Event Time

No
Malcolm X Ayat-Ayat Cinta Malcolm X

The movie start with quotes The Movie star with Hadish 0:01:00

Anisa mengendarai kuda di

Jo March enter the weekly Volcano
Pantai dengan diiringi suara 0:01:44
Office for meeting Mr. Dashwood
takbir

00:02:36
Mr Daswood check her writers
Mr Daswood take her writers with $20
0:03:42
and Jo do transation

Anisa dipaksa turun oleh ibunya

dari kuda yang ditungganginya

Anisa melawan ibunya dengan

Tampilan cetakan buku dengan judul membandingkan keduasaudara
0:04:42
Little Women laki-laki yang sedang
menunggang kuda

Anisa dan keluarga makan malam

Jo March kembali ke kost dengan
bersama keluarga dan doa
penuh semangat, dan melanjutkan 0:05:22
dibacakan oleh saudara laki
menulis dan bertemu Fredrich
lakinya
Jo March meninggalkan Fredrich krna Anisa meminta ijin untuk belajar
0:05:48
ada pekerjaan naik kuda pada saat makan malam

Amy sedang belajar melukis di Paris 0:06:11

Anisa berdebat dengan saudara
The Aunt of Jo March advice Amy on
laki lakidan abinya yang
the carriage (Her youngest sister,
melarang naik kuda dengan 0:06:32
Amy, who is in Paris with their Aunt
menyebutkan perempuan yg naik
March)
kuda

Anisa belajar naik kuda dengan di

Amy meet Laurance the childhood
bantu oleh mas Khudori dan 00:07:33
friend and neighbor
teman lainnya.(Anisa feels happy)
Di Concord Meg March sedang berada
di tokoh kain
Beth March sedang bermain piano
Jo watch the teatrical Drama di New York and then dances
7 Years earlier Jo dan tiga saudara
perempuannya tinggal di Concord,
Massachusetts.
Jo dan Megh March bersiap" untuk pergi
ke pesta ( In the rooms Jo and other
sister prepare to going Party. Doing make
up and hairstyle)
Anisa memperoleh suara tertinggi
0:08:49
pada saat pemilihan ketua kelas
Guru mengumumkan yang terpilih
menjadi Ketua kelas dengan
pertimbangan Agama (Wanita
tidak bisa menjadi pemimpin dan 0:09:52
laki laki yang pantas menjadi
pemimpin) bukan pada perolehan
suara
0:10:24
Anisa di hukum oleh abinya
karena melawan keputusan guru
0:12:14
Jo mengingatkan Meg March tatakrama
dan cara berbicara selama di pesta

Jo pertama kali bertemu dan berteman

dengan Laure cucu tetangga rumah
mereka di acara Pesta

Jo berdansa dengan Laurie diluar ruangan

pesta

Meg memanggil Jo untuk Pulang dari Khudori menasehati Anisa di

Pesta dengan tumpangan kereta Laurie 0:13:03
Pantai
Jo March dan Megh tiba dirumah dengan
selamat diantar oleh Laurie. Laurie Khudori melantunkan syair Puisi
0:13:55
berkenalan dengan keluarga March. Jalaludin Rumi

Masa Kini ( Jo March sibuk menulis di

kamar kost dan mendapatkan surat dan
hadiah buku bacaan Shakes Pear dari 0:15:20
Fredrich

Masa Kini (Amy March sedang berada di

Pesta bersama Fred tunanganya dan 0:16:22
Laurie di Paris)

MK (Hasil karya tulis Jo dinilai oleh

Fredrich dengan penilaan intelektual)/ Jo Anisa ditinggal oleh Khudori 0:16:42
menunjukan tulisanya kepadanya yang belajar di Kairo
 MK (Di New York Jo pulang dari kantor
Fredrich dan mendapatkan surat dari
ibunya karena keadaan Beth yg semakin 0:18:23
memburuk)

Jo kembali ke Mascuttes Concord dengan

kereta 0:20:26

7 tahun Lalu: Jo terbangun dari tidurnya 00:21:47 and

dan memegang tulisanya 22:30

ML: Jo mengucapkan Marry Crishmath

dan menceritakan mimpi mereka 0:24:54

Jo March membangikan Cerpen tulisanya

kepada saudaranya untuk diperankan 0:24:58
menjadi Drama pada saat Natal
In the morning of Crismas's Days, ibu
mereka, Marmee , membujuk putrinya
untuk memberikan sarapan kepada
tetangga mereka yang miskin, Mrs. 0:25:23
Hummel padahal mereka sedang ingin
makan krna lapar

Jo March beserta saudaranya

membagikan makanan untuk keluarga 0:26:16
hammel yang miskin.

Sekembalinya ke rumah, para gadis

menemukan meja mereka penuh 0:27:46
makanan dari Mr. Laurence
Mendapatkan kejutan special sepucuk surat Anisa membaca surat Perpisahan
dari ayah mereka yang berperang dari Khudori dan saling membalas 0:28:50
dalam Perang Saudara Amerika. surat sampai beranjak remaja

0:30:53
Drama kecil-kecilan dirumah Jo March
dan ditonton oleh anak-anak

Masa saat ini ( Jo dibangunkan dari 7 tahun kemudian Anisa

kereta karena sudah sampai di tempat membalas surat Khudori dan
penurunan) dan berjalan pulang 00:31:14 and 21
setelahnya tidak mendapatkan
kerumah. balasan surat lagi.

Masa Kini: Fredrich mennayakan Jo

March ke ibu kost kenapa dia pergi dari 0:32:40
New York

ML: Libur natal telah berakhir beth 0:33:05

kembali bekerja dan Jo menemui bibi
March dan Adiknya pergi bersekolah
Pertemuan Jo March dengan Bibi March Anisa dipanggil umi untuk 0:33:30
mengikuti kelas ceramah.

Amy Beth mendapatkan hukuman dari

guru krna menggambar wajahnya dan
Laurie memanggil Amy untuk masuk 0:33:34
kerumahnya

Amy dijemput ibu dan saudara lainya 0:34:22

Jo berlatih dengan saudari perempuanya
untuk teater dan merekrut Laurie dalam Anisa ditanyai temannya kapan 0:35:25
club mereka Nikah pada saat mencuci pakaian.

Laurie memberikan 4 kunci pos untuk Anisa menjawab pertanyaan

tanda persahabatan mereka yg letaknya temannya dengan mimpi dan 0:38:35
di pohon harapannya

MK: Jo tiba dirumah setelah perjalanan

panjang dari New York 00:40:10 m

Anisa mengirim surat ke Kantor

ML: Jo March dan Megh pergi menonton
tearter Drama atas ajakan Laurie POS untuk pendaftaran Kuliah di 0:41:43
kairoh dan di jogja
Megh membakar tulisan Jo krna tidak
diijinkan untuk ikut bersamnya ke Pentas Anisa dimarahi Abi karena ingin 0:40:42
Drama nonton Bioskop

Jo kembali dari teater namun tidak

menemukan novel tulisanya dan
menanyakan kepada saudaranya

Amy meminta maaf namun Jo Marah Anisa mendapatkan surat

dan tetap bersikap dingin 0:43:37
kelulusan dari Jogja

Anisa meminta ijin untuk kuliah

Amy mengikuti Jo dan Laurie yang pergi
atas saran Megh untuk mendaptkan maaf di jogja dan menuntut hak yang 0:46:57
dari Jo sama dengan saudara laki lakinya
ke Abi

Amy terjebak dalam lubang es 00:47:26 & 48:02

 Pertemuan pimpinan ponpes Al-
Jo Menjaga Amy yang sakit dan curhat ke Huda dan Al-Ikhlas. Abinya
ibunya 0:49:00
Anisa membanggakan kepintaran
dan prestasi Anisa.

MK: Jo mengurus dan merawat Beth Pimpinan Ponpes Al-Ikhlas

dengan baik 00:50:18 &26m
Memberikan sumbangan ke
Ponpes Al-Huda

ML: Megh March Pergi ke pesta yang di

undang temanya dengan bantuan kereta
dari Tn. Laurie dan Jo memeberikan 0:51:35
cincin ke Laurie

Anisa dipaksa oleh Abinya untuk

Beth pergi ke ruman kakek Laurie untuk
bermain piano Menikah dengan anak dari 0:52:23
pimpinan Ponpes Al-Ikhlas

Megh berada di tempat pesta yg di

undang temanya
MK: Beth mengatakan pengeluaran Abi menasehati Anissa supaya
membengkak karena beli kain baju 0:53:45
mahu menikah dengan Samsudin

Masa Kini (di Paris Laurie menemui Amy

krna ingin meminta maaf atas kejadian di 0:55:51
pesta tahun baru)

Anisa menikah dengan

Syamsudin

Amy merasa putus asa dengan

membandingkan dirinya dengan Jo 0:59:06
March

4 Tahun Kemudian (Setelah

menikah)
Amy dijemput oleh tunaganya ketika Anisa menagih janji kepada
bersama Laurie 1:03:29
suaminya untuk di kuliahkan

Suami Anisa mengungkit jasanya

Masa Lalu ( Pertemuan Amy dan Fred di Pauntuk pesantren Abi-nya Anisa 1:03:43
dan mengancam anisa kalau
pesantren Abi-nya akan ditutup

Jo di pantai berlalri dan berdeba dengan Anisa dipaksa suaminya untuk

Laurie ttg kedekata mengh dengan melayani Nafsu birahi suaminya 1:04:21
gyrunya walaupun pada saat waktu sholat

Masa saat ini (Jo membacakan Puisi

untuk Beth di Pantai) 1:07:22
 Suami Anisa memaksa anisa
untuk melayani nafsu birahinya
1:07:45
walaupun Anisa dalam keadaan
Haid

Masa lalu ( Marmee terpaksa Anisa melawan suaminya dengan

meninggalkan rumah karena
mendsaptkan telegram dari Wagshingto, menodongkan gunting ke arah 1:08:23
suaminya sakit setalah dari perang suaminya

Anisa meminta Cerai ke ibu

1:09:11
mertua tapi tidak diijinkan
Jo Memotong rambutnya untuk biaya
keberangkatan ibunya untuk menjenguk
ayah mereka yg sakit

Jo menangis dimalam hari karena

kehilangan rambutnaya Anisa meminta ijin ke suaminya
untuk pulang ke Ponpes orang
Tuanya karena ada Acara
syukuran dan sudah lama tidak
kembali di Ponpes
Masa saat ini di Paris (Amy dan Laurie
berbaikan) serta Laurie mulai menyadari
Cinta Amy dan memintanya untuk
membatalkan pertunangan dengan Fred

Masa Lalu ( Megh mendapatkan surat

dari ibunya dan meminta untuk Anisa kembali bertemu dengan
mengunjungi kelaurga Hamel yamg 1:12:39
Khudori di pantai
miskin

Anisa pergi meninggalkan

Khudori karena kecewa dengan
Beth mendaptkan Piano dan pergi berteri Khudori yang telah 1:13:07
meninggalkanya dulu

Beth sakit diperiksa oleh dokter dan sakit

demam Skarlet 1:17:16
Anisa memarahi istri kedua
Suaminya karena menuntut Anisa
untuk membantu merawat bayi-
nya
 1:18:55
MK: Jo dan Beth ke pantai dan
membacakan tulisan ceritanya

ML: Jo merawat Beth dengan baik serta

menasehatinya untuk ttp semangat 1:19:47
menghadapi penyakitnya

Samsudin found the letter that

send by Khudori in room's Anissa

Anisa bertemu sembunyi-

ML: Amy berada dirumah bibi March dan
menasehatinya sembunyi dengan Khudori di
kandang sapi

Masa saat Ini ( Amy dan bibi March

berada di Paris dan Lauri pergi ke London Anisa meminta khudori untuk 1:20:18
menyetubuhinya

Amy menolak lamaran Fred Vaugh khudori menasehati Anisa 1:21:44

Suami Anisa dan Santri

Masa saat ini ( Megh memeluk suaminya
dan kembali rukun) menggrebek Anisa dan khudori 1:22:35
yan sedang di dalam kandang sapi

ML: Beth kembali kejang dan jo
mengirimkan surat agar ibunya segera
kembali
MK: JO menyemangatinya Beth untuk
tetap berjuang
ML: Jo terbangun dan mendapati Beth
berada di meja makan dan dia berhasil
melewati sakitnya
ML: Natal berkumpul dengan keluarga
yang lengkap
Anisa diseret dengan kalungan
sorban dilehernya oleh suaminya
dan khudori di seret oleh kedua 1:23:54
santri, mereka berdua diseret ke
depan warga ponpes
Anisa Langsung ditalak oleh
suaminya Samsudin di depan
Warga Ponpes
Umi Anisa menghentikan santri
yang melempar batu ke Anisa dan 1:25:02
Khudori.
Abi Anisa meninggal di depan
warga ponpes karena serangan 1:26:23
jantung
1:26:23
ML: Jo terbangun dari tidurnya dan turun
dari tangga mencari Beth ternyata Beth 1:27:37
sudah tidak ada

MK: Beth telah meninggal dunia berbeda

dengan keadaan 6 tahun yang lalu. Yogyakarta tahun 1997 1:28:19

Anisa pergi menemui Aisyah di

Masa Lalu:Jo melarang dan membujuk
Megh untuk tidak menikah kost-nya, dan Aisyah sedang 1:29:24
bersama laki laki di kostnya

Aisyah menceritakan kebebasan

Pesta pernikahan Megh bersama Jonh yang dia rasakan setelah keluar 1:30:24
dari Ponpes

Amy memberitahu semua orang kalau

Bibi March mengajaknya ke Eropa
/perancis dan Jo kecewa padahal dia 1:30:38
mengajaknya juga ketika membacakan
cerita dirumahnya
 Anisa mulai kuliah di kampus
Ml: Lauri menyatakan Cintanya kepada Jo
dan Jo nenolaknya dan aktif bertanya tentang cara 1:31:47
menulis dengan baik

1:33:26

Anisa mulai menulis tentang

Jo menolak Laurie kebebasan

Jo memberikan alasan kenapa menolaknya 1:35:33

Karya Tulis Anisa dimuat di

koran
Mk: Jo disuruh ibunya untuk kembali ke
New York karena kesepian 1:36:11

Anisa nonton film di Bioskop

dengan temanya dan mendapatkan
inspirasi dari film yang mereka
tonton

MK: Amy kembali ke Concornd dan Laurie Anisa melamar kerjaan menjadi
Menyambutnya 1:30:33
Konselor kekerasan

MK: Jo menuliskan surat untuk Laurie dan

memasukan ke kotak post pribadi Anisa mendapat restu dari Abi
01:33:14 and 21
mereka. Lewat Mimpi

MK: Laurie membangunkan Jo dan Anisa masih trauma untuk

menyatakan bahwa Amy kini telah
menjadi istrinya
melakukan hubungan suami istri 1:44:48
dengan Suami keduanya/ Khudori
karena mengingat kekerasan yang
telah dilakukan oleh suami
pertamanya

MK: Jo mengambil surat dari kotak post
pribadi dan merobeknya
Anisa Melayani klien dikantor
tempat dia bekerja, klien tersebut
menceritakan kekerasan dalam 1:45:07
rumah tangga yang di alaminya
dengan isak tangis

Jo bertemu Mr Laurance setelah dari

sungai stelah merobek surat untuk Lauria Anisa kembali melayani klien 1:46:11
yang konsultan terkait kekerasan
dalam rumah tangga yang persis
anisa alami dari suami
pertamanya

Jo tidak bisa tidur karena mengingat Klien Anissa dan Suaminya resmi
pesan Beth untuk menulis lagi 1:48:45
bercerai

Jo memberanikan diri untuk menulis lagi

dan kembali seperti dirinya yang dulu yg Khudori dan Anisa menunggangi 1:49:00
menulis tanpa kenal waktu kuda di Pantai
Jo kembali mengirimkan tulisanya ke Mr.
Daswood dan menuliskan namanya 1:50:33
sebagai penulisnya

1:50:54

Anissa melakukan hubungan

Bibi March meninggal dunia dan suami istri dengan penuh cinta 01:57:07
mewariskan rumahnya untuk Jo March dengan suami selayaknya suami &01:53:16
istri pada umumnya.

Jo mendapati Fredrish yg datang 1:54:25

kerumahnya

Fredrich maka malam dan pamit dari Anissa pulang ke pondok

Rumah Jo March pesantren Al-Huda

Anisa menunjukkan Buku Bumi

Jo mengejar Fredrich krna mencintainya Manusia karya Pramoedya Ananta
Toer
Jo dipanggil tuan Daswood dan
menyepakati untuk menyunting tulisanya 1:49:24

Anissa pulang ke Ponpes Al-Huda

untuk tinggal bersama ibunya
karena Anissa cuti hamil

Jo berhasil membuat sekolah impianya


Buku Jo dicetak dan Jo memegang
cetakan pertama dengan judul Little
Women
Santriwati meminjam buku yang
di bawa oleh Anisa dan
santriwatipun menanyakan 1:52:33
keberadaan perpustakaan di
Ponpes
01:53:16 dan 49
Anisa meminta ijin ke Saudara
laki laki nya untuk membangun
perpustakaan di Ponpes, tapi
respon saudara laki lakinya tidak
setuju
Anisa beretemu dengan Santriwati 1:54:26
di pantai pada malam hari secara
sembunyi-sembunyi untuk
menyerahkan buku-buku untuk
dibaca santriwati
Santriwati membagikan buku
secara sembunyi sembunyi kepada
santriwati lainnya pada malam
hari

Kudhori teach Santri the eqaulity

Santriwati senang membaca buku

dan bisa mengekspresikan pikiran
mereka dengan menulis
Anisa menerima paket buku dan
dibuka oleh saudara laki-lakinya.
Saudara laki-laki anisa tidak
mengijinkan buku-buku itu di
baca oleh para santri karena
menurutnya berbahaya untuk
pesantren

Anisa melahirkan

Buku hasil tulisan santri disita

oleh pengurus pesantren dan
berupaya untuk melarang
santriwati membaca dan menulis
selain dari pelajaran agama di
ponpes

Samsudin mengingatkan kepada

saudara laki laki anisa untuk
membayar cicilan tepat waktu
Suami Anisa meninggal karena
kecelakaan ketika berangkat beli
tiket.

Anisa melepas kesedihan atas

kematian suaminya dengan
menunggangi kuda di pantai dan
di iringi suara percakapan anisa
dan almarhum suaminnya

4 Tahun kemudian

Anisa ingin membantu santri

membangun perpustakaan modern
di Ponpes
Pengurus Pesantren menolak
pembangunan perpustakaan di
Ponpes al Huda terutama
penolakan dari Kiyai Ali

Anisa bertemu mantan suaminya

Samsudin di depan ponpes saat
ingin berangkat bekerja di Jogja

Anisa menampar Samsudin

Karena bersikap tidak sopan
kepada dirinya

semua Buku bacaan yg diberikan

Anissa termasuk Novel Bumi
Manusia disita oleh ustadz dan
utadzah ponpes
Semua buku para Santriwati di
Bakar atas perintah pimpinan
pesantren (Reza)

4 Santi kabur dari Ponpes

Anisa bertemu dengan 4 santri

dalam acara workshop
kepenulisan di Kampus UGM dan
mengajak mereka kembali ke
Ponpes

Anisa membawa kembali santri ke

Ponpes
Anisa membela santriwati dari
pengurus ponpes yang tidak setuju
dengan kebebasan santri dengan
memberikan pencerahan kepada
seluruh warga ponpes

Anisa mempertanyakan kenapa

umi selalu diam ketika ada
masalah dan umi menjawab
alasanya

Anisa memberikan masukan

kepada uminya agar suatu saat
nanti tidak menyelesaikan
masalah dengan cara diam tapi
katakan apa yang dirasakan

Saudara Anisa bertemu Samsudin

untuk melunasi hutangnya serta
mengkomplain isi perjanjian

Saudara Laki-laki Anisa

memukuli Samsudin karena telah
mengatakan sesuatu yang tak
pantas kepada Anisa
Anisa meminta ijin kepada
kakanya untuk menggunakan
kamar bekas mondok suaminya
Khudori untuk dijadikan
Perpustakaan Pesantren

Anisa membagikan Buku kepada

Santri

Perpustakaan Al-Huda resmi

dibuka

Anisa menunggangi Kuda

bersama Anaknya dan
menceritakan tentang ayahnya
Anisa membuang Sorban

Anisa menasehati anaknya untuk

menjadi anak yang baik seperti
abinya
Time

Ayat-Ayat
Cinta

0:00:10

0:00:31
0:00:49

0:02:36

0:02:50

0:04:25
0:04:53

0:05:16

0:06:34
0:07:32

0:08:00

0:09:45
0:10:34
0:10:57

0:11:57
0:12:07

0:12:27
0:13:17
0:14:55

0:15:08

0:15:50
 0:18:02

0:19:45

0:20:30

26 & 48:02
0:21:15

0:21:56

0:23:00
0:23:42

0:24:18

0:24:53
0:26:09

0:26:45

0:29:50
0:32:33

0:32:54

0:36:10
0:40:52

0:43:20

0:44:35

0:45:49
0:47:45

0:48:43

0:49:05

0:49:50
0:50:10

0:51:25

0:51:42

0:52:23
0:54:56

0:56:20

0:56:45
0:58:13

0:58:36

0:59:40
1:00:14

1:10:43

1:13:46
1:15:50

1:17:25

1:18:29
 1:21:46

01:26:32 m

1:28:44
1:32:36

1:33:43

1:35:25
1:35:40

1:36:05
1:36:42

1:37:24

1:37:29

1:38:37
1:42:28

1:45:52

1:46:22

1:46:26
1:46:48

1:49:02

1:49:16

1:50:35
1:51:25

1:52:11

1:53:11

1:53:50
1:56:16

1:59:51

2:01:07

2:02:38

2:03:49
2:04:22

2:04:54

2:05:00

2:05:39

2:05:46

2:05:55
 Dialogue

Malcolm X

"I've had lots of troubles, so I write jolly tales" (Louisa May Alcott)

Jo March: Excuse me. I was looking for the weekly Volcano office? I wis h to see Mr. Dashwood. A friends of mine desire me t
She wrote it, she'd be glad to write more if this suits. Mr. Dawood: Not a first attempt ? Jo March: No, Sir. She has sold to Olym
she got a prize for a tale at the Blarneystone Banner. Mr. Dashwood: A prize? Jo: Yes. Mr. Daswood : Shea
Mr. Daswood: We'll take this. Jo March: Oh, you will? Mr. Daswood: Withh alterations, it's too long. Jo March: but you have c
a ferw my sinners repent Mr. Dashwood: The country just went through a war, people want to be amused, not preached at. M
nowdays perhaps mention that to your friend. Jo March: What compensation? How do you? Mr. Dashwood: We pay $25 to 30
short We'll pay $20 for that. Jo March: You can have it. Make the edits , should I tell my friend you'll take another if she had be
Dashwood: We'll look at it. tell her to make it short and spicy and if the main character's a girl make sure she's married by the
way. Jo March: Excuse me what nam ewould she like put to the story: Jo March: Oh, yes none at all, if you please. just as she
Daswood: oh well. Jo March: Good morning, sir Good day. yes!

Fredrich: Good afternoon, Miss March. Jo: oh good afternoon Fredrich: You are on fire! Jo: Thanks You are one fire… Jo March
I have the same habits You see? Jo March: Oh
 Ibu Kost: Kitty and Minny are waiting . Jo March: Oh, My studnts need me. Fredruch: always working? Jo March: Money is th
mercenary existence. Fredrich: No one gets ink like yours just out of a desire for money. Jo March: My sisiter Amy's in Paris an
someone obscenely wealth. it's up to me to keep the family afloat Good byeee.

Bibi March: The decadents have ruine Parist, if you ask me. These French Women couln't lift a hairbrush. Amy! I said these Fre
lift a hairbrush. Amy: Oh, Yes. Vey true, Aunt March. Bibi March: oh don't humor me girl, what do they write, your trouble ma
Mother doen't say anything about Beth. I feel I should go back . they alll sya "stay". Bibi March: You can do nothing if you go b
lonely, and you shouldn't go home until you and Fred Vaughn are preparly engaged. Amy: Yes, and until I've complete all of m
course. Bibi March: Oh yes, of course.

Amy: Stop the carriage! Laurie! What are you doing? Lauri..Laurie..Lauriee.. Laurie: Amy! Amy: How are you? Laurie:
much. Amy: you wrote you'd meet me at the hotel, I couln't find you. Laurie: you didn't look hard enough, I did't recorgnize yo
Amy: I though you liked that? Amy: where's your grandfather? in Germany. Laurie: He's still travelinng, I am on my own now,
gampling, and drinking. don't tell your mother. Amy: Are you chasing some girl across Europe? Laurie: No Amy: I could't believ
down. I'm so sorry. Laurie: Dpn't be, Amy. I..I'm not, Bibi March: Amy. Amy March, come back this instant. Amy: oh aunt Marc
Laurie: are you looking grand? Bibi March: Get him off me! we need to be somewhere. off you gp! Amy: come to the New Yea
everyone will be there including Fred. pick me up at the hotel at 8 The Chavain oh and dress for festivities! Top hats and silks!
best silk.
Penjual Kain: Twenty yards of blue silk as well as pink someone will by for it later. Oh Meg, that would look so lovely on you. I
to send you to. You'll be the prettiest wife in Concord. Megh March: Oh, I.. John needs a new coat for winter, and Daisy and D
clothes. Penjual Kain: and his wife need new clothes. Megh March: I can;t I just can't Penjual Kain: He'll be so pleased with how
all about the expensse. megh March: I don;t supose it's too much of an extravagance. Penjual: Will 20 yards do? Megh: yes ve

Jo March: Excuse me! I only speak English. I; m sorry what? What did you say? Peserta Pesta: come dancea. Jo: Oh!

Megh March: I know exactly who I wanna dance with I'll take this off. Beth: Who will dances with Jo? Jo: You know I never da
all go? It's not fair. Wear you regullar shoes. These fit last winter, my nose will simply not look refined, Megh: I like your nose
touch me, I feel ridiculouse. I don't wanna look it. Amy: but I wish i could hera the music, I'll keep in my head and sing it for yo
percakapan)
Jo March: Don't stare, don't put your hands behind your back don't say columbus don't say capital, don't shake hands and wh
All right,

Jo March:oo Oh! Sorry. I didi't know anymore was here. Laurie: Not at all. Stay if you like, I won't disturb you? Laurie: No, I do
here. I felt rather stranger at first you know . Jo March: Mm, so do I . Laurie: Miss March, isn’t it? Jo March: Yes, Mr. Laurence,
March. I am only Jo Laurience: I am only Laurie. Ji March: Don't you dance? Laurie: I don't know how you do things here yet I;v
life in Europe Jo March: Eurpe! oh That's capital! shouln't use words like that. Laurince: Says who? Jo: owh Megh she is my old
she is ! the girl in the violet dress. it's very preetty. she remind me to be good. so father will be pround of me when he returns
He volunteered for the Union Army. and I want to go fight with him. I can't get over my disappointment in being a girl.

Laurie: Jo Would you like to dance with me? Jo: I can't because my scorched my dress see? there and Meg told me to keep sti
it. You can laugh if you want to. It;s funny, I know. Laurie: I have an idea of how we can manage

Megh: My foot. I have hurt my ankle. How I can go back? I don’t see what can you do. Except get carriage or stay all night, Car
expensive. Laurie: Let me take you, it's right next door. Megh: oh thanks we cannot accept. You must take mine please. No it
meant to leave yet Laure: I alwyas leave early, I do truly. Jo: what choice? do you have? Megh: I have told the soes kekecilan.
Marmee: Goodness gracious. What have you done? Jo March: She is lame and can't walk, She is hobbling. Clear the chair , you
asleep, help your sister then back to bed. Make room. Meg is a wounded soldier. Megh: I sprained my ankle. Amy: Oh, Meg, y
fashion one of this days. Marmmee: Hennah wee need Ice. Oh, come in is it all right? Laurie: all right! marmee: apologies for
baking in the middle of the night. don't mind the clutter, Mr Luarance. We don't. Laurie: Laure please. Jo March: Can I call you
must be part of the theatrical they could use an extra player. Amy: I'm Amy Laure: oh yes! Marmee Have a scone. Laurie: yes
your ankle you need Ice? Laurie:No, Thanks mam Marmee: Just call me mother or Marmee everyone does

Fredrich: For the writters in the attics, because you enjoyed the play so much toninght, I want you to have this, I will help you
and paint it with your pen, I will love to read what you are writing, if you'll trust me. I promise honesty and whatever intelligen
(Yourth Friedrich)

Amy: Fred, would you like a glass? Fred: I will thank you. Amy: would you excuse me a second? Laurie. Laurie: Amy! Amy: I wa
Laurie: O feel caught. Amy: Hm… Laurie: Amy please. Amy: do you want to know what I think of you? Laurie: what do you thi
you. Laurie: why do you despise me? Amy: every chance of being good, happy and useful, you are lazy, faulty and miserable. L
Amy: well selfish peoplle. very selfish. with your money, talent, beauty and health. Laurie: oh you think I'm beatuful. Amy: yes
old vanity. with good things to enjoy, you find nothing to do but dawdle. Laurie: I will good for you, St. Amy Amy: aren't you as
that? Laurie: I am not. Amy: looks like it's never done aday of work in its life, and tha ring is ridiculous. Laurie: Jo gave me this r
for you, I really do. i just wish you;d bear it better. Laurie: you don't have to feel sorry you will fel the same some day. Amy: Np
could't be loved. Laurie: what have you done lately, oh great artiste? perhaps you are fantasizing about spending Fred Vaughn
Vaugh ladies and gentelment!

Jo March: Those are just stories, of course , but I am working on a novel. Fredrich: and your novel would be like this? Jo: so far
with Plot like this? Duels and killing. Jo March: it sell, Fredrich: why don't you sign your rela name? Jo March: oh my mothher
gory for her. Iwanna help with the money i make and not worry her. Fredrich: Hm, you know, I don't like them. Honestly, uh,,,
they are not good. Jo March: They're published in the papers and people have always said that I am talented. Fredrich: oh, I th
which is why i'm being so blunt. Jo: well I can't afford to starve on praise. are you upset? Jo: of course I'm upset. You just. you
my work . Fredrich: Jo, I thought you wanted honesty. Jo: Yes I do. Fredrich: Has no one over talked to you like this before? Jo
rejected plenty of times. Fredrich: Do you have anymore to take you seriously,jo to talk about your work? Jo:and who made yo
what;s good and what's bad? Fredrich: noone and I am not. then why you acting like it? Fredrich: You reaction indicates there
reaction indicates that you are a pompous blowhard. Shakespeare wrote for the messes, Fredrich: Shakespeare was the great
because he smuggled his poetry in popular works. Jo: I'm not shakespeare. Fredrich: Thanks Godnes we already have him. Jo:
about it, why don;t you just do it yourself? Fredrich: Because I am not a writer. I don;t have the gifts have. Jo: No, you don;t a
critic and never an outhor and the world will forget that you ever livrd. Fredrich: Oh, I'm sure they will, Jo: But I No one will for
Fredrich: I can believe it. Jo March: Listen, we are not friends yo are not my friend and I don't want your opinion cause I don;t
just don;t talk to me aymore. Thank you.
 Ibu Kost: Oh Josephine thi is come for you. Jo: oh thank you.

Jo March: Mary Crissmas. Megh: We have been up for hours, what have you been writing. Jo: Oh, I got carried away with ou
night paison. Amy: No, no poison . It's Crishmas Jo: Won't be crishmash without nay presents. Megh: it's dreadful being poor.
come some girls have pretty things and others have nothing? Beth: We have father, mother and each other. Amy: we haven't
this war drags on. Megh: I wish i had money and plenty of servants so i never had to work. Jo: or you could be a proper actress
fallen women. Megh: I can't be an actreess. Amy: I have a lots of wishes biut my favorite one is to be an artist in Paris and do fi
the best painter in the world. Beth; Tha's what you want. Jo to be a famous writer? Jo: yes, but it sounnds crass when she says
ashamed? Beth: My wish is to have us all be together with father and mother. Amy: Tha's what I want. Beth is perfect what ab
Beth: I do that for us. I don;t need anymore elese to hear it. Amy: You must not limit yourself. Megh: Mother proposed not ha
years because men are suffering in the army, we can do much, but we can make our little sacrifices and do it gladly. Jo: Don;t p
because she's not home. Megh: Jo. that's so boyish.

I need both of you to kneel right there. This is supposed to be our special schene. No one's gonna be looking for at us. Smile. I
have to. I think Meg should be the director. So I think she'll need to kneel. But it's our schene, if you;ll kneel and look. Marmee
girl! I am so glad to see you so happy. Ho's your play? Jo, you look tired. Were you up again all night writing? Jo: of course.
Marmee: How are you my girl? Megh: I am so hungry. Look at this. Jo: I could eat a horse. Amy: Don't say that, Jo. Megh, Jo : W
Marmee: Not far from here lives a poor young woman, Mrs Hummel. Her five children are in onebed to keep from freezing an
eat. will you give them your breakfast as a Cristmash present? Beth: is this whwere you say that father would want us to? Yes.
(anggukan/mengiyakan)

Marmee: Hummel! Hammel: it is good angels come to us. Hello, I'm back and have food and blankets and sweaters and we bo
So this are my girls. Megh, Jo, Beth, and Am say hello. Marmee: he is not well, girls why don't you unpack the food? would yo
onr? Amy Beth and Jo: Yeah have it all. why we don't we get so,e firewood? it's good, isn'y it? that's nice huh?

Jo: Marmee, we don't need our toes. I think I've lost one. Marmee: Has anyone else lost their toe? That was amazing. I can't fe
fairies? Santa Claus. It's Aunt March. Mr. Laurance send it. The Laurence boy's grandfather? Yes. Jo: Why? Asisten Rumah Tan
giving yoyr Chrisma breakfast away. He want you to enjoy the day. Beth: I though he was a mean old man. It's so generous. Jo
put the idea into his head. I know he did. We should make friends with him. Beth: boys scare me and that big old house scares
snow says Mr. Laurence disowned his son after hi went off with an italian woman and now hiis granson is an orphan and spen
house locked up with his tutor. Marmee: He's a very kind man who lose his little girl when she was only a child. Now his son as
died? so sad. Doesn't Laurie seem so Romantic? He half Italian what do you know? You've barely spoken to him. I'm not respo
Marmee: But I have a suprise. Beth: oww a letter from father. Megh: Don't I wish I could go. Amy: Jo we can't give up our only
disagreeable to sleep in a tent, Jo sits in back so we can't see her cry . Jo: (Memukul Amy yg cerewet) Amy: Ow! Jo: what if I d
home? Marmee: He'll stay and work faithfully as long as he can. Amy: we can't ask for him to cme back a mnute sooner than h
Marmee: give them all my dear love and kiss tell them I think of them by day, pray them by night and find my best comforts in
times. A year seems a vert long to time to wait before i see them, but remind them that while we wait. we may all work so the
not be wastedm I know that they we be loving children for you. Do their duty faithfully, fight their enemy bravely and conquer
beuatifully of my little women.

Excuse me! Your stop ma'am. Jo: Oh thank you.

Fredrich: she is gone? Why? Ibu Kost: I don’t kow she just left Fredrich: She did;t say is she was coming back? Ibu Kosr: We did
heart , professor. Why are you just sitting there? Please go, go. Dust somethimg. And what about the girls? She was the best t
Fredrich: I know.

Amy: it's so hard to go back to work after such a good times. I wish it was Christmas every day or New Year's wiil be exiting?
ungrateful minxes. Jo: Don't say such despicable disable things. I like strong words that mean something. Amy: I have to go ba
any limes. Limes? Girls are trading pickled limes amd i am not in debt. I owe ever so many limes. what this do? What do you d
Megh Tjank you. I know what it is
 Aunt March: Oh! Josephine. Jo: Yes? Aunt March: is there a reason you stopped reading Belsham? Jo: I'm sorry. I'll continue.
mind yourself, deary. Someday You'll need me and you'll wish you had behaved better. Jo March: Thank you aunt for your emp
many kindnesses, Jo: but I intend to make my own way in the world. Aunt March: Oh, well. No. No one makes their own way n
a woman. You'll need to marry well. Jo March: But you are not married. Aunt March: that's because I am rich and i made sure
money unlike your father. Jo March: so the only way tp be an unmarried woman is to be rich? Aunt March: Yes. Jo March:The
ways for women to make money. Aunt March: That's not true you could run a cathouse or go on stage practically the same th
you're right. precoius few ways for women that's why you should heed me. Jo March: So I can get married. Aunt March: No, So
life than your poor mother has. Jo: Byt Marmee loves her liufe. Aunt March: You don't know what she loves. your father cared
educating freedmen's children than he didi about caring for his own family. Jo: Yes, but he was right. Aunt March: well, it's pos
foolish. Jo: well I don't think so. Aunt March: well you are not paid to think, I knoe you don't care much about marriege now. C
you. But I intend to go to Europe one moree time and I need a companion, so how would ypu like to be the person i take? Jo:
anything. Aunt March: All right than read and don't sneak around. I don't like sneakes,

Laurie: Hello there ! Are you hurt? Amy: I'm Amy. Laurie: Hello, Amy . I'm Laurie. I know you brought my sister back after danc
have sprained my ankle. I have lovely small feet, the best in my family. But I can never go hme again because I'm in such troub
me.

Amy: tell the servants I want this painting purchased immediently! Beth: Amy! Are you in here? Amy: Meg! My hand. Look. Jo
it hurts so much. Megh: You ought to be Jo: The happiest boy in the world. Laurie: A fellow can't live on books alone,.. Jo: I co
do? Amy: Nothing. i did a drawing, and then Mr. Davis hit me. Jo: Oh Crishtophes Columbus , look at that. Laurie: that's my gra
scared pf him? I'm not scared of anyone he looks stern, but my grandfather was moree handsome. Marmee: Jo we do not com
Tn Laurince: you think he's more hansome,eh? Jo: Oh.. No, actually you are very handsome I diid;t mena... Tn Laurance: I knew
you got his spirit. Jo: oh well thanks, sir. Marmme: you rae not to attend that school anymore. Jo: Good. That man has always
Marmee: Jo will teach you. Me? I already teach Beth. Megh: you are a good teacher. Guru Les private Lauria: Yes, women bei
more proper, I believe. Megh: Only because svhools for women are poor. Guru Les Laurie: Indes Quite right, Amy: I wish all t
and he would die. Marmee: You are wrong! There will be consequences. Amy: I did't do so much. I did't did anymore. Marmm
taking caew of Amy. Laurie: Oh Yes, of course. Marmee: My girls have a way of getting into mischief. Laurie: well, so do I Marm
over and we'll take care of you. come over whenever you'd like invite Beth as well. Yes.! Jo: Beth would adore the piano. Mr.
quite one? Jo: Yes! Beth would adore the piano. Megh: yer Our Beth Mr. Laurance:tell that little girl to use our piano. Laurie: Jo
book you'd like. Amy: Can I come look at paintings? Laurie: yes. Guru Les Laurie: There's also a lovelt greenhouse. Marmee: W
can you buy this painting? I am going to take this one if that's okay. I'll bring itnback soon. Yhank you again! Thank you for my
Guru Less: You forget your Glove Megh. Tn. Laurience: well back to work.
Orrder! Order!order! Megh: A new play written by Miss Jo March will appera at the Barville Theater in the course of the next f
sirpass anything ever seen before on the American stage. Jo March: starring the greatest actress from here to the Missisippi R
Megh: Yes. There we go. very good. Exellent . Bravo! Bravo! weekly report. Meg good, Jo bad. Mmm-hmm. Beth very good. an
middling. Amy: Ver well done, sirs. Jo: Excellent. Mr. President and gentelment I wish to propose the admission of a new mem
be deeply grateful and would add immensely to the spirit of the club. I propose.. Mr. Theodore Laurance! Amy: Absolutely not
now. Let's have him. He's a real boy. Megh: we don't want any boys. AMy: thi is a club for ladies yes., I think we should do it. w
afraid, I say yes. Beth: it's Laurie. Wha? No. Jo: It'll change everything . all right call a vote. put your hands up. Amy: Don't pu
put yur hand up! Amy: Fine. Aye. Jo: there no time like the present.

Lauurie: Ladies, Ladies please, please. This is my stratagem. I deserve the blame. Jo only gave in to it after lots of teasing . Amy
say as a slight token of my gratutudr that I.. Laurie: Yes, Yes. Go on as means of promoting friedly relations betwen adjoining n
propose this set of keys for a little post office I've made in the forest by the pond, yes four keys. They are for u darling.. Megh.
thank you. Laurie: This isi for me. without futher. thankyou favor. I will taje my seat as part of the club. all of the: yes well of co

Jo: Hallo Megh: Jo!! Jo: Daisy and Demi! Can I have a hug. Oh you've gotten so big. Megh: I iwsh you were here to teach them
am here now. Marmee: So good to have you home. Take this off Pembantu Rumah Jo: I think the loneliness got to Beth, thoug
anything. Jo: Where is Beth? Marmee: She's upstairt oh my Jo. We thought she was better, but the fever'd weakenend her heart.
her the best doctor you can. Marmee: You need this to live in New York. Jo: No, I'm not goiung back. I'm using the rest to take
get her strong. When's Amy coming home? Marmee: We didn't want to worry her. Jo: Does she not know? Megh: Beth insiste
because she didn't want to ruin Amy's trip. Jo: Amy has always had a talent for getting out of the hard part of life. Marmee: Jp
your sister.

Megh: Jo! Where are you? I can't find my otherglove. Jo: Take mine. Megh: We're going to be late. Amy:Where are you going
invited. Amy: you're going somewhere with Laurie I know it. Jo: Yes we are, Now stop bothering. Megh: you have the tickets?
You'te going to the theater, Megh, please can I come? Megh: Sorry , you were't invited. youncan't go. Jo: Don't be a baby and
I've been shut up here. I never get to go anywhere. Beth has her piano, I'm lonely. Beth: I can teach your cord. Amy: I don't wa
go tothe theater. Jo: I think you'd hate to poke in whwre you're not wanted. We already have to deal with dull Mr. Brooke. Me
kind. Amy: but i can pay for myself. Jo: You would not come. Megh: I'm sorry, mys sweet, but Jo is right. Jo: Come Megh stop p
you'll be sorry for this , Jo March! Megh: Amy! you will! you'll regret this! Stop looking at me like that.
Jo: Has anyone take my novel? Beth : No Megh: Why? Jo: Amy, you've got it. Amy: No. I haven't. Jo: That's a lie. Amy: I haven
where it is, and I don’t care. Jo: Tell me , or I'll make you! Amy: ahhh! Amy: I burnt it up! I burn your book.I told you i'd make y
Marmee: Jo getoff her ! Jo: I hate you

Amy: It's just the only thing you care about is your writing it's not as if I could've hurt you by ruining one of your dresses, and I
hurt you. I am the most sorry for it noq. I'm so sorry. Marmee: Oh Jo. Don't let the su go down on your anger. Forgive her. Hel
begin again tomorrow. Jo: She doesn''t deserve my forgiveness and I will hate her. I will hate her forever!

Laurie: Good morning Brisk and brilliant out . Last day at the river, Jo and Megh: Morning! Laurie: Get your ice skates Jo: Let's
promised me I could come last time. Jo! Is she goinng to be like this forever? Beth: It was a very hard loss for her. is there noth
Go after her. Don't say anything tiil Jo goot good-natured with Laurie and then just say some kind thng. I'm sure she'll be friend
I am coming. Jo Laurie I am coming wiat!

Amy: Help! Help! Help me! Jo: Amy. It's Amy. Amy: Ahh Jo Laurie: Jp, get a branch Amy: Help I can't breathe! Laurie: Jo, help m
branch. Grab it Amy. Jo: I am so sorry. Oh, my sisiter, my sister!
Marmee: She is asleep. Jo: If shebhad died, it would have been my fault. Marmee: se'll be fine. The doctor said that he didn't e
cold. Jo: What is wrong with me? I've made so many resolutions, and I've written sad notes and cried over my sins but it just d
When I get in a passon, I get so savage. I could hurt anyome, and I'd enjoy it. Marmee: You remind ne if mydself. Jo: but you n
I'm angry narly every day of my life. Jo: You are? Marmee: I am not patienet by nature. But with narly 40 yeras of effort, I'm le
get the better of me. Jo: well i'll do the same, then Marmee: I hope you'll do a great deal better than me. There are some natu
and too lofty to bend

Beth: Jo Jo: Oh, Beth my love. Oh! Beth: You didn’t need to come. Jo: Oh, I never should have left. Do you need anything ? He
it's so good to see your face. We are going to the sea to get your strng and well. Beth: The sea? Jo: Mm I want yu dancing by th
back. Beth: She;s not cutting her trip shortyt, is she? Jo: No, no Beth: good. is there any N ews from thre? Jo: She wrutes that L
glad he's wiith her. he won't respponse any letter of me. Beth: Do you miss him? Jo: I kiss him eveything. Beth: I know,
Megh: Thank you for letting me go. Marme: Just be who you are. And wear this to the ball. It was mine when I was Your age. I
saving jewelry until marriege.you should have something that;s just yours. Guru Les Laurie: Do you think this is a good idea, h
this? Marmee: Girls have to go into the world and mak up their own minds about things. Jo: Don;t forget about us. megh: I wo
Thank you I din;t know how to repay you Mr. Laurannce. Mr: Laurance: Nonsense, althought itone things accured to me today
piano suffers from want for use any of your girls like to run over and practice on it now and then? just to keep it in tune if they
why then never mind. Beth: Oh, sir they do care. very much. You;re the musical girls, huh? Beth: I love it deraly and I'll come if
nobody will hear me and be disturbed. Mr. Laurance: Not a soul, My dear. Miss u bye! Be good. Enjoy the ball. Megh: Bye. I'll b
and get married.

Teman Megh: what dress will you wear tonigh, Megh? Megh: I will wear this one. Temanya: That's one? Megh: yes haven't go
That's so funny. I have sweet dress you wil wear it ti please me, won't you? Megh: Um o, if it's all right. Off course.
Megh: I am sorry Jonh, the silk was the first real expense. Jonh: Ahem, $50, while a lot is not , I suppose, too much for a dress
hat are needed to finish it these days. Megh: It's not exactly even a dress yet. It's just a fabric Jonh: Oh I see Megh: I know you
don't meaan to waste money, but I can't resist when I see Sallie buying all she wants and pityung me because I don't. I try to b
hard and I'm tired of being poor. John: I was afraid of this I do my best, Megh. Megh: Oh boy, My dear, kind, hardworking boy
and wicked, how could i say it? Jonh: Perhaps you menat it. Megh: No, I didn't we'll work out a way to get your coat as well an
grand, the two of us? Jonh: I can't afford it, my dear. I need to gp to bed. and I really am sorry that you;ve had to do withot so
that you are married to someone who can't give them to you.

Laurie: Hello Amy. Amy: I don't want to see you. Laurie: Amy, don't be mad at me. I'm sorry for how I behaved. Amy:Have you
Laurie: Why are you being so hard on me? It's 4 p.m Amy: someone has to do it.

Laurie: When do you begin your great work of art, Raphaella? Amy: Never Laurie: What? why? Amy: I am afailure Jo is in New
and I am a failure Laurie: That's quite a statment to ake at 20. Amy: Rome took all the vanity out of me, and Paris made me rea
genius. so I'm giving up all my foolis artistic hopes. Laurie: Why give up? you have so much talent and energy. Amy: Talent is't
amount of energy can make it so. I want to be great or nothing, I will not be some commonplace dauber, and I don't inted to t
What women are allowed into the club of geniuses anyway? Amy: Thr Brontes? Laurie: and who always decllares genius? Amy
Laurie: cutting down the competition Amy: that's a very complicated argument to make me feel better. Laurie: what are you g
life? Amy: Polish up all my other talents and became an ornament to society Laurie: mm, that's where Fred Vaughn comes in,
make fun. Laurie: But you will be if he goees down properly on one knee? Amy: Most likely yes, He's rich. Richer than you. Lau
queens of society can't get on without money although it does sound odd from the mounth of one of your mother's girls. Amy
noway for to make own money, not enough to earn a livng or to support my family. if I have own money whicj I don't that mo
my husband the momnet wde got married and if we had children they would be his, not mine, they would be his property so d
me that marriege isn't an economic proposition, because it is. it may not be for you, but it most certainly is for me. Oh thats Fr
me, please? Thank you. How I doo lokk? Laurie: you look beatiful.
Amy: Fred I'v miss u.

Laurie: Thi is Fred Vaughn and his sister , Kate. Of course you known Mr. Brooke this is Meg, Amy, Beth and Jo Vregh Vaughn:
you. Amy: Oh, hw elegant, heh. I'm Am March. You remember that name. I;m gonna find you one day in London. Fred Vaughn

Laurie: I know that something that you don’t know. Jo March: tell me this second. Laurie: Has Meg perhaps mislaid a glove? Jo
Laurie: Yes Jo: How do you kow: Laurei: I saw it in his pocket Jo: all this time? Laurie: YES Isn't it romantic? Jo" No, it;s horrid. L
be pleased. Jo: at the idea of anybody coming to take Meg away? No thank you Laurie: you'll be better when somebody come
I'd like to see anyone try

Beth: How great is that? Jo: Mm. Beth: I love to listen to you read, Jo but I love it bettee when you read stories you;ve written.
new stories. Beth: Why not? Jo: Haven't written any. Beth: You have a pencil and paper sit here and write me something, Jo: I
can anymore. Beth: Why? Jo: No one even cares to hear my stories anyway. Beth:write something for me. You are a writer ev
knew or paid for you. I'm very sick you must do what I say.
Marmee: Is Jo back yet from Aunt March? Megh: No, I haven’t seen her yet. Marmee: I can't miss last train. Did you get fathe
Laurue: What can I don to help , Beth? Marmee: Thank you so much for being here, Laurue: Of course. Mr. Laurience: I'll look
without fail, I pray for a quick recovery. Marmee: While i am gone Hannah is in charge. Remember to check the Hummels it wi
for everyone. Jo: Will this be enough for the train? Marmee: $25? Marmee: Tha's not like Aunt March to be so generouse. Jo:
could't bear to. Marmee: Where'd you get the money? Jo: I only sold what was y own. Megh: Jo! Your hair! your one beuty. y
well, it doesn't affect the fate of the naton, so don't wail. Marmee: Oh, I;m so proud you are my daughter. Jo: I was just crazy t
father. it'll be good for my vanity anyway. Marmee: Pray for father recorvery soon. I'll be back as soon as I can. Love u.
Ay: What are you doing? Laurie: I'm looking at you. Amy: I mean what do yu intebd to do? Laurie: I've been writing an Opera,
figure. Amy: that wasten of time. Laurie: What would you have me to do? Amy: Go and work for your grandfather and make s
Laurie: You're not playing fair. Don't married him. Amy: What? Laurie: do you know the meant. Amy: Stop! I have been secon
in everything and I will not be the person you settle for just because you cannot have her. I won't do it. Not when I've spent m
you.

Beth: Sir, I wanted to thank you forr.. Mr: Laitence: You remind me so much of my little girl, the Piano is yours I should have gi
Beth: Thank you Mr. Laurance: My child, Yiur burning. Beth: The Hummels are very sick.

Mr Laurence: How is she? Is there anything I can do? Docter: What's scarlet Fever. I visit the Hummels the baby has died. Jo: l
and get better.
Jo March: Thr post ffice in the forest was a capital little institution " and flourish wonderfully, for many things passed through
music and gingerbread. Invitations, scoldings and even puppies." Beth: it’s all about us. I love it. Jo: Mm, it's just a little story.
what you usually write. Jo: Think it's too boring? Beth: No, it's my favorite one. Jo: really? Beth Yes, Ma'am keep writing them
Don't say taht. I have to tell you, Beth: it;s like the tide going out, it's goes out slowly, but It cabt be stopped. Jo: I'll stop it. I'll

Jo: You will get better, father will get better, and we'll all be together soon, all right? Beth: e can't stop God's will. Jo: well God
What Jo wills shall be done.

Aunt March: Hei Amy come here! Amy: Yes,? Aunt March: come sit. If you are very good, one ay this rig will belong to you. Am
March: If you keep being a proper young lady, just see if it doesn't. You are your fsmily's hope now. Beth is sisck, Jo is a lost ca
has had her heaf turned by a penniless tutor, so it'll be up to u to support them all. and your indigent parents in their old age,
well. save your family. that's all I wanted to say to you. so you can go back and do your little paintung.

Amy: Hello aunt March. Aunt March: That Laurance boy was just here. Amy: he was/ what a didappointment. Aunt March: He
Must be the Italiant in him. Amy: Hm when he will be back? Aunt March: Hes gone to London, Why? What do you need to disc
just told Fred Vaughn I wouln't marry him

Megh: I'll come home to help with the children, I am so sorry I just…I'm so worried for Beth. Brooke: Stay . I ask for leave. I wil
children. One other things. Send your fabric to the dressmaker as soon as posiisble. Megh: I can't. Broke: I don't want to hear
have that dress. My old coat will be fine for the winter. Megh: I sold the fabric to Sallie. Brooke: I dont want you to be unhapp
my Husband and i am his wife.
Marmee! Megh: She;s worse. I didn't know what ellse to do. Marmee WE NEED TO MOVE Her.

Laurie: Here's another Chritmas gift for the March family. Amy: Oh, my God! Father! Father: my little women, How you're gro
Christmas, my dear, Merry Chrismas to each of you. Jo: Merry Chrismas Father Marmee: Thank God you are home. Father: Th
Marmee: Now I can be angry with you in person.
Megh: I can't believe today is my wedding day. Jo March: Mm Megh: What's wrong? Jo: Nothing. We can leave . We can leave
mney. I'll sell stories. I'll do anything. I'll cook. I'll clean, I'll work in factory. I can make a life for us. You should be an actress. a
life on the stage. let's just run away together. Megh: I want sto get married. Jo: Oh why? Megh: Becauuse I love him. Jo March
him in two years, and we will be inersesting forever Megh: just because my dreams are defferent than yours doesn;t mean the
want a home, a family and i am willing to work and struggle but I want to do it with Jonh. Jo March: I just hate that you are lea
Megh: I am not leaving you and besides one day, it will be your turn. Jo: I'd rather be a free spinster and paddle my own canoe
chidhood is over. Megh: it was going to end one way or another and what a happy end.

Pendeta: What excessive promises giving yourself away to get the other what a gift always given before is known the cost or t
pronounce you man and wife, you may kiss the bridge.

Amy: Marmee Aunt March go to Europe. Marmee: what aunt March going to Europe Jo: Oh, and she wants me to go with her
wonderful now I know why I spent all those boring hours reading to her. Amy: No, No She wants me to go. As her companion
you? Amy: Yes she wants with me to work on my art and French of course. You don't really like French though do you? Jo: tha
Jo: Megh married, Amy off to Europe and now that you are a graduate, you'll be off on a long holiday. I'm just not good like B
restless. Laurie: You don’t have to stay here, Jo. Jo: Why? Should we run off and joine a pirate ship? Laurie: I have love you eve
could't help it. I tried to show and you would't let me. Jo: No Laurie: But I must make you hear now and give me an answer be
like this! Jo: Please don't Laurie: I gave up billiards, I gave up everythng you didi;t like. I am happy I did. it's fine, and I waited a
because I you know, I figure you've love me Jo. and I realize I'm not half good enough and I'm not this great man. Jo: No1 Yes y
great deal too good for me. and I am so grateful to you, and I am so proud of you and I just I don't see why I can't love you as y
know why. Laurie: You can't? Jo: No, I can't I can't change how I feel and it would be a lie to say I do when I don;t. I am so sorr
love anyone else, Jo I only love you. Jo: It would be a disaster if we married. Laurie: it wouln't be. Jo: We would be miserable L
saint. JO: I can't! i try but i failed. listen you will find some lovely accomplished girl who will love you and adore you and she is
mistress for your fine house but I wouldn't. look at me I'm homel, I am akward and I am odd and you will be ashame with me a
we can't help it even now. I hate elegant society, you'd hate my scribbling and we would be unhappy and we'd wish we had't d
will be horrid, except taht I don't believe I will ever marry. I am happy as I am and I love my liberty too well to be in any hurry t
think you are wrong, you will be marry and find someone and love them and will live and died for them that your way and you
Marmee: You're much too lonely here, jo Wouldn't you like to go back to New York? What about your friend Fredrich? Wasn'
I ruine our frienship with my temper just as I ruine everything I am sure I’ll never see him again. I doubt that a sincere friend w
wish that true. Jo: If I was a girl in a book tis would be so easy. just give p the world happily. Marmee: Laurie's returning, you k
Marmee: There was a letter from Amy, She's coming home. She's devastated about Beth. Aunt March is very ill, so Laurie will a
That's good of him. I don;t undersyand. Perhaps I was too quick in turning him down Laurie. Marmee: Do you love him? Jo: If
think I would say yes. I care more to be loved. I want to be loved. Marmee: that is not same as loving. Jo: I know, I just feel like
minds, and they have souls as well just hearts and they've got ambitiom and they;ve got talent as well just beauty and I am so
that love is just all a woman in fit for and I am so sick of it, but I am so lonely

Laurie: Couln't let you travel alone with Aunt March being so sick even if you despise me. Amy: I don't despise you Laurie. Beth
I'm not marrying Fred. Laurie: I herad about that Amy: and you are under no obligation to say anything and do anything, I just
should we don;t need to talk about it.

Laurie: Jo. Wake up. Jo March: Teddy! You are back. Laurie: are you glad to see mme then? Jo: Yes Laurie: Oh, I was worried. J
How's Amy? Did she bother you all the way from Europe with her preening? Laurie: Yes, but I like that. Jo: Where is she now?
at Meg's Laurie: we Stopped on the way. There was no getting my wife out of their clutches. I've done it now. it was meant to
enganged and were hoping to wait but that is to say now we are man and wife. Jo: You and Amy? Laurie: Yes. Jo: Are u in Love
my friend? Jo: of course always my boy.
 Jo March: I thought Aunt March hate me. Megh: She could still hate you and leave you the house. Jo March: What about you
can't manage a grand house like this. It's too big. Jo: I shouls sell it, but I'd love to do something that would really make Aunt M
grave. I wouldn' mind that a nice turning just a rotation nothing terrible. Megh: What would you do? Jo March: I'd like to open
had a proper school and there are women's college opening. there should be a school. for Daisy Megh: and what would will De
open a school for boys and girls both. Amy: What about writing? Jo: I stated something, but I don't dthink it'd very Good. Amy
ypu write. Jo: No, they don;t Megh: I do. Jo March: Well, it's just about our little life. well who will be interested in a story of d
joys?Amy: it doesn't have any real importance. maybe it doesn't important because people don't write about them Jo: No, wri
importance. it reflect it. Amy: I don't think so, writing them will make them more important. Jo: When did you became so wis
always have been. you werw just too busy noticing my faults

Fredrich: Jo.. Jo March: I,,I don't want you to leave. I want you to stay. Fredrich: You do. JO: Yes Fredrich: I would never leave i
Jo: No, I want you to stay. Fredrich: I have nothing to give you Jo: It doesn't matter
Mr. Dashwood: Frankly, I don’t see why she didn't marry the neighor. Jo March: Well, because the neighbor marries her sister
Right,,of course, so who does she marrie? Jo: No one. She doesn't marry either of them. Mr. Dashwood: No! that won't work a
whole book she doesn't want to marry. Mr. Dashwood: who cares? girls want to see women married not consistent. Jo: No, it
Mr. Dashwood: The right ending is the one that sells trust me if you decide to end your delight book with your heroine a spins
it. it won't be worth printing. Jo March: I suppose marriege has always been an economic proposition even in fiction. Mr. Dash
Jo: Heh, it's mercenary. Mr. Dshwood: Just end it that way, will you? Jo: Heh, Fine. mr.Dashwood: I love it, it's romantic and ve
Well, Thank you. Mr. Dashwood: we could call the chapter " Under the Umbrella" Jo: That;s good Mr, Dashwood: Now, thre's t
contract I am prepared to give you 5% of the royalties. Jo: So I get 5 of the profit. Mr. Dashwood: Five percent of the net profit
Huh, well. what about a payment up front? Mr. Dashwood: I'm the one taking the risk n printing this book. Jo: Yes, But it's my
and if it does well we'll both ake money if not, I can stay in business. Jo: So I get nothing if it fails. Mr. Dashwood: No, I'll give y
buy out the copyright. That's the right for reprinting the sequel and the characters in the stories. Maght that be worth someth
Well, only if it's a success. Jo: I see it seems likke something Iwould want to own, No? Mr. Dashwood: Did't you say your family
immedietly? Jo: Yes, They do, which is why I wanted up front payment. Mr. Dashwood: No. It's too risky. I'll only pay for the co
your $500, and I'll keep the copyright also, I want 1o percent of royalties. Mr. Dashwood: Five point five percent. That's very g
and that's it. Mr. Dashwood, if I am going to sell my heroine into marriage for money I might as well get some of it. Mr. Dashw
percent. Jo: Done Mr. Dashwood: and you don;tneed to decide about the copyright rigt now. Jo: No I have decided I want to o
 Ayat-Ayat Cinta

"Don't mix truth with evil. Don't hide the truth,even though you are aware of
it".
 !!!

Ummy: Annisa, get off the horse! I've told you many times, girls shouldn't act so
wild. Annissa: I am not
act wild I just riding a horse. Ummy: That's acting wild

Annisa: How come Reza and Wildan can do it? Ummy: They
are boys so it's fine. Brothers: Girls should just
stay in the kitchen. Annisa: Ummy you are being unfair.

Brothers: Pray before eat!

Annisa: I want to learn how to ride a horse!
Ummy: don't talk while we're eating. Anissa:
Reza and Wildan can do it. Why Annisa can do it? Aby: Because
you are a girl

Brother: yeah, because you're a girl. It's inappropriate. Annisa: so

what? How about Aisyah the prophet's wife, princess of Budur, Hindun Binti
Athaba? They are a women. They led troops while riding a horse.
Brother: Then they behave
inappropriately too. Aby: They're not my daughters. you are
my daughter, the daughter of a Kyai

Annisa:Yes! I am Aisyah, daughter of Athaba! I can ride a horse. I am the

princess of Budur!
Teacher: Anisa gets 12 points. Farid gets 11 points

Teacher: Now because Islam Doesn't allow women to be leaders, therefore with
all due respect to the value of Pancasila, I've decided that you new class president
is Farid! Students: yeahhh!

Annisa: The teacher cheated! Abi: come

her! Anissa: I should
be the class president! Aby: but why did you run
away from the school? Anissa: I did't run away.
Aby: Your teacher is right! Only man deserve to
be leaders! (Annisa get punishment from Aby)
Khudori: you have to be smart, Nissa study well. You should see the outside
world. Don't just stay behind in you father's boarding school. Annisa: I love
uncle!
Khudori: " in the sky of a million moons this prayer camp is full of angles, only in
the eyes of the blind are they hiding." Have you ever seen a fish get tired of the
sea? Have you ever seen a sculpture escape the sculptor? Have you ever seen
Vamiq apologize to Adhra?
Letter Khudori: A good Muslim will never be lonenly, Nissa because God is
closer than our own veins. Annisa: God is
always defending men, uncle. When will Iable to see the outside world? I am not
even allowed to ride a horse

Annisa Lettter: The outside world is only for dream for me and the outside world
only for men.
Ummy: Annisaa….Annisa; yes Ummy wait there. Ustadz:
Annisa: Islam is unfair to women Aisyah: Don't
talk like that Nissa. It'll bite you back. Anisa: Then what would you call it if not
unfair? Going to Kyai Ali's class doesn't make you smarter. It just annoys you.
Nis, Aminah has been introduced to her husband to be, i heard that he's handsome.
Annisa: Really syah? Isn't she still our age? Syah:
well, she found her match, Nis and When are you going to get married? wouldn't
a Kyai's daughter easily find a match?

Annisa: We're just old enoughf to get ID cards (KTP), why should we think about
marriage now? I want to continue my studies, go to college. I want to get married
after I come home from Al-Ahzar from Cairo. Aisyah: hmm? Do you
want to married wit uncle Khudori? Anissa: (Smile)

Annisa: This is one for Cairo and these one for Jogja Tukang Pos: oh okay.
Aisyah: You want school in Cairo? Why you
send for Jogja also? Anissa: jus for in case.
 Aby:My God, Nisa. You're shaming our boarding school. How Could a Kyai's
daughter go to the cinemas? Anissa: By God's name, father, I didn't. Aby: Don't
you even mention God's name. you lie to me, and instead of going to school, you
ran off like that! if the student's parents found out that my daughter is be having
this way, who want to send their children to this school anymore?

Annisa: Thank God, I got accepted. Sir, thank you.

Anissa: it's only I Yogya, Aby. It's not far from here. And I don't have to pay
anything. I got a scholarship. Aby: it's not about money Anissa, You don't want
your daughter to get an education? Aby: I can't let you go there without a male
relative. Annisa: So it's because I am a woman? is that what you mean? You sold
your land to send Reza to college in Maddinah. You took out a loan to send
Wildan to college. Why can't you do that for me? Aby: They have to get a higher
education, Nissa. They the one who will lead this boarding school one
day.unserstand? Anissa: and what am I good for? Aby: you'll understand after you
get married, have your own family, have a husband, childrens, that's the source of
your marit, Nissa.
 Aby: Alhamdulillah Thank God Nissa is one of her class's top students. Smart, clever,
creative and she almost memorized the entire Qur;an

The leader Al Ikhlas: I have something for you. Aby: what is this? You already helped with
Al-Huda's expenses this month. Leader Al-Ikhlas: Please, you have to accept it. We're
going to be in laws soon. We're no longer just related by our by boarding schools. Aby:
Surlly? this is a blessing

Annisa: I want go to college , not to get married! Aby: Nissaa, He is my best friend's son.
A Kyai's son, a college graduate. What more do you want? Anissa: No, I don't want to!
Aby: We are fortunate to be rekated to them. Our school can grow bigger, many more
students can study here. you will get merits from God. Al-Huda would't be running
without their support
Akad Nikah Anissa and Samsudin
Anissa: When can I go to college? Samsudin: Why would you thinl about going rto
college? You have a good life now. Just sit still and peacefully at home.wait for your
husband to come home, people respect you for being a Kyai's daughter in law. What
more do you want? Annisa: I want to go college. Ill go crazy if I go on livng like this with
you.

Samsudin: Your father's boarding school wouldn't be as great as it's nowwithout my

help, okay? Do you want me to close down the school?

Anissa: it's time for afternoon prayer. Let's pray. Samsudin: A muslim wife, has the
obligation to serve her husband, if she delays, then she will burn in hell. Do you
undrerstand? Hey, even ifnyou ask God's for givness a thousand times, He wont listen,
you've sinne against your husband
Samsudin: Dear I need you Anissa: I'm sorry , it's the first day of my periode. Samsudin:
Another periode? Is it? You 'll never get pregnant no matter how money times we have
intercourse. My father keeps asking when I'll have children. he thinks I am a fool. you
barren women. Anissa: God! Please don't do this mas, hurt! Samsudin: What hurts?
you're pleasing your husband! Anissa: No, Don't

Samsudin: oh you want to kill me? Really? Go on, kill your husband. Not only will God
punish yiu, everyone will course you because you kill your own husband. Annisa: I'd
rather be cours by everyone than live with a husband like you!

Anissa: I want a divorse, Mom. Samsudin's Mom: Istigfar, Nissa. A husband will never
remarry, if the wife can satisfy him.
Anissa: I'll just be gone for three days. It's been while since I've seen my family. And
there's a festival there right now. Samsudin: See, She leaves, look at the way she
behaves. A wife who always defise her husband . Annisa: If you forbid me to go, I will do
as you say, but at least say something, so I would underderstand. Samsudin: Who said I
am forbidding you to go? Even if I forbid you, you would still go, right? just go. just go
don't stand there!

Anissa: who are you? Khudori: I can never forgive myself, Nissa even until this very
second. Anissa: Why did you leave me, uncle? Khudori: I did't want to get carried away
by my inappropriate feelings for you.

Anissa: God did show me best path uncle, but the path had been cut off when you left.

Anissa: Kalsum, don't be too dependent on men or do you feel ashame because you're a
second wife? You can take my position if you want. I will gladly hand it to you. Kalsum:
What's the matter with you Niiss. Anissa: Astagfirullahal Adzim…
Khudori: You have to speak to your parents, Nissa. It's no use, Uncle. You know how
father and mother are. take me away uncle! Only you can set me free. Khudori: Istigfar
Nissa,

Anissa: Kiss me uncle! Make love to me! Khudori: No, don't Nissa. So my parents would
throw meAnissa,
Khudori: out. Sowe'll
I cansettle
be free!
your problem with Samsudin firsly. After that , let's get
married , I want to start a good life with you Nissa. But this not right way. will you marry
me Niss?

Samsudin: You whore!

Samsudin: They committed adultery. Anissa: Help! Samsudin: They committed adultery.
Anissa: That's a lie. Samsudin: She is my wife, she committed adultary. Samsudin: What
punishment is appropriate for adultereres ? Aby : What the Society Ponpes: Stone
them"!

Umy: Stop this! Only those who have never committed a sin can throw this!

father: Annisa…. Ummy (Crying)

Chrismash Father
Aisyah: You came early,Nis. Darling, Please meet Anissa. Anissa: Anissa

Aisyah: My Boyfriend is handsome,isn't he? Now I understand why we were forbidden to

get close to boys. Well,you know, right? Don't be surprised, nis. Many of our friends
behave like I do. I'm better than them. I still wear a hijab, and I still respect my parents.
Do you remember siti? she now prefers to be called sita, her clothes are always sexy.
Thank you, Niss. you advised me to study in yogya. It turns out, freedom feels good, Nis.
Anissa: Yes, freedom does feel good.
Teacher: ok any questin? Anisa again have questin nobody else? Ok go ahead Anissa.
Anissa: You said, everyone can write.so what should we write about, ma'am? Teaher:
anything you want but it will be better yet, you can write about something that concerns
you.what are you concern? Anissa: Freedom.

Anisas's writer short story: For Anida, "freedom" is an easy word to say but difficult to
have, so every time she wake up in the morning she always asks "what is freedom?
Maybe freedom is like the air that she breathes,and the sun that shines on her everyday
that make her feel human or does freedom mean love? unfortunetly, twilight always
comes eraly to Aninda's days and until she closes her eyes again, she has yet find the
answer to the question that starts her day. what is freedom?

Friend's Annisa: Let me se, Nis. Anissa: wait , I'm not yet finished. Yay! You're a great
writer! Treat me to some foods.. Anissa: How Ican I treat you? I still own you some
money. Here, my firsy installement. His friend: No, just take me to a movie. Anissa:
come on!
Annisa: The movie was so great. And the actress, Sophie Marceau, was so good and
inspirational, right Syah? Syah: How is uncle Khudori? Anissa: Don't talk about him
anymore, righ now, I just want to live without the help of anymore from Al-Huda, Except
you. so don't tell anyone that I'am here, okay?

We do need a counselor like you, Nis Honestly, sometimes it's difficult to get the client to
oprn up about themselves. I belive you can do it.

Anissa: I am sorry Aby. Aby: I am sorry too. You have my blessing.

Anissa: Don't rape me , He raped me. Khudory: Yes, I'm Sorry I apologize Anissa: He
Raped me (crying) Khudori: Please calm down Nissa.
Client Consellor: I can't Take it anymore.He always tortures me. Anissa: Why don't you
try to run away? Client Consellor: I can't. Anissa: have you ever tried to run away? Client
Consellor: I Can't. Anissa: You can do it if you want to. Client Consellor: I can't, I have a
child!.

Client Consellor: Every time my husband…, asks me to go to bed…, sy stomach suddenly

cramps up, but I hade it…, because my husbend would be furious.

Client Consellor : Thank you so much. Leader Anisa: Yes. Klien Consellor: you've given
me a new life. Leader Anissa: Yes Miss, Alhamdulillah., This is all because of your own
effort. You deserve a better life. Client Consellor: Thank you so much. You've really
helped me. Anissa: You're welcome
 !!!

!!!

Santrwati: What book is that, miss? Anissa: It's The earth of Mankind by Pramoedya
Ananta Toer. He's famous author. Do you know where he wrote this book? Santriwati:
Where? Anissa: In jail.
Ummy: I thought you'd forgotten the way home Nisa: where is Reza? Umy: Surabaya
Nisas: I know Reza didn't here because there was Khudori. Khudori: I am sorry Mass…
Santriwati: Asslamu'alaikum. Anissa: Wa'alaikumsalam. Santriwati: Miss, can I borrow
another book? I've read that book three times. I want to borrow your books too, miss.
Ukhti, why don't we make a library? Anissa: Why don't you start writing yourselves, and
than you exchange with each other? Santriwati: we've done that many times, miss. We
also want to become a great writer like you. Please tell Kyai Reza.

Anissa: If it's okay, I want to build a library. I want to teach about writing, so the students
can channel their Creativity. Brother Anissa: Astagfirullahal Adzim. They are not you, Nis.
We can't teach them to be wild women.They could let go of their nature. Anissa: Which
nature do you mean? The nature that a woman should be dependent on her Husband?
Accepting her husband's abuse? Brother Anissa: You can't make them become like you.
Anissa: They'll become like me, if you don't give the room to speak their mind. Brother
Anissa: A woman will get her paradise without having to speak her mind. God mentioned
it in the Qur'an. By behaving correctly, women already get their paradise.

Santriwati: Ukhty..
Anissa: Distribute this I called my friend in Yogya to send more books for you. Santriwati:
Yes, Wassalamualaikum Ukhty. Anissa:
Waalaikumsalam
Santriwati: carefully don't get caught

Khudori: I'd like to take this opportunity to talk about equality among humans including
the equality of women. We have to be able to differentiate which things are nature, and
which the nuture. Nature is that women give birth, while men don.t and nurture is when
both men and women have the same opportunity and space to be crative to develope
themselves, and study. sometimes like " women should stay in the kitchen" actually is;t
nature, but is just the shape of the culture

!!!
Wildan: this is dangerous, Nis these book forbidden Nis, this is dangerouse for the
school. Annisa: No, It's okay Brother: Let me carry it for you. Annissa: No need Wiildan, I
can carry it myself

!!!

Ustadzah: Cinta dibawah Kuba Masjid, Cinta tak Terbalas, Ketika Gairahq Terbelenggu
Kyai, These are the students' works after they're read these books These are the one I
confiscated, and I'm sure there are a kot more. Kyai Ali: This is outrageou! Your sister and
kHUDORI NEED TO BE STOPPED. The students' parents mifht lose true in this school
Masyaa Allah! and as a leader, you must be firm!

Samsudin: I just want remind that the istallment needs to be paid before the end of the
month Okay? Because the money is needed to expand my father;s school. Annissa: So
the money to develop this schol is not from our sugarcane harvest? Reza: Don't interfere
Nis, our family;s surgarcane plantation is not longer dependable. the surgancane market
is languid now not only in Jombang, but in all of East Java, Nis Annissa: But there be a
better way than being a slave. Reza: a good Muslm has to be able to forgive the past
 !!!

Home wasn't build in a day, Nis what ever happends I will always be there with you A
prison can confine your body but it cannot confine your heart and Mind Nussa

4 Years later

Anissa: If you are really seriouse about having a library, I will hep you because I 'll always
be here . But remenber no more running away, okay? Your parents have trusted me to
look after you. Santriwati: Ustadzah what if we get expelled? Anissa: I will defend you.
Satriwati: Alhamdulillah
Kyai Ali: A modern Library is not necessery, because we already have a library. And we
don't need your modern books, because it corrupted our students' morality and faith
These books were written by infidels there's nothing about un the Quran . Nothing is
more right in this world than the Holy Al Qur'an. Anissa: We know what is right and
wrong from books we also find out about places we've never been to from books.
Wildan: All of that is in the Holy Quran Book Nisa There's no need for your modern
books. Anissa: What's wrong with modeen books? Wildan: It's wrong if you read it here!

Samsudin: hey Niss where you going? It's be better if you re-marry me. Poor Kalsum is all
alone. Nissa: Plakkk! I'm not the same Nissa as you former wife Sam Watch your mouth!
I'll kill you right here if I need to. Listen don't try and mess with this family

Kyai Ali: Astagfirullahal adzim one more students get caught red handed she reads this
book writes by Comunist Wildan: Let me see this from Anissa? Santiwati: I am sorry
ma'am(Nyai) Nyai: you can go!
 Reza: Burn That books! Allahu Akbar!

!!!
Anissa: Ulfa you all made everyone worried.come here! Please tell me what's going on?
Ulfa: We can't take it anymore. They burne all your books. Anissa: Running away is not
the solution Ulfa: Then what? Stay in the school? Stay ignorant and dumb? Watch your
books being burned? I want like you "Free" . Ulfa: The speaker was great, Miss She said
we can write anywhere. Anissa: That's why you have to go back you can wtite at school
you don;t have write in Yogya. you want to be a comfotable place that way you all
wanted? onlly yourself can make it a comfotable place Now, help me to make the
cahnge happen. Ulfa: I don't want to go back ukhty, I am staying here. Annisa: No, You
have to go back Maryam: You saind wrtiting comes from imagination and you also said
you can imagine anywere, right? Ulfa: Yes, but to start imagining I need to get in the
mood and I can't get in mood at school. Anissa: mood is creat. you don't wait for it.
Where do you think the book Bumi Manusia was written? in the fre nature. it was
written in jail. that's much worse than the school.
Ustadzah Syarifah: Ulfah you have to be punished for shaming the school Anissa: I'm
sorry they didn't do anything wrong. I learn one things from them and the freedom must
be earned. What they did was wrong but we can't create a situation that leads them to do
something wrong. Reza: But you were never here. you don't know what;s wrong and what
's right. Anissa: I will not go anywhere this time. I will stay here Wildan: and you want to
teach them to be eild? is that so? Niss, our father built this school so that women will have
good morals. so when they have famillies of their own they will have good
and ,harmonious realtionships. Anissa: You all are future Muslim women, future wife for
beloved husbands, and future motherd for your beloved chilldren God's promised
heavenm is under our feet " Women" , but remember one thing God also grants freedom
to all humanity. what ever you're going to be, choose God's path freely and with a sincere
heart. that way inshaa Allah we will live peacefully and free from hartred

Anissa: Ummy Please forgive me Ummy: There's nothing fault here Anissa: why you
always sillent? Umy: Being sillent does;t meant that I don't suppot you There are things
that we can't do the way we want to do it. We are a women who live in unequal
circumstances, just like what you always say. all I can do is stay sillent. maybe you don't
agree with me.. but at the time if I wasdefiant our family would've fallen apart.

Anissa: But someday you have to say how you feel and what is on your mind you can't
stay sillent forever. I respect you and father I never want to dissapont the two of you.
Umy: every action has its own consequences the important things is how we deal with
those consenqunces. and you have already dealt with it I am so Pround to You I am so
Pround to you

Samsudin: well, I think that is a fair way to settle your debt. REZA: but thi si not in our
fist agreement Reza: well, what can I do? My father's friend I Saudi Arabia wants an early
payment

Samsudin: Anisa getting prettier by the day. Reza: What do you mean Sam? Samsudin: I
have already forgive her and I want to marry her again well following our prophret it's
good to marry a widow Wildan: hey Stop! You are out of fire! Don't be disrespectfully
calm down Samsudin: SO do You want to be my in lows again? we'll consider your debt
settle and well you'll get double the merits from God Reza: get out!
Anissa: Mas Reza I want use the room's of Khudory for make a Library Reza: Silent

New book akhwty!

Anissa:Your father looks exactly like you abi is second kind men in my life and the fist is Mutmainah
 Scene

Malcolm X Ayat-Ayat Cinta

the fist is Mutmainah
 Equal
Malcolm X
Practices Discouse

Pesan untuk menulis jika memiliki banyak masalah dalam

hidup/ajakan menulis dan berkarya. Dunia akan melihat
pemikiran kita lewat Tulisan.

Jo March menjual Karya Tulis ke Mr.
Dashwood
Judul buku Little Women
dalam shene dan dialog Jo March mendalami dunia
menulis, ia menggeluti dunia satra. Menulis novel dan
cerita pendek. Tulisan Jo March di publish dengan
penyuntingan oleh Mr. Dashwood. Jo March sedikit ragu
menjual tulisanya akan tetapi karena keadaan mendesak
ia menjualnya.
Tampilan buku Little women diperlihatkan di awal-awal
dengan cetakan warna merah yang sangat tebal. Dalam
hal ini Tulisan dari Jo March berhasil dicetak.
Jo mengajarkan sopan santun kepada Karena Jo March sering baca buku dan termasuk tenanga
Megh pendidk. Maka basic life tetang cara menjadi perempuan
yang sopan santun ia tahu, dengan begitu ia
mengajarkan kepada saudaranya di pesta Dansa untuk
berhati-hati dalam berbicara secara elegan dan dilarang
mengatakan kata" Columbus dan Capital". kata tersebut
sangat tidak sopan karna bermakna penjajah dan orang
yang serakakah. penanaman pendidikan Moral.
 Practice yang dilakukan oleh Jo March dalam Sastra
Jo mementaskan Teatrical Drama for Drama. Sebuah upayanuntuk menyenangkan orang lain,
children Hasil dari tulisan Jo March diimplementasikan dalam
bentuk pentas Drama.
Jo March dan Bibi March berbicara
tentag Masa depan

Shene ini Jo March tetap berusaha keras bertahan pada

pendapatnya. Ia tidak mahu menaruh nasib dengan
menikahi orang kaya dan mendaptkan sesuatu imbalan
dari kebahagiaan tersebut. Jo March mencoba mandiri
dan berusaha dengan keras dengan terus belajar.
Perempuan di Desa Concord kebanyakan menikahi orang
kaya sebagai jalan tengah untuk meningkatkan
perekonomian keluaraga daripada punya kesadaran
untuk berusaha sendiri/bekerja di ranah publik
 Jo March dan Saudaranya kompak dalam berlatih dan
Jo March berlatih Teater
belajar Drama.
Jo March membaca puisi Praktek Jo March dalam dialog bisa diartikan bahwa Jo
March pecinta literature dan termasuk yg bergenre Puisi.
Ia membacakan untuk adiknya. Karya tulis Jo March
banyak menunai kritikan sehingga Jo March sedikit
merasa terpuruk dan sulit pembangun kepercayaan diri
untuk menulis kembali.

Jo March berhasil membuka sekolah
laki-laki daan Perempuan
Praktek yang dilakukan Jo March dengan memanfaatkan
rumah warisan dari bibi March dengan mendirikan
Sekolah untuk laki-laki dan perempuan. Kecintaan dalam
mengajar sehingga mendaptkan ide yang bermanfaat
untuk generasi. Pada saat itu antara lak-laki dan
perempuan dibedakan. nggak ada yang gabung menjadi
satu. menggabungkan kedua jenisnya akan
menyelaraskan pemikiran perempuan dan laki-laki.
keduanya bisa berkembang dan maju. Sekolah sebagai
tempat untuk mendidik dan mencetak generasi emas.
Jo March berhasil menukis buku dan
memegang buku cetakan pertamnya
Salah satu bentuk Praktek yang sangat diperjuangkan Jo
march yaitu menulis. Jo March menulis karena kecintaan
dan juga karena uang untuk menhidupkan ekonomi.
Buku Jo March disukai anak-anak dan banyak khalayak.
Ditolak berulang kali dan gagal terus akhirnya bisa
sampai pada titik ini. Buku tulisan Jo March sangat
sederhana dan bercerita ttg kisah hidup mereka di
Pedesaan.
 Equality in Education
Ayat-Ayat Cinta
Symbol Practices

bunyi FirmanTuhan.
Don't mix truth with
evil. Don't hide the
truth,even though you
are aware of it.
 Script Tulisan dan
kantor publikasi

Anissa forbidden by
Ummy to ride the
horse (teenager).

Bentuk Perlawan Anisa

Buku kepada Umy (Ibu)
Anisa menyampaikan
keinginan untuk belajar
mengendarai kuda ke
Aby (Ayah)

Anisa tetap belajar naik

kuda walaupun ada
larangan
Pencalonan Anisa
menjadi ketua kelas
waktu SMP dengan
dua kadidat dan Anisa
lari dari kelas dengan
menyatakan guru tidak
adil
Pesta

Anisa berdiskusi dan

berdialog dengaN
Khudori
 Anisa membaca dan
membalas surat

Script Drama
Anisa mengikuti kelas
di Pesantren
Anisa tidak ingin
menikah cepat.

Anisa mendaftar
kulliah di perguruan
tinggi di Cairo dan
Jogjakarta
Anisa menonton
Bioskop dan ditampar

Anisa memberikan
surat kelulusan dari
Universitas ke Abynya.
Anisa tidak ingin
menikah
Anisa menikah dengan
Samsudin
 Anisa menagih janji
untuk kuliah kepada
suaminya setelah 4
tahun menikah

Anisa menolak
melayani suami ketika
sedang waktu sholat

In the beach. And the

Poetry
Anisa dipaksa melayani
suaminya di waktu
haid

Anisa ingin bercerai

Anisa mengatakan
bahwa dia tidak berjina
Anisa melanjutkan
jenjang pendidikan

Anisa Menulis tentang

kebebasan

Anisa menulis dan

dipublikasikan di koran
Anisa melakukan
hubungan suami istri

Anisa memperlihatkan
buku yang dibacanya
kepada Santriwati
Sekolah
 Anisa memberikan
Buku Maroon berjudul
buku pinjaman ke
Little Women
santri untuk dibaca

Anisaa ingin
membangun
perpustakaan umum di
Pondok pesantren

Anisa membagikan
buku secara sembunyi"
kepada santri di Pantai
Santriwati punya
kebebasan dalam
berpikir dan berkreatif
sewalaupun masih
dalam sembunyi
Anisa tetap ingin
membagikan buku
bacaan kepda
Santriwati walaupun
sudah dilarang
saudaranya
Anisa disudutkan oleh
semua pengurus
pesantren

Anisa menampar
samsudin

Buku disita dan

santiwati mendapat
hukuman
Pengurus Pondok
membakar buku disaat
Anisa tidak ada di
Pesantren

Anisa menasehati
Santriwati yang kabur
dari Pesantren
Anisa membela
santriwati yang kabur
dan memberikan
pemahaman terhadap
seluruh pengurus
pesantrean
Anisa sekali lagi
meminta Ijin kepada
saudaranya untuk
membangun
Perpustakaan

Anisa memberikan
buku gratis untuk
dibaca kepada para
santriwati

Anisa berhasil
membangun
perpustakaan di
Pesantren
Education
Ayat-Ayat Cinta
Discouse

from this text stand with the truth

larangan terhadap praktek naik kuda yang dilakukan Anisa di pantai
menandakan bahwa perempuan tidak seharusnya bertindak seperti
laki-laki.

pada dialog Annisa dengan Umy ia membandingkan bahwa laki-laki

bisa kenpa perempuan tidak bisa mengendarai kuda. Diskirminasi
bahkan di lingkup keluarga masih sangat melekat.
Praktek protes/perlawanan yang dilakukan Anisa dengan
membandingkan saudaranya maupun perempuan" hebat pada Zama
Rasulullah yang bisa naik kuda seperti Aisyah the prophet's wife,
princess of Budur, Hindun Binti Athaba. Anisa mengambil pemahaman
Islam dan agar tidak berpikiran kolot terhadap peran gender maupun
budaya. Menandakan pengetahuan Anisa cukup memadai. Konsep
kebebasan dalam menyampaikan pendapat

Anisa tetap melakukan apa yang disukai dan apa yang menurutnya
benar, selagi tidak merusak nilai-nilai ajaran Islam. Anisa tetap
mendeklarasikan bahwa Akulah Anisa binti Ataba, binti Borobudur.
Yang bermakna mendeklarasikan bahwa dia keturunan perempuan-
perempuan hebat. Menunggangi kuda dengan dituntun oleh dua laki-
laki yang berdampingan dengan konteks ia sebagai ratu atapun
pengendali.
Atribut sekolah dan Nilai demokrasi Yang dimaksud pada schene ini
bahwasanya perempuan berhak menjadi pemimpin bukan hanya laki-
laik. Dengan begitu Anisa mencoba mencalonkan diri menjadi ketua
kelas. Ketidakadilan masih terjadi bahkan ketika perempuan menang
pemilihan dan tetap tidak dipilih sebagai pemimpin dengan
menggunakan dalil agama. Pendidikan demokrasi dan dalil agama
masih sangat disepelekan.

Puisi Jalaludin Rumi yang memperlihatkan luasnya dunia ini. Agar tidak
berpikiram sempit.
Anisa tetap mengambil pendapat dari pamanya termasuk nasehat"nya
menandakan bahwa Anisa menerima pemikiran dari laki-lakii. Dengan
nasehat Khudori melihat dunia lebih luas yang bermakna harus punya
cita-cita yang tinggi tidak hanya menjadi seperti perempuan biasaa
lainya yg terkungkung tanpa kebebasan. Pantai simbol dari Ujian hidup
kadang naik kadang turun. dan karang-karang tetap bertahan
walaupun badai menghantam. yang bertahan dialah yang bahagia.
Praktek Anisa dalam membaca dan membalas surat dari Khudori
memperlihatkan Anisa memiliki kemampuan dalam membahasakan
sesuatu dengan tulisan. Hasil dari membaca di aktualisasikan dalam
bentuk tulisan.
Doktrin ceramah yang disampaikan oleh Ustad di kelas terkait
pernikahan dan Perempuan harus taat kepada suami bahkan dalam
bentuk apapaun membuat Anisa mempertanyakan ketidakadilan Islam
dalam memandang hak perempuan seperti ketika perempuan tidak
bisa kelaur rumah tanpa seijin suami dan penolakan terhadap
hubungan seksual ketika laki-laki memintanya.
Praktek Anisa tidak ingin menikah cepat agar Perempuan bebas meraih
mimpi, ketika menikah perempuan hanya akan fokus pada keluarga.
Pentingnya pendidikan setinggi apapun agar Peerempuan bisa menjadi
ibu yang lauas akan pengetahuan. Tidak ingin perempuan bergantung
pada laki-laki. apalagi menikah di usia dini. Sewalaupun Anak Kiyai.

Bukti Anisa berusaha untuk melanjutkan jenjang pendidikan.

Pendidikan itu penting bagi Anisa disaat yang lain setelah lulus
pesantren atau SMA menikah ia malah memilih untuk Sekolah mencari
ilmu pengetahuan.
Anisa ditampar abi karena melakukan hal yang memalukan lantara
hanya menonton Bioskop. Anisa sebagai Anak Kiyai akan tetapi tidak
mengadopsi pemikiran dan didikan anak Kiyai yang mengharamkan
Menononton film padahal tidak ada dalil yang kuat. Perlakuan Anisa
selalu menentang dan mencoba hal baru. Apapun yang dilakukanya
selalu salah.

dari scheen dan dialog bahwasanya Anisa meminta ijin untuk kuliah
dengan beasiswa tpi abinya tidak mengijinkan. Anisa menuntut haknya
untuk berpediidkan layaknya saudara laki-laki yang kuliah sampai di
luar negeri. Alasan perempuan tidak diijinkan melanjutkan sekolah
krna belum ada mahrom seakan" menandakan bahwa perempuan
lemah tanpa didampingi laki-laki. adanya superioritas di lingkup
keluarga Anisa. konsep agama yg konservatif masih sangat melekat.
Praktek anisa dalam dialog menandakan bahwa Anisa tidak ingin
menikah karena ingin menuntut ilmu.Anisa ingin melihat dunia luar
dan memiliki cakrawala yang luas sebagai seorang perempuan. Anisa
tidak tertarik melihat laki-laki dari anak kiyai dan hanya ingi
berpendidikan. Bertapa susahnya perempuan untuk melanjutkan
pendidikan di perguruan tinggi. Anisa disuruh menikah karena hutang
budi abinya dan melihat strata anak kiyai yang sudah mapan bahkan
salah satu sarjana.
Praktek Anisa untuk menikah dikarenakan konstruksi keluarga. Anisa
ingin melanjutkan jenjang pendidikan, dikarenakan di lingkungan
pesantren maupun pedesaan sangat menganut perempuan tidak bisa
sendirian tanpa adanya seseorang yang halal dalam menemaninya
maka anisa menikah dan untuk bisa kuliah. Anisa mencoba berbakti
kepada orangtua dengan pilihan mereka, ketidakberdayaan
perempuan dalam melawan tindakan ayahnya. Kebebsan dalam
memilih jalan hidup sendiri seringkali terjadi hambatan dikarenakan
terlalu kuat kepercayaan adat istiadat maupun agama.
Praktek dan reaksi Anisa pada dialog dan schene masih bertekad kuad
untuk melanjutkan pendidikan, selama ini hanya menunggu. Anisa
menuntut haknya untuk berpendidikan tidak hanya mengurus suami
dan berdiam diri. Konsep yang diberikan Samsudin bahwa perempuan
tidak harus berpendidikan tinggi, cukup patuh menerima apa yang
diberikan suami. Tidak adanya equality antara laki-lakid dan
perempuan dengan membawa konsep patuh. Anisa mendapatkan
perlakuan kasar dengan diancam oleh suaminya.

Dalam dialog Anisa mencoba mengajak Samsudin untuk sedikit

beradab. Mendahulukan Tuhan dibandingkan dengan nafsu seksual.
Anisa mendaptkan kekerasan seksual. Smasudin sellau membawa dalil
agama bahwa perempuan harus patuh. Konsep yang ingin dibangun
Anisa Patuh bukan berrati tak berdaya dan tidak memberikan
pemahaman mana yang benar dan salah. Samsudin adalah gambaran
laki-laki yang tidak menerapkan keadilan gender. persamaan hak dan
nilai pendidikan seksual masih sangat minim.
Anisa memberikan perlawan bahwa ini tidak benar ketika melakukan
hubunagan seksual dalam keadaan haid, dalam konteks kesehatan
tidak akan terjadi pembuahan sel telur jika ingin membuat anak.
Perlawanan Anisa dalam membentuk mengancam dengan gunting,
terlalu sering mendaptkan kekerasan seksual. seharusnya sebagai
suami istri harus membangun hubungan yang sehat suka sama suka
tanpa ada paksaan. didikan kiiyai tidak mencamin berperilaku
baik/cover.

Dalam Islam Anisa tahu bahwa bercerai adalah perilaku yang

dibolehkan namun sangat tidak disukai sama Tuhan, namun Anisa
lakukan untuk terbebas dari jeratan. Anisa memahami betul bahwa
dengan terus menerus bertahan dengan suami yang kasar dan main
pukul maka kesehatan mental maupun fisiknya akan semakin
terganggu, bahkan bisa gila. alasan lain juga bahwa Samsudin
menduakan Anisa dengan menikah lagi. Anisa berusaha namun gagal
untuk keluar dari kehidupan tersebut, yang bisa dilakukan dengan
bersabar. Pendidikan tidak diijinkan dan perilaku kasar didapatkan
maka menuntut keadilan dengan bercerai. Dalam dialog Anisa malah
disuruh istigfar (bertobat), Anisa justru disalahkan atas menikahnya
Samsudin. perempuan menyalahkan perempuan, bukan sebaliknya.
Perempuan selalu menjadi objek yang disalahkan untuk setiap
penyebab hancurnya kelaurga. dibalik kesuksesan suami pasti ada istri
terbaik didalamya, namun dibalik penderitaan perempuan ada apa
didalamnya?
Dalan dialog dan scene bahwa Kesaksian perempuan tidak dipercayai.
Samsudin membayar para saksi palsu untuk menjatuhkan hukuman
kepada Anisa dan Khudori. Di dalam pondok pesantren masih
menggunakan hukuman rajam (melempar batu kepada pelaku jina).
Anisa membela dirinya dari tuduhan berjina, akan tetapi warga
pesantren tidak mempercayai. Bagaimana kesaksian Perempuan
sangat lemah. Perjuangan Anisa sewalaupun ditalak dan Abinya
meninggal ia tetap kuat dan melanjutkan kehiduppan seperti biasanya.
Melanjutkan pendidikan tanpa ada yang merenggut haknya. Surban
yang dikalungkan kepada Anisa tanda ia akan dibunuh dan bertapa
terbelnggunya Perempuan. Sorban kehormmatan bagi laki-laki namun
ketika dikalungkan kepada perempua maka perempuan tersebut telah
menyalahi aturanya. Dikarenakan Anisa tidak menggunakan Jilbab
maka disitu terdapat bukti kuat bahwa Anisa dan Khudori melakukan
perjinahan.
Praktek Anisa dalam melanjutkan pendidikan setelah mendaptkan
banyak rintangan membuatnya kuat dan semakin berani. Anisa
kembali berjuang untuk menggapai cita-cita setelah diceraikan oleh
suami pertama. Anisa aktif bertanya dan fokus untuk menulis tentang
kebebasan. Anisa memiliki kesadaran bertapa pentingnya perempuan
berpendidikan, agar bisa mempengaruhi perempuan-perempuan
lainya. Anisa Memperbaiki kualitas diri dengan mendalami ilmu
pengetahuan. Jarak waktu untuk menuggu bisa kuliah tidak
menghentikan semangatnya untuk tetap berjuang sewalaupun dengan
kondisi ekonomi yang pas-pasan. Anisa mandiri dalam membiyaia
pendidikan dan kehidupanya sehari-hari.

Praktek Anisa kenapa memilih tema Kebebasan yang menjadi arah

berpikir maupun ide untuk menulis tentangnya karena Anisa tidak
mendapatkan kebebsan baik di lingkup keluarga maupun ketika
menjadi istri Samsudin. Anisa sambil belajar banyak literatur mencoba
mencari makna kebebsan yang sebenranya. Anisa sangat trauma
dengan kehidupan yang menimpanya. dengan menulis ia menemukan
bakat baru dan bisa mempengaruhi orang banyak lewat tulisanya.
Zaman yang masih menggunakan mesin ketik dan serba kekurangan
dalam informasi tapi Anisa teta[ semangat untuk mengunjungi
perpustakaan untuk mencari bahan untuk tulisanya.

Praktek Anisa dalam menekuni bidan yang disukai dengan konsen

kebebasan bisa dibaca orang banyak. Pemikiran Anisa secara tidak
langsung membuka kembali cakrawala orang lain untuk berpikir.
Selama ini kita sudah bebas dan bahagia dengan pilihan yang kita
jalanin.
Anisa mendaptkan haknya ketika menikah dengan Khudori. Khudori
memeprlakukan dengan setara. Anisa mempraktekan pendidikan
seksual dalam rumah tangga. Artinya suka sama suka dengan kerelaan.
Jangan sampai ada paksaan yang bisa merugikan salah satunya.
Trauma kekeeasan seksual berhasil dilewati oleh Anisa.

Praktek Anisa dalam mencintai ilmu pengetahuan dengan cara

membaca buku dan membawa buku kemana-mana. Anisa menyatakan
kepada Santri bahwa buku yang dipegangnya ditulis dalam penjara.
Novel yang dibaca Anisa yaitu Bumi Manusia karya Pram salah satu
novel Sastra yang mengisahkan ttg perjalanan hidup Minke keturunan
kaum pryai yang mendapatkan kesempatan bersekolah di HBS dan
berbagai perjuangan lainya bahkan dipenjarakan.
Penanaman pendidikan Karakter :Praktek Anisa dalam mentransfer
dan membuat santri untuk lebih mencintai membaca dengan cara
membagikan buku pinjaman untuk dibaca. Anisa ingin santriwati
cerdas dan memulai menulis. Di Pondok Al-Huda santriwati dilarang
membaca buku selain kitab Al Quran dan sunah. selain dari itu
dianggap haram.

Ingin mengajar menulis: Praktek Anisa sangat ditentang oleh saudara

laki-lakinya. Padahal perpustakaan umum sangat dibuthkan untuk
peluasan ilmu pengetahuan santri. Melihat potensi dan minat bakat
santri dalam membaca Anisa tidak pernah surut keinginan untuk
mebangun perpustakaan. Saudara Anisa takut kalo santri menjadi
manusia bebas yang nakal yang menentang hukum alam. dialog Anisa
menentang saudaranya bahwa hukum alam itu bukan perempuan
tunduk dan menerima perlakuan kekerasan dari suaminya. Perempuan
harusmandiri dan kreatif. banyak hal yang bisa dilakukan selain
menikah dan tunduk kepada suami. tapi pemikiran itu terlalu sempit.
Perpustakaan sebagai simbol peradaban.

Anisa tidak pernah pantang menyerah untuk kemajuan. Cinta Anisa

kepada kemajuan pemikiran perempuan dengan cara membagikan
buku bacaan secara diam-diam karena dilarang sangat ketat oleh
pengurus pondok ataupun ustad" untuk membaca buku" kiri.
Hasil dari usaha Anisa untuk mebuat santriwati tertarik pada dunia
literature dan tulisan cukup terlihat dengan antusiasme santriwato
membaca buku mala-malam dan menulis..
Dalam dialog dan scene Anisa mengangkat kardus dengan tenagnaya
sendiri sewalaupun sedang hamil dan sebentar lagi melahirkan,. Anisa
tetap bersih keras untuk membagikan buku bacaan kepada santri
sewalaupun ada larangan keras. Dalam hal literature Anisa sangat
tegas dan berprinsip. apa yang diyakininyas benar ia lakukan. Anisa
punya cita-cita dalam mencerdaskan generasi dengan membaca
banyak buku dan tetap berpegang teguh pada Islam. Bagaimana
santriwati bisa berkembang mebaca bukupun masih dilarang-larang.
Anisa melihat metode yang salah dalam penerapan nilai Islam dalam
lingkup pondok pesantrean. terllau kaku dan tidak ingin mencoba hal-
hal baru. Jika tidak bisa membangi buku dalam kondisi terag-terangan
makan lebih baik secar diam-diam. Secara Pendidikan Anisa sekolah di
Jogja pusat buku dan akan sangat mudah mendaptkan buku bacaan
untuk para santrinya.
Anisa banyak mendapatkan hinaan karena telah membawa buku dan
dibagikan kepada santriwati . Pemikiran Anisa tidak diterima di pondok
pesantren karena membawa buku moderen akan mencelakakan
pemikiran para santriwati. Bku oderen dianggap buku komunis yang
meracuni pikiran santri. Hanya akan ada perpustakaan Quran dan
hadist, tidak diijinkan untuk membangun perpustakaan moderen yang
umum.

Anisa menampar samsudin untuk memberikan pelajaran kepada lelaki

untuk memiliki sopan santun agar tidak berani memandang rendah
perempua. Samsudin mengira bahwa dengan hartanya bisa meruuk
dengan Anisa nyatanya tidak, Anisa tidak ingin jatuh dalam lubang
yang sama terhadap Samsudin dan mandiri secara ekonomi dan
finasial. Masa lalau hanya menjadi pelajaran hidup. Perempuan
dituntut untuk kuat dan memiliki ilmu pengetahuan untuk menghadapi
segala persoa;an hidup, itu yang dilakukan Anisa sewalaupun suaminya
sudah meninggal tapi ia tetap kuat dan tegar.

Setelah Anisa pergi ke Jogja untuk bekerja Pesantren semakin ketak

merajia buku bacaan yang diberikan Anisa hingga satupun tidak
tersisa.
 Puncak dari menolak pemikira kiri dengan membakar dan menyita
buku. Santriwati disudutkan dan diberikan pelajaran maupun
peringatan untuk tidak lagi membaca buku selain buku pelajaran
maupuln Al-Quran. Secara pemikiran dibartasin. Semakin banyak baca
maka semakain banyak tahu namun untuk meningkatkan kualitas otak
dan berpikir sangat dilarang. sisitem Pendidkan masih sangat
tradisonla dan tidak moderen. Anisa tidak ada di pondok pesantren
sehingga tidak biisa menghentikan aksi yang dilakukan kakak-kakaknya
maupun pengurus pondok.

Santriwati kabur karena mereka tidak bisa lagi menulis dan membaca
buku di pesantren karena sudah dibakar. Apalagi tidak adanya Anisa
yang membela mereka. Santriwati ingin bebas seperti Anisa tanpa
dikukung dengan ajaran yang membodohkan. Tidak memberikan
ruang kreativitas untuk santriwati. Anisa mengajarkan untuk menulis
dimanapun tempatnya dan kabur bukan solusi yang tepat. Anisa telah
memutuskan untuk berhenti bekerja dan fokus mengurus dan
mendidik mereka di Pesantren. Santri kagum terhadap Anisa bisa
bebas melakukan apapun sesuka hati, darinya mereka belajar tentang
kebebasan.
Anisa mengingatka kepada yang lainya untuk memilih jalan yang benar
dan dapat mempertanggungjawabkan apa yang kita lakukan. Mahu
jadi apapun kita yang penting punya tujuan yang benar. Tidak ada yang
rendah. Mahu jadi ibu rumah tangga atau menjadi wanita karir.
Menjalankan sesuatu dengan ikhlas dan tidak terbebani dengan
apapun. Anisa mengubah cara pikir warga pesantren.
Kali ini Anisa mendaptkan restu dan kesempatan untuk mewujudkan
perpustakaan impiannya. Tidak mudah berbeda dan menentang
dikalangan orang-orang yang sudah lama menganut sistem pendidikan
yang turun temurun baik dalam metode maupun pemikiranya. Anisa
salah satu perempuan pencerah yang mengubah pemikiran di
Pesantren. dengan disetujui pembangunan perpustakaan maka sumua
buku bacaan diperbolehkan untuk dibaca dan santri dibebaskan untuk
menulis dan mengembangkan kreatifitasnya. Niat dan terus berikhtiar
membuahkan jalan penerangan.

Memajukan peradaban dengan membaca buku, itulah yang dilakukan

oleh Anisa dengan mempraktekan dan mengajak orang lain untuk cinta
buku. Memberikan kemudahanakses baca buku. Anisa tidak takut lagi
membagikan buku secara terang-terangan karena telah berhasil
mengubah sistem yang ada di Pondok Pesantren.

Buah pemikiran Anisa telah menyadarkan para Ustad maupun

saudaranya yang begitu menenntang pembuatan perpustakaan.
Dengan berusaha selam 4 tahun akhirnya berhasil. Ia berhasil
mebangun pesantren moderen untuk para santriwati untuk membaca
buku secara bebas dengan genre apapun.
 Malcolm X
Symbol Practices

firm of God from Al Quran (Islam

Jo March menawarka
tulisanya ke Volcano
Office
 Jo March menjual
tulisanya

Anissa dipaksa turun dari kuda

Jo March menulis dan
bekerja
Atribut sekolah
Pantai
Jo membagikan hadiah
kepada kelaurga
Hammel
Pena dan Buku Tulis
Pakaian Muslimah, Ruangan Sekolah
Mencuci pakaian di desa

Jo memberikan uang
kepada ibunya

Kantor Pos
Bioskop

Surat kelulusan beasiswa

Buku Nikah dan ijab kabul
Suami istri

Tempat Wudhu
Ranjang dan gunting

perempuan dengan Perempuan (eyes to eyes)

Surban dan Jilbab
Kampus dan ruang kelas

Menulis

Majalah koran
Ranjang

Buku
Buku
Buku
Buku

Pondok Pesantren

Buku
Buku

Workshop Kepenulisan
Pesantren
Buku

Perpustakaan menjadi tempat penyimpanan

ilmu pengetahuan yang bisa diakses oleh
siapaun. Perlunya perpustaakan yang
memberikan manfaat bagi khalayak umum
 RACE
Equality in Economic
Malcolm X
Discouse Symbol Practices

Keberanian Jo March memasuki kantor publikasi Pakaian Jas: Pakaian yang

untuk menawarka hasil tulisanya. dIdalam dikenakan Jo March tidak biasa
kantor tersebut dengan banyaknya laki-laki layaknya pakaian yang dugunakan
yang berda di ruangan, Jo March menjual hasil perempuan Barat. Perempuan
karyatulisnya demi uang. Jo March menjadi eropa biasanya memakai dress Ia
tulang punggung keluarga dengan mencoba memakaia Pakaian laki-laki
melakukan apappun yang bisa menghasilkan dengan gaya tomboynya.
uang.
Praktek dan dialog , Jo March mempunyai bakat
dalam menulis dan banyak mendapatkan
penghargaan. Dengan skill menulisnya. Dalam
hal ini Jo March menulis untuk menopang
Tulisan
ekonomi keluarga. Jo March berusaha mandiri
dan berusah dengan keras untuk mendaptkan
uang. Jo akan terus menulis untuk mendaptkan
uang.
Dalam dialog dan schene Jo March menulis dan
disapa laki-laki bernama Fredrich penghuni
kost. Ia lebih fokus menulis sehingga rok pun
ikut terbakar. Jo March bekerja dengan sangat
keras dan tidak ada waktu untuk memikirkan
tentang lelaki; yangmenjadi fokus utamanya
adalah pekerjaan dan uang" Fredruch: always
working? Jo March: Money is the end and aim
of my mercenary existence. terbukti bahwa
tujuan utama dan akhir hidup Jo March adalah
uang. Menjadi tulang punggung keluarga. . Jo
March gambaran umum perempuan Barat dari
desa yang merantau dan bekerja keras menjadi
tulang punggung karena Ayahnya pergi ke
medan perang bertahun-tahun.
 Makanan dan pakaiaan
Dalam hal ekonomi Jo bukanlah kelaurga yang
mampu. Untuk makan sehari-sehari tidak
berkecukupuan apalagi untuk berbagi. Namun
disini Jo March belajar dari ibunya untuk
bersikap dermawan kepada orang lain dan
perduli terhadap keadaan yang menimpa
tetangga sekitar. Secara sosial Jo March tidak
menutup mata untuk bertindak mengatasi
problem dengan memberikan obat=obatan dan
pakaian hangat di musim digin.
 Jo: Take this and find her the best doctor you
can. Marmee: You need this to live in New York.
Jo: No, I'm not goiung back. I'm using the rest to Money
take her to the sea and get her strong. Dari
dialog diatas bahwa Jo March sangat perduli
dengan keadaan ekonomi keluarga. ia berjuang
mencari uang dan bekerja sebagai guru privat
di New York. Perjuanganya merelakan Uang
ongkos kembali ke New York diberikan untuk
pengobatan saudaranya.
 Praktek yang dilakukan Jo di
dalam dialog bahwa Jo March
begitu berjuang demi keluarga.
Kondisi ekonomi mengharuskan
dia berkorban merelakan rambut
Jo memotong rambut untuk menghasilkan uang Rambut dan money
panjangnya. Memoting demi
mendapatkan uang. Memotong
rambut artinya merelakan
penampilan perempuan untuk
menjadi laki-laki.
Anisa melamar
menjadi konselor
Anisa bekerja sebagai
konsultan kekerasan

Anisa bekerja dengan

menangani berbakai
kasus

Anisa berhasil
menagani kasus
percereaian Klienya
mic
Ayat-Ayat Cinta Malco
Discouse Symbol Practices
Jo March
bertemu dengan
bibi March
Praktek Anisa mencari kerja ia menerapkan mencoba mandiri
dalam ekonomi. Yang pada umumnya perempuan dibiayai
sekolah akan tetapi ia tidak mahu. Setelah melewati rintangan Lembaga LBH
dari rumah tangga dengan Samsudin Anisa belajar untuk tidak
bergantung dengan siapapun. Perempuan bisa mandiri asalkan
memanfaatkan kemmapuanya.
Dalam dunia kerja Anisa mencoba membangun skilogi mental
yang baik untuk para klien yang mendapatkan perlakuan KDRT.
Ia mensuport supaya perempuan harus kuat dan menentukan
sikap untuk berani keluar dari zona tersebut. Jika tidak bisa
dikomunikasikna secara baik-baik antara kedua belak pihak
maka jalan yang baik untuk terlepas dari itu semuan dengan Kantor LBH
melaui jalur hukum. Anisa selama bekerja juga sambil
membayangkan apa yang ia alami, diperlakukan layaknya
binatang oleh suami pertamnya dan setiap perempuan pasti
akan mengalami trauma fisik maupun psokis untuk menjalani
lembaran baru. Anisa banyak belajar dari kasus yang di atasinya.
Anisa sewalaupun suaminya juga bekerja akan tetapi ia mandiri
dan membantu suaminya untuk meningkatkan ekonomi
kelaurga. Hal yang paling memberatkan untuk seorang
perempuan untuk bercerai karena anak dan masalah
kemandirian ekonomi. Perempuan seringkali bertahan meskipun
mendaptkan kekerasan.

Kasus yang serupa seperti yang dialami oleh Anisa.

Mengingatkan kembali tentang trauma lama Anisa yang masih
belum sembuh. Anisa tetap berusaha bekerja secara profesional
untuk membantu klienya. LBH

Dalam bekerja harus sabar dalam mengatasi berbagai keluhan

yang dialami ileh klien. Entah masalah psikologi maupun
fisiknya. Memberikan dorongan secara terus menerus akhirnya LBH
berhasil menanamkan kepercayaan bahwa perempuan bisa
bebas dari perilaku kekerasan sebelumnya.
 Equality in Politic
Malcolm X Ayat-Ay
Discouse Symbol Practices

Anisa mengendarai
Kuda
 How come Reza and
Wildan can do it?
They are boys
so it's fine.
Anisa mencalonkan
menjadi ketua Kelas
Dalam dialog dan shene ini Jo March
dipengaruhi oleh bibi March untuk
menikah dengan orang kaya. Akan
tetapi Jo March bisa membuat
jalanya sendiri untuk merubah
Potret
kehidupanya menjadi orang kaya.
Termasuk bekerja keras dan lebih Perempuan Kaya
menggeluti dunia kepenulisan. Jo
March tidak terpengaruh dan tetap
konsisten terhadap pendapat
maupun keputusanya.
Anisa ingin bebas
dengan cara yang
tidak benar
Politik Anisa dalam
mempengaruhi
pemikiran orang lain
lewat tulisan
Anisa mempengaruhi
pemikiran warga
Ponpes al Huda
Equality in Politic
Ayat-Ayat Cinta
Discouse
persamaan hak antara laki-laki dan Perempuan
Bentuk nyata Anisa dalam praktek equal in Politk.
Praktek dengan mencalonkan diri agar mendapt
jabatan struktur di kelas. Praktek ini dengan
mengambi konsep perempuan berhak menjadi
pemimpin. Perempuan berhak memilih dan
dipilih.
Dalam dialog tersebut dapat dilihat kondisi skilogi
Anisa sangat kacau. Ia ingin terbebas dari
Samsudin dengan cara mengajak Khudori untuk
menjinahinya. Keputusasaan Anisa ketika
memberitahukan kepada orangtuanya menjadi
hal yang tidak berguna. Anisa sadar mendengar
nasihat dari Khudori. Anisa tidak bebas
mengendalikan sesuatu ketika bersama
suaminya. apapun haknya tidak dapat dinikmatin
secara bahagia. Politik Anisa dengan mengambil
jalan pintas sewalaupu itu terlihat kotor dimata
oranglain. Anisa memperjuangkan hak dan
kebebasan lewat Khudori. Cereipun tidak
diijinkan apa yang bisa dilakukan selain
melanggar. antara laki-laki daan perempuan tidak
bisa berdua duaan tanpa seorang mahrom, yang
terjadi malah di anggap berjina.
Tulisan Anisa dimuat dalam koran yang artinya
tulisan anisa diperhitungkan Dan banyak yang
suka erkait perempuan yang bebas. Bebas sesuai
pilihan. Memilih jalan yg mmebuat bahagia. Anisa
bisa berpengaruh dengan tulisan epiknya. Pesan
yang ingin disampakan ketika kita melaukan
sesaautu yang kita sukai pasti akan indah. Zaman
dulu biasayan orang hebat masuk dalam Tv dan
Majalh koran. tulisan Anisa banyak dibaca orang
ketika dimuat di Koran, karena hal utama yang
dibaca merupakan koran
Praktek Anisa dalam dialog bahwasanya
perempuan bebas mahu menjadi ibu rumah
tangga, berbakti kepada suami Istri dan memilih
kebebasanya sendiri karena tuhan pun
memberikan kebebasan kepada Manusia. Politik
dalam mengurus kepentingan umat. Disini
terlihat jiwa kepemimpinan dan keunggulan
perempuan untuk memajukan perempuan lainya.
Anisa menyadarkan bahwa taat itu tidak harus
tunduk ketika diperlakukan tidak adil.
 MA
yat-Ayat Cinta
Symbol

Lautan dan Daratan: ada dua dunia dari lautan ke daratan

yaitu seperti manusia dalam kandungan berpindah tempat dari
alam rahim ke alam dunia. Anisa dilahirkan dengan keadan suci
dengan pemikiran pembaharu. seseorang akan mati dan
dilahirkan kembali dalam bentuk kehidupan lain. Anisa
menjelma sebagai Perempuan yang penuh semangat, berenergi
dan kriris.

Sorban: Kain penutup kepala laki-laki untuk wilayah Timur

Tengah dan merupakan penutup kehormatan. Anisa memakai
Sorban yang bercorak khusus untuk laki-laki, untuk
memperlihatkan bahwa antara laki-laki dan perempuan tidak
ada pembeda baik dalam segi pakaian maupun hak-haknya.
Perempuan bebas melakukan hal yang dilakukan laki-laki dan Fill lighting adalah teknik
pencahayaan untuk mengisi dan
sebaliknya. Hal yang dilakukan Anisa sebagai perempuan yaitu menghilangkan kegelapan juga
Memperjuangkan politik indentitas karena adanya perbedaan- bayangan yang diciptakan dari
perbedaan yang didasarkan atas fisik dan tubuh dalam linkungan
key lighting. Cahaya yang berada
masyarakat Pondok Pesantren. Kuda: Anisa mengendarai Kuda
dalam ruangan tanpak soft dan
layaknya seorang kesatria yang biasanya kesatria hanya untuk
terlihat gelap cahayanya. Ini
laki-laki namun Anisa mengendarai kuda memperlihatkan
menambah estetik dan kesan
kekuatan untuk mengendalikan sesuatu baik dijalan damai
ataupun permusuhan. Kuda seperti manusia ada yg penurut dan dramatis memperlihatkan objek.
pelawan. Kuda juga dimaknai sebagai hewan pembawa starategi
atau misi dalam melindungi diri. Kuda dikenal dengan hewan
untuk perang pada Zaman Rasulullah.
Papan skor hasil pemilihan 12 dan 11
laki-laki dan perempuan
Koran
Pondok sekolah dan Ustadz
 MALCOLM X
Setting di dalam ruang Kantor
Publikasi Tulisan dengan Robert
Publication dibelakang Mr.
Dashwood. Yang menandakan
seting di kantor publikasi New
York.
Pakaian Jas dengan menambilkan Jo March tanpa serius
membicarakan tentang
karakter tomboys pada diri Jo
tulisnaya kepada Mr.
March.
Dashwood.
 Ayat-Ayat Cinta

Setting di Pinggir Pantai Costume pada gambar ini

memperlihatkan Anisa memperlihatkan Anisa
sedang mengendarai memakai busana muslim
Kuda. Terlihat di gambar dengan Baju yang dipakai Anisa
Anisa sedang sendiri dan bewarna putih dengan sorban
serius menunggangi Kuda yang menutupi Wajah. Anisa
coklatnya. masih menggunakan baju
muslimah yang
Natural Lighting, pada memperlihatkan identitasnya.
scene ini menggunakan Perempuan namun bisa kayak
cahaya alami di lokasi laki-laki dengan adanya sorban.
shooting yang bergantung
pada kondisi dan waktu di
lokasi shooting, (tidak
menggunakan
pencahayaan lampu).
Caha

Natural Lighting, pada

scene ini menggunakan
cahaya alami di lokasi
shooting yang bergantung
pada kondisi dan waktu di
lokasi shooting, (tidak
menggunakan
pencahayaan lampu).
pada scene ini
Pencahayaan back
Lighting. Dengan tingkat
pencahayaan yang soft
agak redup yang
menandakan malam hari.
Pencahayaan ini juga
dihadapkan ke subjek, tapi
dipasang di bagian
belakang dan posisinya
lebih tinggi untuk
memisahkan subjek dari
background-nya.
Pada scene ini
pecahayaanya adalaha Side
Light. cahaya yang masuk
ke sebuah frame dari
samping untuk meng-
highlight seseorang atau
objek di dalamnya.
Natural Lighting, pada
scene ini menggunakan
cahaya alami di lokasi
shooting yang bergantung
pada kondisi dan waktu di
lokasi shooting, (tidak
menggunakan
pencahayaan lampu).

Pencahayaan pada scene

ini adalah Soft Lighting.
Cahaya masuk dari
samping aktor
Pada scene ini
menggunakan Fill lighting.
teknik ini pencahayaanya
untuk mengisi dan
menghilangkan kegelapan
dan bayangan yang
diciptakan dari key
lighting. Cahaya yang
diletakkan agak jauh dari
objek sehingga
menghasilkan gambar
yang sedikit redup namun
tetap kelihatan jelas dan
lebih dramatis.
 The similarities
nta

Mimik wajah serius dan penuh semangat dalam

menungangi kuda
Scene ini merupakan posisi tengah dan Simetris .
Komposisi pada scene ini memposisi kandua subjek
perempuan duduk berdampingan dan berhadapan
dengan dua subjek laki yang duduk berdampingan
dan sejajar, di ujung meja ada abi sebagai
pemimpin. Kostume yang dipakai merupakan
pakaian rumahan. peci yang mennadakan bahwa
abinya Anisa merupakan orang yang sudah berhaji
dan Kiyai. kedua perempuan memakia Jilbab
dengan sopan. menikmatin makanan diatas meja.
Posisi frame di scene ini adalah komposisi
Asimetris. Memposisikan subject kiri dan kanan
tidak seimbang. Perempuan satu dan laki-laki
berjumlah dua dengan ukuran yang berbeda,Objek
Anisa sebagai perempuan yang mencalonkan diri
sebagai ketua kelas dan lawanya laki-laki beserta
guru kelasnya. Posisi angle camera in front dengan
latar papan tulis untuk memperlihatkan score
perhitungan suara Anisa dan Farid . kostum yang
dipakai adalah seragam sekolah dengan baju Keki.
ekspresi yang diperankan oleh anisa terlihat serius
dan menatap ke arah gurunya.
Pada scene ini posisi framenya yaitu foreground
interest yang menangkap beberapa subject menarik
untuk dijadikan latar didepan yang menambah
kedalaman sebuah adegan. Salah satu yang
menarik adalah sungai yang memperlihatakan
kondisi lingkungan pedesaan. Anisa dan temanya
yang menjadi fokus utama yang saling berhadapan.
posisi kamera dari belakang. kostum yang
digunakan yaitu baju Muslimah seperti Zaman"
dahulu dan terlihta sederhana laaknya anak
pedesaan.

Tehnik Komposisi dengan menggunakan komposisi

Golden Ration. yang berfokus pada kantor pos
pengiriman surat. Petugas kantor Pos dengan Anisa
saling berinteraksi. Kostum yang digunakan Anisa
bewarna coklat dengan jilbab bewarna Kuning.
Dengan temanya menggunakan pakaian putih.
Anisa sebagai subjek memegang surat untuk
diserahkan kepada tukang POS. Terlihat Anisa
sangat serius berbicara menghadapa ke tukang Pos.
Pada schene ini komposisi gambarnya tengah dan
simetris. Anisa sebagai central ynag menhgadap ke
kedua orangtuanya dengan wajah serius dengan
Abinya membaca surat kelulusan Anisa dari Jogja.
Latar tempatnya diruang keluarga, diatas meja
makan. Kostum yang dipakai merupakan pakaian
keseharian seperti busana muslimah dan Abinya
memakia peci berwarna putih.