New York
The term Abstract Expressionism is used to refer
to all types of non-geometric abstraction. Two
distinct groups:
- Colour Field artists worked with simple, unified
blocks of colour.
- Gestural or action painters like Pollock and
de Kooning who made use of surrealist
techniques of automatic art. Kline belongs to this
group.
Tecnique
In 1949 de Kooning lent Kline a Bell Opticon
projector to enlarge some of his own drawings.
Kline took a small drawing of a chair and
projected this on to canvas on such a large
scale that it completely overlapped the edges.
The design became completely abstract.
He started a transition from figuration to
abstraction
Tecnique
Kline described the projection of the chair as such:
"A four by five inch black drawing of a rocking
chair...loomed in gigantic black strokes which
eradicated any image, the strokes expanding as entities
in themselves, unrelated to any entity but that of their
own existence."
Kline created paintings in the style of what he saw
that day throughout his life.
Source: http://en.wikipedia.org/wiki/Franz_Kline
New York
In 1950 he began to make large scale
calligraphic abstract paintings in black and
white, which are some of his most important
works.
In this year he had his first exhibition at the
Egan Gallery in New York. Here he started to
be recognized as a leading Abstract
Expressionist.
1958 is when he started to introduce strong
colors into some of his works.
Style
Kline insisted that his works, despite
their nonobjective appearance, were
rooted in the world around him.
Often monochromatic, his canvases
featured slashing strokes of paint that
intersected to form complex shapes and
rhythmic designs.
Style
The titles of several paintings refer to places
that he knew as a youth in eastern
Pennsylvania.
Franz Kline achieved dynamic imagery through
thick, bold strokes of paint slashing across the
picture plane. By 1950, he had renounced
figuration and begun working on his
characteristic black-and-white canvases.
Elizabeth at Islip
(Portrait of the Klines
Wife)
1945
Oil, chalk and ink on
paper
5 3/4 x 4 3/4 inches
(14.7 x 12 cm)
Ex-Collection:
The Artist
Private Collection until
2004
Feeling Blue
34"X24",
Acrylic
Cardinal,1950
79 1/2 x 58 1/2
inches
Oil on canvas
Ninth Street
1951
oil on canvas
60 x 78 in.
New York
1953
Oil on Canvas
79 x 51 in
Albright-Knox Art
Gallery, Buffalo
Suspended
, 1953
35 x 37
inches
Oil on
canvas
Vawdavitch, 1955
Oil on canvas
Orange Outline
1955
Oil on
paperboard,
mounted on
canvas, 38 x 40
in. (96.5 x 101.6
cm)
Mahoning
1956
27 in. x 24
in.
Delaware
Gap
1958
Oil on canvas
78 1/4 x 106
1/8 in.
(198.6 x
269.5 cm.)
Siskind
1958
Oil on
canvas
C and O, 1958
77 x 110 inches
Oil on canvas
Meryon
1960
oil on canvas
236cm x 195.5cm
Untitled, c.
1960
The Haskell
Collection
Scudera,1961
110 1/2 x 78 inches
Oil on canvas
Conclusion
Franz Kline
One of the most important Abstract
Expressionists.
He has been characterized for his distinctive
black shapes on white backgrounds.
His works represent his energy, expression,
dynamism and anger.
Conclusion
Sources:
Franz Kline, September 24, 2004
http://www.artchive.com/artchive/K/kline.html
Franz Kline , September 24, 2004
http://www.acquavellagalleries.com/main/artist_bio.cfm?artist_id=144
Gallery, September 24, 2004 www.abstract-art.com/.../ g035c_kline_co.html
Looking at Abstract Art, September 24, 2004
www.sackville.ednet.ns.ca/. ../abs_analysis.html
Collections, North Carolina Museum of Art, September 24, 2004
ncartmuseum.org/.../ 20th/1950-2000/024_lrg.shtml
Franz Kline , September 24, 2004 borghi.org/ american/kline.html
A century of Artnewx photographs, Portrait of the Art World,
September 24, 2004 www.npg.si.edu/ cexh/artnews/kline.htm
Franz Kine, Wikipedia, September 24, 2004
http://en.wikipedia.org/wiki/Franz_Kline
DEWAN, SHAILA What's So Great About Painting, September 24, 2004
http://www.houstonpress.com/issues/1998-10-29/art.html
Gallery Re-Opening Transforming the 20th Century Galleries, 24, 2004
www.dia.org/ collections/twenty-reopen/