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Nam June Paik. Zen for Film. 1964/1965.

Film
canister containing 16mm film reel with
approximately 23 minutes of film leader;
canister, 38 cm diameter

FLUXUS

George Maciunas: manifesto of 1962


John Cage «Variations V» 1965

Black Mountain College


JOSEPH ALBERS
TEACHING STUDENTS
anechoic chamber

John Milton Cage


(September 5, 1912 –
August 12, 1992)

The musical score for John Cage's 4'33''


John Cage, «Fontana Mix», 1958

John Cage, «Imaginary Landscape No. 1», 1939


Not wanting to say anything about Marcel, lll, 1969

62 Mesostics re Merce Cunningham (1971)


http://www.fluxus.org/FLUXLIST/maciunas/

William Woods of radio


station KRAB interviewed
George Maciunas following a
FESTIVAL FLUXUS et NEO-FLUXUS
Fluxus Festival held in
1963-2003 NICE
Seattle in September, 1977.
Ben Vautrier
This was the last Fluxus
Festival to be organized and
directed by Maciunas.
George Maciunas died eight
months later, in May, 1978,
at the age of 46
George Maciunas,
«Fluxkit», 1964

Marcel Duchamp. (American, born


France. 1887-1968). Box in a Valise
(From or by Marcel Duchamp or Rrose
Sélavy). 1935-41. Leather valise
containing miniature replicas,
photographs, color reproductions of
works by Duchamp, and one "original"
drawing [Large Glass, collotype on
celluloid, 7 1/2 x 9 1/2"
FLUXMANIFESTO ON ART AMUSEMENT

FLUXMANIFESTO ON FLUXAMUSEMENT-VAUDEVILLE-ART? TO ESTABLISH


ARTIST NONPROFESSIONAL.NONPARASITIC,NONELITE STATUS IN SOCIETY, HE
MUST DEMONSTRATE OWN
DISPENSABILITY, HE MUST DEMONSTRATE SELFSUFFIENCY OF THE
AUDIENCE, HE MUST DEMONSTRATE
THAT ANYTHING CAN SUBSTITUTE ART AND THAT ANYONE CAN DO IT.
THEREFORE THIS SUBSTITUTE ARTAMUSEMENT
MUST BE SIMPLE, AMUSING, CONCERNED WITH INSIGNIFICANCES, HAVE NO
COMMODITY OR
INSTITUTIONAL VALUE. IT MUST BE UNLIMITED, OBTAINABLE BY ALL AND
EVENTUALLY PRODUCED BY ALL.
THE ARTIST DOING ART MEANWHILE, TO JUSTIFY HIS INCOME, MUST
DEMONSTRATE THAT ONLY HE CAN DO
ART. ART MUST THEREFORE APPEAR TO BE COMPLEX,
INTELLECTUAL.EXCLUSIVE,INDISPENSABLE,
INSPIRED. TO RAISE ITS COMMODITY VALUE IT IS MADE TO BE RARE, LIMITED
IN QUANTITY AND
THEREFORE ACCESSIBLE NOT TO THE MASSES BUT TO THE SOCIAL ELITE.
Piero Manzoni
Photograph - "Living Sculpture" 1961

Yves Klein’s Anthropometries


of the Blue Period (1960)
Judson Church in New York

La Monte Young, «Dream House»,


1962
Chris Burden, «Shoot», 1971

Original photograph by Brian Marsh of


performance artist Stuart Brisley as ZL 65 63
95 C
Luigi Ontani

Urs Lüthi
Dennis Oppenheim, «Two Stage Transfer
Drawing (Advancing to a Future State)», 1971

Vito Acconci,
«Step Piece», 1970
Bruce Nauman, «Lip Sync», 1969

Dan Graham, «Picture


Window Piece», 1974
Joseph Beuys

Gina Pane

Jannis Kounellis
Abramovic, Marina; Ulay, «Expansion in Space», 1977
Adrian Piper

Julia Heyward

Laurie Anderson
Ulrike Rosenbach, «For Ten
Thousand years I Slept», 1976

Rebecca Horn, «Berlin Exercises in Nine Pieces» Exercise 4: Keeping


Those Legs from Touching Each Other, 1974 – 1975
Su
sa
n
Hil
ler

Susan HiIIer:
Dream Mapping, 1977
Drea
m

Suzanne Lacy and Leslie Labowicz Map


ping
1974

In Mourning and in Rage


Media event memorial for Victims of
Hillside Strangler
Los Angeles, CA, 1977
Michael Morris, Vincent Trasov as Mr. Peanut I
n front of Vancouver Court House, 1974

Pat Oleszko
Ann Magnuson

Erick Bogosian
Sankai Juku
Pina Bausch

Robert Wilson 'Theater of Images' with works such as


Einstein on the Beach (first performed in July 1976 a
the Festival d'Avignon), Philip GIass, Lucinda Childs
Stephen Taylor Woodrow

Richard Foreman
Bertolt Brecht
10. Februar 1898 –
14. August 1956

Caucasian Chalk Circle By Bertolt Brecht

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