Unggahan by Lila Lila

FEMINIST MUSIC SCHOLARSHIP

Women Composers and Patrons at the 1893 World's Columbian Exposition

French Revolutionary Opera by Women

Migrant associations' dynamics in Luxembourg

women and the western art canon

Reconstructing the History of Music Education from a Feminist Perspective

lady violinists

Female Pianists and Their Male Critics in Nineteenth-Century Paris

Sexual Aesthetics and the Music of Dame

Beyond Beethoven and the Boyz Women's Music in Relation to History and Culture

Old Prejudices, New Perceptions

Women and Violin Performance

Hooks Bell Art on My Mind Visual Politics 1995

Theory into practice

Sibelius-Violin Concerto,Op.47(orch.score)

Political Music and Politics of Music

Η αισθητική του Jean Cocteau, Ο Satie και η «ομάδα των έξι»

quand j entends le mot culture

a_mort l artiste

FEMMES ARTISTES PEINTRES.pdf

MESSIAEN-Η-ΤΕΧΝΙΚΗ-ΤΗΣ-ΜΟΥΣΙΚΗΣ-ΜΟΥ-ΓΛΩΣΣΑΣ-ΜΕΤΆΦΡΑΣΗ-ΦΑΝΉ-ΚΟΣΏΝΑ.doc

The_Uncertainty_of_Experience_On_George.pdf

Noise and Capitalism.pdf

Πρακτικά συνεδρίου-Anestis_Logothetis_8.9-6-2012

Notation in Space Notation, the Performer, Interpretation and Improvisation.pdf

From Xenakis’s UPIC to Graphic Notation Today.pdf

Evental_Aesthetics_Vol_7_No._1.pdf.pdf

Determining Indeterminacy.pdf

Langer, Feeling and Form A Theory of Art.pdf

John_Cage_Gilles_Deleuze_and_the_Idea_of.pdf

Words as Music Notation, Nielsen

Desert_Plants._Conversations_with_23_Ame.pdf

“WELL, IT’S A VERTEBRATE…” PERFORMER CHOICE IN CARDEW’S TREATISE, Virginia Anderson.pdf

Σκέψεις πάνω στην επιδημία και την κρατική διαχείριση

Notation and Performance of New Music, Earle Brown

From Xenakis’s UPIC to Graphic Notation Today.pdf

Determining Indeterminacy

12-Graphic_notation_and_performance.pdf

Notation Material and Form, Ramati, Freeman

“WELL, IT’S A VERTEBRATE…” PERFORMER CHOICE IN CARDEW’S TREATISE, Virginia Anderson.pdf

The_Uncertainty_of_Experience_On_George Brecht.pdf

On December 1952, Earle Brown

Noise and Capitalism.pdf

Flesh Machine 1.pdf

Messiaen, η Τεχνική της μουσικής μου γλώσσας (μετάφραση

Adorno Music Criticism

Adorno Negative Philosophy of Music

το περιοδικό 2008-1012

9 plasmatiko kefalaio.doc