… Man imagines in the first place the space which surrounds him and not
the physical objects ….. All static or mechanical dispositions, as well as the
materialization of the spatial envelope, are only means for realizing an idea
which is vaguely felt or clearly imagined in architectural creation…
1
DESCRIPTIVE REPRESENTATION OF A DESIGN PROCESS
2
EXPRESSION OF FUNCTIONAL SPACE
3
1. About the Planning Phase in Design
4
1. About the Planning Phase in Design
1.1. GATHERING DATA: REQUIREMENTS AND CONSTRAINTS
5
1. About the Planning Phase in Design
1.1. Gathering Data: The Context (The Site)
1.1. 1.The Micro World: The Inner Environment
6
1. About the Planning Phase in Design
1.1. Gathering Data: The Context (The Site)
1.1. 1.The Micro World: The Inner Environment
7
1. About the Planning Phase in Design
1.1. Gathering Data: The Context (The Site)
1.2. 1.The Mega World: The Outer Environment
8
1. About the Planning Phase in Design
1.1. Gathering Data: The Context (The Site)
1.2. 1.The Mega World: The Outer Environment
9
1. About the Planning Phase in Design
1.2. Establishing Design Intentions or Goals
1.2.1. UTILITARIAN PURPOSE
10
1. About the Planning Phase in Design
1.2. Establishing Design Intentions or Goals
1.2.2. FORMAL / SPATIAL AESTHETICS: Balance Between Exterior Form /
Interior Space
11
1. About the Planning Phase in Design
1.2. Establishing Design Intentions or Goals
1.2.2. MORE ABOUT FORMAL / SPATIAL AESTHETICS: Balance Between
Exterior Form /Interior Space
12
1. About the Planning Phase in Design
1.3. INFERRING A PRIME DESIGN IDEA: USING METAPHORS WITH A
HUMANISTIC APPROACH
13
1. About the Planning Phase in Design
1.3. INFERRING A PRIME DESIGN IDEA: USING METAPHORS WITH A
HUMANISTIC APPROACH
14
2. About the Generation Phase in Design
a. Generation of the parti: designing the conceptual
organization
15
3. About the Evaluation Phase in Design
16
3. About the Evaluation Phase in design
3.1. PERFORMANCE EVALUATION : FUNCTIONAL ASPECTS
17
3. About the Evaluation Phase in design
3.1. PERFORMANCE EVALUATION : FUNCTIONAL ASPECTS
18
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.1. QUALITY OF EXTERNAL FORMS
19
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
20
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. MORE ABOUT THE QUALITY OF INTERNAL SPACES
21
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
22
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
23
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
24
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
25
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
26
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
27
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
28
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
29
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
30
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
31
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
32
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
33
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES
34
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.5. THE CONFIGURATION OF INTERIOR SPACES
35
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.5. MORE ABOUT THE CONFIGURATION OF INTERIOR SPACES
36
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.5. MORE ABOUT THE CONFIGURATION OF INTERIOR SPACES
37
3. About the Evaluation Phase in design
3.2. Evaluation of Formal Aesthetics
3.2.2. QUALITY OF INTERNAL SPACES
3.2.2.5. MORE ABOUT THE CONFIGURATION OF INTERIOR SPACES
38
References
• Archetypes in Architecture, Thomas Thiis Evensen, ISBN 0-
19-520819-6
• Architecture: Form, Space & Order, Francis Ching, ISBN 0-
442-21535-5
• Elements of Architecture, Pierre Von Meiss, ISBN 0-747-
60014-7
• Ordering Systems: An introduction to Architectural Design,
Edward T. White, Architectural Media, University of Arizona.
• Principles of Form and Design, Wucius Wong, ISBN 0-442-
01405-8
39