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Influential Feminist Artists

An observation of feminist art


throughout the decades
the sixties…
Frida Kahlo (1907-1954)
•Mexican Painter. From 1926 until her
death, the Mexican painter Frida Kahlo
created striking, often shocking,
images that reflected her turbulent life.
Although she died before 1960 her
recognition did not start until after her
death and she influence many artist.
•Birth Control Pills Approved May 11,
1960 -The Food and Drug
Administration approves birth control
pills for contraceptive use.
•Civil Rights Act of 1964: outlawed
sex discrimination, yet many women
felt that there was little or no
enforcement
•1966, June: Washington, DC, the
creation of the National Organization
for Women
•The purpose of NOW was to take
action in allowing women to fully
participate in American society, and to
exercise all the privileges and
responsibilities, with truly equal
partnership with men
the seventies…
Judy Chicago
• 1971 - Chicago and Miriam Schapiro founded Cal Arts
• (born Judy Cohen) – July 20, 1939
Feminists Art Program for the California Institute of the Arts.
• (changed last name to Chicago Together they organized one of the first ever feminist art
emulating members of the Black exhibitions (Womanhouse Jan 30 - Feb 28 1972)
Panther Party, who believed their • 1973 - co-founded the Feminist Studio Workshop located
given names only reinforced their inside of the LA Women’s Building, a seminal feminist art
“slave” identities) teaching and exhibition space
• Feminist artist, author, educator
• Born in Chicago, IL
• 1957 – moved to LA to attend UCLA
art school.
• 1962 – graduated Phi Beta Kapa
• 1964 – received MA from UCLA in
painting and sculpting
• Major works: The Dinner Party, The
Birth Project, The Holocaust Project
• 1970 – founded first Feminist Art
Program at California State University
Fresno
The Dinner Party (1974-
1979)
• Celebrates traditional female accomplishments (textile art-
•Most famous work - collaboration
weaving, embroidery, sewing)
effort of many female artists
• The white floor under the table is triangular porcelain tiles
•First exhibited in 1979
inscribed with the names of 999 notable women.
•Purpose was to “end the ongoing • Wing I: From Prehistory to the Roman Empire: examples –
cycle of omission in which women Snake Goddess, Primordial Goddess, Fertility Goddess
were written out of the historical
• Wing II: From the Beginnings of Christianity to the
record”
Reformation: examples – Christine de Pisan, Elizbeth I of
•Permanently showcased at the
England, Saint Bridget
Brooklyn Museum of Art in New York
• Wing III: From the American to the Women’s Revolution:
•39 mythical and historical famous
examples – Sacajawea, Sojourner Truth, Emily Dickenson,
women. Georgia O’Keeffe
•The table is triangular and measures
forty-eight feet on each side
•Each place setting features a placemat
with the woman’s name and artworks
relating to her life, with a napkin,
utensils, a glass or goblet, and a plate.
•The plates feature a butterfly or
flower-like sculpture as a vulva
symbol.
• between 1963 and 1965 – she painted variations on the Shrine
motif: four framed compartments stacked vertically in a narrow
strip and centered in a white rectangular field. Bottom
Miriam Schapiro compartment was a mirror(self-reflection); the next contained an
egg (woman/creator); the third was an image fragment borrowed
• Born November 15, 1923 in Toronto, from the history of art; and the top frame contained the color god
Canada (aspiration)
• Artistic training began at the age of 6, • 1967- moved to California, where she taught at UCSD
when her father gave her weekly drawing • Late 1960’s – she experimented with the window form on the
assignments. computer with strictly geometric structural compositions.
• 1949 – she received her graduate degree • 1968 – Big Ox, a pink and orange hexagon frame surrounds a
in art from the University of Iowa central open space – four diagonal arms extend out from the
• 1951- moved to New York with her hexagon. She recognized the open central form as a vaginal
husband Paul Brach iconography, a common theme in many works by woman artists.
• During this time she was successful as • The same year she began to use the computer to design and develop
an abstract expressionist painter in the her paintings.
hard edge style • 1970 – met Judy Chicago
• 1960- she began to switch from the • 1971- along with Judy Chicago, helped found the Feminist Art
abstract expressionist brushwork from her Program at the California Institute of Arts
paintings to introducing a variety of • stopped painting during this period. Intensely involved in teaching
geometric forms. (rectangular window- • 1972 – began to paint again. Introduced the element of fabric
like openings in some works were collage. She cut pieces of patterned cloth and combined them with
prophetic of her subsequent Shrine series) acrylic paint to create beautifully orchestrated symphony of pattern
and color.
• Femmage – utilizes arts, materials, and techniques that historically
have been associated with domesticity and therefore with women:
quilts, embroidery, lace, crochet, carpets, and fabric design
the eigthies…
Maya Lin

• Straight A student

• Field Zoology as a major

• Art & Architecture as TWO separate


things
Vietnam Veterans
Memorial

• Success at 21

• Controversy

• Objective of the piece


Aerial view of the
Veterans Memorial
"I saw the Vietnam Veterans Memorial
not as an object placed into the earth
but as a cut in the earth that has then
been polished, like a geode.”
The Civil Rights
Memorial

• "Before I even think about form, I


read through a lot of history... I chase
down every single little fact." Maya
Lin, 2000

• Inspiration from a great leader of the


Civil Rights Movement
elements of the earth
connects us

• “Water table”

• Water as a medium
Other works…
clockwise…

• Wave field

• Systematic Landscapes (now at the


de Young!!)

• Peace Chapel

• Langston Hughes Library


Barbara Kruger

•Syracuse University  Mademoiselle


magazine

•Purposeful abstract work to invoke


response
admits…”I think what I'm trying to do
is create moments of recognition. To
try to detonate some kind of feeling or
understanding of lived experience. ”

Barbara Kruger

• Influences
Stereotypical Representations

Sexuality
Power
Identity
THE 90’s….
Linda Stein
• Born 1955
• Specializes in Sculpting
• Art teacher
• Paints QuickTimeª and a
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• Involved in mixed media works


Education

• Attended School of
Visual Arts in New York
• Art Student League, in
New York
• She earned her B.A. QuickTimeª and a
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(Cum Laude) in Queens


College, New York
• Pratt Graphics Center in
New York
• She earned her M.A. at
the Pratt Institute
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"In my sculpture I take what I am most afraid of


and try to make it into something constructive."

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Solo Exhibitions
Exhibition Title Gallery Name City, State
1975 CONSTRUCTIONS Gallery North Scarsdale, New York[citation needed]
1977 PROFILE Gallery Camino Real Boca Raton, Florida[citation needed]
1988 CHAIRS AND OTHER Borough of Manhattan
New York[citation needed]
CONSTRUCTIONS Community College
1989 -STEIN ENVIRONMENTAL Fairleigh Dickenson Uni versity, New
Becton Hall Gallery
EXCAVATION Jersey [citation needed]
STEIN EXCAVATION, Presented by mayor-
gallery of Manhattan Borough President, New York[citation needed]
Elect David Dinkins
1991 -BLADES: TRANSCENDING
Monmouth County Arts Center New Jersey[citation needed]
AGGRESSION
Rosenwald-Wolf Gallery, The University of the Arts,
BLADES: REVERSING VIOLENCE
Window on Broad Philadelphia [citation needed]
BLADES: A PSYCHOLOGICAL Fairleigh Dickenson Uni versity,
New Jersey[citation needed]
ENVIRONMENT Edward Williams Gallery
BLADES IN NEW YORK: A MULTI-MEDIA
Soho 20 New York[citation needed]
ENVIRONMENT
1994 -LINDA STEIN BLADES Jamaica Arts Center Queens, New York[citation needed]
Provincetown, Massachusetts[citation
1996 -MUSICAL BLADES Cortland Jessup Gallery
needed]
1998 -LINDA STEIN SOUNDING BLADES Spiva Art Museum Joplin, Missouri [citation needed]
2002 -LINDA STEIN EMBEDDED GLYPHS The Art Club New York[citation needed]
2004 -LINDA STEIN - THE FACE: AN Smith College, Northampton,
Morgan Gallery
OBSESSION OF ANGER (three de cades) Massachusetts[citation needed]
New York University, Broadway
2005 -LINDA STEIN - "(K)NIGHT WATCH," New York[citation needed]
Windows
2006 -LINDA STEIN - KNIGHTS Flomenhaft Gallery New York[citation needed]
LINDA STEIN - SCULPTURE OF THE Anita Shapolsky Gallery, Jim
Pennsylvania [citation needed]
HEROIC WOMAN Thorpe
LINDA STEIN - WONDER WOMAN REBORN
The Art Mission Gallery Binghamton, New York
AS LINDA STEIN
LINDA STEIN - HEROIC VISIONS Longstreth Goldberg Art Naples, Florida


More Info on Linda Stein

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www.lindastein.com
Email: info@lindastein.com
Mary Kelly
• Born 1941
• Conceptual Feminist
Artist

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• Professor at UCLA
• Controversial Works
Education
• Studied fine arts and music at the College of St
Teresa, Winona, MN

• Studied fine arts and aesthetics at the Pius XII


Institute, Florence, Italy

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The Flashing Nipple
Remix

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Other Works

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Antepartum1973

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Interested in Mary Kelly

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Email: mkelly@arts.ucla.edu
the present…
Sarah Maple

•23 yr old British Artist

•Born to Muslim Mother and Christian


Father

•Raised Muslim

•Very controversial artwork

•Won competition

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