Buck Fuller,
U.S. PAVILION - 1967 Exposition,
Montreal, Canada
Eero Saarinen,
T.W.A. TERMINAL, J.F.K. INTERNATIONAL AIRPORT,
New York, 1962
Philip Johnson,
(above) THE GLASS HOUSE,
Connecticut, 1949
(left) THE SEAGRAM BUILDING,
New York, 1958
(with Mies van der Rohe)
Philip Johnson,
AT&T HEADQUARTERS,
New York, 1979
one of the New York Five or The Five Whites, together with
Richard Meier, Peter Eisenman, Charles Gwathmey and
John Hejduk, known for their white, modernist designs
in the mid-70s, abandoned modernism and became a
famous figure in the postmodern camp
successfully brought the postmodern style from the
academe to the public through the design of the
controversial Portland Building in 1983.
diverted architecture from modernist abstraction to
restore literacy to readers and users of the building
I believe that people make natural associations with form,
color, and the composition of elements while decoration
and detailing help communicate a buildings purpose.
-GRAVES
Michael Graves,
HANSELMANN HOUSE,
Indiana, 1967
Michael Graves,
SNYDERMAN HOUSE,
Indiana, 1972
Michael Graves,
PLOCEK HOUSE, 1982
Michael Graves,
PORTLAND BUILDING,
Oregon, 1983
Michael Graves,
WORLD TRADE EXCHANGE BLDG.,
Binondo, Manila
Arquitectonica
Miami-based firm composed of Bernardo Fort- Brescia
and Laurinda Spears
works are influenced by both Modernism and
Postmodernism
pursued the style of an unconventional modernism,
both abstract and romantic, playful as well as dramatic
and forceful
Arquitectonica,
THE PINK HOUSE,
Miami, Florida
Arquitectonica,
ATLANTIS CONDOMINIUM,
Miami, 1982
Arquitectonica,
ATLANTIS CONDOMINIUM,
Miami, 1982
Arquitectonica,
BANCO DE CREDITO,
Peru, 1988
Arquitectonica,
PACIFIC PLAZA TOWERS,