realism, originality
20th century part 2 to the 21st
Flaudette May V. Datuin
• The crisis in the subject and subject
matter
• The disintegration of form
• The disappearance of the figure
The Human form
Auguste Rodin
The Kiss
Durer
Tamara de Lempicka
Klimt
Human form
starts to
fragment
Reduction and
simplification of the
human form
Constantin Brancusi
Reduction and
simplification of the
human form
Napoleon Abueva
Mother and Child
Brancusi/Masterful Bird
Henry Moore
Recumbent Figure
Juan Gris
Portrait of Picasso
Duchamp
Nude Descending a Staircase
Picasso
Demoiselle
D’Avignon
crisis of the subject
Munch/The Scream
Ivan Albright/Into The
World Come a Soul
Called Ida
Gauguin
Where Are We? Where did we come from? Where are we going?
Giacometti
Man Pointing
Man Striding
And Job Was Also Man
Martino Abellana
Formal innovations
Engagement with
social realities
Subject matter
form
Disintegration of form
impressionism
Optical
figurative
Synthetic cubism
Analytic cubism
Balla/Automobile
Futurist
movement
Disappearance of the Figure
formal self-consciousness
Edades
Lao Lianben
Ang Kiukok
Flatness
Acknowledgment of the material
HR Ocampo/
Homage to
Tandang Sora
Figurative
abstraction
Reduction and
simplification of the
human form
Napoleon Abueva
Mother and Child
Severini/Armored Train
Futurist
Joya/High Noon
Klee/Sound
Kyong Lee
Wassily Kandinsky
Abstract Art
Still figurative but
shapes are free and
the colors are
exuberant
geometric
Kandinsky
Kandinsky
• Concerning the Spiritual in Art
• Transcend the material world towards the
realm of the spirit
• Physical appearances are illusory
De Stijl group leader
Geometric
ideas and concepts rather
than what we SEE
Mathematical, precise
Simplest forms, primary
colors
GEOMTRIC
ABSTRACTION
Piet Mondrian/Broadway Boogie Woogie
Russian Suprematists: Malevich
Not about something
else out there but about
itself
White on White
Non-objective, non-figurative
Calculating,
Detached
Color field
Geometric
Entirely non-figurative
Rothko
Bridget Riley: Op art
Analysis of color
Scientific
Optical but about itself
Riley/Reconnaisance
Vasareley
Du Jie
Chinese maximalist
Constructivists: Gabo
Gabo/Construction
Space with
Crystalline Center
Gabo/Linear Construction
No. 2
Moholy-
Nagy/Light
Space
Modulator
Tatlin/Monument to the
third international
Smithson/Spiral Getty
Calder: Mobile
Kline
Expressionist, calligraphic, line-based
Expressionist, free shapes and color-
based
Expressionist
Surreal
Inspired by theories on the
unconscious
Abstract art
• Abandoned the figure altogether: non-
objective, non-figurative
• Emphasis on idea/essence instead of what
the eye sees: non-optical except for op art
• Not about “something” out there but about
ITSELF: formal self-consciousness which
began in cubism and impressionism
Architecture and interiors
Bauhaus
International Style
Ronchamp Church
Walter Gropius
Niemeyer
Cathedral de Brasilia
Saarinen/TWA building
Art Deco
1925: dominant style in the decorative arts
Prettified the severe style of the bauhaus
Kitsch/junk until the 60s when it became
popular
Jacques Emile Ruhlman
Ruhlman
William Van
Alen: Chrysler
Bldg
Challenges to Realism
Subject matter
form
architecture
• Geometric, severe, minimalist
• Form follows function
• Industrial material: reinforced concrete
• “International” style
• Bauhaus, constructivist
• Abstraction having “relevance” to daily life
Modernism
Definition
Conceptual art
• Emphasis on the idea rather than the object
Duchamp
The Fountain
Body Art, Fluxus,
Dada
Yves Klein
Malevich
• Master/genius
• white, male, dead
• name
• biography
• how much was it
sold?
• WHO has it?
Conceptual
Ma Liuming
Warhol
Crisis in Art
Appropriation
Bricolage
pastiche
appropriation
representation
This is not a pipe
• But a representation of a pipe
• a painting rather than a
material object
• signals us about the complex
relationship between word,
image, referent (pipe)
What is “real?”
Magritte
The Human
Condition
Pop Art: Warhol
Warhol
Bricolage
Documented and performed
Cindy Sherman
Documented
Whose work?
Artist Ma Liuming
Photographer
Xing Danwen
virtual
• Concrete phenomena that seem to exist but
in no tangible or physical way
• Can be analog or digital but have no
referent to the real world
• electronically constituted spaces such as
Internet, world wide web, games, chat
rooms, shopping carts, virtual communities
A Body that
Escapes physical individuality