egypt from the day it was founded up to the present (9: 18) . . . the hail was so fierce that nothing like it had been seen in Egypt since it became a nation (9: 24) [Locusts] will cover the surface of the earth, so that the earth will not be visible . . . something your parents and your grandparents have not seen from the day they appeared on this soil until today (10: 5-6).
This rhetorical drum roll makes the unambiguous statement . . .
And you will know that I am YHWH! Michelangelo, Creation of the Sun and the Moon, detail (fresco), 1512. Sistine Chapel, Vatican City.
Listen to this, you elders! Pay attention, all who live in the land. Has anything like this ever happened in your lifetime or in the lifetime of your ancestors? Report it to your children, and their children to the next generation. What the cutter left, the swarming locust has devoured; what the swarming locust left, the hopper has devoured; what the hopper has left, the consuming locust has devoured. (Joel 1:2-4)
Locusts were the scourge of the ancient world. Long after the Exodus the prophet Joel says: Recently, a swarm of 1 million locusts crossed from Egypt into Israel (Reported in the Jewish Daily Forward, March 5, 2013).
The devastation brought by locusts is hard to imagine. One square mile of a swarm contains from 100,000,000 to 200,000,000 locusts, and swarms typically cover as much as 400 square miles. Each locust eats its own body weight daily, and they strip a country bare, leaving millions of people in famine for years.
The cumulative force of the plagues has had a devastating effect on Egypt, its people and its economy: the land lies buried beneath a putrid mass of decaying fish and frogs; the livestock have been felled by anthrax; the crops have been destroyed by hail and fire; disease and infections have ravaged the peopleand now Egypt faces an onslaught of locusts.
Then the Lord said to Moses: Stretch out your hand toward the sky, that over the land of Egypt there may be such darkness that one can feel it (10: 21).
The contrast between light in the land of Goshen and absolute darkness in the rest of Egypt sets the stage for the contrast between life for the Hebrews and death for the Egyptians in the climatic tenth plague.
The plague of darkness is a direct frontal attack on the primary god of the Egyptian pantheon, Ra the sun god.
This is the final squaring off between God and Pharaoh. Negotiations are over. The stage is set for unleashing the terrible last plaguethe slaughter of the first- born children of Egypt. Pharaoh said to Moses, Leave me, and see to it that you do not see my face again! For the day you see my face you will die! Moses replied, You are right! I will never see your face again! (10: 28-29).
Charles Sprague Pearce. Lamentations over the Death of the First- Born of Egypt (oil on canvas), 1877. Smithsonian American Art Museum, Washington, D.C.
Francisco de Zurbarn. Angus Dei (oil on canvas), c. 1635. Prado Museum, Madrid.
As every firstborn person or animal is dedicated to God, so every firstborn person or animal had been dedicated to the Egyptian gods. By killing the firstborn children and animals of the Egyptians, God deprives every god in the Egyptian pantheon of what rightfully belongs to them.
As the Israelites plunder the Egyptians, so does God plunder the Egyptian gods. The Lord spoke to Moses and said: Consecrate to me every firstborn; whatever opens the womb among the Israelities, whether human being or beast, belongs to me (Exodus 13: 1).
Arthur Hacker. And There Was a Great Cry in Egypt (oil on canvas), 1897. Private collection, anonymous (sold at auction at Christies, London, June 27, 1988, Lot 703). David Roberts. The Israelites Leaving Egypt (oil on canvas), c. 1830. Birmingham Museum and Art Gallery, Birmingham, England.
1. What is the primary purpose of the plague of boils? 2. The plague of hail and fire begins a sequence of plagues that culminates in the death of the firstborn. How does each plague build, one upon the other? 3. In Exodus 10: 7 Pharaohs servants say: Do you not yet realize that Egypt is being destroyed? Of course, Pharaoh knowsso why does he continue the deadly game? 4. After the plague of locusts comes darkness. If you were an Egyptian having experienced the first eight plagues, what would you think as you sit in the dark? What would you feel? 5. How can one morally justify God slaughtering all the firstborn children and animals of Egypt?
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