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Agents and client actually end up working at cross purposes. "Right research for the wrong reason"which is a fundamental waste. Research might start with inherent bias. 2. Findings of both marketer and agency are entirely different.
Agents and client actually end up working at cross purposes. "Right research for the wrong reason"which is a fundamental waste. Research might start with inherent bias. 2. Findings of both marketer and agency are entirely different.
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Agents and client actually end up working at cross purposes. "Right research for the wrong reason"which is a fundamental waste. Research might start with inherent bias. 2. Findings of both marketer and agency are entirely different.
Hak Cipta:
Attribution Non-Commercial (BY-NC)
Format Tersedia
Unduh sebagai PPT, PDF, TXT atau baca online dari Scribd
SEC-A REASON FOR RESEAECH FAILURE • Companies are starting off on the wrong foot. • Agents and client actually end up working at cross purposes. • “right research for the wrong reason”- which is a fundamental waste. MISTAKES BY MARKETERS The pre-concieved idea • Jumping to a conclusion first and then commisioning research to backup the idea. 1. Research might start with inherent bias. 2. Findings of both marketer and agency are entirely different. THE WRONG MARKET • Ignoring the necessity to do category research before specific research.
THE FUZZY BRIEFS
• Trying to cover to much area in a single research • Giving a loose, general brief without quantifying the specific areas that need to be checked. TO BE SPECIFIC To choose the right research tool, an agency needs to know the precise marketing problem the client is trying to solve. The problem should be more clear & specific to make researcher to reach the right direction with right methodology of the research. Example ABC was a major player in the cosmetics and toiletries market. Its portfolio fell into three brand product categories, and it had create sub brand for each. Two year later the sub branding programme had been launched, it wanted to conduct a study to find out the impact of its investment on the sub-brands. XYZ was a company of durables & had range of product in its portfolio. One of its division had created a sub- brand some time ago and the company wanted to know its investment into the sub-branding exercise was paying off. Both the company wanted answer to the same question-and therefore, the some methodology should have work for both. The market research agency posed a couple of question to each company. • Why did company wants to find out about the impact of investments on the sub-brand ? • What did the client mean by impact- and which were the area it expected the impact to be felt in? ABC explained that in the past two years, the advertising is largely concentrated on the product range. Also the spent have been low. The advertising had played the umbrella brand name at the expense of sub-brand. That’s why the company felt that the sub-brand were probably not registering strongly with customers. Since ABC was committed to the sub-branding exercise. It wanted the research to get a measure of the impact it had made till then, and to use the result to take a decision on the direction for future communication efforts. Therefore the key research task were : • Has the branding registered a all” if so, how strongly ? • What is the image of the newly created sub-brand ? Has it stated acquiring an identity of its own ? To answer these questions, the agency needed to work out a quantitative “usage and awareness” study. XYZ’s problem was different. Like ABC it recognised that the equity of the parents or umbrella brand was very strong and the spend on the sub- branding exercise was too spends on the meagre to be really effective But it was still debating whether or not to have the sub-brand at all. In essence, the key question XYZ needed answer were • Whether the sub-brand name fitted with the image it wanted to create for the product. • Whether the sub-brand name had any potential, and could be developed further. To answer these questions, qualitative research need to be done. WHAT TO TELL YOUR AGENCY At the root of most research problems is a bad brief. But while most marketers know this, they still find it difficult to work out a proper brief for their agency. The problem usually crops up because a marketer is never sure how much tell his agency. Most companies, constantly torn between; • Telling the agency everything it would like to know. • Revealing only the absolute minimum the agency need to know. It generally helps to be clear about • Project objectives • Stick to the specific problem that need to be researched. Asking the agency a host of peripheral issues only tend to confuse the problem definition. The ideal research brief to the agency should have: • The marketing problem • The background of the problem • The market research objective/s Here’s the kind of brief the client give the agency
• History of the brand
• Business/Marketing strategy • Hypothesis • Research objectives • Methodology • Timing Picking the Agency How effectively your research is will depend to large extent on how good your agency is. That why the marketers spend some time with the people of an agency whom they are going to hire. Many of the agency offer excellent services. However all client need to do a routine check to see how their agency stacks up. Personnel Criteria • Personnel • Project leader • Image • Integrity • Specialization • Creativity Other Criteria • Data Bank • EDP • Organization and administration • Post study services • Cost Research steers nightclub's repositioning • The Horse Feather is a night club. Not long after it opened last year, Horse feathers night-club in Louisville, Ky., achieved a moderate level of success. During the week, happy hour crowds kept revenues at a steady level. But when it came to late night club going, the crowds chose to go elsewhere. • To change that, Flautt Properties, which also runs four other Horse feathers in the U.S. , sought the help of the Enterlink Co., a Houston based firm specializing in marketing research and consulting for the nightclub industry. The research process David Townsend, president of Enterlink, conducted computer-assisted surveys and focus groups with customers and employees. In conjunction with the research, he performed a market analysis, reviewed club operations, suggested design changes and guided increased promotional efforts. Conducting the customer • To get a representative survey sample of customers and day parts, Townsend typically conducts the computer survey at least three successive nights, either Wednesday-Thursday-Friday or Thursday-Friday-Saturday. • Customers answered questions about their perceptions of Horse feathers' food, music, service, and decor, their specific likes and dislikes, their awareness of promotions, and how they initially found out about the club. • They also provided information on club-going habits: Why do they go out? How often do they go out? How much do they spend? What types of promotions do they enjoy most? What radio stations do they listen to and when? What is the most effective way of hearing about a club? • Similar questions were also asked in the focus groups. The responses were broken down by age, sex, day part preference and club-going frequency Strengths and weaknesses • The customer research identified the club's strengths and weaknesses, according to its various customer segments, resulting in design and music format changes. It also aided redevelopment of the club's in- house, direct mail, and radio advertising. • A large percentage of frequent customers indicated that they went to Horse feathers mainly to meet friends and relax after work, choosing to go elsewhere to dance. Some cited dissatisfaction with music selection and DJ performance. These findings were important because they indicated that if the right changes were made, these frequent customers would probably attend the club more often and stay longer. • Male respondents said they went to clubs primarily to meet new people, while a large percentage of females indicated that they went to clubs for dancing. This made it clear, Townsend says, how important the music, sound system, and light show were to Horse feathers' female target market. Catering to this segment of the market is crucial, he says, because if a club can attract women, the men will follow. Radio and direct mail
• The research showed that two important groups—females
and 21 to 25 year-old customers—were most responsive to the club's radio ads. Coupled with the information supplied by customers in that age group on their radio station preferences and listening habits, the club was able to make its radio advertising hit the right audience. Once they felt they "had the product right," the club took a new approach to the content of the radio ads. Previously, the spots had focused on upcoming promotions, but more recent spots have emphasized the music, to show that Horse feathers is a place for people who love to dance. • "Hot Mix" • This idea was further conveyed by a promotion called the Hot Mix, which began this spring. From 10 p.m. to 2 a.m. every Saturday night, radio station WDJX broadcasts four hours of uninterrupted dance music live from the club with no advertising, except for occasional voiceovers on upcoming club promotions. Sales doubled on the first night and the promotion continues to do well. • "One of the problems we had with Horse feathers was the club's name," Townsend says. "Some people in the market thought it was a country-western place. By hearing the radio show, they know immediately that we don't play country and western music!" • "Radio stations also like it because it's tough to sell air time between 10 p.m. and 2 a.m. on a Saturday night, and if they've got a client that's going to buy it every Saturday for three months, they get pretty interested." Design changes • In response to customer comments and also to accommodate increased late-night business, design changes were made to maintain the comfort level of happy hour while adding space for dancing. • Stand-up drink rails were installed in the front of the club to alleviate a problem caused by people congregating near the dance floor, which is located near the back of the club. • "If you walked in the front door, even if there were a hundred people there you wouldn't see any of them," Townsend says. "It looked like the place was dead. People would walk in, look around and walk out. So by putting the rails in the front, we now have people in the front of the club interacting, so when you walk in now you see some people." Employee survey • Townsend also conducted computerized interviews and focus groups with employees, because he believes that if the staff is happy and enthusiastic, and they can communicate that feeling to customers, it can do a great deal towards giving the club a positive feel and ensuring a lengthy lifespan. • "The key to longevity is having a great staff that's really involved in promotions and marketing and can make the place feel different and be different, without repainting, changing the name, or moving the dance floor. Every club that I've ever seen that had a long life had this—employees that were involved, that knew their customers and would tell them about upcoming promotions, and really get the customers excited about coming to the place." • The employees were asked what they liked most/least about their jobs, what their level of job satisfaction was, and how they rated relations with management. While most employees were happy, some cited a need for increased communication with management, adding that they felt their ideas on promotions and service were being overlooked. "Party Squad"
• To increase management/employee communication
and give employees a stake in the club's success, Townsend introduced what he calls the Party Squad, a small group of creative-minded employees who are shown basic brainstorming techniques, given a budget, and then put in charge of organizing a promotion from start to finish. Managers are also involved, but it is a group decision-making process; a manager has no more say than a bartender. Aggressive approach • Townsend also conducted computerized interviews and focus groups with employees, because he believes that if the staff is happy and enthusiastic, and they can communicate that feeling to customers, it can do a great deal towards giving the club a positive feel and ensuring a lengthy lifespan. • "The key to longevity is having a great staff that's really involved in promotions and marketing and can make the place feel different and be different, without repainting, changing the name, or moving the dance floor. Every club that I've ever seen that had a long life had this—employees that were involved, that knew their customers and would tell them about upcoming promotions, and really get the customers excited about coming to the place." • The employees were asked what they liked most/least about their jobs, what their level of job satisfaction was, and how they rated relations with management. While most employees were happy, some cited a need for increased communication with management, adding that they felt their ideas on promotions and service were being overlooked. OUTCOME • Popular promotions such as Thursday night alligator races have helped Horse feathers nightclub achieve a 250% increase in monthly sales. • Using information obtained from the customer research and market analysis, the club has repositioned itself in the marketplace. Monthly sales figures have risen more than 250%. • It helps horse feather efforts to reposition itself in the marketplace and subsequently increase its popularity with and sales to evening customers. THANK YOU
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